Archive for Paradise Lost

Pieni’s highlights of 2017

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , on 1st January 2018 by Pieni

2017 was quite the roller-coaster, hence my somewhat absence. But that doesn’t mean I’ve paid less attention. My live highlights this past year were:

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  1. W.A.S.P. at O2 Forum Kentish Town (London)
  2. Infraktor at Metalpoint (Porto)
  3. Equaleft at Hard Club (Porto)
  4. Ugly Kid Joe at AgitÁgueda (Águeda)
  5. Hills Have Eyes at River Stone (Penafiel)

In terms of records I might have been a bit careless, but these titles are awesome nevertheless:

heartlessoppressor

  1. “Heartless Oppressor” by Primal Attack
  2. “1755” by Moonspell
  3. “Infinite Shadows Of Memories” by The End Of Grace
  4. “Hegemony” by Samael
  5. “Medusa” by Paradise Lost

Top-5 videos:

  1. “In Tremor Dei” by Moonspell
  2. “Never Quit” by Hills Have Eyes
  3. “Like Orpheus” by Orphaned Land
  4. “Blood And Chaos” by Paradise Lost
  5. “Black Flag” by Iced Earth

And expectations/anticipations for 2018:

infexhaust

  1. The release of “Exhaust”, Infraktor‘s debut album!
  2. After the single “Never Quit” blowing my mind away, can’t wait to see what Hills Have Eyes will deliver next.
  3. The release of “Dropout”, Breaking Today’s debut EP, and how it will turn out live (pretty dynamic, I’m sure).
  4. Crashdïet have a new singer, Gabriel Keyes, and judging by the first single featuring him, “We Are The Legion”, I foresee a bright future for the Swedes.
  5. Just a few days ago, in what I’ve considered one of their best live shows ever, Equaleft played two new songs, two powerful new songs. Hoping to listen to the rest of this upcoming second full-length album in 2018.

Happy New Year folks!

Renata “Pieni” Lino

VOA Fest 2016 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 12th August 2016 by Pieni

Kreator, Paradise Lost, Abbath, Schammasch, Equaleft, Soldier
Quinta da Marialva, Corroios (PT)
6th August 2016
Promoted by Prime Artists and PEV Entertainment

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This year saw a new start for Vagos Open Air, now simply known by its acronym VOA – new partnership among the promoters, new venue in a new city… The quality? Same as always. Of course all these changes brought along a lot of complaints (humans…), which I don’t see relevant to talk about; but regarding five out of the twelve bands being “recidivists” in the festival, I will say something. Sure, we live in a little country in the most Southwestern corner of Europe where it’s not always easy for an international band to reach – meaning the list of well-known names that never played here is endless and yes, it would be nice to shorten that list through a fest. But at the same time… if the band’s good, what’s so wrong about seeing it a dozen times? Hell, this was my 10th time seeing Paradise Lost and I loved it!
I’m not sure if this new place is smaller than the previous one. At first glance it seems so, as it’s definitely shorter in length. But it’s considerably larger in width, so… What really matters is that the stage was placed inside a natural amphitheater, surrounded by small hills, and if that prevented the wind to ease up the unholy heat (it’s been said this is the hottest summer since 1931), it also didn’t let the sound wander off beyond the festival zone.

13435327_1189167444435631_4832768569027046350_nBack to its original 2-day format, I sadly could only attend the second day. From what I’ve heard, Dark Oath did pretty well as the opening act. Not in front of the biggest crowd, but everybody knows how unfair playing first can be; still, it seems that a fair share of people enjoyed the symphonic/melodic death metal the national band had to offer, introducing the debut full-length “When Fire Engulfs The Earth”.
Italians Adimiron followed next and apparently also focused just on their latest release “Timelapse” (or so it says on setlist.fm). I confess I had never heard of them before, even if they’ve been around since 1999. Apparently, the same happened with most of the crowd, although eventually they surrendered to the band’s sound and performance.
Mantar’s “Ode To The Flame” has received a good feedback but the duo’s live performance not so much. Or maybe their fusion of black-doom-sludge-rock isn’t the right one for a festival, especially in day light. But then again, so shouldn’t be the depressive metal of Katatonia (I know I’ve seen them live in broad daylight a few years back and didn’t like it, despite being fond enough of the band) but I haven’t heard one single bad comment about the Swede’s performance – by the contrary! But I guess Katatonia will always be Katatonia. Played a few songs from the latest “The Fall Of Hearts” along a bunch of older hits.
When Anathema got on stage it was already dark. They haven’t released anything new in two years, but they’ve got a very special place in the hearts of our metal community – always had, not since Daniel Cardoso joined their ranks. So it’s only natural that I also heard only good things about their gig.
Finally, Opeth. I remember the last time I’ve seen them, precisely at this festival, two years ago, the show was pretty disappointed for the majority of the fans, as the band seemed uninspired. They made up for it now. The title-track of their upcoming album has been rolling on Youtube for over a week but they didn’t play it, sticking to the older stuff their fans love the most.

