Archive for Immortal

Immortal – Northern Chaos Gods

Posted in Uncategorized with tags , on 1st July 2018 by izaforestspirit

Northern Chaos Gods
Released 6th July 2018
Black Metal
Released via Nuclear Blast Records

Immortal - Northern Chaos Gods

Immortal doesn’t need much of an introduction. They’ve been a part of the Norwegian black metal scene since the early 1990s. Three years ago they parted ways with their original vocalist who has since released an album under his own name. Following Abbath’s departure, Immortal decided to continue as a duo with guitarist Demonaz taking over vocal duties. Personally I like Immortal’s old works, but I wasn’t too impressed with their last offering ‘All Shall Fall’. I’m quite curious to see how this albums compares to the Abbath album. Can there still be Immortal without Abbath at the helm? There’s only one way to find out…

Without even pressing the play button, it’s pretty evident that this is an Immortal album. All the usual themes are here including references to all things grim and frostbitten and not forgetting the words ‘Blashyrkh’ and ‘Ravendark’ in two of the song titles. In many ways Gates to Blashyrkh feels like a continuation of ‘Blashyrkh (Mighty Ravendark). The guitar patterns are very similar and it is definitely one of the more catchy tracks on here. I also enjoyed Grim and Dark which, despite the title, is anything but grim. Aside from the harsh vocals, the song it itself is actually rather uplifting at times thanks to the rocking guitar melodies. It reminded me of the mid-career works, particularly ‘At The Heart of Winter’.

The title track deserves an honorable mention as one of more coarse-sounding black metal songs on here, hankering back to the band’s early days. If it’s pummeling drums, harsh vocals and shredding guitars you were looking for, then Northern Chaos Gods is definitely the track for you. Obviously Demonaz’s vocals take some getting used to, but that should not be a problem for Immortal fans.

In summary, ‘Northern Chaos Gods’ is far more memorable than its predecessor. In fact, it’s quite possibly the best album the band have produced in years. It proves once and for all that Immortal have a future without Abbath.


Iza Raittila

Abbath – Abbath

Posted in Uncategorized with tags , , , , on 19th February 2016 by izaforestspirit

Released 22nd January 2016
Black Metal
Released via Season of Mist

The ex-Immortal frontman Abbath is back with a new album, his debut release under his own moniker after parting ways with his former band members. He is joined by two other musicians, bassist King (God Seed, Ov Hell, ex-Gorgoroth) and drummer Creature aka Kevin Foley (ex-Benighted, live drums for Sepultura and Decapitated). The album includes a cover of Judas Priest’s ‘Riding on the Wind’ and an old Immortal track.

Straight from the start we’re greeted by a barrage of thrashing guitar riffs, Creature’s relentless pummeling drums and of course Abbath’s signature black metal vocals. So far, so grim and frostbitten, which is exactly what I expected this music to be. Winterbane sounds as though it was a leftover from one of last two Immortal albums, possibly ‘Sons of Northern Darkness’. Other parts made me think of Abbath’s currently dormant project I.

The pace tends to vary, shifting between the aggressive and intense,”blackened heavy metal” war anthems like Count Your Dead; the ferocious acid rain of guitars that is Fenrir Hunts to the more melodic, mid-career Bathory-style Viking black metal tracks like Root of the Mountain. On the whole, it’s the subtle details that make certain tracks stand out more than others. This is one of those albums that requires a few listens in order to be fully appreciated.

In summary, this is a fairly decent black metal album. My only issue with it is that it doesn’t offer anything distinctively different to what Abbath has done before. Only time will tell how this band will develop in the future.


Iza Raittila

Immortal start working on new album without Abbath

Posted in News with tags , on 8th September 2015 by izaforestspirit

It’s been a few months since their singer Abbath left the band. Now the Norwegian black metal duo Immortal, which currently consists of lyricist and guitarist  Harald Nævdal “Demonaz” and drummer  Reidar Horghagen Horgh”, have began working on their new album. The long-awaited follow-up to ‘All Shall Fall’ will be released via Nuclear Blast Records. It is still unknown as to who will replace Abbath as Immortal’s new vocalist. So far the album title hasn’t been announced and there is no information about the release date but the band revealed three new song titles: ‘Northern Chaos Gods’, ‘Called To Ice’ and ‘Blacker Of Worlds’.

Here is an official statement which the band gave to blabbermouth:

“IMMORTAL is much more than just a band, and much more than just a form of music. The departure of one member cannot change that, no matter. We will continue what we believe in, and the power of ‘Blashyrkh’ shall live on.”

