Archive for Power Quest

SOS Festival, Day 3 Review

Posted in Festival, Live, Uncategorized with tags , , , , , , , , , , , on 30th July 2017 by Mickelrath

SOS Festival, Longfield Suite, Prestwich, UK

16th July 2017

Resin, Faith In Glory, Eternal Breath, The Deep, Harriet!, Dorja, Chris Appleton, Fire Red Empress, Fahran, Triaxis & Power Quest.

Day three of a festival is always going to be a slower one. Everyone is worn out and it’s usually the day where the crowd winds down a little. Yeah, the same is true here. Even I was trying to take it a little easier. What wasn’t going easier, was the bands. Once again every band really brought it to the stage. Even if I might not have enjoyed every moment, I can still respect the effort that they put into it. I was once again in and out of the press room so I may miss some bands here and there. Yet, I think the Sunday was still a pretty strong day.

The day kicked off with a hard rock band, Resin. Wow, the feedback. From the get go the set was bogged down with technical issues. The sound was muddy and there was feedback so piercing I think everyone was feeling it. The production was muddy and I felt like the sound was really over cluttered. Even as the production issues were resolved, I just couldn’t get over the songs. It was just bland tunes and over kill on the instrumentation. There was just too much going on in the songs. So nothing felt right. There are too many string instruments into the band and it felt like a calamity. It certainly wasn’t best way to start the day. There maybe a fan-base for this but I’m not in it.

After that disheartening start of the day, salvation came in the form of Faith In Glory. I really loved this set. Their presentation was excellent. Big riffs and a big booming vocal performance from lead vocalist, Jack Collins. It was really impressive. They were a very dynamic band with lots of grooves and lots of tones to keep the audience captivated. All of them were very energetic in their delivery, they looked so enthusiastic when up on the stage. Big smiles on their faces throughout the whole set. They were clearly enjoying themselves and the audience was right their with them. Adding in a cover of Black Stone Cherry’s “Blame It On The Boom Boom” was enough to sell me on them. Let me tell you, anyone that can convincingly cover Black Stone Cherry (one of my favourite bands) then I know they’re doing something right. Keep on rocking lads, that was awesome.

The next act I managed to catch only a little bit of were, Belgium power metal band, Eternal Breath. Like I said I only caught a bit of them but they was spectacular. There was just a great sense of command and power to them. The guitars chugged away and the vocal performance soared over the production. The whole thing reminded me of the real old school metal acts of yesteryear. They paid their respects to the late Philippe Beauprez, from Wizz Wizzard, which got a big ovation from the crowd. Everything about their set was technically perfect. The band was tight, the music was cranked up loud and there was a lot of enthusiasm to go around in the venue. I really liked them. The same can be said for the next band The Deep. It was, once again, a classic type of sound. This was one really fun set. I was standing there with them and  I enjoyed every moment .They brought awesome old style grooves to the table. It was sharp and crisp and the solos blew me away. It was just that real pumping classic rock sound that I grew up with. It got me up and moving. It was loose and fun and and they didn’t look like they taking themselves too seriously. They just worked well. Again not too much to say about them, I just had a really good time.

I think I’ll cover the acoustic stage now as I didn’t really get around to watching much of it. First of all acoustic artist, Harriet!. She was absolutely fabulous. Almost a country style of music, she had a beautiful and soulful voice that was excellent to listen. It was simple and elegant. She threw in a cover of Evanescence’s “Bring Me To Life” which actually sounds great acoustic. She had this incredible sound that was so pure and emotional to listen to. This is someone you should check out immediately. The talent parade continued with, Dorja. These girls can really play. I mean really play. The technique on display was impressive. The stripped back set sounded really nice and I would be really interested in hearing them in a cranked up set. The vocal harmonies were absolutely beautiful and the instrumentation was superb. The guitar solos were really nice to listen to and in this more relaxed set the girls just really put on a spectacular show. This was a really nice discovery for me, five really talented musicians playing some really great music.

