Archive for Lord Vampyr

Theatres des Vampires set to return to the UK after five years

Posted in News with tags , , , , on 29th September 2015 by Nico Solheim-Davidson
Theatres Des Vampires – Italy’s leading metal band for all things vampyric – are set to return to the UK in April 2016 for their first UK show in five years. The vampire metal coven, fronted by Sonya Scarlett, have been announced to headline the Midnight Waltz at the Northern Symphony Festival, where they will join the likes of Alwaid, Suddenlash and Orpheum plus a whole range of bands that are still to be announced.
Formed in 1994 by former vocalist Lord Vampyr, Theatres Des Vampires have rose through the ranks of Europe’s metal scene and have gone onto release several studio albums with another currently in the works.
The line-up for Northern Symphony Festival is currently as follows:

Midnight Waltz Stage:

Theatres Des Vampires
Alwaid (Special guest appearance)
Orpheum
Suddenlash (UK festival debut)

Infernal Orchestra Stage:

TBA
Further bands are still to be announced.
A limited number of early bird tickets are still available for £10 from this location. Tickets will be priced at the full price of £15 at midnight 15th November or when all early bird tickets sell out.
Northern Symphony Festival is the UK’s only symphonic metal festival and will take place on Saturday 16th April 2016 at The Venue and The Riverside in Selby, North Yorkshire.
The event is 14+. Further details can be found at the festivals Facebook page.

Theatres des Vampires online:

http://facebook.com/TheatresDesVampires

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Italian vampire metal act Lord Vampyr signs to Crank Music and announce new album

Posted in News with tags , , , , , , , , on 9th June 2013 by Nico Solheim-Davidson

Italian gothic-vampire metal band Lord Vampyr – whom are fronted by former Theatres Des Vampires founding member and vocalist Alessandro Nunziat, better known by his stage name and pseudonym Lord Vampyr – recently signed to the Crank Music Group and are set to release their first album in three years. The album is titled Gothika Vampyrika Heretika and was recorded at KK Digital Recording Studio in Cosenza, Italy. The album art was made by Mathias Rat. Gothika Vampyrika Heretika, which is described as being a mixture of fear and sadness and a return to the first glories of Lord Vampyr’s productions, will be released later this year on 21st September.

Lord Vampyr online:

http://www.lordvampyr.net/
http://www.myspace.com/lvampyr/
http://www.reverbnation.com/lordvampyr

 

Theatres Des Vampires – Moonlight Waltz [2011]

Posted in CD, Metal with tags , , , , , , , , , , , , , , , , , , on 9th June 2011 by Nico Solheim-Davidson

Band: Theatres Des Vampires
Album: Moonlight Waltz
Release year: 2011
Genre: Gothic Metal/Vampire Metal

Italian Gothic Metal quintet “Theatres Des Vampires” are back with their newest studio release “Moonlight Waltz” which features an array of guests including Snowy Shaw [Therion], Cadaveria [Opera IX] and Marco Benevento [The Foreshadowing].

The eerie keyboard intro of “Keeper Of Secrets” begins the album, which is soon accompanied by Sonya’s vocals and a dark strings section. The track increases in pace and heaviness with the introduction of the guitars and drums. Sonya’s vocals sound very hypnotic and grim. Snowy’s vocals bring an extra touch of Gothic feeling to the track. The keyboard sections are brilliantly composed. This track certainly keeps the attention of the listener, making for an immense intro track. “Fly Away” is the second track of the album. The intro has a very symphonic metal sound, due to the combination of melodic guitar riffs and keyboards. As can be expected of any TDV track, the vocals bring a certain eeriness to the music. The keyboard sections bring a very dramatic sound to the track, whilst the guitar riffs keep the metal element of the track alive. The drums seem lighter compared to the previous track however.

The title track, “Moonlight Waltz” is next beginning with a soothing piano and strings introduction. When the vocals and drums occur, the track begins to sound like a ballad, adding a very unique touch to the album. The soft guitar riffs are beautifully composed, allowing this track to live up to it’s title. The acoustic guitar towards the end of the track brings it to a wonderful yet sorrowful finish. The fourth track, “Carmilla” takes its name from the short story of a lesbian vampire by the same name written by “Sheridan Le Fanu”. The first section of the track sounds epic and dramatic. The vocals add to the dramatic effect of the track, while the guitars keep a raw energy flowing through the track. The strings solo is unexpected but makes this track so much more enjoyable. This track has certainly added a new level of beauty to the already great story of Carmilla. Next is “Sangue”, beginning with a synth intro which is soon joined by an aggressive riff. The vocals sound very ghastly and the drums sound powerful. The male vocals add another element of aggression to the track, sounding almost like death metal grunts.

The cover of Mecano’s “Figlio della Luna”, follows after composed mainly of keyboards, strings and vocals. Sonya’s vocals sound amazing alongside the keyboards. The use of guitars and drums adds a very TDV sound to this cover. Next is “Black Madonna”, beginning with hypnotic, almost-siren like vocals and an acoustic riff. About half a minute in, the track turns heavier and more symphonic. The use of acoustic guitars is quite frequent throughout the track, making it one of the more lighter tracks of the album. The keyboard sections are outstanding. “Illusion” is next, with a simple yet beautiful keyboard intro. The keyboard medley turns more melodic when the drums begin to be played, which work well with the keyboard. The guitars soon make themselves heard, bringing a more rockier sound to the track. The guitar riff gradually becomes heavier for a while before stopping for a short break before returning with an epic solo.

“Le Grand Guignol” featuring Cadaveria is next already bring the level of heaviness up a notch. The use of screams improves the track, whilst the drum work is intelligently composed. There are some obvious industrial elements and influences which can be heard on this track, just like with some of the previous tracks. “Obsession” is next. The intro is very industrial sounding,. Like the intro, the vocals and drums have an industrial sound to them, which work strangely well with the string sections. There is a use of operatic styled vocals as well which makes the track more dramatic and intense. The only down side to this track is the lack of guitars. The second to last track, “The Gates Of Hades” is next, which like some of the previous tracks begins very eerily though the guitars soon remedy this alongside the string sections. There seems to be more emphasis on the keyboard medleys on this track, whilst not a bad thing, it may not be approved of by some. There is a slight use of Latin lyrics on this track as well, bringing a very Gothic atmosphere with them. The final track “Medousa” begins with a slight industrial sound, combined with some creepy whispered vocals. The guitars and keyboards can soon be heard. The guitars and drums are intelligently composed on this track, combining both heaviness and brilliant musicianship. There is a brutal use of double bass drums on the track, which makes it a perfect end to a brilliant album. The keyboard sections certainly bring a calm to the storm of metal that is heard on this final track, especially with the outro medley.

With a mixture of symphonic, Gothic and industrial elements, this is certainly a most enjoyable album. Everything seems to fit together so well and it’s good to see that Sonya’s vocals are still on top form. This is a must have album for old and new Theatres Des Vampires fans alike. One can only wonder how they will top this album.

4.5/5

Nico Davidson