Archive for Better Off Dead

Lostprophets–Weapons

Posted in CD, Rock with tags , , , , , on 20th June 2012 by Nico Solheim-Davidson

Lostprophets
Weapons
Released 2nd April
Alt. Rock
Released via Epic Records (UK)/Fearless Records (US)

Lostprophets have been one of the most successful alt. rock bands in the British music scene in the last decade, which has seen them receive several Kerrang awards and nominations and have two singles reach the top ten in the UK charts. Weapons, released earlier this year, is the fifth studio album from the Welsh alt. rockers.

Bring ‘Em Down begins in true Lostprophets fashion with a catchy riff and vocals that hook the listener’s ears almost instantly. The riffs prove to be hypnotic, blending several different alternative sounds together. The breakdown spins in a new, almost nu-metallic sound for the track, keeping it exciting. We Bring An Arsenal rings out previous stylings of previous Lostprophets releases with fresher influences and sounds. The chorus is very poignant, becoming one of the more memorable additions of the album. The keyboard opening of Another Shot is eerie yet enchanting, while the guitar sections and drum patterns belt out the typical LP sound that has made the band so famous (or infamous, depending how you look at it).

I’m a bit skeptical when it comes to songs that have “Jesus” in their title but Jesus Walks is a pretty cool track that radiates a very relaxed atmosphere through the guitars while the keyboards add a very lively sound to the song. A Song For Where I’m From takes a turn in the album, adding a different but enjoyable sound. The lyrics are still typically those you’d expect to find on any LP record. A Little Reminder That I’ll Never Forget is another track with a unique sound, especially in terms of the vocal work. The guitars add a new, fresh sound which displays the developing sound of the band.

The album is given an extra notch of heaviness and unique vocal melodies in the form Better Off Dead, a track that sounds like an old Papa Roach song mixed in with the fresher sound of Lostprophets. The bass and drum work really shines in this part of the album as well. Everything melds together brilliantly during Heart On Loan, bringing about some catchy keyboard sections and staunch bass work as well. The acoustic passages of Somedays blends perfectly with the soothing vocals and the keyboards add a subtle gentleness to the song.

Can’t Get Enough is the lengthy grand finale of Weapons. I’m not sure if majestic is the right word to describe this track as it contains some truly epic riffs and technical drum work, topped off with a beautiful use of vocals and even a sagaic use of keyboards. The track seems to embody everything musical about Lostprophets and then some. If I had to choose a favourite track from this album, Can’t Get Enough would be my first choice.

I’ll be honest, I’ve never truly been satisfied by any previous releases from Lostprophets, aside from the singles such as A Town Called Hypocrisy, Burn Burn and Rooftops, but after listening to Weapons, I think I might have found an album by the Welsh rockers that really has more than satisfied.

5/5

Nico Davidson

Battlecross – Pursuit Of Honor [2011]

Posted in CD, Metal with tags , , , , , , , on 1st September 2011 by Nico Solheim-Davidson

Band: Battlecross
Album: Pursuit Of Honor
Release year: 2011
Genre: Blue Collar Thrash Metal

The true formation of Battlecross came about in 2007. With a mixture of mature and technical riffs and energetic live shows, Battlecross’ music was soon described as “Blue Collar Thrash Metal” due to their hard working attitude. They have toured with bands such as GWAR and DevilDriver, as well as being featured on local, national and global metal radios, amongst other feats. Following the release of their recent album, “Pursuit Of Honor”, it seems nothing is going to stop Battlecross.

The title track, “Pursuit Of Honor”, leaves the listener thinking ‘what the f**k is this?’ as it entirely composed of a short acoustic guitar medley. Fortunately, the next song “Push Pull Destroy” shreds its way next with a violent intro riff. The drum work is terrifyingly brutal, whilst the vocals are raw, angsty and bloodthirsty. The riffs are slightly technical in their playing and composition, however they favour a straight forward metal assault over the fancy technicalities – Until the song nears it end anyway. The guitar solo is a true display of talent and fits in nicely with the rest of the song. “Kaleb” starts with a slight death metal element to it, boosting the levels of brutality slightly more. The music, does however, show influences of thrash metal. The melodic sections work well with the savagery of the vocals and the barbaric sound of the drums.

”Deception” is another track with a brutalising and heavy introduction, though this one seems to favour its punch over its melodic riffs. Double bass is used heavily throughout the song, being used in every section of the track. There is use of melodic riffs in the second half of the track though not as heavily used as the other riffs. The solo-like introduction of “Man Of Stone” comes next before a thrash-death metal assault begins. The track becomes more thrashy as it progresses, increasing in violence as well. The vocals are full of raw aggression and power, bordering on the line of being psychotic sounding. “Breaking You” as a not so enjoyable introduction, though the vocals soon make up for it. The drums are full of violence but intelligently played as well, making the track sound ever more murderous. The riffs, for the most part, are well composed and played.

Following after is “Rupture” with an intro slightly familiar to that of “Breaking You” but it soon changes as the riffs turn slightly more melodic. The lyrics are grim and vicious, which is to be expected – Though the lyrics don’t sound to be for the faint of heart. Nor do the guitar riffs for that matter. “Leech”, though being heavy, seems laid back compared to the previous tracks. The track seems to be lacking energy and a bit of passion. “Better Off Dead” comes shredding its way next, bringing back the brutal riffs, energy and passion. The vocals are bloodthirsty and immense sounding, dominating the track massively. The riffs are masterfully played and the drums keep the track together.

“Misery” is more slow paced yet more passionate and aggressive compared to some of the previous tracks. The tempo does increase however before the vocals make themselves heard. The riffs are face-meltingly good and the drums are savage and barbaric. The album finishes with “Foreshadowing” which sounds oddly Gothic, which is a strange way to end the album. Even the solo sounds somewhat Gothic.

It’s no wonder Battlecross have done so well in their career. The band is made up for musicial genius’ and talented musicians. “Pursuit Of Honor” is perhaps one of the best albums on the modern thrash metal scene. Battlecross could easily replace one of the top 4 of thrash metal if they keep producing albums like this one.

4.5/5

Nico Davidson