The last band I want to talk about from the acoustic stage is Chris Appleton. A day removed from playing the headline set with Blaze Bayley, Chris was back at SOS Festival bringing his songs to the acoustic stage with his brother Luke Appleton. The chemistry was excellent and the songs flowed from the stage. Being the final act on this stage for the weekend they really brought it and showed off exactly what they were all about. They had a great chemistry with the audience that made their set feel electric. It was a superb way to end the day, and the weekend on this stage.

Next on the main stage was my MVP’s of the whole weekend, Fire Red Empress. All I can Say is freaking WOW. They just blew me away. I’ve not seen these guys in a while so getting the chance to hear them live again was freaking excellent. Armed with new lead vocalist, Jennifer Diehl they’re a totally different beast now. The bass boom, the guitars roared and the vocal performance was simply incredible! The new songs sounded wonderful and it has just made me really hyped for a new album from them. The band had this vibrant energy to them that looked great and the room filled with enthusiasm for them. The sound was big and impressive and I’m just stoked to hear and see more from them.

The fun didn’t stop because after that we had Nottingham rockers, Fahran. A few years ago I discovered these guys in a small bar in Manchester and every time I see them or hear anything from them they just get better with time. They were full of life and really brought a great show to SOS Festival. Their song have these huge choruses and these really hard hitting riffs. They used this show to debut some new material. The new songs were “Pyre” and “Some Kind of Family”. Which were bursting with riffs and melodies that sound great. I am really excited for new music from them.  They had an instant connection to the crowd. Their classic sound is instantly recognisable and likeable which I think is the secret to their success as a band. They’re just a younger version of the classic rock band we all grew up with. They play with passion and great technique. Genuinely an awesome band.

Unfortunately I missed a lot of Triaxis’s set. It’s a shame too, as Triaxis are on their way out and this maybe the last time I get to see them live. From what I saw they were really good. Like I said I can’t comment on much but I did see that the crowd was really into it.  A well put together band with a really tight sound. Just really nice metal music. The vocal performance was really good and the vocals just floated on top of the production. The metal was fast pace and had a lot of energy to it. Just absolutely intoxicating. As I said I didn’t catch much of the set but I enjoyed what I saw. 

Finishing off the weekend where power metal champions, Power Quest. Everything just sounded so glorious. Every element of the band worked really well and the production came through loud and clear. From the synth and keys to the powerful guitars the booming rhythm it all just hit home. Songs that lept out for me were songs like “For Evermore”, “Better Days” and of course the self-titled songs “Power Quest”. They beamed with confidence and you can tell that the crowd were really into the performance. Vocalist, Ashley Edison really showed off some amazing ability that completely blew me out of my socks. They were a really enjoyable end to an incredible weekend.

Words: Mick Birchall

Photos: Rich Price and Holly Price (Rich Price – Photographer & Music Journalist)


Alice In Thunderland w/Support @ Shades Nightclub, Bridlington

Posted in Gig, Live with tags , , , , , , , , on 2nd January 2013 by Nico Solheim-Davidson, the North Sea Poet

Alice In Thunderland, Filth Wizard, Abbie Lammas, Liam White
Shades Nightclub, Bridlington
22nd December 2012

With Christmas just around the corner, the Christmas gig at Shades in Bridlington was just the event to help get one into the festive spirit. Originally, five acts were meant to have played but one of them dropped off last minute due to car troubles. Despite this set back, the event was ready to begin as a young Liam White took to the stage.

Combining an eclectic mix of acoustic renditions of songs such as Snuff (originally by Slipknot) and Run To The Hills (originally by Iron Maiden), Liam White played a nearly flawless set which did more than warm-up the crowd. The only downside to his performance was the lack of original material but saying that, there’s not many musicians out there who can pull off covering Iron Maiden on acoustic guitar like Liam did. Up next was Abbie Lammas and her band who played a superb set, which is no surprise when it comes to Abbie. Mixing a staunch use of riffs and rhythmic, almost hypnotic drums with angelic vocals, Abbie and her band put on one hell of a show which was greatly appreciated by all in attendance.

