Archive for Bizarra Locomotiva

Laurus Nobilis Música Famalicão 2016 – metal day

Posted in Festival, Live with tags , , , , , , , , , , on 29th July 2016 by Pieni

Moonspell, Bizarra Locomotiva, Quinteto Explosivo, Via Sacra
Louro, Famalicão (PT)
22nd July 2016

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The second edition of Laurus Nobilis Music took place this past weekend and, like last year (report here), the first day was dedicated to the “heavier sounds” – the alternative rock of Via Sacra, the “progressive punk” (you’ll soon understand the quotes) of Quinteto Explosivo, the industrial metal of Bizarra Locomotiva and the dark metal of Moonspell.

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It was a little past seven when Via Sacra got on stage with a long and somewhat mystic intro – that sadly everyone heard from the outside. This is probably the only complaint I have about this year’s festival: how misinformed the security staff was regarding when they should let the people in… Anyway, there they were, in their 16th century clothes (maybe later – I’m not really good in ancient fashion), joyfully rocking out. The first act of every day was chosen after a national contest but the fest promoters must have felt a little proud of Via Sacra since they are a local band. Still I didn’t see many fans of them – people singing along and such – which doesn’t mean they weren’t welcomed by the crowd; songs like “Baby, Baby” and “Secret Garden” seemed to please everyone, even those who were listening to them for the first time. Via Sacra thanked them all, of course, but also their friends, family and even their parish.

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www.facebook.com/viasacraband

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Quinteto Explosivo is Portuguese for “explosive quintet”. If that doesn’t hint you about their goofiness, check out the Deadpool and Captain America outfits… The lyrics are also mischievous, full of offensive slang, and while some are pure nonsense, others have some raw truths beneath… When you live in a country with so much corruption and hypocrisy, laughing is one way of dealing with it. But don’t think that such shocking posture hides lack of talent, which doesn’t. On the other hand, call it “progressive punk” is quite a stretch; it misses the sophistication for it, but it surely is a hell of a well written irreverent punk. With only one album out, “Hinos Politicamente Incorrectos”, they went back to their previous bands Comme Restus and Kalashnikov, with toilet paper flying around. Muffy from Karbonsoul joined them for the song “Queres Caralho Vai Ao Talho”.

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www.facebook.com/QuintetoExplosivo

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I’ve been to a fair share of Bizarra Locomotiva gigs (the first one in 1999) but had never seen them with a bass player before – apparently the majority of their fan club was just as surprised, so I believe it’s a recent acquisition; don’t even know if it’s just a live one or if Carlos joined the band for good. I recognized him from Assemblent so I knew right away he was the right guy for the job – not just for his musical skills but also for his attitude on stage.
The sound was good, but something sent the power down right on the middle of the first song (“A Febre De Ícaro”) and while they were fixing the problem, singer Rui Sidónio jumped into the crowd, saying he would resume the gig from there when the power came back on. And so he did, with the next song on the set, “Gatos Do Asfalto”. After that, no more bumps stopped the massive adrenaline the guys in Bizarra Locomotiva always deliver – and the crowd returns.
Towards the end, Fernando Ribeiro (Moonspell) joined for “O Anjo Exilado” and once again Muffy got on stage – and on Sidónio’s shoulders, like their former keyboard player BJ used to do – to help out with “O Escaravelho”. Another “surprise” was Sidónio singing “Hecatombe” without a cheat sheet – it seems he finally learned the lyrics…

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www.facebook.com/bizarralocomotiva

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Still promoting “Extinct”, Moonspell’s setlist was mostly focused on it. And then on “Irreligious”, which turns 20 precisely today. Not the whole albums, no – that is reserved for a special concert in December, in Guimarães, where both and also “Wolfheart” will be played in full; sounds promising, uh? But for this night in Famalicão, they offered just a bit of each, plus a few other hits off their discography, like “Night Eternal” or “Everything Invaded”.
Rui Sidónio repaid the previous “featuring favor” by doing the same on “Em Nome Do Medo”, dressed in something similar to a hazard suit. Since he usually starts his own shows wrapped in black plastic, that gradually unwraps itself and the man ends up in his boxers, I don’t think I’ve ever seen him so… covered up on stage.
At some point, talk of football came up and Fernando said that it felt good to finally be able to celebrate the UEFA championship with the crowd – he said he had introduced the band in a previous show in Spain as “European champions” and they didn’t like it that much… So for a moment the music was different, with everybody singing some football chants, and eventually demanding that Fernando would jump. He complained about his hernias but he did jump a bit – and those hernias didn’t seem to bother him much when dancing to the sound of “Ataegina” with guitarist Ricardo Amorim. On a more serious note, the shooting in Munich that happened that very same day was mentioned with sadness and how Moonspell would still be heading to Germany soon, as they – all of us – shouldn’t stop living our lives out of fear.

