Archive for Kreator

Omicida – Defrauded Reign

Posted in Uncategorized with tags , , , on 19th February 2019 by izaforestspirit

Omicida
Defrauded Reign
Released 15th March 2019
Thrash Metal
Self-Released

Omicida - Defrauded Reign

‘Defrauded Reign’ is the debut album from the thrash metal band Omicida. The band was originally formed in Los Angeles, US in 2014 by drummer Giovanni Durst (ex-White Wizzard). They relocated to The UK in 2018, a few years after the release of their first EP ‘Certain Death’.

This is one of cases where the content is an exact match to its description. If it is classic thrash metal you are after then you have come to the right place. Most of the focus is on the guitars, with powerful and fast riffs dominating the album. The vocals are what you would expect to hear from your average thrash metal band, in other words aggressive shouting to match to overall pace of the music. These guys rarely slow down and they do not play any ballads. Most of the tracks are either medium or fast paced with the exception of the ambient, instrumental intermission Burn The Cross and melodic guitar parts in the intro to Divide Uncertainty.

If you like the fast and ferocious side of thrash metal, then State of Terror is the song for you. I reckon that Slayer fans would enjoy this one. It follows a fairly straightforward formula of aggressive vocals, a barrage of guitar riffs and fast drumming. It’s full steam ahead right from the start so you better hold on tight… Then there are a few songs with a more complex structure such as the aforementioned Divine Uncertainty with its deceptively melodic instrumental intro and the more technical-sounding guitars on The Supremacist. So there is more to this than just Slayer worship. It would appear though these guys have been listening not just Slayer but a whole range of old-school thrash metal bands including Kreator and Testament, all of which have left a mark on their signature sound.

Overall, ‘Defrauded Reign’ offers eleven solid works of uncompromising modern thrash metal. It maintains the right balance of aggression, speed and melody without becoming too fast or overly complex.

4/5

Iza Raittila

 

Iza’s Highlights of 2017 part 1: Metal

Posted in Uncategorized with tags , , , , , , , , , on 29th December 2017 by izaforestspirit

2017 is almost over which means that it’s now time for my annual “Best of” or “Highlights” as I prefer to call them. This year’s edition will be in two parts – metal and industrial. So without further ado here are my top ten metal releases of 2017:

1. Kreator – Gods of Violence
Genre: Thrash Metal

godsofviolence_zps28ifmxs8

 

2. Cradle of Filth – Cryptorina: The Seductiveness of Decay
Genre: Extreme Gothic Metal

 

3. Lacrimosa – Testimonium
Genre: Gothic Rock/Symphonic Metal

Image result for lacrimosa testimonium

4. Lord of the Lost – Swan Songs II
Genre: Dark Rock/Gothic Rock/Classical

Image result for lord of the lost swan songs ii cover

5. Ex Deo – The Immortal Wars
Genre: Symphonic Death Metal

Ex Deo - The Immortal Wars

6. Cannibal Corpse – Red Before Black
Genre: Death Metal

7. Mono Inc.- Together Till The End
Genre: Dark Rock/Gothic Metal

Together Till The End

8. Doyle – As We Die
Genre: Heavy Metal

Doyle - As We Die

9. Barathrum – Fanatiko
Genre: Black Metal/Doom Metal

Barathrum - Fanatiko

10. Eisbrecher – Sturmfahrt
Genre: Industrial Metal

EISBRECHER - Sturmfahrt

 

Marilyn Manson’s ‘Heaven Upside Down’ didn’t make my top ten list but it’s still a good album which I would recommend. I haven’t been to too many gigs this year but out of the metal shows I’ve attended my favorite would have to be Destruction live in Tampere.

Biggest New Discovery: Mono Inc.

Most anticipated albums of 2018

New albums by Powerwolf, Devilment and hopefully Behemoth.

That’s all for now. Stay tuned for the industrial/other non metal edition coming soon.

Kreator – Gods Of Violence

Posted in Uncategorized with tags , , , , on 24th January 2017 by Pieni

Kreator
“Gods Of Violence”
thrash metal
Released: 27th January 2017
Via Nuclear Blast Records

godsofviolence_zps28ifmxs8

“Gods Of Violence” or how to make the same thing and still sound fabulous.

When “Phantom Antichrist” was released, I used keywords such as technique, melody and elaborate guitars; now, almost five years later, the same words pop up in my mind. Yet it doesn’t leave a taste of repetitiveness but of… familiarity.

Living up to its name, “Apocalypticon” is an epic promise of war, a promise that starts being fulfilled right afterwards, with the fierceness of “World War Now”. Some sharp melody in-between makes it both classic and classy.

“Satan Is Real” is the other side of the coin – still belligerent, still menacing, but the rhythm is more grinding than shredding. There’s even some symphonic elements here and there to emphasize the throbs.

