Archive for Dante

Hamerex – IX

Posted in CD, Metal with tags , , , , , , , , , , , on 12th November 2013 by Nico Solheim-Davidson

Hamerex
IX
Released 7th October 2013
Metal
Self-Released

Yorkshire has a tradition of popping out some talented metal bands from the well known acts such as Saxon, My Dying Bride and Paradise Lost, to the lesser known bands such as Sworn Amongst, Lost Effect and Bal-Sagoth. Hailing from the western reaches of Yorkshire, from a town known as Wakefield, come modern metallers Hamerex who blast out with an old school twist on their music.

The album opens up straight away with the title track IX Circles (the title sounding like a reference to the nine circles of Hell in Dante’s Divine Comedy). A cryptic use of whispering begins the track before leading in a repetitive riff. The song itself isn’t exactly inspiring, failing to entice with any sort of flavouring save a bland use of guitars and other instrumentation but it does give a small teaser of what’s to come. The Life Of Death marches in with a stronger style, taking on a Megadeth sounding fashion in the bass workings with a use of melodic guitars and typical NWOBHM vocals.

Inferno carries on the subtle humming of melodic riffs with the bass ringing out more prominently. The throaty use of vocals doesn’t match up to the style of riffs during in the verses but goes down a treat throughout the chorus. Edge Of Madness belts out a stronger Megadeth sound than The Life Of Death, slipping in some pleasant licks in there. The flow of drums, back and forth, keep the song as fresh as bread that’s come straight out of the oven, allowing the guitars and bass to do their thing in an old school manner.

The Extremist is probably the most extreme track of the album, with the vocals nearly going through a metamorphosis into a raspy death metal style and the the riffs taking a turn down a road of heavier bombardment where as Mortuary goes down the highway of hard rock anthems, screaming with catchy passages and soaring vocal sections. The Stranger (Anyone else automatically think of Game of Thrones just then? No? Just me? Bugger.) isn’t quite as dusky as would be expected, parading strong NWOBHM elements and some vicious bites from the guitars.

Descent Of Angels thrashes about, becoming as extreme as The Extremist and possessing an essence of Venom in the music. The Night Of Samhain differs from the rest of the album completely, easing its way in a combination of acoustic guitars and thundering yet distant bass workings. The hidden use of keyboards in the background add a certain atmospheric embrace to the song, gently dancing between the guitar and bass. The vocals sound their best throughout this song. The shifting phases of the track makes it easy to mistake it for multiple tracks, as opposed to one long epic. The album is finalised with the last track; Still The wall Remains. A gentle piece in its beginnings, with soft, harmonic vocals, the song does take a turn down a heavier route before going back to gentle sailing. The guitar solo is the highlight of the song though, adding some chaos to the harmony.

Hamerex prove that Yorkshire’s metal scene is well and truly thriving. Whilst the album had a bumping start to its journey, it soon made up for it with the differing elements each member bring to the band and the music. From Megadeth sounding bass lines to roaring NWOBHMesque vocals and everything in between, IX is certainly one album to grab for the collection.

4.5/5

Nico Davidson

Hamerex online:

http://www.hamerex.com
http://www.facebook.com/hamerex

 

Hell – The Age of Nefarious

Posted in CD, Metal with tags , , , , , , , , , , , , , on 3rd November 2013 by Paul

Hell
The Age of Nefarious
Released October 25th 2013
NWOBHM
Released via Nuclear Blast
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Hell are one of the greatest success stories in the recent renaissance of NWOBHM. Of all the bands that have come back from the dead to play the oldest style of Heavy Metal, Hell has been one of the most successful. This EP, The Age of Nefarious offers a new song as well as three live performances from their Human Remains album. Hell have a style that goes beyond the simple punk rock/Motorhead formula that typifies NWOBHM, being more theatrical and epic, like Dante’s Divine Comedy played through a Heavy Metal filter. I managed to catch the end of Hell’s set at Bloodstock 2011, and it was clear that the band are very talented performers, the recordings here sound just about as good as they do in the studio, however the problem is that the audience is very quiet in the mix here, so it doesn’t feel like there is all that much point in listening to these over the album versions from Human Remains. It’s a good release though and a good, though short preview of what is to come on the next album. The Age of Nefarious doesn’t deviate much from the sounds on Human Remains, which is largely a good thing. It sounds like Hell are getting ready to release a great album, and I look forward to hearing it.

3/5

Paul Gibbins

Hell online:

http://facebook.com/hellofficial