Archive for Classical

Lord of The Lost – Swan Songs II

Posted in CD, Rock with tags , , , , on 2nd December 2017 by izaforestspirit

Lord of The Lost
Swan Songs II
Released 6th October 2017
Dark Rock/Gothic Rock/Classical
Released via Napalm Records

Image result for lord of the lost swan songs ii cover

The German dark rock band Lord of the Lost have been around for a decade. It was originally a solo project of the frontman Chris Harms; then he recruited other musicians before releasing the first album. Their style varies slightly with each release, ranging from the HIM-esque Gothic rock debut ‘Fears’, classical/acoustic ‘Swan Songs’, Latino rhythms on the single ‘La Bomba’ to industrial metal on ‘Empyrean’. This brings us to their latest opus‘ Swan Songs II’- another album combining dark rock with classical orchestra.

First up is the wonderfully sinister murder ballad Waiting For You To Die’ This song caught my attention even before the album’s release thanks to the beautiful lyric video. The orchestration makes the track all the more dynamic and memorable. Lighthouse makes you immediately want to get up and dance. It’s uplifting and the lyrics are surprisingly positive like the sun re-appearing again after a long, violent storm. I absolutely adore the chorus. It has been stuck in my head for weeks now. So much so that I’ve even started singing it to my children as a lullaby.

If it’s slow, sombre ballads with violins in the background you want, then My Better Me is the song for you. Personally I prefer Wonder in Sable. This melodic track picks up gradually after a slow start treating the listener to more gloriously performed orchestration and Chris Harms’s emotionally charged vocals.

In summary, Lord of the Lost have created a stunning piece of work. They have once again proven just how diverse and complex their music can be. Not all ensemble albums by rock bands are worth the hype but ‘Swan Songs II’ is great example of how well this concept can work.

4.5/5

Iza Raittila

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Raeven Irata [Band Review]

Posted in Folk, Industrial with tags , , , , , , , , , , , on 19th July 2011 by Nico Solheim-Davidson

Band: Raeven Irata [Crimson Eden]
Country: United Kingdom
Genre: Electronica/Classical/Folk
Site:
http://www.crimsoncreatives.com/

Yorkshire is known amongst many for its rich and diverse music scene, in which many great bands and musicians have appeared and risen to the top. A part of this diverse music scene is the multi-talented solo artist and composer Raeven Irata who has three different musical projects: An electronica project, a classical project and a traditional folk project.

The electronica project is different to how many people would perceive it to be. While having the typical beats and synth sounds found in said genre, Raeven Irata adds a twist which features the use of both haunting male vocals and dark yet angelic soprano vocals along with some eerie sounding sections. “Not Destroyed” and “I Sow In Sorrow” are perfect examples of this, though the latter features only the female vocals. “The Zombies Are Coming”, however, has a different sound to “Not Destroyed” and “I Sow In Sorrow”. The track seems to have more of a cyber-industrial feel and sound to it, as opposed to the haunting Gothic effect of the other two tracks, though it is still a brilliant composition.

Raeven’s classical compositions are certainly not what a new listener to classical music would expect them to be. Rather than containing the stereotypical “grand and majestic” sound, they are more solemn, sorrowful and melancholy. “The Forbidden Forest” is both a testament to Raeven’s skills and talents as well as a piece of music that many can enjoy. “Waltz Of The Shadow Fae” is a brilliant strings-orientated composition combining an epic feel with a sorrowful sound and atmosphere topped off with a hint of gloom. Whilst the previous two seem sorrowful, “Vaults Of Heaven” is perhaps the more grand-sounding though it still brings that sadness with it, making it a most enjoyable track as it seems to capture real feeling and certainly brings a tear to the eyes.

The folk project is an interesting one to listen to. “My Young Love” is composed entirely of Raeven’s strong, powerful and emotional soprano vocals. The only issue with the song is that it’s too short though it does seem to last an eternity, it is a let down when it ends. “She’s Like The Swallow” is another one featuring only Raeven’s vocals. It has a very warm and welcoming sound to it, bringing a small smile to the listener’s face. “All Things Are Quite Silent” is slightly more fast than the previous two tracks, bringing the warm feeling with it. Raeven’s vocals are certainly very impressive when singing “All Things Are Quite Silent”.

Raeven Irata is clearly one of the most talented individuals in the Yorkshire music scene at the moment and perhaps one of the most talented in the UK. Each of her projects bring something new to their designated genres, containing emotion and intelligence that one won’t find in the mainstream music of today. Good things are ahead for this talented individual.

Nico Davidson

The official name of Raeven Irata’s music projects is “Crimson Eden”.

Raeven Irata is currently looking for paid composition work. Raeven is also looking for a producer and a sound engineer for her musical projects. Anyone interested in enquiring about this, e-mail Raeven at: raevenirata@crimsoncreatives.com