“Totalitarian Terror” is something I’ll love to hear live, a thrash hymn, with a catchy, sing-along chorus.

Okay, I admit some of the acoustic chords of the title-track are a subtle reminder of Metallica’s “Fade To Black”, but the rest of the song is very Kreator-like and another strong candidate to a live favorite.

The spunky spirit of “Army Of Storms”, the force of “Hail To The Hordes”, the mischief of “Lion With Eagle Wings”, the militant “Fallen Brother”, that weeping solo of “Side By Side”, “Death Becomes My Light” brings over a little more semi-acoustic moments – these not similar to any other band’s – before galloping away at full speed… Kreator are able of pulling out sophisticated tweaks off their sleeves, delivering exactly what is expected of them, both as a thrash metal band and as a veteran, professional act.

5/5

Renata “Pieni” Lino

VOA Fest 2016 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 12th August 2016 by Pieni

Kreator, Paradise Lost, Abbath, Schammasch, Equaleft, Soldier
Quinta da Marialva, Corroios (PT)
6th August 2016
Promoted by Prime Artists and PEV Entertainment

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This year saw a new start for Vagos Open Air, now simply known by its acronym VOA – new partnership among the promoters, new venue in a new city… The quality? Same as always. Of course all these changes brought along a lot of complaints (humans…), which I don’t see relevant to talk about; but regarding five out of the twelve bands being “recidivists” in the festival, I will say something. Sure, we live in a little country in the most Southwestern corner of Europe where it’s not always easy for an international band to reach – meaning the list of well-known names that never played here is endless and yes, it would be nice to shorten that list through a fest. But at the same time… if the band’s good, what’s so wrong about seeing it a dozen times? Hell, this was my 10th time seeing Paradise Lost and I loved it!
I’m not sure if this new place is smaller than the previous one. At first glance it seems so, as it’s definitely shorter in length. But it’s considerably larger in width, so… What really matters is that the stage was placed inside a natural amphitheater, surrounded by small hills, and if that prevented the wind to ease up the unholy heat (it’s been said this is the hottest summer since 1931), it also didn’t let the sound wander off beyond the festival zone.

13435327_1189167444435631_4832768569027046350_nBack to its original 2-day format, I sadly could only attend the second day. From what I’ve heard, Dark Oath did pretty well as the opening act. Not in front of the biggest crowd, but everybody knows how unfair playing first can be; still, it seems that a fair share of people enjoyed the symphonic/melodic death metal the national band had to offer, introducing the debut full-length “When Fire Engulfs The Earth”.
Italians Adimiron followed next and apparently also focused just on their latest release “Timelapse” (or so it says on setlist.fm). I confess I had never heard of them before, even if they’ve been around since 1999. Apparently, the same happened with most of the crowd, although eventually they surrendered to the band’s sound and performance.
Mantar’s “Ode To The Flame” has received a good feedback but the duo’s live performance not so much. Or maybe their fusion of black-doom-sludge-rock isn’t the right one for a festival, especially in day light. But then again, so shouldn’t be the depressive metal of Katatonia (I know I’ve seen them live in broad daylight a few years back and didn’t like it, despite being fond enough of the band) but I haven’t heard one single bad comment about the Swede’s performance – by the contrary! But I guess Katatonia will always be Katatonia. Played a few songs from the latest “The Fall Of Hearts” along a bunch of older hits.
When Anathema got on stage it was already dark. They haven’t released anything new in two years, but they’ve got a very special place in the hearts of our metal community – always had, not since Daniel Cardoso joined their ranks. So it’s only natural that I also heard only good things about their gig.
Finally, Opeth. I remember the last time I’ve seen them, precisely at this festival, two years ago, the show was pretty disappointed for the majority of the fans, as the band seemed uninspired. They made up for it now. The title-track of their upcoming album has been rolling on Youtube for over a week but they didn’t play it, sticking to the older stuff their fans love the most.

010Now the second day, that I actually witnessed. I arrived around 15:20, the “Blackhearts” documentary was still playing on the video walls. There were a few people watching it but not many – I’ve mentioned the heat already, haven’t I?
In previous editions, the first band of each day was always Portuguese, so having a Spanish opening act was a first – thrashers Soldier did the honors. VOA is part of their “The Great Western Oligarchy tour 2016”, named after their latest album. Solid riffing, a clear invitation to headbanging, to which the crowd – once again, not that big at that early hour – took pleasure in oblige. Not much talking between songs, as there was only half an hour to play, but one could see how pleased they were for being there, given the constant funny faces and broad smiles. Happy and nice bunch of people, I believe, and competent musicians. “Revolt”, from the debut “Gas Powered Jesus”, closed their set.