010Now the second day, that I actually witnessed. I arrived around 15:20, the “Blackhearts” documentary was still playing on the video walls. There were a few people watching it but not many – I’ve mentioned the heat already, haven’t I?
In previous editions, the first band of each day was always Portuguese, so having a Spanish opening act was a first – thrashers Soldier did the honors. VOA is part of their “The Great Western Oligarchy tour 2016”, named after their latest album. Solid riffing, a clear invitation to headbanging, to which the crowd – once again, not that big at that early hour – took pleasure in oblige. Not much talking between songs, as there was only half an hour to play, but one could see how pleased they were for being there, given the constant funny faces and broad smiles. Happy and nice bunch of people, I believe, and competent musicians. “Revolt”, from the debut “Gas Powered Jesus”, closed their set.

www.facebook.com/soldierband

040Equaleft was up next and the national underground could hardly be better represented. I can’t find the right words to express how proud I am for them and their achievements in these past years. After opening for Gojira last month (see here), I believe playing in a fest like this was one of the few milestones they had to reach yet on Portuguese soil and now it’s done. Go Equaleft!
The follow-up to “Adapt & Survive” is in the making but nothing ready to be shared yet, so they focused on their acclaimed debut. It’s “Maniac” now that closes their sets, not “Invigorate” anymore, but this hit still features singer Miguel, a.k.a. Jedi Mig, wielding a light saber. Soldier’s thrash was entitled to some mosh circles, but it was Equaleft’s groove that made “the dust rise up from the ground”, as I heard someone say.

www.facebook.com/equaleft

057The promo pic of Schammasch on the festival page shows us four guys in bare upper-bodies. I bet they regretted deeply not going on stage like that – 34ᵒC is “a bit” too much to wear long robes. Singer/guitarist C.S.R., with black paint on his face and hands and whose robe included a hood, was probably who suffered the most, even if he barely moved throughout the whole gig. He even admitted at some point that it was “boiling” up there. So kudos for their resistance.
The music itself deserves some applause too, even if their avant-garde black metal cut down the adrenaline that both previous bands rose up. Still, mainly songs from their latest “Triangle” and at least one off “Contradiction” (“Golden Light”, if I’m not mistaken) were cheered by the crowd.

www.facebook.com/SCHAMMASCH

078It’s always hard to distinguish a solo artist from a band when the latter is named after said artist – and even so when most of the setlist is comprised of songs the artist played with previous projects. That’s what happened with Abbath. With a 75-minute slot, I understand that even if he/they had played the only released album in full, there would still be plenty of time to kill. But playing four Abbath songs among one of I and six of Immortal… I know they’re not seen exactly as covers by the fans, especially when they were thrilled to listen to “Nebular Ravens Winter” (this one’s even recorded in “Abbath”, the album) and “Tyrants” and “All Shall Fall”, but it still felt weird. Apart from the weirdness, it was super. Black metal lovers were offered a great show of the genre – even if the sun was still high up – and those who didn’t like it particularly could always enjoy Abbath and bassist King’s “evil” faces.

www.facebook.com/abbathband

083As aforementioned, Paradise Lost made my day. Nick Holmes acknowledged the “beautiful new venue” of the fest and said how good it was to be back. And with such a rich and diverse setlist, I doubt someone didn’t feel the same way about their return. From recent songs like “No Hope In Sight” to tracks from “a time when most of you weren’t even born” like “Rapture”, we revisited some of Paradise Lost’s highlights through time.
While drinking Super Bock, probably Portugal’s most popular beer, Nick mentioned its alcohol content – 5,6 % – and said that such beer would be banned in the U.K. because it could turn them into animals. When he associated it with football, the laughter was even louder.
As co-headliners, they could afford an encore, which happened after “Say Just Words” – by the way, from the same album they also played the title-track “One Second” that, according to Nick, they hadn’t played in a while (I checked and apparently the last had been two months prior). ”Flesh From Bone” was one of the four songs of said encore, its death-doom nature – so old-school PL in such a recent song – leading Nick to say “it feels like the last 25 years never happened”. “The Last Time” wrapped it up and I really, really hope this was far from the last time that I’ve seen them.

www.facebook.com/paradiselostofficial

114When entering the photo-pit for Kreator we were advised to stay somewhat away from the stage during the first song – “Enemy Of God”, as it turned out – so we were hoping for some fireworks. Imagine our disappointment when it was just confetti… Oh well. On the other hand, I’m glad it wasn’t anything dangerous, as staying away meant closer to the barriers and that was nearly impossible – the mosh and crowdsurf began with practically the first riff and the security guys needed space to attend to all of them enthusiastic metalheads. Mille Petrozza did ask more than once for circles and screams “Portuguese style” but he really didn’t need to – he was already getting that from the start.
I hadn’t realized until now that their last studio album was already four years old (review here). But worry not – Mille said they were working on the follow-up to “Phantom Antichrist” and that it should be out next year. The reception of this news was loud, but when Mille said he wanted to come back as headliners of their own tour, the crowd’s roar was thunderous. Say what you will about thrash and all these “dinosaurs” like Kreator doing the same thing over and over – legends are legends and will always be welcomed.
VOA experienced “Extreme Aggression” in a “Violent Revolution” brought up by “Hordes Of Chaos” filled with “Pleasure To Kill”, and this year’s edition finished with the “Flag Of Hate” raised by a “Betrayer”. Looking forward for next year’s experiences!

www.facebook.com/KreatorOfficial

A special thanks to the promoters, to Raising Legends and Equaleft for the ride and Mosher Clothing for keeping an eye on my stuff and letting me enjoy the shade of their merch stand.

Text & photos by Renata “Pieni” Lino

Full gallery on our Facebook page here.

Adrian Erlandsson leaves Paradise Lost

Posted in Misc., News with tags , on 17th June 2016 by izaforestspirit

Paradise Lost have parted ways with their drummer Adrian Erlandsson. The news came shortly after the band announced that they have signed a new record deal with Nuclear Blast.

