Archive for Hollywood Undead

Hollywood Undead – Hotel Kalifornia

Posted in Review with tags , , , , , on 13th August 2022 by Pieni

Hollywood Undead
“Hotel Kalifornia”
Rap rock
Released: 12th August 2022
Via BMG / Dove & Grenade

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Every Hollywood Undead record is a box of surprises. If you thought “CHAOS” meant “Hotel Kalifornia” would follow the heaviness of “New Empire – Vol. 1”, then “Wild In These Streets” came and delivered that hip hop vibe they’ve started with in “Swan Songs”. In the end, all 14 tracks fire up in every kind of direction – pretty much like their whole discography – but with a feeling of “more” to each trait.

The drum patterns are more vibrant (“CHAOS”, “Hour Glass”), the guitars and bass are rougher and more striking (“Reclaim”, “Dangerous”), there’s more actual singing – not just from Danny (“City Of The Dead”, “Alright”) – while the rapping sounds more intense (“Trap God”, “Go To War”), the catchiness of songs such as “Happy When I Die” or “Alone At The Top” so much richer… Everything’s heightened, whether it comes from a more menacing nature or a more fetching one. And it’s funny how Hollywood Undead fuse so many styles, to the point where calling them “rap rock” doesn’t cover it (even if it’s the closest label to what they do), and yet manage to craft such a unique identity. The chorus to “Dangerous”, for instance, could fit in any Rage Against The Machine or Clawfinger track, but the song as a whole is definitely HU.

I won’t say it’s their best album so far, as each has its own signature, making it senseless to compare works so different from one another. But I will say that “Hotel Kalifornia” is probably the one where they’ve got the most out of their songwriting and performance skills.

9/10

Renata “Pieni” Lino

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Pieni’s Highlights of 2021

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , , , , , , on 31st December 2021 by Pieni

2021 was way less tough than 2020 but it was still tough enough. In November I’ve finally attended some gigs with no restrictions, but in December this new COVID-19 strain brought some new rules and I’m getting a little apprehensive regarding some plans I’ve made.. But I’ll talk about it in the “expectations for 2022”. I’m still including one live stream in my top-5 gigs because the “real” ones didn’t happen before June and that one in April (which included an unplugged section and stories about the songs they’ve performed) still meant a lot to me:

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  1. Infraktor at Metalpoint (Porto)
  2. Equaleft at Hard Rock Cafe (Porto)
  3. Hollywood Undead at MixOne Sound (“Undead Unhinged” live stream)
  4. GoDark at Metalpoint (Porto)
  5. Sugiru at Metalpoint (Porto)

My favorite records:

Aeromantic II
  1.  “Aeromantic II” by The Night Flight Orchestra
  2. “Worship” by Hypocrisy
  3. “Hermitage” by Moonspell
  4. “SepulQuarta” by Sepultura
  5. “Aggression Continuum” by Fear Factory

From big movie-like productions to the simplicity of the ocean, going through animation, here are the videos whose producers I tip my hat to the most:

  1. “Burn For Me” by The Night Flight Orchestra
  2. “Funeral Derangements” by Ice Nine Kills
  3. “Treading Water” by Danny Rose
  4. “Ich hasse Kinder” by Till Lindemann
  5. “Children Of The Gray” by Hypocrisy

My expectations for 2022 are, in general, all the postponed concerts and festivals that should have taken place in the last couple of years. But then there are these specific items:

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  1. This is the 4th time I put here the 4th Hills Have Eyes album, so let’s hope that the matching number 4 is the lucky strike…
  2. The Hollywood Undead headlining gig in Hanover (June).
  3. The W.A.S.P. 40th anniversary gig in Madrid (March).
  4. Really curious about The Halo Effect album (and gig in Lisbon).
  5. A chance to see Pitch Black live, after missing their long-awaited return due to health issues.

Enjoy 2022 as much as possible, peeps. Stay safe.

Renata “Pieni” Lino

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Pieni’s Highlights of 2020

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , , on 31st December 2020 by Pieni

Usually, my gig highlights are my favorite concerts among dozens I’ve seen during the year. As COVID-19 didn’t allow me to go to more than 4 live events in 2020, they ended up being all highlights just because they’ve happened… To complete the usual top-5, I’ve added a live stream – not my favorite, to be honest, but the no. 1 live stream was by the band already taking the 1st place of this ranking, plus CrashDïet was one of my first cancelled shows due to the pandemic, so being able to see a streamed one meant a lot:

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  1. Hollywood Undead at La Riviera (Madrid)
  2. Infraktor at Mangualde HardMaetal Fest (Mangualde)
  3. Revolution Within at Hard Club (Porto)
  4. Moonspell at Super Bock Arena (Porto)
  5. CrashDïet at Twenty Studios (live stream)

Records:

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  1. “New Empire – Vol. 1” by Hollywood Undead
  2. “Obsidian” by Paradise Lost
  3. “Moment” by Dark Tranquillity
  4. “A Whisp Of The Atlantic” by Soilwork
  5. “Titans Of Creation” by Testament

Videos:

  1. “Death Diviner” by Soilwork
  2. “Nightmare” by Hollywood Undead
  3. “The Promise” by Vëlla
  4. “Obey” by Bring Me The Horizon
  5. “Divynils” by The Night Flight Orchestra

Expectations for 2021? CONCERTS! That’s pretty much what I’m waiting/hoping for! Also, the new Hills Have Eyes album, which have been featured in my expectations for the past two years, but this time there’s a title and an artwork, so I guess this time’s for real…

Happy New Year folks!