www.facebook.com/soldierband

040Equaleft was up next and the national underground could hardly be better represented. I can’t find the right words to express how proud I am for them and their achievements in these past years. After opening for Gojira last month (see here), I believe playing in a fest like this was one of the few milestones they had to reach yet on Portuguese soil and now it’s done. Go Equaleft!
The follow-up to “Adapt & Survive” is in the making but nothing ready to be shared yet, so they focused on their acclaimed debut. It’s “Maniac” now that closes their sets, not “Invigorate” anymore, but this hit still features singer Miguel, a.k.a. Jedi Mig, wielding a light saber. Soldier’s thrash was entitled to some mosh circles, but it was Equaleft’s groove that made “the dust rise up from the ground”, as I heard someone say.

www.facebook.com/equaleft

057The promo pic of Schammasch on the festival page shows us four guys in bare upper-bodies. I bet they regretted deeply not going on stage like that – 34ᵒC is “a bit” too much to wear long robes. Singer/guitarist C.S.R., with black paint on his face and hands and whose robe included a hood, was probably who suffered the most, even if he barely moved throughout the whole gig. He even admitted at some point that it was “boiling” up there. So kudos for their resistance.
The music itself deserves some applause too, even if their avant-garde black metal cut down the adrenaline that both previous bands rose up. Still, mainly songs from their latest “Triangle” and at least one off “Contradiction” (“Golden Light”, if I’m not mistaken) were cheered by the crowd.

www.facebook.com/SCHAMMASCH

078It’s always hard to distinguish a solo artist from a band when the latter is named after said artist – and even so when most of the setlist is comprised of songs the artist played with previous projects. That’s what happened with Abbath. With a 75-minute slot, I understand that even if he/they had played the only released album in full, there would still be plenty of time to kill. But playing four Abbath songs among one of I and six of Immortal… I know they’re not seen exactly as covers by the fans, especially when they were thrilled to listen to “Nebular Ravens Winter” (this one’s even recorded in “Abbath”, the album) and “Tyrants” and “All Shall Fall”, but it still felt weird. Apart from the weirdness, it was super. Black metal lovers were offered a great show of the genre – even if the sun was still high up – and those who didn’t like it particularly could always enjoy Abbath and bassist King’s “evil” faces.

www.facebook.com/abbathband

083As aforementioned, Paradise Lost made my day. Nick Holmes acknowledged the “beautiful new venue” of the fest and said how good it was to be back. And with such a rich and diverse setlist, I doubt someone didn’t feel the same way about their return. From recent songs like “No Hope In Sight” to tracks from “a time when most of you weren’t even born” like “Rapture”, we revisited some of Paradise Lost’s highlights through time.
While drinking Super Bock, probably Portugal’s most popular beer, Nick mentioned its alcohol content – 5,6 % – and said that such beer would be banned in the U.K. because it could turn them into animals. When he associated it with football, the laughter was even louder.
As co-headliners, they could afford an encore, which happened after “Say Just Words” – by the way, from the same album they also played the title-track “One Second” that, according to Nick, they hadn’t played in a while (I checked and apparently the last had been two months prior). ”Flesh From Bone” was one of the four songs of said encore, its death-doom nature – so old-school PL in such a recent song – leading Nick to say “it feels like the last 25 years never happened”. “The Last Time” wrapped it up and I really, really hope this was far from the last time that I’ve seen them.

www.facebook.com/paradiselostofficial

114When entering the photo-pit for Kreator we were advised to stay somewhat away from the stage during the first song – “Enemy Of God”, as it turned out – so we were hoping for some fireworks. Imagine our disappointment when it was just confetti… Oh well. On the other hand, I’m glad it wasn’t anything dangerous, as staying away meant closer to the barriers and that was nearly impossible – the mosh and crowdsurf began with practically the first riff and the security guys needed space to attend to all of them enthusiastic metalheads. Mille Petrozza did ask more than once for circles and screams “Portuguese style” but he really didn’t need to – he was already getting that from the start.
I hadn’t realized until now that their last studio album was already four years old (review here). But worry not – Mille said they were working on the follow-up to “Phantom Antichrist” and that it should be out next year. The reception of this news was loud, but when Mille said he wanted to come back as headliners of their own tour, the crowd’s roar was thunderous. Say what you will about thrash and all these “dinosaurs” like Kreator doing the same thing over and over – legends are legends and will always be welcomed.
VOA experienced “Extreme Aggression” in a “Violent Revolution” brought up by “Hordes Of Chaos” filled with “Pleasure To Kill”, and this year’s edition finished with the “Flag Of Hate” raised by a “Betrayer”. Looking forward for next year’s experiences!

www.facebook.com/KreatorOfficial

A special thanks to the promoters, to Raising Legends and Equaleft for the ride and Mosher Clothing for keeping an eye on my stuff and letting me enjoy the shade of their merch stand.

Text & photos by Renata “Pieni” Lino

Full gallery on our Facebook page here.