Lack of time and his commitments to At The Gates and The Haunted were cited as the main reasons for this decision. Here is an extract from the statement that Erlandsson posted on his official Facebook page:

For the ones that don’t already know, I am no longer playing with Paradise Lost.
When “The Plague within” was released last year I was in the middle of gigs with At The Gates (Official) and The-Haunted.
Since I couldn’t make all the gigs for the new album,
it made sense for PL to have someone that can be there the whole time, which I couldn’t.
I want to thank everyone in the band and management.
It has been an amazing ride playing with one of my favourite bands and I feel very proud of the work we did together. “

So far there has been no news about who will replace Adrian as the band’s new drummer.

https://www.facebook.com/adrianerlandssondrummer/timeline

https://www.facebook.com/paradiselostofficial/

http://www.paradiselost.co.uk/

 

Bloodbath announce Paradise Lost-Nick Holmes as their new singer

Posted in News with tags , , , , , on 16th September 2014 by Pieni

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Anders “Blakkheim” Nyström has said in several interviews that Bloodbath had already a new singer but he wasn’t allowed to reveal his name, due to the lack of contract. He did say “Oh, he’s a legend!” but no one expected that legend to be Nick Holmes of Paradise Lost. The news hit us this morning via Metal Hammer, with the following quotes:

“Ever since I got into Lost Paradise back in 1990,” says Jonas Renkse, Nick Holmes has been one of my favourite growling vocalists out there. He was always audible and articulate but still deep and definitely morbid. It is a great pleasure to work with him some 25 years later after I was introduced to his thunderous roar!”

“Little did I expect to be working with the voice behind the death metal classic Lost Paradise, or the genre-defining Gothic and yet here we are decades later, fulfilling another death metal dream. With his sinister and ominous vocal delivery, it’s an absolute pleasure to make Old Nick the bell-ringer in Bloodbath‘s grand morbid funeral!”, adds Blakkheim.

Like they say, it’s been almost 25 years since “Lost Paradise” and everybody knows that Paradise Lost doesn’t use growls anymore. Is “Old Nick” still up to it? Let’s wait and see!

www.facebook.com/bloodbathband

Vagos Open Air 2014 – 3rd day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 23rd August 2014 by Pieni

Gojira, Paradise Lost, Vita Imana, The Quartet Of Woah!, MURK, Opus Diabolicum
Quinta do Ega, Vagos (PT)
10th August 2014

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Third and last day of Vagos Open Air 2014. It had rained a bit in the morning, so the dust had settled down. On the other hand, the water mixed with sour beer and other spilt liquids was starting to stink…

First band was Opus Diabolicum. The die-hard Moonspell fans will recognize this name from one of their early songs (from the 20-year-old EP “Under The Moonspell”, in case you’re not familiar with it). The name isn’t a coincidence, since Opus Diabolicum did with Moonspell the same that Apocalyptica did with Metallica – instrumental covers in cellos.
The gig didn’t kick off very well. After just a couple of minutes they had to interrupt due to a problem in the cello on the right (I wish I could tell you the name of the musician, but their Facebook page doesn’t mention names). And since none of the other two addressed to the audience, the silence became a little awkward. But when the cello was back in order, they attacked those strings with “Opium” and the crowd soon forgot the incident, singing the lyrics strongly. I confess I wasn’t expecting such a great feedback and I’m happy I was wrong about it. Of course they played some Moonspell key-hits, and that might have helped – “Vampiria”, “Nocturna”, “Scorpion Flower” – and such any Moonspell gig, they wrapped it up with “Alma Mater” and “Fullmoon Madness”. Neat! (4/5)

Opus Diabolicum official Facebook

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MURK – the “alternative death metal” Portuguese band, not the black metal Italian one – were up next. Never had heard of them before, not even when they were going by the name Sattor, and that started back in 2005. Apart from the EP “Tyrants Of Decay” they’ve released early this year, it seems that they’ve only released another EP (“Seeds Of Perseverance”) as Sattor. One must wonder why a band with just two extended plays out in a less than 10-year-old career was chosen for such a big event as Vagos Open Air. It’s commendable, of course, that Prime Artists support the national underground, but we have so many bands with a bigger discography and a larger fan base (there were some MURK fans present, truth be told) that it just seems unfair the promoters chose this band. it wasn’t a bad concert – the highlight on “Footprint Of God”, apparently – but it wasn’t a spectacular one either, despite their ritualistic gear and makeup. (3/5)

MURK official Facebook

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Now The Quartet Of Woah!, despite being formed just 4 years ago, they’ve been playing non-stop recently and making their name known. Well-known, actually, as their live shows are pretty… lively! I wasn’t expecting that, since I was told they were a stoner band. But unlike most stoner rock bands, they don’t focus on the bluesy and depressive doom side of the genre but on the heavy metal and psychedelic rock instead – hence the high voltage of their shows. It’s all there, though, in a classy mix, but it’s the heaviest and fastest elements they bring to life the most. Gonçalo Kotowicz was unmistakably happy, giving a quick (the time was short) but heartfelt thank you to Vagos. Songs like “U Turn”, “Balance” and the latest “BackwardsFirstliners” brought a sixties/seventies 5-star vibe to the festival. (5/5)

The Quartet Of Woah! official Facebook

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Spanish Vita Imana was another surprise – one that so far gets my gold medal in the category “Top surprises of 2014”. Whoever told me they were a thrash metal band forgot to mention they were also tribal and ‘core, otherwise I’d be more or less warned of the adrenaline discharge I was about to witness. A big emphasis on “more or less”, as I wouldn’t have expected that anyway. Here’s a band who knows what live gigs are all about! Their sound is mosher-friendly by nature, true, but if it wasn’t for Vita Imana’s tornado-wise attitude – especially singer’s Javier Cardoso, whose jumps were quite epic – the response of the crowd wouldn’t have been so explosive. “Gondwana”, “Quizás No Sea Nadie” or “Paranoia” were just a few of the songs that made the circles go crazy. (5/5)

