Archive for Bride

My Dying Bride – The Manuscript EP

Posted in CD, Featured, Metal with tags , , , , , , on 1st May 2013 by Nico Solheim-Davidson

My Dying Bride
The Manuscript
Released 13th May 2013
Gothic/Doom Metal/Yorkshire Metal
Released via Peaceville Records

My Dying Bride are possibly the best thing to come out of Yorkshire since… Yorkshire puddings. Though unlike their savoury tasting kin, My Dying Bride have reigned on the British scene with a dark and foreboding career of soul crushing darkness and doom-laden music.

The Manuscript is a cascading sea of melodic riffs, tinted with the band’s Yorkshire-flavoured sound of forthcoming doom, transforming into a different flow of ghastly tones with each song. Aaron Stainthorpe’s vocals echo almost ethereally, lending a sound to the EP that is more haunting than a midnight walk through one of Whitby’s graveyards. The violin passages, as provided by Shaun MacGowan, are oddly entrancing and hypnotic, gently calling out like a gothic siren’s call whilst the bass, offered up by Lena Abe, and drums supply the ever bold backbone of the music, thundering down like a violent storm of hail.

The poetic introduction of Only Tears To Replace Her With rings out like church bells, conjuring up darkened visions of a romance gone wrong. The pace of the music helps to reinforce this image, as the vocals float coldly throughout the song. Var Gud Over Er sticks with the melodic passages of the EP but rushes in a heavier approach as well, complete with Aaron’s signature growls.

Painting a bleak picture with their music and lyrics, My Dying Bride have produced another beautifully tainted piece of musical craftsmanship, that will drag the listener down to the deepest depths of despair and agony whilst tantalising one’s natural audible devices at the same time.

5/5

Nico Davidson

My Dying Bride online:

http://www.mydyingbride.net
http://www.facebook.com/pages/My-Dying-Bride-Official-uk/282179138510618
https://twitter.com/MDB_The_Band

 

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Interview: Mist [Dead Summer Society]

Posted in Interview with tags , , , , , on 27th May 2012 by izaforestspirit

Dead Summer Society is the latest addition to the Italian doom metal scene. Iza caught up with the mastermind behind the project, the multi-instrumentalist Mist to discuss his influences and aspirations.


Iza: Hi there! Aside from being the main member of Dead Summer Society you are also the guitarist of How Like a Winter. What influenced your decision to start this project?

Mist: – Hi, and thanks for the review of “Visions from a thousand lives”. Well, How like a winter is a project “on hold” at this moment, but as a musician I need to create music, you know, is a sort of “soul outburst”. Moreover I wanted to create something more “personal”, something without “compromises”, a project in which I could put all my musical influences and experience, with a sort of “experimental” approach. I consider DEAD SUMMER SOCIETY as a place to search something new but in a spontaneous way, a place to completely express myself, to try new things and even experiment new sounds.

I: You often list yourself as the sole member of Dead Summer Society yet the album features a female vocalist on some of the tracks. Who is she and what’s her role in the band?

M: DEAD SUMMER SOCIETY is a one-man band considering that I write all the music and lyrics, but I like to have collaborations able to enrich the music with personality (and I can say now that I’ll have more collaborations in the future). They have the freedom to try what they want and experiment on their own. Regarding female vocals…well, there are two female vocalists on “Visions..”: Federica Fazio is the singer, Claudia M. Luisa Murella is a dark poetess who has written and performed the recitative parts on the album. They enhanced the dark/gothic approach to the music, and I’m very happy about their contribute.

I: According to the press kit you have also collaborated with Trismegisto (Cult of Vampyrism, Teeth and Thorns). Is the partnership likely to continue in the future?

M: – Of course! Our collaboration will definitely go on! Trismegisto (Stefano) is both a great singer and musician, I came in contact with him during recording sessions of his project Cult of Vampyrism’s debut album. He’s able to transform all my ideas in something every time more beautiful!

I: Some of your songs, particularly “The King’s Alone”, remind me of works by other gothic doom metal artists such as My Dying Bride. Have any of these bands had some influences on Dead Summer Society?

M: – Well, doom/gothic music surely influences my music…My Dying Bride is among my favourite bands, and “The King’s Alone” is a sort of “homage” to their genius. Other bands I love and that inspire me are Katatonia, Anathema, Paradise Lost, Opeth, Samael, Tiamat, as well as Depeche Mode and Sopor Aeternus. On the other side I feel I’m on the right way to reach a Dead Summer Society’s own style, intended as a personal and spontaneous approach to make music.

I: I’ve also detected elements of dark ambient in your music. Are there any particular dark ambient artists that inspire you?

M: – Dark ambient and also electronic are so fascinating, and I like to enrich music with these elements. I think music sounds more interesting, more captivating, more experimental. Besides metal I’m starting listening to more dark ambient and electronic music.

I: Do you see Dead Summer Society as mostly a studio project or would you like to do live performances?

M: – To be honest I think that DSS will remain a studio project, I like it as it is, I like the idea to write music and enrich it with many collaborations. Besides DSS, I’m going (slowly) on with another doom/death band which could eventually do live performances: Temple of Prometeo. Just need more time to do everything eheheeh!

I: In the event of Dead Summer Society going on tour in the future, which bands would you like to tour with and why?

M: – Well…first of all, Katatonia! Is the band at the moment I like the most, and together with Opeth I think they gave freshness to their genres. Katatonia’s music is simply great, pure emotional art. Of course I’d like to tour with My Dying Bride, a dream…but I’d also like Samael, they’re so energetic and special…

I: Which musician (living or dead) do you respect the most and why?

M: -Mmm…not so easy…a musician I really like and respect is Mikael Akerfeldt (Opeth), think is really passionate and professional, a musical genius…I’ve seen Opeth many times on stage and he’s a great front man, a fantastic musician, the best growl/clean vocals in my opinion…

I: What’s been your best memory of Dead Summer Society since its formation?

M: – Well…I was really glad about the feedback “the heart of autumnsphere” demo got from people, I received a lot of kind words and even some proposals from labels (which didn’t take to anything concrete, but we will see for the future!)…I was particularly happy for a nice review about “the heart…” on a French webzine…but a nice moment has also been when I had the “Visions from a thousand lives” cd (self produced) in my hands…satisfaction!
Well, to end…thanks for your support, and thanks a lot for the time you dedicated to DEAD SUMMER SOCIETY, both for review and interview…and of course greetings to all the readers.

Here you’ll find some links to find info and updates about DEAD SUMMER SOCIETY:
http://www.facebook.com/pages/Dead-Summer-Society/140007062732886
http://www.myspace.com/deadsummersociety
deadsummersociety@libero.it
Thanks again!
Emiliano (Mist)/ DEAD SUMMER SOCIETY