Vagos Open Air 2014 – 1st day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 19th August 2014 by Pieni

Kreator, Epica, Soilwork, Sylosis, Kandia, Gates Of Hell
Quinta do Ega, Vagos (PT)
8th August 2014

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This year’s edition of Vagos Open Air was bigger in every sense of the word – it lasted one day longer than usual, it had more people coming in, and it had also the greatest bill so far. Kudos for promoters Prime Artists!

National Gates Of Hell must feel proud, and not just for kicking the festival off: it’s not easy for an underground band to gather so many people on a hot Friday, at 5 o’clock in the afternoon, but they made it! There was a sea of people like there’s never been for an opening band, in all the 6-year history of the festival! Of course they’ve been working hard for it in the last few years, especially since the release of their debut album, playing all over the country and winning fans with their ballistic live shows. But it still was a wonderful surprise to see such a crowd screaming and moshing for them. And the size of the wall of death on the last song, “Critical Obsession”! Singer Raça thanked everyone – both fans/friends and those who were watching them for the first time – but truth be told, they wouldn’t have got that response if they weren’t just as good. The credit is all yours, boys! Keep it up! (5/5)

Gates Of Hell official facebook

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Things cooled down a bit, but only in terms of “brutality” – Kandia is a modern/alternative rock band, so no mosh pits for them. But that doesn’t mean that their show was less electrifying. It was just a different kind of voltage. Especially singer Nya Cruz, who looked totally at home on stage. They’ve released two albums so far, but neglected the first one completely, focusing just on the latest “All Is Gone”. Last year, they won the international music contest Global Rockstar with one song from that album, “Scars”. “We’re not going away, we’re here to stay!” was the introduction to that song, as its first verse reads “I’m here to stay”. But more than an introduction, it’s a statement, a motto – and the grip they had on this gig is proof that they will stick to it. (4,5/5)

Kandia official facebook

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It was the first time Sylosis were playing in Portugal (after pulling out of the Epic Industrialist Tour, in 2012) and Josh Middleton admitted they weren’t expecting such a reception. The crowd was happy to finally experience live songs such as “All Is Not Well” and “The Blackest Skyline”, so the circles began spinning once again, at full force. And when Josh asked for TWO circles – one at the left, one at the right – they were eager to comply (same as the headbanging to the sound of nothing, but that’s been done before by other artists – the two circles, now that was new). At some point Josh said that this was the last gig of Rob (Callard, drummer), since he would be pursuing a career as a singer… in a Mariah Carey cover band. Such talented musicians and so humorous… no wonder no one cared about the “little” fail of asking if we were ready for Kreator while playing a riff from Slayer’s “Raining Blood”… (5/5)

Sylosis official facebook

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It had been 11 years since I’d last seen Soilwork – which was the last time they’d played in Portugal. So I don’t know if it’s usual for them to use The Alan Parsons Project’s “Sirius” as intro, but for me, it was a really nice surprise. And it links so well to “This Momentary Bliss”, the first song of their set! A set that I confess was hoping to be a bit more diverse, given the years of absence from the Portuguese stages. But their latest album is a magnificent double piece, so it’s only natural they wanted to focus on the killers of “The Living Infinite”. Still they went back a couple of times – “The Average Stalker”, “Bastard Chain”… –, closing with a golden key with “Stabbing The Drama” (“I think you know the chorus to this one”, said Mr. Björn Strid). The circles weren’t as constant as in the previous band but only because Soilwork’s sound doesn’t require so – there’s a reason why it’s called “melodic” death metal. In terms of intensity, they were just as “crazy and wild” (to use Strid’s own words). (5/5)

Soilwork official facebook

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There were LOADS of Epica fans in Vagos, so whoever thought it was a mistake to invite them again (they performed at the first edition of the fest) couldn’t be more wrong. Simone Simons’ voice was better than the last time I’ve seen them, in the “Requiem For The Indifferent” tour, but still a bit “shaky” here and there. The most blatant case was “Cry For The Moon”, where her voice was smothered by the choir backtracks and not because something failed with her mic. It’s just that female voices also change with time and it’s been 10 years since Simone first recorded that song. Maybe that’s why she took the chance to introduce the band, singing the names and their instruments instead of the original lyrics. Nice trick! But no one seemed to care anyway, as the strong and positive attitude of the whole band made those flaws look like small details.
They played a few songs from the latest album, “The Quantum Enigma” – including the first three tracks plus the new hit “Unchain Utopia”, but Simone said they would be back in November, in a promotional tour for this album. The crowd was thrilled to hear that. (4,5/5)