Vita Imana official Facebook

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I guess everybody knows by now that a Paradise Lost gig is either very good or sucks dish water, there’s no middle term. It all depends on Nick Holmes’ mood. Holmes not only was in a great mood, his voice was in the strongest shape ever – this being my 9th Paradise Lost concert in 17 years, trust me, I know what I’m saying.
With a very serious face, Holmes said Paradise Lost have been around since the fifties/forties (told you he was in a good mood) while introducing “Gothic” – the oldest track of that night’s setlist, released in 1991 and not, obviously, in the ‘40s. Don’t know if he’s going through some midlife crisis, but he would later hint on the band’s “antiquity” again by saying that the following song was a hit that had been playing for decades and he expected to continue so. If you’re a hardcore fan of Paradise Lost, you know he meant “As I Die”.
They left the stage after “True Belief” – my all-time favorite, I confess – and someone started screaming for them. Soon a massive “PARADISE LOST, PARADISE LOST!” echoed. They would return for a 3-song encore, Holmes thanking once again (I lost count on how many times he said thank you). After the very last “Say Just Words”, the band took a selfie with a delighted crowd, all horns-up, in the back. Don’t worry about your age, Mr. Holmes. At 43, you’re still able to pull off amazing performances that many 20-year-olds can only achieve in their dreams. (5/5)

Paradise Lost official Facebook

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However, this was Gojira’s night. I believe the Portuguese fans have been asking for the French band since the very first Vagos edition. As for them, they claimed they’d been expecting to play in Portugal for 18 years – meaning since they first were founded, still as Godzilla. Yeah, yeah, I know they all say nice things about the countries/cities they’re visiting for the first time, or haven’t visited in a long while, but in this case I believe, as the Duplantier brothers have Portuguese roots (grandmother) and they’ve visited the country many times before, as tourists. Now that they made it as a band and had such a thunderous reception, I’m pretty sure they’ll do their best to return soon.
The security guys had their hands full – literally – from the very first seconds (yeah, seconds) of “Explosia” to the last ones of “Where Dragons Dwell”. A high-five to all of them for the excellent job they did, not only at helping the kids on the “landing” but also in guiding them into the best path of hands and heads.
Peak moments? All of them! But I can’t stop mentioning the inflatable dolphin that bounced back and forth over the crowd on “Flying Whales”. Cute!
It was hard to accept the gig had come to an end. Joe said what must have been all the pleasantries he knew in Portuguese while everybody screamed “GOJIRA, GOJIRA!” at the top of their lungs. But it was over. And unforgettable. (5/5)

Gojira official Facebook

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Text & photos: Renata “Pieni” Lino

More pics in our Facebook page HERE.

Paradise Lost announce exclusive show in Roman theatre

Posted in News with tags , , , , , , , , on 14th March 2014 by Nico Davidson

Yorkshire Gothic metal lords Paradise Lost have announced an exclusive show to take place on 20th Spetember this year at Plovdiv, Bulgaria in its magnificent Roman theatre. For this special one off event, the band will be joined by he renowned Plovdiv Philharmonic Orchestra who were founded nearly 70 years ago and are made up of over 100 highly qualified musicians. The orchestra has its roots in the hundred year old orchestral tradition in Plovdiv and over the years has launched the careers of many world-famous conductors.

The prestigious evening will be promoted by Bulgaria’s independent radio station Radio Tangra Mega Rock and orchestrated by conductor Levon Manukyan who wrote the first metal ballet and is the founder of the Levon Manukyan Collegium Musicum orchestra. During his career Levon has previously given the classical treatment to rock and metal works by Marilyn Manson, Alice Cooper, Dream Theater, AC/DC, Evanescence, Guns’n’Roses, Kiss, Led Zeppelin, Nirvana and Judas Priest, and worked with world-famous soloists including ex-Nightwish vocalist Tarja Turunen.

This event will mark a key milestone in Paradise Lost’s, already esteemed, career as they make their first ever performance accompanied by a full live orchestra.

Paradise Lost online:

http://paradiselost.co.uk
http://facebook.com/paradiselostofficial

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Hamerex – IX

Posted in Uncategorized with tags , , , , , , , , , , , on 12th November 2013 by Nico Davidson

Hamerex
IX
Released 7th October 2013
Metal
Self-Released

Yorkshire has a tradition of popping out some talented metal bands from the well known acts such as Saxon, My Dying Bride and Paradise Lost, to the lesser known bands such as Sworn Amongst, Lost Effect and Bal-Sagoth. Hailing from the western reaches of Yorkshire, from a town known as Wakefield, come modern metallers Hamerex who blast out with an old school twist on their music.

The album opens up straight away with the title track IX Circles (the title sounding like a reference to the nine circles of Hell in Dante’s Divine Comedy). A cryptic use of whispering begins the track before leading in a repetitive riff. The song itself isn’t exactly inspiring, failing to entice with any sort of flavouring save a bland use of guitars and other instrumentation but it does give a small teaser of what’s to come. The Life Of Death marches in with a stronger style, taking on a Megadeth sounding fashion in the bass workings with a use of melodic guitars and typical NWOBHM vocals.

