Archive for Crashdïet

CrashDïet w/ support – Madrid, Spain

Posted in Gig, Live with tags , , , , , , , , , on 29th May 2022 by Pieni

CrashDïet, Shiraz Lane, King Zebra
Sala Caracol, Madrid (ES)
25th May 2022
Promoted by Madness Live

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The golden age of glam & sleaze rock may have officially been the eighties, but there are a handful of bands capable of convincing you that such age is now. CrashDïet is one of them. After the “Rust” tour being cancelled due to the heinous pandemic in 2020, the release of “Automaton” late last month provided a payback in spades.

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The doors opened about 15 minutes after scheduled, but King Zebra got on stage at the announced time (19:30). Not sure of how many people knew the Swiss – I didn’t and yet I found myself singing along the catchy choruses of songs such as “We’re The Survivors” or “Under Destruction”, so maybe the words also got easily into other people’s brains – but everybody seemed real happy to see them. Thundermother’s Guernica Mancini wasn’t at the show, but King Zebra played “Wall Of Confusion” just the same and singer Eric St. Michaels was clearly proud of having such collaboration in the band’s discography. It was “Firewalker”, however – a song “very popular on Spotify” – that raised the spirits of the crowd a bit higher than they already were.

https://www.facebook.com/KINGZEBRA.band

shzln20221Shiraz Lane, on the other hand, had a lot of enthusiastic fans waiting for them. What a roar exploded at Sala Caracol when they hit the stage! They haven’t released a full-length album since “Carnival Days”, back in 2018, but its follow-up should be out soon, as a few new songs are already rolling on YouTube. One of them, “Disconnect From The Matrix”, was posted two days after this show but the Finns already graced us with it. Such a fiery performance from all members, but it was obviously singer Hannes Kett who had the chance to dance and jump around more, as well as bond with the audience with heartfelt speeches. When announcing the last song – which got a loud “NO!” in response, especially when Hannes said they had to play the following night for “your friends in Barcelona” (I wonder if there’s any country with no rivalry between its major cities…) – he said we must remember that love is the most important thing, more than ever. Then their own version of Savage Garden’s “To The Moon And Back” was on and in the last moments of it, Hannes went into the crowd to sing among us.

https://www.facebook.com/ShirazLane

CDT20223I believe Gabriel Keyes was somewhat sick, or at least tired. Wait, let me rephrase it – his voice might have been tired, ‘cause the way he rocked that stage through and through was evidence of a powerful energy. It was the first time I was seeing him live, but I’d seen videos – including the Quarantine Thrills – so I know what his voice is capable of outside a recording studio. Changing the higher pitches into lower ones in order to not go out of tune was a bit disappointing at first, but eventually I got used to it and had to appreciate the effort (one CrashDïet gig cancelled was enough in my book). I’m still bummed that they didn’t play “Shine On”, though, as it’s probably my favorite song out of “Automaton” and I know they had played it in the previous dates of the tour. But listening to so many “oldies” such as “Tikket”, “It’s A Miracle” (dedicated to all of us, for being there after all the world’s been through in the past couple of years), “Breakin’ The Chainz” and “Queen Of Obscene” (yes, and “Riot In Everyone”, of course, but that one is mandatory) certainly made up for the absence of my most recent fav track. Curiously enough, despite being the “Automaton Tour”, they’ve only played two songs off it – “Together Whatever”,which opened the show and made everyone go wild right from the start, and later on “No Man’s Land”. And from “Rust”, the first album featuring Gabriel, only “Reptile” came up. It’s great to see he feels so comfortable singing all those songs he didn’t originally record – they’re CrashDïet songs and he’s their current (hopefully last!) lead singer. Period!

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More or less in the middle of the show, he stepped off stage (maybe to rest his voice?) and let guitarist Martin Sweet sing a Nirvana song (“Territorial Pissings”). What an unexpected blast, and I don’t even like Nirvana that much! What I wasn’t expecting either was to see both King Zebra and Shiraz Lane members getting on stage and singing “Generation Wild” at the end of the show That’s the kind of thing that usually happens when wrapping up tours so it’s quite an understatement to say I was really glad that these bands don’t go by “the usual”.  

https://www.facebook.com/realcrashdiet

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Text & photos by Renata “Pieni” Lino

CrashDïet – Automaton

Posted in Review with tags , , , , , on 5th May 2022 by Pieni

CrashDïet
“Automaton”
Glam/sleaze rock
Released: 29th April 2022
Via Dïet Records

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As many shades as glam & sleaze music can take, one can only go too far without stepping out of character and keeping the outcome fresh at the same time. But six albums later, CrashDïet still nail it.