Renata “Pieni” Lino

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HOLLYWOOD UNDEAD House Party – livestream

Posted in Gig, Live with tags , , , , , on 28th December 2020 by Pieni

HUhouseparty

Live streams are far – waaaaaay far – from “the same thing” as live on-site’s, but it helps filling the void left by the lack of the latter. So when one of your favorite bands announces one of those shows, you buy the ticket without blinking – not even checking if you can actually make it… After all, 7 p.m. in Los Angeles is 3 a.m. where I live and I’d probably be tired af from another week at that madhouse I call office. Yeah, I know the stream would be active (“raging on“, to use their own words) all weekend – extended till yesterday, as a matter of fact -, but when you love music as much as I do, waiting for the next day is not an option.

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The trailer and several promotional photos indicated the stream would be a prerecorded performance, so I don’t understand why so many people were pissed about it. Besides, you’re watching it on a screen, just like any other video. What’s the freaking difference?

Teaming up with Danny Wimmer, they’ve put up quite a scenario to host this event. Well, two scenarios, actually, as “Idol” is quite the must-be-played song but Tech N9ne couldn’t be there and they had to use the original footage of the video featuring the rapper; the cozy rehearsal-room-like background wouldn’t fit in such footage, so they came up with something more stage-ish.

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Dead Bite was “controlling the door”, his “no mask, no entry” directive such a rich pun. Then just like the tour Corona virus forced them to interrupt, the gig kicked off with “Time Bomb”. They didn’t play “Enemy” on the Madrid date of said tour but I remember Danny saying on his “Ask Me Anything” video it was one of his new live favorites; it came next and it sounded great indeed.

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We knew there would be guests, so when Danny asked 3 Tears if he’d heard anyone banging and then “Heart Of A Champion” came on, it was easy to guess ICE NINE KILLS–Spencer Charnas and PAPA ROACH–Jacoby Shaddix were the ones knocking. But they didn’t come through any door… Not sure what material they had the walls made of (cardboard, maybe?) but both Spencer and Shaddix blasted through them. Afterwards, Dead Bite threw some party crashers through those same holes while HOLLYWOOD UNDEAD cheered from the couch…

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After “Another Way Out”, they’ve changed to the aforementioned “more professional” scenario to perform “Idol”. Of course it would be a waste to use that awesome light display on one song only, so three more followed suit – including “Comin’ Thru The Stereo”, with Hyro The Hero joining the party.

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Back in the room for the encore (“Bullet” and “Undead”) but not before implying we had drunk/smoked to the point of passing out and dreaming about masked HOLLYWOOD UNDEAD. While J-Dog sang his “Undead” verses, Danny started ripping apart the walls, the show ending with J-Dog picking the “Welcome to Hollywood” graffitied piece and driving a punch through it.

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They say they had an “absolute blast getting the entire Undead Army together on a global level and we can’t wait to do it again soon”; I’ve felt the same watching it, so I assure you I’ll be in front of my screen when that “again soon” takes place. It’s a shame that it was a pandemic and the impossibility of playing live that made this happen in the first place.

HUhouseparty90

www.facebook.com/hollywoodundead

by Renata “Pieni” Lino

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Hollywood Undead – New Empire, Vol. 2

Posted in Review with tags , , , , on 6th December 2020 by Pieni

Hollywood Undead
“New Empire, Vol. 2”
Rap rock
Released: 4th December 2020
Via BMG / Dove & Grenade

vol2

“New Empire” is Hollywood Undead’s gold coin – volume 1 showing their heaviest side, and now volume 2 showing the exact opposite. Which one is better? Well, that’s the same as asking if a burger is better than chocolate cake – you can’t compare two things so different in their nature. What you can do is say what you like the most, and for some of you it may even depend on the mood you’re in (hence the food analogy). It’s really a case of personal taste.

“Idol” came out as first single and I can’t stop thinking how the choice marked the transition between the two records, with its dark and imposing pulse just as heavy as any other song on volume 1. I was going to say “intense” but that kind of applies to every track here, just on a more emotional level (as Danny said at some point). And when that powerful ballad “Coming Home” was released next, such emotional reference made total sense.

The opening track “Medicate” flows with an almost childish catchiness, a chipper song in contrast to its lyric content (medication against depression). The upbeat mood follows suit, a bit sharper now, with “Comin’ Thru The Stereo”, Hyro The Hero’s somewhat high pitched tone highlighting the first verses. Just like “Medicate”, singing along this one is almost mandatory.

The synth rap underlying “Ghost Out” adds a juicy rhythm but it’s the edgy riffing in “Gonna Be Okay” and the seductive one in “Unholy” that really rock me out.