Epica official facebook

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Okay, it’s true that a Kreator gig is always a Kreator gig, and even when they’re bad, they’re still pretty good. But sometimes they’re REALLY awesome – like this time! From “Mars Mantra / Phantom Antichrist” to “Flag Of Hate / Tormentor”, Mille Petrozza got some of the best “Portuguese circle pits” that he kept asking for – having played here so many times before, he knew what he was talking about when he specified the nationality, giving them an unique identity. But with such a performance it was hard not to raise hell – the stage wasn’t big enough for their fire show, but the human heat made up for it.
For the encore, and the aforementioned medley of “Flag Of Hate” and “Tormentor”, Petrozza got on stage holding a flag, saying that when they released that album (“Endless Pain”), back in 1985, Michael Jackson was still alive. The rest of the band played a few chords from “Billie Jean” and the crowd roared. But the roar was much louder when he talked about the album that Judas Priest released five years later, as its title was the opposite of “Endless Pain”“Painkiller”, with the main riff of its title-track echoing. The true explosion came, of course, when Petrozza stopped talking and the medley itself began. (5/5)

Kreator official facebook

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Nevel a dull moment on this first day – except for the background music between songs, which was literally the same over and over. The metal DJs that took the graveyard shift should have been hired for the day as well…

Text & photos: Renata “Pieni” Lino

More pics in our Facebook page HERE.

Kreator announce string of UK dates with Arch Enemy

Posted in News with tags , , , , , , , on 15th April 2014 by Nico Davidson

Teutonic thrash overlords Kreator have announced a string of UK dates in December, as part of their huge European tour, with Swedish melodic death metal unit Arch Enemy.

When Kreator released Endless Pain in 1985, they single-handedly established Germany as a thrash nation and continued to sustain and influence the subgenre via their own Violent Revolution. In 2012, Kreator released their latest studio album – the killer Phantom Antichrist which brought the band superb chart entries and sold-out venues all over the planet. This triumphant march was recently immortalized in the highly acclaimed live DVD/Blu-Ray Dying Alive. Footage from the DVD can be viewed below.

Frontman and icon Mille Petrozza comments:

A lot of our European fans voiced their discontent over the fact that the band hardly does European club tours – apart from our festival shows. In 2013 we were mainly busy playing for our fans overseas. We want to change this now. In time for the reissues of Endless Pain, Pleasure To Kill and Extreme Aggression in all kinds of formats – finally on vinyl again too –  we`ll end the Phantom Antichrist tour cycle in Europe with a massive string of shows. This will be your last chance to see Kreator live in clubs for quite a while, because we’ll be busy working on a new album in 2015 and only play carefully selected shows. Right now we`re working on a new multimedia stage show and we’ll also have a bunch of surprises in the setlist.  Our friends of Arch Enemy are part of the trek to present their new album War Eternal, and so will Vader and our old companions Sodom. This tour will be KILLER!!

Kreator’s UK tour dates are as follow:

16.12.2014 UK – Leamington, Assembly Rooms
17.12.2014 UK – Bristol, Academy
18.12.2014 UK – London, The Forum
19.12.2014 UK – Manchester, Academy
20.12.2014 IR – Dublin, Academy
21.12.2014 UK – Glasgow, QMU
22.12.2014 UK – Newcastle, Academy

Kreator online:

http://kreator-terrorzone.de |
http://facebook.com/KreatorOfficial

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Kreator – Dying Alive

Posted in Review with tags , on 4th October 2013 by izaforestspirit

Kreator
Dying Alive
Released 30th August 2013
Thrash Metal
Released via Nuclear Blast

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‘Dying Alive’ is the new live album from the legendary German thrash metal band Kreator. It was recorded on 22 December, 2012 at Turbinenhalle in Oberhausen, Germany. It is available in multiple formats including a stand-alone, limited edition CD, DVD and CD combo and Blue Ray and CD combo. This review is for the limited 2CD edition which includes a few bonus tracks.

After a brief intro complete with the songs of cheering crowds chanting the bands name, it’s straight into the first song, the title track from their latest album Phatom Antichrist. I’m assuming that Kreator fans know exactly what to expect from their idols but for small number of you unfamiliar with the band, here’s a short description of their signature sound: it’s basically fast, energetic old school thrash metal with guitar riffs ripping their way through each track plus powerful drumming along with the occasional melodic guitar solo and shouting-style vocals.

As with any live CD, it’s always interesting to hear the band as they talk to the crowd. It’s times like this when I wish I could have been there as it must have been a great show. As their charismatic singer Mille Petrozza shouts at the crowds, you’re almost tempted to stick your hands in the air and wave whilst head-banging in an attempt to replicate the live show experience in your own living room. Just close your eyes and envision yourself near the front of the crowd staring at the stage. Anyway back to the music…There’s a healthy mix of old and new Kreator tracks with some old favourites such as the ultra catchy Phobia (from their 1997 album ‘Outcast’) and Endless Pain (the title track from their debut album) played alongside newer songs such as Hordes of Chaos and the mosh-pit favourite Death To The World. Other noteworthy tracks include Extreme Aggressions and People of The Lie which have that old thrash metal sound to it thanks to the emphasis on the guitar solos. They have also added a handful of intros inbetween the tracks providing a break for both the band and their fans.

