Archive for Black Dahlia Murder

Fleshgod Apocalypse w/Support @ The Lamp, Hull

Posted in Gig, Live with tags , , , , , , on 14th March 2012 by Nico Davidson

Bands: Fleshgod Apocalypse, Dyscarnate, Bloodshot Dawn, Infernal Creation, Battallions, Downside
Location: The Lamp, Hull
Date: 12th March

This was the second time this year that Italian death metal kings Fleshgod Apocalypse had toured the UK, this time they were headlining (last time, they were the support for The Black Dahlia Murder). There was a small buzz of excitement in The Lamp that matched the small crowd. Opening up the show was Downfall, a band that has proved near enough impossible to find details about. Whilst they put on a good show, they sounded quite bland despite their brutalising use of fierce riffs and cataclysmic vocals.

Shortly after Downfall’s set, came Hull-based sludge metal outfit Battallions. I’d heard a lot of good things about these over the past few weeks, so I had high expectations of them. One thing that truly impressed me about their set was the heaviness of the bass, it just seemed to ring out with more power and volume compared to the guitars, fortunately, the guitars were still audible though. The vocals were nothing short of vicious and blood thirsty, oddly blending with the almost doom metalesqe tempo of the music. I think it’s safe to say that they passed my expectations.

Aside from Fleshgod, one of the bands I was impatiently awaiting was none other that Yorkshire’s premier black metal quartet Infernal Creation. They opened up their set with an overwhelming performance of War Is Worship. Despite frontman Neiph’s ailing health on the night, he still executed his vocal duties like a well-placed axe during in a decapitation. Infernal Creation’s performance was extremely charismatic, allowing for their music to sound more menacing and wild. And as they had announced on their Facebook page, they were debuting a new song, entitled The Mother Of Fire, which for me was the pinnacle of their performance. The intro reminded of Megadeth’s Washington In Next whilst the vocals seemed to possess a My Dying Bride flavour to the sound. The song, itself, is unique in the way that it blends a certain mystifying atmosphere with a force of unrelenting brutality.

When Bloodshot Dawn took the stage, I had already missed some of their set due to having to nip to the takeaway. What I heard of their set was impressive, from the snarling and powerful vocals to the flawlessly performed riffs. The band had to cut their set short which was disappointing but thy at least played Godless, one of my favourite tracks from their new album, before finishing up was becoming an enchanting performance of sheer metal domination. The main support of the night came in the form of the metal trio Dyscarnate. Their shredding riffs and overall monstrous sound brought them a very positive crowd response. Their set was certainly one of the most lively ones of the night. Cain and Abel was my favourite part of the set.

And finally, the highlight of the night and the reason that a lot of the crowd were gathered at The Lamp: Fleshgod Apocalypse. As they opened up their set, the strong classical sound that dominates their music echoed throughout the venue. On thing I noticed straight away was the weakness of the sound, the fault lied with the sound engineer that was touring with them. Despite the weaker-than-usual sound, Fleshgod still performed well and created the hypnotic atmosphere that comes hand-in-hand with their music. The clean vocals were stop on as were the growls. The guitars just seemed to roar through the speakers, the riffs perfectly executed, as were the keyboard and rhythm sections. The Violation certainly went down with the crowd, creating the biggest response of the night though the performance of that song paled in comparison to the performance of The Imposition.

Overall, the show felt a little rushed, especially with Bloodshot having to cut their set short and the job the sound guy did for Fleshgod was disappointing but it was an enjoyable show, to say the least. The supporting acts (mainly Infernal, Battallions and Bloodshot) were just as impressive as Fleshgod. I’m hoping that Fleshgod Apocalypse make another UK appearance later in the year and I’m definitely looking forward to seeing the aforementioned support acts again.

Nico Davidson

Photography by David Ferret Taylor.

Interview: Ryan Knight [2012]

Posted in Interview with tags , , , on 20th January 2012 by Nico Davidson

Nico sits down at Corporation in Sheffield with Ryan Knight [the Black Dahlia Murder] to discuss the tour, the new album “Ritual” and a few other things, including Ryan’s thoughts on SOPA.