After Abbie’s set, Filth Wizard were pretty much ready to play. Coming onto the stage to Jingle Bell Rocks, came the frontman Adam Towse and bassist Jason Diprose – both of which adorned in outfits that left very little to the imagination. It had been many years since I’d last seen Filth Wizard perform and fortunately, they’re still on top form. Blasting out their singalongs like Spank Me, Show Us Yer Panties and Accidental Anal, they really did steal the show. Everything from the fierce, almost thrash-like riffs and the hard-hitting rhythm sections to the harsh, guttural vocals and lyrics dripping with sleaze went down a charm – Even their bluesy number which I forgot the name of was a real crowd pleaser.

And then Alice In Thunderland, who were fresh from their Metieval performance a week earlier where they supported Power Quest, hit the stage with their classic rock and old-school thrash stylings. With their thundering use of bass and charismatic vocals, topped with the more modern styled riffs of the guitars, Thunderland soon got continued rolling the momentum from Filth Wizard’s performance. The tracks from their latest album Hellfire seemed to go down better with the crowd, as did the few covers they threw into their set.

Well, it was one way to bring out the festive spirit and all the bands performed at the top of their game but for me, Filth Wizard were the best act of the night.

Nico Davidson


Power Quest – Blood Alliance [2011]

Posted in Review with tags , , , , , on 25th February 2011 by Nico Solheim-Davidson, the North Sea Poet

Band: Power Quest
Album: Blood Alliance
Release Year: 2011
Genre: Power Metal


“Blood Alliance” is the fifth and upcoming album by British power metal sextet “Power Quest”. The album features a whole new line-up.

The first track “Battle Stations” proves to be the beginning of a promising album with it’s drums and guitars intro which lead into a brilliant guitar solo. Despite being a two minute long instrumental, it is a very good track. The second track “Rising Anew” begins with a melodic guitar intro which is soon accompanied by some well-played drums. The keyboards fit themselves perfectly in as well. The vocals however don’t seem to sound powerful enough for this kind of music.

“Glorious” comes next. It begins with a very old-skool punk-ish sounding riff. The vocals soon kick in after and the riff turns dull. The track lacks energy during the vocal parts. Even the drums sound bleak alongside the vocals. The only really exciting part of the track is the guitar solo. “Sacrifice” is next and it begins with an old skool metal sounding riff which is soon accompanied the drums, the second guitar and keyboards. The riff retains some of it’s energy during in the vocal sections and this track is a slight improvement from the previous track. Like the previous track, the only exciting part of the track is the guitar solo.

After is “Survive” which begins with a wonderful mix of guitar, drums and keyboards, though this exciting combination is soon ruined by the vocals.  The guitar riffs on this track aren’t exactly well composed and they sound repetitive of the previous two tracks. The guitar solo sounds repetitive and dull as well. “Better Days” comes after and it begins with a slow synth-styled intro, something reminiscent of “Journey”, especially when the guitars kick in. The vocals sound more old skool on this track as well, which is an improvement compared to the other tracks. “Crunching the Numbers” begins with a fast-paced synth intro, mixed with some shredding guitars. The guitar riff sounds similar to a Dragonforce track, though this soon changes when the vocals some in.

“Only In My Dreams” and the title track “Blood Alliance”, like the previous tracks begin with synth intros before the guitars kick in. Both are dull and uninteresting tracks. The final track “City of Lies” begins with a guitar intro which is a welcome change, however, the track does revert back to synths dominating the music when the vocals come in. The guitar solo seems to be the only good part of this track. The rest of the track is just bleak.

“Blood Alliance” is a disappointing album. If the vocals had more power and less of a droning effect and if there was less use of synths, then this would be a much more enjoyable album. But if you enjoy synths and keyboards dominating metal, then this album will be right up your street. “Power Quest” are going to have to try a lot harder to release an album better than this mediocre production.


Nico Davidson