Archive for Ben Parcell

Ben Parcell’s “Cover Stories Vol. 1” available for free download

Posted in News with tags , , , , , , , on 13th April 2014 by Pieni

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Ben Parcell, one of Bridlington’s most famous pop-folk performers, has released his third full-length album, which is available for free download at Bandcamp (link here). More than a cover album, “Cover Stories Vol. 1” is a homage to artists who have influenced, supported and given advice to Parcell. Quoting the man himself: » I think it’s important to recognise local and roots music as we live in an age where the mainstream is mostly interested in chart music and the X Factor. While I wish all the best for artists who choose to take the talent show route, there are many local artists with amazing talents and superior songwriting skills, who don’t get that mainstream broadcast, but deserve it equally. I’ve been lucky enough to be granted permission by all of the artists on my album.« Like East-Yorkshire-based Edwina Hayes, who says: » A tireless supporter of local music, Ben has been an active participant in the East Yorkshire acoustic scene for several years now and I’m very honoured he has chosen to cover one of my songs.«

Along with Edwina‘s, “Cover Stories Vol. 1” features songs from Chris Helme (of the Seahorses), Ryan Spendlove, Sam McKie, Rob Bywater, Alastair Artingstall, Sophie Madeleine, Joe McCorriston and Mikee J. Reds.

Parcell will be performing the cover album live on The Fox’s Den Radio Show, Vixen 101 FM on Friday 25th April from 9 pm. And if you’d like to attend one of his shows, he’s the monthly resident artist at The Funny Onion, Bridlington, on the first Friday of every month. For more info, follow his official Facebook page here.

Nico’s Highlights of 2013

Posted in Editorial/Opinionated, Featured with tags , , , , , , , , , , , , , , , , , , , on 31st December 2013 by Nico Solheim-Davidson, the North Sea Poet

So, it’s that time of year when everyone picks out their highlights of the year. I figured that this year, I’ll jump on the bandwagon. So here are my highlights of 2013… Including a few non-metal releases!

Best Albums Of 2013:

1. Leaves’ Eyes – Symphonies Of The Night

2. Azylya – Sweet Cerebral Destruction

3. Wretched Soul – Veronica

4. Seduce The Heaven – Field Of Dreams

5. Hecate Enthroned – Virulent Rapture

Best Live Acts of 2013:

1. Re-Armed

2. Azylya

3. Delain

4. The CockRockets

5. Bharghest

Best Yorkshire Bands of 2013:

1. Severed Heaven

2. Bharghest

3. Narcotic Death


5. Skull Branded Pirates


Best Non-Metal Albums of 2013:

1. Janet Devlin – Hide & Seek

2. Kelly Clarkson – Wrapped In Red

3. Ben Parcell – Expectations

Ben Parcell – Expectations

Posted in Review with tags , , , , , , , , , , on 5th September 2013 by Nico Solheim-Davidson, the North Sea Poet

Ben Parcell

Released 14th September 2013
Acoustic/Folk/Pop Punk
Released via By The Sea Records

Since becoming a solo act, Ben Parcell has gained a relative amount of fame through the East riding area and beyond for his soul-fuelled songwriting, distinctive voice and hard working attitude. Ben has clocked over 250 shows around the UK, playing both gigs and festivals. Taking influence from a wide range of different acts and genres such as Frank Turner, The Beatles and Green Day, Ben has established his own sound whilst staying true to his roots.

Opening up the album is the title track, Expectations, which proves to be a gentle yet honest song filled with emotive lyrics as well as distinctive accompaniment of piano. Out Of Here has a different sound all together, with a new pulse added to it by the use of percussion while the lyrics and vocals a certain tension to the music that rings out with all the strength of church bells minus the inducement of headaches. The use of guitar has a slight jig to it, blending in elements that are hard to explain. Gracie Falls‘ vocals inject a docile but rare touch into the song.

Forget The Pain has a misty, Stygian atmosphere that is reflected gracefully through each note and dances seductively with the lyrics. Given the darkish sound of the song, would it be safe to classify this as doom folk? Painted By Numbers is the upbeat number that appeared on Ben‘s EP of the same name (the review of which can be found here). The backing vocals, as provided by Edwina Hayes, adds a pillar of strength to the song while Ben‘s vocals and guitar work laid the foundations. I Don’t Need You continues with the upbeat tempo though the lyrics and vocals leave a trail of dusk and solemn feelings in their wake – A contrast that clearly works well for Ben. The piano medleys add a handsome sound to the song, keeping it fresh yet gloaming.

Undertow sails down a similar route to that of the opening and title track Expectations but some interesting changes of course throughout its journey whereas Jetsam a stable and silky campaign from beginning to end – A perfect chill out song. Stay In Touch is another song from Ben‘s Painted By Numbers EP and makes for easy and pleasant listening, though the pace picks up ever so slightly after the introduction. Too Late To Say Goodbye also appeared on Painted By Numbers, capturing the sobering and reflective side of Ben‘s music. The last song to feature on the album from Painted By Numbers is Love Song, which rings out with emotional lyrics and soul-filled music.

The album finishes up with Light At The End Of The Tunnel. The guitar passages whistle out a partially majestic sound, underlying the subtle emotional tones in Ben‘s voice. The organ sounds summon up a thoughtful, somber sound that makes the song almost infused with doom-flavoured elements which are eventually added by the grave use of Black Sabbath-based electric guitars.

Since his career began as an acoustic act, Ben Parcell has slowly become one of the well known musicians of East Yorkshire’s acoustic and folk scene and Expectations is a testament to Ben‘s talent and is one of the most important albums in the East Yorkshire’s folk scene – If not, the UK’s. Blending influences and elements from different genres and musicians, Expectations also clearly shows an evolution in Ben‘s sound and style.


