Archive for melodeath

In Flames – Battles

Posted in Metal with tags , , , , , on 10th November 2016 by Pieni

In Flames
“Battles”
Melodic death metal
Released: 11th November 2016
Via Nuclear Blast

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When “Siren Charms” was released a couple of years ago, I complained about “its lack of ability to embrace my senses and leave a positive remark” (review here). Well I’m happy to say that ability has returned. Not that “Battles” is a masterpiece, but it features some memorable tweaks, in both ear-worm and impressive meanings of the word.

I remember a lot of people complaining when Anders Fridén gave up on growling. I wasn’t one of them not only because I appreciate Fridén’s current tone but also because I don’t think that measures a band’s level of heaviness – listen to all those pop-metal acts with a growler and you’ll know what I mean. Plus, the desperate inflection his voice carries is just as brutal; the opener “Drained” will prove me right.

Still on a vocal analysis, but the teen choir’s in “The End” and the ballad “Here Until Forever”. I’m a sucker for gang backing vocals, but the cheer of this 2.0 version of it has been growing on me; it’s just as catchy and it will have a hell of an effect live, as I doubt anyone will be able not to sing along. That and the march-wise clapping hands in “The Truth”.

There’s a loud guitar work in here as well, but that has never been an issue for In Flames, so it’s really no surprise. Still I’d like to mention “Underneath My Skin” and the 2-minute dark, almost experimental instrumental piece featured in “Wallflower”. Oh, and the seduction of “In My Room” – no sexual pun intended. It just gives away this enthralling vibe.

So again, no, this isn’t In Flames best work, but it definitely has its moments – lots of them.

4/5

Renata “Pieni” Lino

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Dark Tranquillity – Atoma

Posted in CD with tags , , , , , on 5th November 2016 by Pieni

Dark Tranquillity
“Atoma”
Melodic death metal
Released: 4th November 2016
Via Century Media

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I’m all pro-change and moving forward in a different direction, but when a band manages to keep doing the same and still sound awesome, said band gets kudos from me. So congrats, Dark Tranquillity, you’ve just earned a ton of them.

“Atoma” is their 11th album and still features all the traits that Swedish melodeath fans love. So if the title-track and “Our Proof Of Life” both bear some upbeat melodies and can still sound pretty somber, you’ll face straightforward ominous and obscure vibes in songs like “Forward Momentum” or “A Force Of Hand”“Merciless Fate” even borders the goth metal zone.

Or those fast outbursts in “The Pitiless” and “When The World Screams” and then the catchy choruses in “Clearing Skies” and “Neutrality”. And the epic grand finale in the form of “Caves And Embers”.

It’s such a rich combination of vocals, guitars (bass included) and keyboards – so Dark Tranquillity – that the outcome could only be 5/5. In fact, those are the key-words here: Dark Tranquillity style. ‘Nuff said.

5/5

Renata “Pieni” Lino

Mindshift – Horizon

Posted in CD, Metal with tags , , , , , , on 23rd July 2015 by Pieni

Mindshift
“Horizon”
Melodic death metal
Self-released on 15th May 2015

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If I got this right, “Horizon” is Mindshift’s third album. You’ll only find this and the previous one, “Evilution, In Time” on Spotify, but there’s reference to a certain “No Regrets”, from 2012. Not that it really matters, as I won’t make any comparisons; “Horizon” has a merit of its own, without the need of saying if it’s better, worse, or simply different from what Mindshift has done so far.

There’s melodic death metal all around the world, but we know damn well that the one that comes from Sweden has a certain… “something”. When you hear songs such as “Arise” or “Drowning”, when you hear that dynamic-heaviness-meets-sad-melody, you know exactly what I mean.

The title-track, on the other hand, has a more upbeat vibrancy embedded on an even stronger composition. It’s pretty understandable why the album was named after this one, and why there’s also a promotional video for it, although there are a lot of treats in “Horizon”. Like the menacing “Eye For An Eye”, the hints of prog halfway through “Suffer In Silence”, the groove and gloominess of “A Thousand Scars”, or the acoustic intro in “Reflections”, that yet isn’t as sentimental as the electric solo later on. And then you have Soilwork’s Björn “Speed” Strid adding an extra vocal power to the straightforward “My Revenge”, although, in that same right-on line of sound, I admit I prefer “Decay”.

These 13 songs (plus the intro “Origin” and the spoken interlude “Light”) embody a rich songwriting, full of details prone to become earworms. The old-school and the modern melodeath walk naturally hand-in-hand here, resulting in a very complete album within the genre. Complete and remarkable.

4/5

Renata “Pieni” Lino

Exile The Traitor – Winter Eternal

Posted in CD, Metal with tags , , , , , on 3rd May 2015 by Paul Macmillan

Exile The Traitor
“Winter Eternal” [EP]
Melodic Death Metal
Self-release
On 15th May 2015

Exile The Traitor - Winter Eternal

Kicking off Winter Eternal, Exile The Traitor make sure that listeners know they mean business from the beginning. Laments Of A Flesh Peddler opens up with an imperial and confident overtone, belying the band’s short existence. Switching between modern grooves, blasts, and d-beats, the drums – which can be a background feature in extreme music – are instantly noticeable, as is the intelligent use of alternating death and black metal vocals. Actually, every member seems to get their breathing space, which is something I’ve always enjoyed in extreme music.

The following numbers are no disappointment, either. This is the same ETT who grabbed the Scottish metal scene by the neck when they unleashed Necrology in 2012, but they are testing the waters of maturity already, and taking some chances in an environment which can be quite unforgiving. The original brutality is still consistent throughout, but there are fresh twists and turns brought into play here. Organic tremolo riffing, akin to that of Gojira in its memorability, stands shoulder to shoulder with the Swedish influenced death metal for which they are already known.