There’s always a song or two in each album that I skip, as not even my open mind enjoys all their musical approaches. “Monsters” has some beautiful, deep lyrics but such dark hip hop isn’t my cup of tea at all, even if I’m able to acknowledge its greatness. As for “Worth It”, it is just too mellow. I believe it’s the first time a Hollywood Undead song can be called that, so kudos for the initiative. I just hope it doesn’t happen again.

I’ve left “Heart Of A Champion” for last not because it wraps up the record but because it’s probably my favorite song from volume 1 and I was a bit skeptical the first time I’ve heard of a new version. HU were on tour with Papa Roach and Ice Nine Kills when the pandemic broke out, so it was a nice touch bringing in Jacoby Shaddix and Spencer Charnas, but I was still afraid that it would ruin it. It didn’t (the video is a killer, too) – especially Spencer’s voice in the beginning -, even if I didn’t like to see J-Dog’s “compare me to none” verses cut out. It’s a bit like the two records: not better nor worse, just different.

8/10

Renata “Pieni” Lino

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Hollywood Undead – New Empire, Vol. 1

Posted in Uncategorized with tags , , , , on 12th February 2020 by Pieni

Hollywood Undead
“New Empire, Vol. 1”
Rap Rock
Released: 14th February 2020
Via BMG / Dove & Grenade Media

HUNewEmpireVol1cover

Whether one likes Hollywood Undead or not, their ability to combine all kinds of musical traits can’t be ignored. So when many people said – Johnny 3 Tears himself included – that “New Empire, Vol. 1” would be heavier than ever, and then “Already Dead” was out, with all such Linkin Park-vibe, I was momentarily afraid they’d changed their focus to an “alternative metal” direction and forgot everything else that’s always made them somewhat unique. Well, they didn’t.

“Time Bomb” was the second single and proof of this heightened nature, laced with a fiery party-mood. Also “Empire” was released beforehand, built on enthralling drums and strong bass lines, revealing how intact is the band’s diversity.

“Heart Of A Champion” falls more or less in the same description as “Empire”, but is a tad more intense, more seductive – a mandatory sing-along chorus if played live. “Killin It” is way too hip hop for my personal taste, but while the metalhead in me will skip this track, the music reviewer must acknowledge its edgy composition, as well as the aforementioned mix of traits I’ve always admired in this band. The final track “Nightmare” is also a hip hop tune, but the soft piano keys and bitter chorus make it more alluring to my ears – and surely a grand finale for most fans.

And while “Enemy” goes blasting pretty much through and through, “Upside Down” gets the prize for the catchiest melody in this record. It features Kellin Quinn of Sleeping With Sirens, even though I believe Danny would’ve covered that perfectly (sorry Quinn!). And “Second Chances” is the most beautiful – in that somber kind of way – piece. At some point, a sharp breakdown highlights such somberness.

Yes, “New Empire, Vol. 1” is heavier, but it’s unmistakably Hollywood Undead. I don’t like labels, but the rap-rock one they go by still fits – it’s just that the rap got darker and the rock got thicker.

8/10

Renata “Pieni” Lino

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Pieni’s highlights of 2019

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , , , , , , on 31st December 2019 by Pieni

2019 was a bumpy ride and despite attending fewer shows and writing less for Valkyrian Music, this past year still had plenty of memorable moments. Here’s my favorite live ones:

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  1. Samael at Laurus Nobilis Music Famalicão (Louro)
  2. Infraktor at Vagos Metal Fest (Vagos)
  3. Equaleft at Hard Club (Porto)
  4. D.A.D. at Hard Club (Porto)
  5. Overkill at Hard Club (Porto)

Records:

Rust

  1. “Rust” by CrashDïet
  2. “We Defy” by Equaleft
  3. “Verkligheten” by Soilwork
  4. “West End” by The 69 Eyes
  5. “I, The Mask” by In Flames

Thank you Ozzy for filming the kind of music video I like the most – with an actual story to it. In the absence of that, something amusing and/or featuring visual impact will do:

  1. “Under The Graveyard” by Ozzy Osbourne
  2. “Idiots” by CrashDïet
  3. “Deutschland” by Rammstein
  4. “Trve As Fvck” by Hills Have Eyes
  5. “Already Dead” by Hollywood Undead

I have a handful of expectations for 2020 but, at the moment, I believe these are the ones I’m most eager about:

HHE2019

  1. The Hills Have Eyes new album and its release show (no date announced yet but hopefully it won’t be postponed much longer).
  2. The Hollywood Undead new album, “New Empire, Vol. 1”, and their gig in Madrid which I’ll be attending in a couple of months.
  3. W.A.S.P. will embark on a tour where they’ll only play songs out of their first four albums. Already got my ticket for the Barcelona show.
  4. Sister posted something on their Facebook page which included a #newalbum, so I’m looking forward to that as well.
  5. Seems like Kiss are saying goodbye to the stages. Whether this is indeed their last tour or not, I won’t miss it.

Happy New Year!

Renata “Pieni” Lino

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