Overall I have to say that although I’m not the biggest fan of live albums this is one of the best ones I’ve heard in years. Kreator fans won’t need any more convincing to buy this release, new fans of the band are probably better off checking out ‘Phatom Antichrist’ or the one of their compilation albums first.

4/5

Iza Raittila

Kreator release live track from upcoming DVD/Blu-Ray release Dying Alive

Posted in News with tags , , , , , , , on 25th July 2013 by Nico Davidson

Teutonic thrash titans Kreator have recently posted a video track from their upcoming live DVD/Blu-Ray release Dying Alive which is due for release via Nuclear Blast on 2nd September. The track, entitled United In Hate, which featured fan submitted photos, can be viewed below.

The band have also announced an exclusive theatrical premiere for the the DVD at the renowned theater Lichtburg in the band’s hometown Essen, Germany. The premiere will take place on 29th August 2013 starting at 8pm CET. Main man Mille Petrozza will be attending the premiere and will be taking part in a Q&A afterwards. Tickets can be purchased at this location.

The DVD/Blu Ray features the band’s sold out homecoming show in Oberhausen, Germany on 22nd December 2012 after an extensive 45 days spent touring Europe in support of their latest album Phantom Antichrist. The show was filmed by 24 cameras as well as filming some killer shots from onstage and from in the pit – it’s a release that certainly should not to be missed by both new and old Kreator fans alike.

The DVD and Blu-Ray boast the full show, a behind the scenes documentary as well as exclusive extras – the approximate total running time: 115 minutes.

Kreator online:

http://kreator-terrorzone.de/
http://www.facebook.com/KreatorOfficial

 

Kreator reveal cover artwork for upcoming ‘Dying Alive’ DVD

Posted in News with tags , , , , , , , on 13th June 2013 by Nico Davidson

Teutonic thrash overlords Kreator have revealed the cover artwork for the band’s upcoming live DVD/Blu Ray Dying Alive, which will be released 2nd September via Nuclear Blast.

The DVD/Blu Ray features the band’s sold out homecoming show in Oberhausen, Germany on 22nd December 2012 after an extensive 45 days European tour in support of their highly successful album Phantom Antichrist. The packed and sweat driven show was filmed by 24 cameras as well as guitar and even mosh pit cams.

The DVD/Blu Ray contains the show, a behind the scenes documentary as well as video clips. Approximate total running time: 115 minutes. Dying Alive will be issued in the following various formats:

DVD/2CD
Blu Ray/2CD
Double Vinyl

You can pre-order Dying Alive at this location.

Kreator will also be playing at Hammerfest ‘Book Of The Dead’ along with Nuclear Blast label-mates, Soilwork, Overkill and Grand Magus on 13th – 16th March. For more info and tickets head over to this location.

Kreator online:

http://kreator-terrorzone.de/
http://facebook.com/KreatorOfficial

 

Evile announce UK and Ireland shows with Kreator

Posted in News with tags , , , , , , , on 11th January 2013 by Nico Davidson

Evile have confirmed a short string of shows in the UK and Ireland with German thrash metal legends Kreator.

The bands will be teaming up for three shows this April in Dublin, Manchester and London.  The shows take place shortly after Evile are scheduled to finish recording their new album, the follow-up to 2011’s Five Serpent’s Teeth. Evile bassist Joel Graham comments “We are really looking forward to playing a few shows with the mighty Kreator this April; we really enjoyed touring the US with them for two months back in 2010.  We’ll be fresh out of the studio too around this time, so who knows, it’s possible these shows could see us playing some new stuff for the first time…

See Evile live with Kreator at the following shows:
Apr. 26 – Dublin, Ireland – The Academy
Apr. 27 – Manchester, UK – HMV Ritz
Apr. 28 – London, UK – HMV Forum

Evile‘s latest album, Five Serpent’s Teeth, is available now on CD and limited edition coloured vinyl, and is also available from the Earache Webstore in a range of exclusive “Serpent Cult” fan packs.

Get the album now in Europe at this location or in North America at this location.

Five Serpent’s Teeth is also available on iTunes at this location.

Get more Evile news and info at:
Official website – http://www.evile.co.uk
Facebook – http://www.facebook.com/evileuk
MySpace – http://www.myspace.com/evileuk
Twitter – http://twitter.com/evileuk

 

Kreator announce UK tour dates

Posted in News with tags , , , , , on 4th January 2013 by Nico Davidson

Kreator2012cAround for almost 30 years now, Germanys biggest thrash metal export, Kreator, have proven to be a persistent, innovative and unstoppable force. And they have stepped it up another level for their return to the UK and Ireland.