The Black Dahlia Murder w/Support @ Corporation, Sheffield

Posted in Gig, Live with tags , , , on 20th January 2012 by Nico Davidson

Bands: The Black Dahlia Murder, Skeletonwitch, Fleshgod Apocalypse
Location: Corporation
Date: 19th January 2012


The Black Dahlia Murder/Skeletonwitch tour was one I’d been looking forward to since it was announced last year, though admittedly I’m only familiar with so much by both Black Dahlia and Skeletonwitch. After my interview with Ryan [which can be viewed here], I proceeded into the main area of the venue just as the masses began entering. The opening act were the Italian symphonic death metal quintet Fleshgod Apocalypse, who you’d think were more classical musicians as opposed to a metal band due to the way they dress on stage (providing you ignore the face paint). The crowd seemed mesmerised by the classical soundings of the keyboards and the ethereal lightshow that blended so mystically with the smoke. The use of strong vocals with vicious guitars were definitely impressive. the highlight of Fleshgod’s set was “The Hypocrisy”, which they’d opened their brutalising set with.

After 15 or so minutes, the American powerhouse of raw, unadulterated savagery Skeletonwitch. The band performed a truly barbaric set, utilising face-melting bass work mixed with roaring guitars and explosive drums. Chance proved he knows how to whip the crowd into a frenzy, especially with songs such as “Repulsive Salvation” – a song that he said is “about not going to church” – and “This Horrifying Form” – apparently about the desire to kill. The sound quality was superb through Skeletonwitch’s set as well. Once they had finished their set, they came down and had some beers with those of us in the crowd.

After a good 20 minutes, the main act of the night, none other than The Black Dahlia Murder, made their way to the stage to be greeted by a wild frenzy of cheers from those donning Black Dahlia shirts. The bassist, Bart, was absent as he’s currently back in the States doing studio stuff with other bands (Don’t worry, he’s still in the band) but the stand-in bassist played just as good as Bart. The frontman, Trevor, looked to be enjoying himself up on stage in between his fierce snarling, hate-fuelled vocal sections. The strong use of riffs from the guitarists was definitely as good as the studio stuff, especially for the performances of “Miasma” and “Necropolis”. The crowd certainly loved it all as they went crazy, even starting a moshpit that consumed the vast majority of the crowd. Black Dahlia, undeniably, have a great live sound and put on a great live show.

Nico Davidson

**Photography by David Ferret Taylor Photography.
Photos of the full show can be viewed
here.**

BDM Announce UK Tour

Posted in News with tags , , , on 15th November 2011 by Nico Davidson
Bart Williams of The Black Dahlia Murder

Image by Metal Chris via Flickr

THE BLACK DAHLIA MURDER have announced a mammoth 21 date UK tour which kicks off with two shows at The Underworld in London on January 11th and 12th, 2012.

The band were last seen on these shores destroying at Sonisphere 2011. Trevor Strnad comments:

“We in The Black Dahlia Murder could not be more excited for our upcoming tour of the UK.  We are loaded up and ready to launch a full scale attack in support of the new album. Prepare for Ritual madness!!!”

Support on all dates comes from SKELETONWITCH

THE BLACK DAHLIA MURDER + Skeletonwitch

January 2012

11th    LONDON – Underworld

12th    LONDON – Underworld

13th    COLCHESTER – Arts Centre

14th    NORWICH – Waterfront

15th    NORTHAMPTON – Roadmender

16th    BIRMINGHAM – Academy 2

17th    NOTTINGHAM – Rescue Rooms

18th    MANCHESTER – Moho Live

19th    SHEFFIELD – Corporation

20th    NEWCASTLE – Academy 2

21st    ABERDEEN – Tunnels

22nd    GLASGOW – Cathouse

23rd    DUNDEE – Beat Generator

24th    LEEDS – Cockpit

25th    WREXHAM – Central Station

26th    STOKE – Sugarmill

27th    PLYMOUTH – White Rabbit

28th    BRISTOL – Fleece

29th    SOUTHAMPTON – Joiners

30th    READING – Sub 89

31st    MARGATE – West Coast Bar

TICKETS GO ON SALE ON SEPTEMBER 16, 2011

THE BLACK DAHLIA MURDER captured footage while recording their latest album, Ritual, with producers Mark Lewis and Jason Suecof. Fans will see tracks being laid down by all members, as well as the band’s infamous brand of humor a la their acclaimed Majesty DVD. The 12 minute behind-the-scenes video can be seen now on HERE: http://www.metalblade.com/bdm

Ritual is a collection of 12 tracks that see the band staying true to their sound and style while progressing in both writing and musicianship. Guitarist Ryan Knight has delivered truly searing leads that will without a doubt daze and lay waste the ears of both loyal Black Dahlia diehards and burgeoning fans alike. Music for Ritual was recorded in early 2011 in Detroit, MI with Mark Lewis (Deicide, Unearth) and the band producing with vocals and mixing taking place at Orlando, Florida based studio, Audio Hammer with Jason Suecof (BDM, Beneath the Massacre, Job for a Cowboy, All That Remains).