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www.facebook.com/moonspellband

Text & photos by Renata “Pieni” Lino

Gallery at our Facebook page here.

Laurus Nobilis Music Famalicão 2016

Posted in News with tags , , , , , , , , on 5th July 2016 by Pieni

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Here’s another “music party”. Last year we introduced you to Laurus Nobilis Music (report here) and everything’s ready for its second edition:

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Vagos Open Air 2013 – 1st day

Posted in Festival, Live with tags , , , , , , , , , on 17th August 2013 by Pieni

Lacuna Coil, Sonata Arctica, Evergrey, Moonsorrow, Bizarra Locomotiva, Secret Lie
Quinta do Ega, Vagos (PT)
9th August 2013

Photos originally taken for Portuguese webzine Sound(/)Zone.

This year’s edition of Vagos Open Air suffered some changes: new place (Quinta do Ega instead of G.D.Calvão field), new date (second weekend of August instead of the first)… And also for the first time the bill featured a non-metal band. Sure one of the guitar players was wearing a Motörhead tee and the other one is a famous metalhead around here, plus the violinist could fool you into thinking they were some kind of folk metal band. But nope, Secret Lie is a pop rock band. A good one, no doubt, but still pop rock. It was a bold move from Prime Artists to make them open the festival, but in the end it kind of worked out. They brought some of their own fans, who were pretty enthusiastic, and the general metal crowd just went along.
Besides a few songs from their debut and only album, “Behind The Truth”, they also played some Vivaldi stuff and finished the set with a brand new song, “Little Taste Of Fun”, with Tó Pica (the aforementioned famous metalhead) holding a sign from a fan, asking him for a pick, but that his biggest dream was still having a sign from a female fan asking him to get her pregnant.

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As variety is the spice of life, something totally different (and more suitable for the fest) came up afterwards – national industrial titans Bizarra Locomotiva. They haven’t released anything new since 2009 (“Álbum Negro”) but this year they’re celebrating their 20th anniversary, so…
Singer Rui Sidónio could easily be the poster boy for some energy drink, standing still not being an option. On and off stage, as during “A Procissão dos Édipos”, the very first song, he jumped into the audience and danced with the fans for quite a while.
“Anjo Exilado”, a song which features Fernando Ribeiro (Moonspell) in its studio version, had a different special guest here – Tó Pica.
A short but awesome show – as always – which finished with “O Escaravelho”.

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I don’t know if Moonsorrow’s setlist was their usual one, but since it was the first time the Finnish Vikings were playing in Portugal, performing all songs from different albums couldn’t be better. It was like a best-of. Of course that, given the long length of each track and barely an hour to play, they couldn’t visit their whole discography. Still they made a hell of a party with “Unohduksen lapsi”, “Köyliönjärven Jäällä “, “Taistelu Pohjolasta”, “Sankaritarina “ and “Kuolleiden Maa”.

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Their Swedish neighbours from Evergrey had never played in Portugal either. I still think their melodic dark prog works better indoors, but as the sun was setting, it also created the right mood to embrace songs such “As I Lie Here Bleeding”, “Rulers Of The Mind” or the beautiful Dilba cover “I’m Sorry”. “Frozen”, “Monday Morning Apocalypse” and “Blinded” were some of the heaviest tracks of a great gig that closed with a golden key in the form of “A Touch of Blessing”.

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I don’t consider Sonata Arctica a power metal band anymore, especially since their latest “Stones Grow Her Name”, which is heavy rock to my ears. But when it comes to live shows, putting together both the old and the new stuff, the Finns deliver metal – as simple as that. Not even the ballads “Alone in Heaven” and “Tallulah” broke that feeling. And whether it was something classic like “FullMoon” or a newbie like “I Have A Right”, the crowd sang along to every word – screaming louder in the choruses, of course. But it was near the end that Tony Kakko asked for the usual “sing-after-me”, where besides a few variations of “oooohhhhh”, also a “Tony, shut the fuck up” was included – this because the show was about to end with “Don’t Say A Word”. Unless the outro “Vodka” counts as a song for itself.

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Lacuna Coil are indeed a lot heavier and darker now, like the title of their last album, “Dark Adrenaline”, suggests. They played “Swamped” and “Heaven’s A Lie”, but didn’t go further back than that.
Depeche Mode’s “Enjoy The Silence” has become a mandatory track, even if they covered R.E.M.’s “Losing My Religion” more recently. Leaving “Upsidedown”, “Trip the Darkness” and “Spellbound” for the encore, the Italian band promised not to let another ten years pass until they’d return. The crowd was more than happy to hear that.

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Text & photos by Renata “Pieni” Lino