Archive for City of Culture

EARTHBREAKER – Voice of the Voiceless

Posted in 'Core, CD, Metal with tags , , , , , , , on 11th January 2017 by Nico Solheim-Davidson

EARTH BREAKER
Voice of the Voiceless
Hardcore/Metal/’Ullcore
Self-Released: November 2016

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Hull – Otherwise known as the City of Culture – has a lot going on for it, especially in the music scene, which is where a promising young band known as Earthbreaker are currently making makes and lots of noise. Having only been around for just over a year, this melodic metal quintet have already made their presence felt – and heard – in North England.

Voice of the Voiceless opens straight up with the powerful and memorable track The Vipers Nest, which features an energetic and tenacious breakdown and some bestial vocal work. Family follows up almost seductively, with its overwhelming assault of guitars and differing and unique vocal sounds.

Misanthropy is a melodic track which is as catchy as the common cold but that doesn’t stop it from being heavier than an elephant’s arse. The guitars are heavy-duty, paving a path of broken bones whilst the rhythm sections lay down the gritty foundations. Whereas Deathwish brings a more emotive but just as unyielding sound to Voice of the Voiceless.

The EP finishes on Psychosis, with its enchanting dance between the guitars, bass and drums, making it a good track to finish on.

Voice of the Voiceless demonstrates Earthbreaker‘s well-founded sound in a way that leaves the listener wanting more and shows that this young quintet can go toe-to-toe in the pit with some of the heavy hitters on the scene.

4.5/5

Nico Solheim-Davidson

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Njord Metal Fest announces first two bands

Posted in News with tags , , , , , , , on 8th January 2016 by Nico Solheim-Davidson

Njord Metal Fest – a new metal festival in the City of Culture 2017, Hull – has announced its first two bands on the line-up.

The headliners are Embers of Eden – a melodic metal outfit from southern England, who have played the prestigious Sonisphere Festival in 2014 and there will be a special guest appearance from Cumbrian metal pirates Iron Seawolf.

Further details can be found at this location and tickets, which are priced at £5, can be bought here. The event will take place at O’Rileys in Hull on 16th July this year.

Crooked Lizard – Ink

Posted in CD, Rock with tags , , , , , , , , , , on 29th June 2014 by Nico Solheim-Davidson

Crooked Lizard
Ink
Released 11th July 2014
Blues/Rock
Self-Released

Hull, voted to be the City of Culture 2017, is home an interesting amount of talented bands and solo acts but one band is slowly rising from the depths of Hull’s murky musical talents. Describing themselves as a rock ‘n’ roll band, come the bluesy rock trio Crooked Lizard, who are set to bring about something fresh, new and exciting to not only Hull but the rest of the UK as well.

The album is opened by the track Devils Lullaby, a song laden with hypnotic vocal melodies and riffs more infectious than the common cold. The bass workings of Mike Sheriff parades through the song like a leprachaun on a rainbow. Motormouth follows closely in a fashionable manner, focusing on the vocals on Tom Hennings‘ vocals in the beginning before displaying his slick style of guitar playing later on in the track.

Chasing Gold comes across as a more laid back song, weaving the distinct talents of all three members as well as combining their voices for the occasional awe-inspiring chorus where as Cheeky Fly paints a sound that would be described in the vein of Kate Nash and Lily Allen. The vocals of the band’s drummer Roberta Lawson can heard in parts of the song, adding a new dimension to the sound. I Wish I Knew makes a staunch use of memorable lyrics performed in a manner that will leave you singing it for weeks to come. The combination of guitar, bass and drums helps add to the catchy and poignant elements of the song, defining the track as one of the best tracks of the album.

Oh Jonny belts out in a good ol’ fashioned rock ‘n’ roll fashion, keeping a steady pace with glossed up guitar melodies and smooth rhythm sections. The artful sounds of Whispered Mistakes carry a solemn yet calming atmosphere through the embroidered musicianship and vocals.  The album closes with the touchingly passionate song Monster, which is built up from moving basslines, poignant guitar passages and rhythmic drum sections.

Ink might be the debut album of the young Crooked Lizard but it rings out like the greatest hits of a band that has been around longer than what this talented trio has. Each track has its own distinct sound, allowing for a new listening experience throughout the album. Crooked Lizard’s live sound has translated well into a studio sound, providing that the band can sound just as good in the studio as they do live.

4.5/5

Nico Solheim-Davidson