Three years have passed since Kreator  headlined in the UK, so we are extremely stoked to announce the thrash-titans return in April 2013, bringing their Phantom Antichrist tour to the UK and Ireland.

Mille Petrozza (Vocalist/Guitarist) comments; “Finally we are coming back to play 3 selected shows for our loyal fans in the UK! We will bring our 3D tour production to give you the full KREATOR treatment. Support acts will be announced in the next few days, so stay tuned. Also, we are looking forward to play for all our Irish fans again, it has been quite a while. Our promise to you is a TOTAL MASSACRE!”

After an extensive European trek in support of their latest, critically-acclaimed, record, ‘Phantom Antichrist’, this awesome 3D stage-show is an experience that UK and Irish fans should be prepared for… this isn’t a normal show, this should come with a warning sticker!

Check out their latest video for ‘Civilisation Collapse’ for a taster:

The band have confirmed shows in London and Manchester, and their first headline show in Ireland since 2002. Dates are as follows:

26/04/13              Dublin, Ireland                  The Academy – www.ticketmaster.ie
27/04/13              Manchester, UK               HMV Ritz – www.ticketmaster.co.uk
28/04/12              London, UK                       HMV Forum – www.ticketmaster.co.uk

Keep your eyes peeled for the support acts which will be announced soon!

 

New Die Hard album to be released

Posted in News with tags , , , , on 10th August 2012 by Nico Davidson

After a warmly approved debut release (Nihilistic Vision from 2009) and a major European tour with Sodom, Die Hard returns with nine new compositions of old-school thrash metal. The Swedes’ new album is entitled Conjure The Legions and its official European release date is set for September 25th through Agonia Records. North American release date is set for November 6th. The band has prepared a promotional video teaser featuring song samples from Conjure The Legions.

The new album comes as a digital download, jewel-case CD, black vinyl and limited to 66 copies yellow vinyl. Prior to release date, AGONIA RECORDS will also release a special EP from DIE HARD entitled Antichrist. The EP includes two exclusive tracks: an alternate version of the song “Antichrist” and a Venom cover.

Conjure The Legions can be pre-ordered worldwide here.

Antichrist EP can be pre-ordered worldwide here.

Conjure The Legions tracklist:

1. Conjure the Legions
2. Masters of Deceit
3. Satanic Uprise
4. Thrash Them All
5. Cold Scythe
6. Sanctify the Morbid
7. Antichrist
8. Stand Up
9. Robe and Crown

Kreator – Phantom Antichrist

Posted in Review with tags , , , , , , on 29th July 2012 by Pieni

Kreator
Phantom Antichrist
Released: 1st June 2012
Thrash Metal
Released via Nuclear Blast

Photobucket

Even though “Mars Mantra” may strike you as a classic heavy metal introductory track, believe me – this album is thrash metal all over.

Not pure thrash metal, as Kreator have realized long ago that a bit of technique and a handful of melody don’t make your sound less aggressive or less powerful. So you find elaborated guitar pieces with the destructive force of thrash but, simultaneously, the pleasant chords of melodic death metal. The band’s been trying this formula for about 4 albums now, but I dare to say this is the best outcome so far.

The title-track and “Death To The World” are the most straight-forward thrash metal tracks, while “United In Hate” follows that path after an acoustic guitar leaves you wondering for about 40 seconds.

“Civilization Collapse” has its massive moments, but the groundwork is clearly drawn from NWOBHM. The same with “From Flood Into Fire”, but the latter in a more melodic way.

Also “Your Heaven, My Hell” starts off slower than usual, Speesy giving an ominous tone with his bass, Mille Petrozza using his clean voice, before the music explodes along with a scream, Kreator-style.

And “The Few, The Proud, The Broken” has some… “different” tempo variations, as the ones we can find in those experimental bands, so popular nowadays.

So Kreator are trying to keep up with times. And if that didn’t work out very well for them in the nineties, I think now they’re making it. “Phantom Antichrist” is their 13th studio album – indeed a lucky number.

4.5/5

Renata “Pieni” Lino

Bloodstock Open Air 2011 [Live Review] Part Two

Posted in Festival, Live with tags , , , , , , , on 26th August 2011 by Hannah

Bands: WASP, Finntroll, Kreator and more
Location: Catton Hall, Walton-Upon-Trent
Date: 12-14th August, 2011