Aborted launch lyric video for Coffin Upon Coffin

Posted in News with tags , , , , , , , , , on 15th April 2014 by Nico Solheim-Davidson, the North Sea Poet

The Necrotic Manifesto, the long awaited album from Aborted, is set for release on 28th April 2014 in Europe and the day after in North America. Production for the album was handled by Jacob Hansen, who had already sharpened his skills on 2003’s gore-classic Goremageddon and 2011’s much lauded Global Flatline. Visually, the album’s concept was congenially transformed by Par Olofsson, who has gained fame by working with acts such as The Faceless, Exodus, Immolation, Pathology, Immortal and many more.

To give fans another taste of the band’s eviscerating brand of brutality, Aborted have launched the lyric video for Coffin Upon Coffin which can be viewed below.

The tracklisting for The Necrotic Manifesto is as follows:

1.     Six Feet Of Foreplay
2.     The Extirpation Agenda
3.     Necrotic Manifesto
4.     An Enumeration Of Cadavers
5.     Your Entitlement Means Nothing
6.     The Davidian Deceit
7.     Coffin Upon Coffin
8.     Chronicles Of Detruncation
9.     Sade & Libertine Lunacy
10.  Die Verzweiflung
11.  Excremental Veracity
12.  Purity Of Perversion
13.  Of Dead Skin & Decay
14.  Cenobites

Aborted online:

Enhanced by Zemanta

DEMONAZ – March of the Norse [2011]

Posted in Review with tags , , , , , , on 31st March 2011 by Nico Solheim-Davidson, the North Sea Poet

Album: March of the Norse
Release Year: 2011
Genre: Black Metal

DEMONAZ is the solo project of former Immortal guitarist Demonaz Doom Occulta. The debut album is “March of the Norse”, which is due or release 1st April.

“Northern Hymn” is the first track of the album, composed of acoustic guitar riffs and a haunting choir, setting a very tense atmosphere. “All Blackened Sky” comes blasting next, starting with a heavy and brutal guitar riff which is combined with heavy pounding drums. The vocals have a very rough Dimmu Borgir sound to them. The riffs throughout the track repeat themselves, which adds a certain simplistic brilliance to the track. The guitar riffs also have a slightly melodic touch to them. The guitar solo isn’t great but it’s not exactly bad. The title track “March of the Norse” is next. It’s intro riff has a Trivium-gone-black metal sound. The vocals don’t sound powerful on this track, with them being almost over-powered by the guitars and drums. In certain parts of the track, the bass can be heard clearly over the sound of distorted guitars.

The next track is “A Son of the Sword”. Beginning with a brutal intro, which is soon accompanied by a melodic riff, this track all ready sounds to be one of the best tracks on the album. The vocals sound much, much stronger – Matching the guitars and drums for brutality and power. The guitar solo is good, near to perfection. The track ends on a faded out yet brutal note. “Where Gods Once Rode” bursts in next, with a melodic intro which could easily be mistaken for a power metal riff. The vocals are still going strong and the guitar riffs seem to have taken on a more melodic sound for this track. The bass can be heard clearly in sections but the drums seem to be lacking in power and heaviness. There is a use of haunting choir-like vocals when the track turns softer, giving the track a more melancholy sound.

“Under Great Fires” starts with a brutal mix of guitars, drums and vocals.  The track turns melodic for a while before turning soft, though the vocals still stay brutal. The heaviness returns to the track eventually, though the guitars and drums begin to overpower the vocals. The guitar solo is sheer brilliance. After the solo, the vocals come back stronger than before. Disappointingly, the track finishes with an acoustic guitar section. The next track is “Over The Mountains” which enters the fray with a heavy intro riff. The vocals sound too strong for the guitars to compete with in terms of heaviness and brutality. There is a mixture o melodic and brutal riffs throughout the track, giving it a brilliant sound. The track finishes on a faded, melodic note. “Ode To Battle” comes next, composed entirely of choir-like vocals and acoustic guitars – Though the acoustic guitar sounds stronger than the vocals.

“Legends Of Fire And Ice” comes next, bringing a level of brutality and heaviness back to the album with a guitar and drum intro. The vocals sound somewhat raspier than what they have been on the previous tracks. There’s a use of choir-like vocals alongside the main vocals, which adds a very epic element to the track and the guitar solo is mind blowing. This track is clearly the best track on the album. The album finishes on the extra track: “Dying Sun” which begins with a slow yet brutal guitar intro. In sections, the drums leave much to be desired, though the guitars keep things interesting. With each development during in the track, it seems like the vocals will jump in at any moment but unfortunately they don’t.

“March Of The Norse” is undoubtedly one of the best albums that is going to come out of the Norwegian Black Metal for along time. There are parts which have room for improvement but Demonaz clearly hasn’t lost his ability to write black metal anthems. It is, however, strange hearing him perform vocals rather than guitar – Though with this album he could give a lot of vocalists in the black metal scene a run for their money.


Nico Davidson