Inferno carries on the subtle humming of melodic riffs with the bass ringing out more prominently. The throaty use of vocals doesn’t match up to the style of riffs during in the verses but goes down a treat throughout the chorus. Edge Of Madness belts out a stronger Megadeth sound than The Life Of Death, slipping in some pleasant licks in there. The flow of drums, back and forth, keep the song as fresh as bread that’s come straight out of the oven, allowing the guitars and bass to do their thing in an old school manner.

The Extremist is probably the most extreme track of the album, with the vocals nearly going through a metamorphosis into a raspy death metal style and the the riffs taking a turn down a road of heavier bombardment where as Mortuary goes down the highway of hard rock anthems, screaming with catchy passages and soaring vocal sections. The Stranger (Anyone else automatically think of Game of Thrones just then? No? Just me? Bugger.) isn’t quite as dusky as would be expected, parading strong NWOBHM elements and some vicious bites from the guitars.

Descent Of Angels thrashes about, becoming as extreme as The Extremist and possessing an essence of Venom in the music. The Night Of Samhain differs from the rest of the album completely, easing its way in a combination of acoustic guitars and thundering yet distant bass workings. The hidden use of keyboards in the background add a certain atmospheric embrace to the song, gently dancing between the guitar and bass. The vocals sound their best throughout this song. The shifting phases of the track makes it easy to mistake it for multiple tracks, as opposed to one long epic. The album is finalised with the last track; Still The wall Remains. A gentle piece in its beginnings, with soft, harmonic vocals, the song does take a turn down a heavier route before going back to gentle sailing. The guitar solo is the highlight of the song though, adding some chaos to the harmony.

Hamerex prove that Yorkshire’s metal scene is well and truly thriving. Whilst the album had a bumping start to its journey, it soon made up for it with the differing elements each member bring to the band and the music. From Megadeth sounding bass lines to roaring NWOBHMesque vocals and everything in between, IX is certainly one album to grab for the collection.

4.5/5

Nico Davidson

Hamerex online:

http://www.hamerex.com
http://www.facebook.com/hamerex

 

Paradise Lost unveil new track titled Gothic 2013

Posted in News with tags , , , , , , , on 3rd October 2013 by Nico Davidson

Yorkshire’s own Gothic-doom lords Paradise Lost are currently premiering their newest track, Gothic 2013, which is slab of darkness taken from their upcoming release Tragic Illusion 25 (The Rarities). The aforementioned album will be released on Monday 21st October.  the new track can be streamed below.

All tracks found on the compilation are previously released rarities — except the new track Loneliness Remains, newly recorded Gothic 2013 and Our Saviour 2013. These three tracks will also appear on a 10” Vinyl (CM Distro Europe exclusive white Vinyl; limited to 100 copies) that includes a CD booklet and CD insert.
Nick Holmes comments on Gothic 2013:

When the opportunity came up for us to re-record Gothic, we were really pleased because it meant that we could finally do the song justice (production wise) and Simon Efemey had the chance to give it his polish. Gothic has often been considered a bench mark in our early career and it was good to revisit it.

Paradise Lost online:

http://paradiselost.co.uk
http://facebook.com/paradiselostofficial
http://twitter.com/officialpl

Paradise Lost to release limited 10″ vinyl of “Tragic Illusion 25 (The Rarities)”

Posted in News with tags , , , , on 27th September 2013 by Pieni

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In celebration of their 25th anniversary, Paradise Lost will release a compilation album called “Tragic Illusion 25 (The Rarities)”. As the title says, it gathers a bunch of rare tracks, even though they’ve been previously released. The exception will happen in a limited 10″ vinyl of the album, which will include the brand new track “Loneliness Remains” and new recordings of “Gothic” and “Our Saviour”. Here’s the full track-list:

1. Loneliness Remains (exclusive track of the limited 10″)
2. Never Take Me Alive (SPEAR OF DESTINY cover version) – Bonus Track “Tragic Idol” Ltd. Edition
3. Ending Through Changes – Bonus Track “Tragic Idol” Japan Edition
4. The Last Fallen Saviour – Decibel Exclusive “Tragic Idol”
5. Last Regret (Lost in Prague Orchestra Mix) – Bonus Track “Faith Divides Us – Death Unites Us” Ltd. Edition
6. Faith Divides Us – Death Unites Us (Lost in Prague Orchestra Mix) – Bonus Track “Faith Divides Us – Death Unites Us” Ltd. Edition
7. Cardinal Zero – Faith Devides Us – Death Unites Us Bonus Track “Faith Divides Us – Death Unites Us” Japan Edition
8. Back On Disaster – Faith Devides Us – Death Unites Us – Bonus Track “Faith Divides Us – Death Unites Us”, Japan Edition
9. Sons Of Perdition – Bonus Track “In Requiem”
10. Godless – Bonus Track “In Requiem” Ltd. 7″ Vinyl Box
11. Missing (EVERYTHING BUT THE GIRL Cover Version) – Bonus Track “In Requiem” Ltd. Edition
12. Silent In Heart – Bonus Track ”In Requiem” Ltd. Edition
13. Gothic 2013 (exclusive track of the limited 10″)
14. Our Saviour 2013 (exclusive track of the limited 10″)

“Tragic Illusion 25 (The Rarities)” will be released on October 21st in Europe (digitally on November 5th in North America) and features artwork by Parisian designer Valnoir. You can pre-order it at CM Distro: http://www.cmdistro.de/Search?q=tragic+illusion+25

Also, the band is pleased to announce an European tour in support of this comemorative date/release. Supported by Lacuna Coil and Katatonia (who will play “Viva Emptiness” in full, as this album has its own 10th anniversary to celebrate), the 25th anniversary “Tragic Illusion” tour will hit the following cities:

Oct. 30th – Wolverhampton, UK – Wulfrun Hall
Oct. 31st – Glasgow, UK – ABC
Nov. 1st – Manchester, UK – Ritz
Nov. 3rd – London, UK – Roundhouse
Nov. 4th – Cologne, Germany – Essigfabrik
Nov. 6th – Herford, Germany – Club X
Nov. 7th – Aschaffenburg, Germany – Colos Saal
Nov. 8th – Dordrecht, Netherlands – Bibelot
Nov. 10th – Utrecht, Netherlands – Tivoli Oudegracht
Nov. 11th – Nuremberg, Germany – Hirsch
Nov. 12th – Vienna, Austria – Arena
Nov. 13th – Solothurn, Switzerland – Kofmehl

Paradise Lost online:
http://www.paradiselost.co.uk
http://www.facebook.com/paradiselostofficial
http://twitter.com/officialpl

Century Media Records online:
http://www.centurymedia.com
http://www.youtube.com/centurymedia
www.twitter.com/centurymediaeu
www.facebook.com/centurymedia

Happy Yorkshire Day! Yorkshire’s Top Five Bands

Posted in Editorial/Opinionated, Featured with tags , , , , , , , , , , , on 1st August 2013 by Nico Davidson

In celebration of Yorkshire Day (WOO!), we decided – Well, more like our Yorkshire loving editor – that instead of drinking (Yorkshire) tea and eating (Yorkshire) pudding and just being generally Yorkshire, to compile a list of Yorkshire’s top ten bands. Of course, it probably would have been more appropriate to compile a list of ten reasons to as why Yorkshire is official more metal than Lancashire.

5. BAL-SAGOTH

From their ridiculously long album and song titles to having once boasted Dan Mullins (My Dying Bride) and Dave Mackintosh (Dragonforce) amongst their ranks, this band have remained underrated and largely unknown compared to other acts. Also, vocalist Byron Roberts’ lyrical stories are soon to be expanded into short stories and graphic novels, written by Byron himself and illustrated by fantasy artist Martin Handord. Also, they look rather metal in the below picture.

4. EVILE

Hailing from the lovely market town that is Huddersfield, Evile pretty much burst onto the scene, kicking as much ass as humanly possible – Which by Yorkshire standards is a lot. Having toured extensively through the UK from 2004 – 2006, as well as the Netherlands in 2006, Evile managed to land a contract with Earache and since then have toured with the likes of Kreator and Megadeth and supported bands like Machine Head and Sabbat, Evile are keeping Yorkshire on the metal map.

3. PARADISE LOST

Perhaps one of the most influential bands to ever appear on the British doom metal scene, Paradise Lost, who hail from Halifax, were pretty much worshipped by Katatonia – As stated by Jonas Renske  that Katatonia started off as“ Paradise Lost fanboys” – Pretty metal, huh?. Being apart of the Peaceville Three, alongside fellow Yorkshire doom band My Dying Bride, Paradise Lost pretty much pioneered what has become to be known as gothic metal.

2. MY DYING BRIDE

Dark, dreary and typically northern, My Dying Bride embody all the qualities of Yorkshire in their Yorkshire, from their sorrowful violins to the mournful vocals. Regarded by some as the “Godfathers of Doom”, My Dying Bride, alongside fellow Yorkshire folk, Paradise Lost, were at the core of the gothic metal movement – Though none of the newer gothic metal bands even hold flame to My Dying Bride.

1. SAXON

Originally known as Son of a Bitch, Saxon are the front-runners of the NWOBHM scene and probably are the most successful Yorkshire metal band on the scene. They’ve also established themselves as one of Europe’s biggest acts!

Paradise Lost celebrate 25th anniversary with special guests Lacuna Coil

Posted in Featured, News with tags , , , , , , , , , , , , on 21st May 2013 by Nico Davidson

Thirteen albums into Paradise Lost‘s 25 year career, namedropping is pointless. The only band they can and should be held up against for comparison and consideration is… Well… Paradise Lost.

With a career dating back to 1988, and their official recording debut in 1990 (Lost Paradise), the band has been riding and rollercoaster of highs and lows. Guitarist Aaron Aedy remembers the early days:

I remember our first rehearsal at Studio X in the Dean Clough complex of Halifax, it was Saturday March 26th between the hours of one and four pm. We had a few ideas flying around and managed to write our first opus ‘Blood-filled-eyes’ and start our 2nd ‘Plains of Desolation’, I can only describe these songs as unique.

Afterwards we all went to the pub after to celebrate. Three and a half months later we were playing live, supporting Acid Reign and Re-Animator at the legendary Frog and Toad Night Club in Bradford. We had a 30 minute slot and only 15 minutes of music so we played one song twice, attempted a Sodom cover we hadn’t even learned and Nick [Holmes, vocals] did his stand up for the rest of it.

Throughout their career, Paradise Lost have not only created and defined genres and styles, but almost immediately transcended them. From the crawling, harrowing doom of their 1990 debut Lost Paradise, to the electronic flourishes prevalent in 1997’s One Second, 1999’s Host and 2007’s comeback to the heavier side of metal In Requiem and the latest opus Tragic Idol in 2012, their sound has continued to evolve vastly, but haunting melody and dark rock power has remained at the very core of their identity.