“Together Whatever”  has the carefree rhythm and triumphant message of a rock anthem – the same formula they’ve used in the past with “Riot In Everyone” or “Generation Wild”, and yet sounds so state-of-the-art.

I’ve once said something about CrashDïet taking in the traits of the golden ages of glam rock and making them their own in the present day, and “Shine On” is the epitome of such statement – a tribute to the eighties, the electronic undertones and the defiant chanting finishing a true earworm with class.

The beginning of “Dead Crusade” is a dead ringer (no pun intended) of “Anarchy”, true, but it soon evolves to something more seductive, something you’d want to sway to instead of acting up. In fact, the melodies of this album are the richest (so far) in their discography – no, I don’t mean just the weeping of the acoustic guitar in “I Can’t Move On (Without You)” but, for instance, every catchy bit of “Darker Minds” or “We Die Hard”. The same fiery songwriting but a more elaborate, more mature result. The older, the wiser?

And speaking of wise… to say I’m not the biggest fan of Steel Panther is an understatement, but I acknowledge the legends they’ve become, and if the Swedes needed a somewhat-husky-sexy voice to contrast with Gabriel’s bright pitch in the pulsing “Powerline”, Michael Starr was definitely the smartest move.

Wherever Dave Lepard’s soul may be, I’m sure it’s proud.

9/10

by Renata “Pieni” Lino

Pieni’s Highlights of 2020

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , , on 31st December 2020 by Pieni

Usually, my gig highlights are my favorite concerts among dozens I’ve seen during the year. As COVID-19 didn’t allow me to go to more than 4 live events in 2020, they ended up being all highlights just because they’ve happened… To complete the usual top-5, I’ve added a live stream – not my favorite, to be honest, but the no. 1 live stream was by the band already taking the 1st place of this ranking, plus CrashDïet was one of my first cancelled shows due to the pandemic, so being able to see a streamed one meant a lot:

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  1. Hollywood Undead at La Riviera (Madrid)
  2. Infraktor at Mangualde HardMaetal Fest (Mangualde)
  3. Revolution Within at Hard Club (Porto)
  4. Moonspell at Super Bock Arena (Porto)
  5. CrashDïet at Twenty Studios (live stream)

Records:

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  1. “New Empire – Vol. 1” by Hollywood Undead
  2. “Obsidian” by Paradise Lost
  3. “Moment” by Dark Tranquillity
  4. “A Whisp Of The Atlantic” by Soilwork
  5. “Titans Of Creation” by Testament

Videos:

  1. “Death Diviner” by Soilwork
  2. “Nightmare” by Hollywood Undead
  3. “The Promise” by Vëlla
  4. “Obey” by Bring Me The Horizon
  5. “Divynils” by The Night Flight Orchestra

Expectations for 2021? CONCERTS! That’s pretty much what I’m waiting/hoping for! Also, the new Hills Have Eyes album, which have been featured in my expectations for the past two years, but this time there’s a title and an artwork, so I guess this time’s for real…

Happy New Year folks!

Renata “Pieni” Lino

Pieni’s highlights of 2019

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , , , , , , on 31st December 2019 by Pieni

2019 was a bumpy ride and despite attending fewer shows and writing less for Valkyrian Music, this past year still had plenty of memorable moments. Here’s my favorite live ones:

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  1. Samael at Laurus Nobilis Music Famalicão (Louro)
  2. Infraktor at Vagos Metal Fest (Vagos)
  3. Equaleft at Hard Club (Porto)
  4. D.A.D. at Hard Club (Porto)
  5. Overkill at Hard Club (Porto)

Records:

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  1. “Rust” by CrashDïet
  2. “We Defy” by Equaleft
  3. “Verkligheten” by Soilwork
  4. “West End” by The 69 Eyes
  5. “I, The Mask” by In Flames

Thank you Ozzy for filming the kind of music video I like the most – with an actual story to it. In the absence of that, something amusing and/or featuring visual impact will do:

  1. “Under The Graveyard” by Ozzy Osbourne
  2. “Idiots” by CrashDïet
  3. “Deutschland” by Rammstein
  4. “Trve As Fvck” by Hills Have Eyes
  5. “Already Dead” by Hollywood Undead

I have a handful of expectations for 2020 but, at the moment, I believe these are the ones I’m most eager about:

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  1. The Hills Have Eyes new album and its release show (no date announced yet but hopefully it won’t be postponed much longer).
  2. The Hollywood Undead new album, “New Empire, Vol. 1”, and their gig in Madrid which I’ll be attending in a couple of months.
  3. W.A.S.P. will embark on a tour where they’ll only play songs out of their first four albums. Already got my ticket for the Barcelona show.
  4. Sister posted something on their Facebook page which included a #newalbum, so I’m looking forward to that as well.
  5. Seems like Kiss are saying goodbye to the stages. Whether this is indeed their last tour or not, I won’t miss it.