Onto the Ronnie James Dio Stage, then, and the line up for Friday. The first band I saw was Wolf, and just as they were the first time I saw them, they were awesome. They delivered their specific brand of classic, thrash-tinged heavy metal to the assembled crowds with gusto. A special mention must go out to their roadie, who- having hit his head during set up- was the recipient of a special dedication during the track Skull Crushed. They filled their set with both old favourites and new tidbits, hearing Full Moon Possession from their new album Legion of Bastards, as well as premiering a live version of their new track, K141 Cursed. Coroner were as expected; brutal and loud death-tinged thrash metal. I must admit, I am not such a fan of their music, and it seemed a little bland and generic to me. But they put on a good live show, showed a good level of energy, and were excellent for fans of thrash metal. Speaking of thrash, German thrash legends Kreator did not disappoint. They were definitely on form, and gave the Bay Area elite a run for their money. The German giants had the crowds eating out of their hands and absolutely baying for more, and managed to generate the biggest pit of the day so far. Playing a huge range of tunes, Kreator showed that sometimes, the oldest bands know best. What can I say about The Devin Townsend Project, plus a special appearance from Ziltoid the Omniscient? Devin was as bonkers as ever, and shared words of wisdom such as ‘if you aren’t into MMA and you say you are, then my friend, you’re just a poser’ with the enthralled crowd. A trippy guru of progressive craziness, Devin is a proper entertainer who impressed with his cosmic wall of cinematic sound. The man could easily go into business as a stand-up comedian if he ever decides to give up music. He also helped many members of the audience to discover a hidden desire to be a fire engine! Who knew? Friday headliners W.A.S.P. proved they still have it with a set that spanned decades, and provided fuel for every fan of classic metal in the arena. Young and old, male and female; I don’t think there was anyone who didn’t enjoy their set. So what if Blackie Lawless is looking a little bit fatter round the gills these days- his voice and stage presence still exudes that dangerous sex appeal that had parents quaking in their boots in the 80’s. Playing crowd pleasers like Wild Child, and even pulling up an incredibly excited fan to join them in a chorus of I Wanna Be Somebody, W.A.S.P. were the perfect way to round of the first day of the weekend.

Onto Saturday, and Gravedigger were the first band I saw that day. They were awesome, and for such a short set, they played an absolutely packed set list. They really got the crowd going, which is not easy to do at that time of the day, and whilst nursing hangovers to boot. Tarot were excellent. Nightwish veteran and frontman Marco Hietala had the attention of absolutely everyone in the arena, and it wasn’t just because of their music. Keeping the crowd utterly bewildered with comments about BBQs and tractors, as well as encouraging a chant of ‘More Cock’ in honour of sci fi writer Michael Moorcock, Tarot impressed with their particular brand of power metal. Next up was the band that I was personally most excited about of the whole line up. Finntroll were, in a word, incredible. They played a whole range of songs from their entire back catalogue, including from the days without current frontman Vreth, and absolutely treated the crowd with renditions of favourites such as Trollhammaren and Nedgang. The crowd was chanting their name before, during, and after their set, and could not stop screaming for more when their 45 minutes were up. Even though their appearance was fairly toned down, only daubing the snaking, branch-like body paint on themselves, Finntroll were all I had expected and hoped them to be. Plus, Vreth is a very attractive young Scandinavian, and his appearance is only improved by a beard. Enough about that!

Finally, we come to Sunday, and Celtic metallers Primordial delivered a set that pleased the crowd from start to finish. Playing that special brand of Celtic inspired folk metal, Primordial delivered a fantastically put together set that was altogether too short. A shame, as they were definitely on form. Hammerfall delighted the crowd with their ever-so-slightly-cheesy power metal- but to be honest, that’s all part of their charm. Frontman Joachim’s voice filled the arena with it’s powerful tones, and charmed the crowd through a selection from their entire history. From early track Hammerfall, to recent hits such as Blood Bound and Hearts on Fire, they did not disappoint, and managed to get almost everyone singing or dancing along to their fist-pumping metal. Legends of death metal Morbid Angel, surely amongst the names that drew the record number of people to Catton Hall, delivered a rattlingly brutal set of ‘extreme music for extreme people’, generating wave after wave of crazed crowd surfers, and sparking mosh pits that were actually quite shocking in their brutality, rivalling the record set by Kreator on Friday. The crowd that filled the arena was buzzing and feeding off the energy that the veterans gave out, and they definitely satiated the appetites of all those who had come seeking their brand of spine-shattering music. Sunday headliners, festival closers, and living legends, the behemoths of rock and roll that are Motorhead, were the perfect way to end the weekend. Lemmy, nearly unintelligable in his slurring Stoke drawl, delivered classic songs from all over his career in his trademark gravelly snarl, planting himself in front of his microphone with his bass guitar in hand and his cowboy hat firmly jammed onto his head. Fans from seven years old to seventy rocked out to timeless classics, including the obvious Killed By Death and Ace of Spades, and there wasn’t a head that hadn’t banged, or horns that hadn’t been raised, throughout the entire crowd. Pure adrenaline fuelling hard rock and roll, that only Motorhead can deliver. Raise your bottles of Jack and salute the Sex Legend himself, Lemmy Kilmister.

Bloodstock 2011. Three days. Four stages. Over 10,900 metal fans. An incredible weekend full of incredible performances. Same time next year?

Hannah ‘Hammi’ O’Flanagan