In 1991 the band released Gothic, not so much an album title as the definition for an entire genre, while the influence 1995’s huge-selling masterpiece Draconian Times – the missing link between Metallica and the Sisters of Mercy – echoes loudly in today’s scene, with the likes of Cradle of Filth, Nightwish and HIM owing a huge debt to their knack for injecting heavy rock with their trademark dark sheen.

Now it’s time to celebrate 25 years of glamour and gloom with four anniversary shows in October to which the band have invited their friends Lacuna Coil. Another, very special guest, will be announced shortly for those dates.

Paradise Lost anniversary shows:

Oct 30th – Wolverhampton – Wulfrun Hall (www.wolvescivic.co.uk)
Oct 31st – Glasgow – ABC (www.ticketweb.co.uk)
Nov 1st – Manchester – Ritz (www.kililive.com)
Nov 3rd – London – Roundhouse (www.kililive.com)

Tickets go on pre-sale Wednesday 22nd May and general sale Friday 24th May and a special VIP package is available to buy (limited to 25 per venue) which includes:

  • An exclusive deluxe box containing 2 engraved beer glasses featuring all the bands album titles and crown of thorns logo.
  • Exclusive VIP Only T-Shirt with artwork from the forthcoming Tragic Illusion album.
  • A 180 gram vinyl copy of the reissued landmark Gothic, personally signed by all the band members.
  • Crown of Thorns Tote Bag
  • VIP lanyard and laminate allowing you access to the show
  • Early access to the show
  • Meet and greet with the band
  • Photo opportunity with the band (please bring your own camera)

Nick had this to say about the forthcoming anniversary shows:

25 years IS a long time, on the surface we may look ramshackled, but playing music for so many years has kept us young in our hearts and I truly believe that a youthful spirit is one of the greatest things you can’t buy in a pub.

We have written many albums, played many concerts; we are older and not really any wiser, but there is a strong possibility we may play a song you thought we never would. So please come along and join the celebrations with us, including our biggest UK headline show to date!

Lacuna Coil’s frontwoman Cristina adds:

Paradise Lost were in between the bands that strongly influenced me as a singer, when I started my career with Lacuna Coil, so it is just awesome for me to realise we’ll share the stage with them on this upcoming tour.

I am sure that the dark vibe coming from the stage will totally embrace old school and new fans making it an event you absolutely CAN’T miss! Boy, I can’t wait!

Stay tuned for more exciting anniversary announcements including a special audio surprise for fans!

Paradise Lost online:

http://www.paradiselost.co.uk
http://facebook.com/paradiselostofficial

Lacuna Coil online:

http://www.lacunacoil.it
http://www.twitter.com/lacuna_coil
http://www.myspace.com/lacunacoil
http://www.youtube.com/lacunacoil
http://www.facebook.com/lacunacoil

Five new additions for Damnation Festival

Posted in Featured, News with tags , , , , , , , , on 27th March 2013 by Nico Davidson

The UK’s darkest festival, Damnation, will proudly host two rare live outings this year, as extreme metal ‘supergroup’ Vallenfyre and experimental rock ensemble Crippled Black Phoenix perform at the event.

They will be joined in Leeds University Union on Saturday, November 2nd, by Romanian progressive black metallers Negura Bunget, English doom trio Moss and the sonic assault of Paul Catten’s The Sontaran Experiment (Anyone else seeing the Doctor Who reference?).

Vallenfyre – featuring members of Paradise Lost, My Dying Bride and At The Gates – will play their only UK show of 2013 at Damnation Festival, which will also be their first appearance outside London. Founding member and vocalist Greg Mackintosh said: “Since our first UK show last year at Boltfest, we have been looking to follow it up with a northern show. Being asked to play Damnation Festival provides us with the perfect opportunity. We are looking forward to spreading some filth and meeting up with some old compadres.

Negura Bunget will also be playing the festival as an exclusive date. Drummer Negru said: “Damnation is going to be our one and only UK concert in 2013 so we will definitely make it count! Be prepared for a very special Negura Bunget performance, with one of a kind exclusive previews. And doom laden Moss also promised to make a lasting impression, as the band said: “It’s been over 10 years since we last played in the north, in a squat in Manchester in front of eight people. So we look forward to finally bringing our doom and gloom back to the northern wastes at Damnation. You are in for a fucking horrible night.

Tickets for Damnation Festival 2013 are on sale now and will be held at last year’s price of £32 until this Sunday, March 31st. The full Damnation line-up is as follows: CarcassVallenfyreCrippled Black PhoenixNegura BungetMossThe Sontaran Experiment.

To buy tickets, visit Leeds Tickets , the official Damnation Festival website at this location or the official Damnation Facebook.

 

Myrah – My Deliverance

Posted in Review with tags , , , , , , , on 11th August 2012 by izaforestspirit

Myrah
My Deliverance
Released: September 2012
Gothic Metal/Melodic Metal
Released via Inverse Records

‘My Deliverance’ is the second album from the Swedish gothic metal band Myrah. It is the follow up to their 2010 debut ‘Six Feet Down’ and has been compared to the likes of Sentenced and Amorphis.

Aside from the children’s music-box style ‘Intro’ the majority album bears a fairly strong resemblance to the Paradise Lost with hints of Katatonia and current Amorphis. Take ‘Illusions’ for instance, guitar melodies and overall vocal style have clearly been inspired by the aforementioned bands. Luckily for Myrah, I happen to like most of the bands that have influenced them. Then there’s the melancholic tracks like the aptly named ‘Sorrow & Tears’ where the keyboards help to maintain the sombre atmosphere.