Happy New Year!

Renata “Pieni” Lino

CrashDïet – Rust

Posted in Uncategorized with tags , , , , , , on 22nd September 2019 by Pieni

CrashDïet
“Rust”
Sleaze/glam rock
Released: 13th September 2019
Via Frontiers Music

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It’s been over a week since “Rust” was released but only now I’ve managed to write about it. Why? Because every time I’ve started doing so, the songs popped up in my head and I just couldn’t stop singing along and moving my whole body to their rhythm. When the single “We Are The Legion” was released on New Year’s Eve 2017, I felt that old school sleaze vibe which CrashDïet have always offered us and knew that whatever came next would be worth the waiting; still I was amazed at such worthiness.

Don’t expect me to compare singers, as that wouldn’t be fair to any of them. I’ll just say that Gabriel Keys has a powerful voice which fits the band like a glove, and even though I’ve only listened to him in the new tracks, I can imagine him singing the old ones as if it had been him who’s originally recorded them. Yeah, that kind of voice.

They’ve recently asked on their Facebook page which was our favorite song off the new album and to me that’s an honest trick question. How can I choose between the enticing riffs and catchy chorus of the title-track and the seductive melody of “In The Maze”? How can I choose between the enthralling beats of “Into The Wild” or the upbeat pulse of “Crazy”? The heart-warming ballad “Waiting For Your Love” in contrast with the sleazy speed of “Reptile”? And what about the hymn-ish “We Are The Legion” or the crowd-friendly “Filth & Flowers”? The latter even has parts as if recorded live because it’s exactly the kind of song that will have the audience cheering and do that now-you-sing-it game that vocalists love to put us through.

CrashDïet have had their fair share of downs but their albums have always been ups in their career. I won’t say “Rust” is the highest up so far but, once again, only out of fairness. I can say, though, that this is the essence of sleaze rock, bearing such purity and class – so hard to find nowadays.

9/10

by Renata “Pieni” Lino

CrashDïet – The Savage Playground

Posted in Uncategorized with tags , , , , , on 23rd January 2013 by Pieni

CrashDïet
“The Savage Playground”
Released: 22nd January 2013
Glam/sleaze rock
Released via Gain Records

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You should never assume a certain genre of music belongs to a certain age. The so-called “eighties hair metal” is very much rocking and up-to-date nowadays, at least when it comes down to CrashDïet.

The band has matured in these last couple of years, sounding harder and somewhat more consistent, yet without ever losing its rebellious sleaze grip. There’s also a bigger concern for details, little touches that turn the songs richer but keep them in the straightforward rock path.

For instance, the first single, “Cocaine Cowboys”. As the title itself reveals, it’s a song about that particular addiction, the masters and slaves of it. And as they chose to call the dealers by “cowboys”, the intro is the main riff of the song played in an acoustic guitar, very Old West style. And that repetitive note which “Anarchy” starts with, building expectations up, just like in a riot. Or the piano in “Excited”. Don’t know about you, but I thought these were all priceless.

The opening track, “Change The World”, brings to mind “Riot In Everyone” – the same message of not following political-correct flocks, but the music itself more elaborated, more guitar work, the bass even more present and the beats more diverse. It has single-material stamped all over it.

Not a ballad in any way – this time the boys kept them at bay – but there’s something softer about “California” that makes you think of convertibles driving through long avenues into the California sunset, just like you see in the movies. Mind you that I said “softer”, not “soft”, as the rhythm is still pretty much alive here.

Both “Circus” and “Damaged Kid” keep the rock pumping through and through, but it’s “Drinkin’ Without You” that’s the sleaze rock poster-song, all sleek and loose. “Snakes In Paradise” is also very sleazy, but in a dark kind of way.

And then there’s “Garden Of Babylon”, a track with some of the angriest and, at the same time, most melodic moments of “The Savage Playground”. Despite its more than 7-minute length, something we’re not used to with CrashDïet, I strongly recommend it.

When I reviewed “Generation Wild” almost three years ago, the last line read “The kids of the underground are back and, I dare to say, stronger than ever”. Now that “The Savage Playground” is here, “stronger than ever” takes a whole new meaning.

5 / 5

Renata “Pieni” Lino