Archive for King Zebra

CrashDïet w/ support – Madrid, Spain

Posted in Gig, Live with tags , , , , , , , , , on 29th May 2022 by Pieni

CrashDïet, Shiraz Lane, King Zebra
Sala Caracol, Madrid (ES)
25th May 2022
Promoted by Madness Live

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The golden age of glam & sleaze rock may have officially been the eighties, but there are a handful of bands capable of convincing you that such age is now. CrashDïet is one of them. After the “Rust” tour being cancelled due to the heinous pandemic in 2020, the release of “Automaton” late last month provided a payback in spades.

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The doors opened about 15 minutes after scheduled, but King Zebra got on stage at the announced time (19:30). Not sure of how many people knew the Swiss – I didn’t and yet I found myself singing along the catchy choruses of songs such as “We’re The Survivors” or “Under Destruction”, so maybe the words also got easily into other people’s brains – but everybody seemed real happy to see them. Thundermother’s Guernica Mancini wasn’t at the show, but King Zebra played “Wall Of Confusion” just the same and singer Eric St. Michaels was clearly proud of having such collaboration in the band’s discography. It was “Firewalker”, however – a song “very popular on Spotify” – that raised the spirits of the crowd a bit higher than they already were.

https://www.facebook.com/KINGZEBRA.band

shzln20221Shiraz Lane, on the other hand, had a lot of enthusiastic fans waiting for them. What a roar exploded at Sala Caracol when they hit the stage! They haven’t released a full-length album since “Carnival Days”, back in 2018, but its follow-up should be out soon, as a few new songs are already rolling on YouTube. One of them, “Disconnect From The Matrix”, was posted two days after this show but the Finns already graced us with it. Such a fiery performance from all members, but it was obviously singer Hannes Kett who had the chance to dance and jump around more, as well as bond with the audience with heartfelt speeches. When announcing the last song – which got a loud “NO!” in response, especially when Hannes said they had to play the following night for “your friends in Barcelona” (I wonder if there’s any country with no rivalry between its major cities…) – he said we must remember that love is the most important thing, more than ever. Then their own version of Savage Garden’s “To The Moon And Back” was on and in the last moments of it, Hannes went into the crowd to sing among us.

https://www.facebook.com/ShirazLane

CDT20223I believe Gabriel Keyes was somewhat sick, or at least tired. Wait, let me rephrase it – his voice might have been tired, ‘cause the way he rocked that stage through and through was evidence of a powerful energy. It was the first time I was seeing him live, but I’d seen videos – including the Quarantine Thrills – so I know what his voice is capable of outside a recording studio. Changing the higher pitches into lower ones in order to not go out of tune was a bit disappointing at first, but eventually I got used to it and had to appreciate the effort (one CrashDïet gig cancelled was enough in my book). I’m still bummed that they didn’t play “Shine On”, though, as it’s probably my favorite song out of “Automaton” and I know they had played it in the previous dates of the tour. But listening to so many “oldies” such as “Tikket”, “It’s A Miracle” (dedicated to all of us, for being there after all the world’s been through in the past couple of years), “Breakin’ The Chainz” and “Queen Of Obscene” (yes, and “Riot In Everyone”, of course, but that one is mandatory) certainly made up for the absence of my most recent fav track. Curiously enough, despite being the “Automaton Tour”, they’ve only played two songs off it – “Together Whatever”,which opened the show and made everyone go wild right from the start, and later on “No Man’s Land”. And from “Rust”, the first album featuring Gabriel, only “Reptile” came up. It’s great to see he feels so comfortable singing all those songs he didn’t originally record – they’re CrashDïet songs and he’s their current (hopefully last!) lead singer. Period!

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More or less in the middle of the show, he stepped off stage (maybe to rest his voice?) and let guitarist Martin Sweet sing a Nirvana song (“Territorial Pissings”). What an unexpected blast, and I don’t even like Nirvana that much! What I wasn’t expecting either was to see both King Zebra and Shiraz Lane members getting on stage and singing “Generation Wild” at the end of the show That’s the kind of thing that usually happens when wrapping up tours so it’s quite an understatement to say I was really glad that these bands don’t go by “the usual”.  

https://www.facebook.com/realcrashdiet

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Text & photos by Renata “Pieni” Lino

King Zebra – King Zebra EP

Posted in Uncategorized with tags , , , , , on 6th May 2019 by Mickelrath

King Zebra

King Zebra EP

Hard Rock, Glam Rock

Released: 22 March 2019

Self Released

Right from the first notes of this EP, I knew I was going to like this one. I mean, this is the sound I grew up on, pure hard rock with lots of energy and pep. Swiss hard rockers, King Zebra have been tearing up the European rock scene as of late. Opening for awesome bands like The Dead Daisies, The New Roses and Crystal Ball just to name a few. Armed with their new lead vocalist Eric St Michaels (formally of the band China) and this new self-titled EP, they are setting out to conquer. The EP can really be divided into two pieces, firstly the three songs they released last year and the two new songs they’ve released for this EP. Putting it all together makes for an enjoyable listening experience.

The one thing I will say about this EP is that it has a lot of energy. I mean, it’s the kind of music that makes you want to get up and move. The guitar work is fast and loose and the rhythm sections are tight. The grooves are excellent and the riffs really land a hit every time they come in. The band just feel like a forceful presence at all times. Eric St Michaels is a great vocalist and he sounds amazing here. He’s mixed in really well to the tunes. His vocal performance is really impressive, with a powerful voice and a tonne of charisma he’s able to keep you invested in the songs and adds that extra punch to the hooks. The production is great and easy for any listener to get into and enjoy.

There really isn’t anything to say beyond this. I mean, if you like your 80’s glam rock then this will definitely fill a hole for new material to listen to. It’s an entertaining listen, to say the least. With songs about the general rock topics and production that’s clean enough to get a general audience but edgy enough that rock fan won’t turn it off either. I like the EP, it’s not my favourite release of the year, as good as it sounds and as fun as it is to listen to, it’s just an okay release. Not bad but not something that I have to listen to again and again. It will be one of those EP’s where if it’s on I’ll keep listening but not one I will go out of my way to listen to.

2.5/5

Mick Birchall