What caught my attention the most was the melodic voice of the singer and how well it works with the band’s depressing lyrics particularly on the title track ‘My Deliverance’ and ‘As Memories Fade Away’. I’m guessing that’s where the Sentenced comparison stems from since Myrah’s overall style is much softer than that of the pioneers of ‘Finnish funeral metal’ – mostly due to the keyboards. There’s also a touch My Dying Bride-esque gothic doom metal in here. Then again it’s not all slow and keyboard centered; as tracks like ‘A New Dawn’ show that the guitar riffs also have a part in Myrah’s sound providing a contrast to the melodic vocals.

4/5 – An excellent example of melancholic gothic metal. I recommend this to fans of Amorphis, Paradise Lost and Sentenced.

Iza Raittila

Damnation sponsored by Peaceville Records

Posted in News with tags , , , , , , , on 24th July 2012 by Nico Davidson

Peaceville Records is proud to announce that, to coincide with celebrating 25 years of the label’s existence, we will be joining forces with Yorkshire’s own Damnation festival, as sponsoring partners. Damnation Festival, based in Leeds, UK, has brought a high-caliber of extreme metal’s finest & most diverse acts from around the globe to the north of England since launching in 2005.

Representing Peaceville on the night will be local doom heroes and heroine My Dying Bride – themselves a long-standing act on the label over a 20 year period of metallic tyranny – as the band return to the stage in support of their upcoming album due on Peaceville.

Since its inception in 1987, Peaceville Records has brought consistent quality & evolution to the metal universe, from early crust punk releases, to the death metal of Autopsy & At the Gates, through the black metal of Darkthrone, to being a leader of the gothic doom movement with the ‘Peaceville 3’; namely Paradise Lost, My Dying Bride & Anathema – all cementing the label’s legendary reputation as the home of doom. Later years saw numerous internationally renowned acts such as Katatonia & Opeth brought to the fold, & more recently the UK’s own Cradle of Filth.

“Damnation Festival are thrilled to be partnering up with Peaceville Records for the 2012 edition of the festival. It’s a killer label with an amazing history and we wish them a very happy birthday. Damnation fans will benefit from this fantastic partnership in the form of a free CD sampler featuring some of the best Peaceville tracks from the past two and half decades. There will be 2000 samplers on offer, so don’t forget to collect one alongside the complimentary programme courtesy of Terrorizer magazine. Here’s to the next 25!”

Eternal Fear – Embraced In Darkness [2010]

Posted in Review with tags , , , , , , , , on 4th April 2011 by Nico Davidson

Band: Eternal Fear
Album: Embraced In Darkness
Release Year: 2010
Genre: Metal

Eternal Fear are one of those rare metal bands that don’t seem to fit into any sort of sub-genres in the metal scene. With influences from Paradise Lost, Black Sabbath and Iron Maiden to Running Wild, Megadeth and Motorhead, Eternal Fear have broken out o the stereotype that all Swedish metal bands perform death metal. “Embraced in Darkness” is their newest release.

“Exit:Darkness” is the first track of the album; composed entirely unique percussion sounds and the use of a synth, setting a very macabre atmosphere. “Wasted Life” comes next, which begins with a very death metal-sounding intro which soon accompanied by rough power metal-styled vocals. The drums are well played and certainly heavy enough to go toe-to-toe with the guitars. The guitar solos certainly add some new flavour to the track as well. The track finishes on the last note of the second solo, making way for the title track “Embraced in Darkness”. Its intro is loud and brutal, just the way metal should be. The intro riff soon changes into a Iron Maiden-meets-progressive metal style of riff. The vocals sound more raw and rough. The drums and based also seem to have an Iron Maiden sound to them. The guitar solo is astounding, fitting in well with the main riff of the track.

“Cold Rays” come next, with a heavy guitar intro. The drums soon join in, along with the bass and vocals, which pretty much complete the track. The vocals get rougher in sections of the track, giving it an old skool kind of feel. The guitar solo leaves room for improvement. Next with a hard rock sounding intro is “Piece Of Me”, which sounds like an old skool fighting song. It is slightly softer compared to the previous tracks but it is still a brilliant piece of music. The guitar solo is simply brilliant, with plenty of melodic parts. “No Quarter” is next, start with just a drum intro which is soon accompanied by bass and a Trivium-styled guitar riff.  The vocals don’t seem as rough on this track, but they are just as powerful. The thrash-styled guitar solo would have to be the best part of this track.

Next is “Beast Within”. The intro is slow but heavy, though the guitars do sound as if they’re overpowering the drums ever so slightly. The vocals seem to have opted for less roughness again. For the most part, this track seems to have a power metal sound. The only down side to the this track is that the drums don’t seem that heavy. The guitar solo, for the most part, is great. Beginning with the fast-paced but consistent tap of the high-hat the track “Bleed” makes itself known. A very melodic guitar riff soon accompanies the intro, bringing heaviness to the track. The vocals have gone back to being rough, which is always a good thing. “Burn” comes next, with an intro heavier than a ton of steel. The bass can be heard clearly when it makes its appearance on the track. The vocals are rough again, added an element of aggressiveness to the track. The guitar solo pretty much makes the track perfect. The final track is “Look Inside” which begins with a heavy yet slightly melodic guitar riff, followed by the drums.  The track itself isn’t too impressive and it is a bad way to finish the album. Only the guitar solo is the interesting part of the track.

“Embraced In Darkness” is proof that Swedish blokes know how to perform metal that isn’t “death metal”. It’s a well-produced album with plenty of ear-splitting brutality and face-melting riffs. Most of the tracks have the potential to become mosh pit anthems and instant classics.

4.5/5

Nico Davidson