The shadow of At The Gates has long been one to haunt many, many bands who have sprung into existence in the last decade, and in a lot of cases (quite often justifiably) it has been drawn up as a negative. ETT are no carbon copy, though, pulling on numerous other wells to deliver a professional, bruising, original musical identity. That said, the reference is strong, and if you’re fully against that sort of thing, this probably won’t be for you, but I would suggest clearing the mind and giving it a shot, anyway.

The sum total of Winter Eternal far surpasses what one might expect of a band who are only at the stage of putting out their second EP (or demo, as we used to call them), and it’s terrifying to consider what Exile The Traitor could become with the right support behind them. There’s still some growing room in there, but if this is the direction they continue to spread their wings, it’ll be no bad thing.

4.5/5

by Paul Macmillan

Despite announce new bass player

Posted in News with tags , , , , , , , , , on 23rd January 2015 by Pieni

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After enrolling Zoran Panovic last month for the third guitar, prog/melodeath metallers Despite have now announced Anthony Cui as their new bass player, replacing Mathias “Matte D” Dagerhed, who left the band in November due to lack of time and other personal reasons. With the line-up complete, the band from Gothenburg, Sweden, is ready to hit road, while writing the follow-up to their latest EP “Epic”.

Says singer Peter Tuthill: “It feels absolutely killer to have Anthony on board! I had a gut feeling about him right from the get go, and I’m positive he will be a fresh blood injection into the veins of Despite.”

As for the man himself, he claims: Despite is a killer ride and I’m absolutely stoked to be on board. Home is where the gut tells you it is, and thanks to Despite‘s warm welcome I know where I’ll be. The future is NOW!”

“Epic” was released in January 2014 and in November the band brought to light the single “Chaos Trigger”:

http://www.despiteofficial.com/
https://www.facebook.com/DespiteOfficial

Moonshade’s “Dream | Oblivion” release party – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , , , , on 6th December 2014 by Pieni

Moonshade, Destroyers Of All, Survive The Wasteland
Metalpoint, Porto
29th November 2014

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Moonshade’s EP “Dream | Oblivion” has been available digitally on Bandcamp since May, but now they’ve released it in physical format. So a release party was mandatory. Playing melodic death metal, they invited two bands of different death flavors – straightforward death metal and a more thrash-oriented one – bands that “tore down the stage”, as Moonshade singer Ricardo said later on, adding that it was just what they had expected, hence the invitation.

 photo _DSC0057copy_zps25631991.jpgThe first was Survive The Wasteland, formerly known as Suffochate. Already under the new name, they’ve released a 2-track EP (3-track if you count the intro) last year, “Devour”, “Sculpting The End” suitably wrapping up the show. All the other five songs – including “Stolen Ceremony”, to which the band recorded a “live in studio” video – are still a work-in-progress to a future release. A promising one, by the sound of it! Despite the crowd standing a couple of steps back – singer Cláudio and bassist Miguel taking the clearing for themselves here and there – and the moshers kicking their circle just for the last song, one could tell Survive The Wasteland were making an impression, given the constant headbanging and the growing enthusiasm in the applauses. I believe these kids from Matosinhos have a good thing going on here. (5 / 5)

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www.facebook.com/survivethewasteland

Next came Destroyers Of All. Warmed up… no, heated up by Survive The Wasteland,  photo _DSC0314acopy_zpsaa3eebf6.jpgthe crowd started moshing earlier. The fact that they had a bunch of hardcore fans there also helped, screaming along the lyrics and everything. After all, if you make it to the finals of Wacken Metal Battle (losing to a more veteran act, Revolution Within), you must be good enough to earn followers along the way and get a lively crowd every time you go on stage. “Into The Fire” it’s the only recording so far, an EP with four shredding tracks (plus intro & outro) and its title track seems to be the most popular. Among those songs they played also a new one, “Death Healer”, and a couple of covers, Death’s “The Philosopher” and Pantera’s “Cowboys From Hell”. Singer João introduced the first one as a song from a band that “you might have heard of before”, and the trick to make the crowd scream louder came from drummer Filipe, who said “what, am I the only one who knows them?”. And yup, the trick worked. “Astral Projection” finished another great set. (5 / 5)

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www.facebook.com/DestroyersofAll

 photo _DSC0703copy_zpsb82f2878.jpgDespite their more melodic approach, Moonshade weren’t less intense. They even had a guest keyboard player, Nuno Barbosa, to produce that authentic sound that samplers never achieve.
“Dream | Oblivion” is already their second EP, the first released four years ago with the title “The Path Of Redemption”, so this gig was a mix of them both – quality melodeath made in Portugal. And while the rest of the band keeps a bit to themselves, frontman Ricardo is otherwise very expressive. And amusing. For instance, when introducing “Genesis 3.5”, he warned us they would bore us with those almost eight minutes of a song. Or, close to the end, when a fan picked him up and carried him through the front rows, holding him between his legs, Ricardo would thank him, claiming it had been real fun, although he probably wouldn’t be able to have kids in the future.
When the show was over, the crowd wanted more, but the singer said they didn’t have more songs. Someone asked for them to repeat one song (he was specific about the song, but I honestly can’t remember, sorry) but Ricardo replied they didn’t have any more songs of their own but there were “the songs of others”. And the night ended with a brilliant cover of Amon Amarth’s “Guardians Of Asgaard”. (5 / 5)

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www.facebook.com/moonshadeofficial

Metalpoint celebrated its 7th anniversary the following day and these three bands put up quite a pre-party.

Text & photos by Renata “Pieni” Lino