Nico Davidson

Ben Parcell online:

Acoustic singer-songwriter Ben Parcell releases video for Expectations

Posted in Featured, News with tags , , , , , , , on 21st March 2013 by Nico Solheim-Davidson, the North Sea Poet

Yorkshire based singer-songwriter Ben Parcell recently released the new video for Expectations, which is taken from the forthcoming EP of the same name. Ben is inspired by modern folk and acoustic acts such as Frank Turner and Ed Sheeran as well as taking influence from the classics such as The Beatles and Elvis Costello.

The forthcoming EP Expectations will be out on CD in mid spring this year. Since going solo in 2010, Ben has played over 200 gigs supporting several well respected artists on the circuit such as Ben Marwood, Chris Helme and Ryan Spendlove. Catch him this year performing at the internationally renowned Beverley Folk Festival.


Abbie Lammas w/Ben Parcell @ Shades Nightclub, Bridlington

Posted in Gig, Live with tags , , , , , , on 23rd August 2012 by Nico Solheim-Davidson, the North Sea Poet

Abbie Lammas & Ben Parcell
Shades Nightclub, Bridlington
Saturday 18th August

Shortly after leaving Brid Rocks, I headed down to Shades to see Abbie Lammas with her new (currently unnamed) band as well Bridlington’s own Ben Parcell. It had been some years since I last saw Abbie performed, so I was rather excited to see her perform in Brid again.

IMG_0122A calm, friendly atmosphere hovered in Shades as Ben hypnotised the crowd with a soothing, gentle sound that softly echoed across like a whisper in the wind. Ben performed a couple of tracks from his latest EP such as the folky title track Painted By Numbers which still retained a subtle, discreetly heard pop punk vibe and the catchy number Love Song, both of which Ben performed flawlessly. Of course Ben threw in a few covers as well such as Driftwood and Remembering Sunday, the latter of which came across powerfully. Ben ended his set on with an entertaining encore of Baby One More Time.

Shortly after Ben’s set, Abbie’s band had a quick jam on stage which IIMG_0135 unfortunately missed due to fulfilling my carnal cravings for nicotine. Once I placed myself back firmly in my seat, Abbie began her set, beginning with a song entitled Twinkle, which was like her own rendition of Twinkle Twinkle Little Star only with some new parts thrown in to make it more suited to her style of playing. The second song she performed, which I never caught the name of, really demonstrated the strength and versatility of her voice as it left people watching and listening in both awe and appreciation of her talent.

When her band began playing along with her later in her set, new musical dimensions were opened up with Abbie’s music as thunderous riffs and solemn bass work boomed throughout the venue, enhancing Abbie’s vocals grandly. Later in her set, Abbie swapped from acoustic to electric and to say it was her first time playing electric guitar live, she did superb, especially during in the performance of the mesmerizing, alt. rock sounding song Save Me.


In a vast landscape of female fronted acts, Abbie and her band have got a lot of potential and really do stick out, both musically and vocally, from the other female fronted acts.

Nico Davidson

Photography by DAVID FERRET TAYLOR –

Ben Parcell – Painted By Numbers [2011]

Posted in Uncategorized with tags , , , , , , on 25th September 2011 by Nico Solheim-Davidson, the North Sea Poet

Band: Ben Parcell
Album: Painted By Numbers
Release year: 2011
Genre: Folk/Pop-Punk
Ben Parcell has been on the rise in the British acoustic scene since the recording and release of his debut album “Humble Beginnings” though he had already established a name for himself with his old band “The Trailers”. His song “The Only One” is featured on the benefit compilation ‘Unity’ by Engineer Records which features mainstream acts such as ‘The Gaslight Anthem’ ‘Fightstar’, ‘Funeral For a Friend’ and ‘Luke Pickett’. “Painted By Numbers” is his latest release.

The title track “Painted By Numbers” starts the album with a brilliantly composed guitar section with a slight use of percussion. The vocals soon follow adding a mellow sound on top of the soothing acoustic riffs. The song has a soulful flow, enchanting the listener. The backing vocals, provided by Edwina Hayes, are powerful yet subtle, adding emphasis to the lead vocals, giving the song a certain warmth in the sound. The small use of piano is unexpected and surprising but a brilliant addition to the song. “Too Late To Say Goodbye” follows after with a solemn sound in both the vocals and music. The track is slower compared to “Painted By Numbers”, capturing the essence of Ben’s talent and musical style in a deep, emotional way. The lyrics help bring a certain touch of emotion to the song as well bringing a tear to the eyes of the listener. The vocals are very distinct and strong throughout “Too Late To Say Goodbye”, helping add to its sound and masterful composition.

“Stay In Touch” picks up the pace though staying slow and steady during in the introduction. The vocals adapt well to the changed tempo, working well with the acoustic riffs. Parts of the song make the listener feel like having a small jig along to the music. The tempo changes add character to the music as well, giving it a very original edge. The EP finishes with “Love Song” which brings back the slow pace combined with awe-inspiring vocals and well-written lyrics. The calmness of the music could easily ease the listener into a relaxed state of mind. The combination of lead and backing vocals brings about a very soothing atmosphere and the use of keyboards throughout the song add a touch of brilliance.

After hearing “Painted By Numbers”, the listener will no doubt know why Ben Parcell has been doing so well. Each track is composed in such a way that it would be near enough impossible to try replicate the sound that Ben creates with his talent. “Painted By Numbers” is certainly an EP that one could listen to over and over again without growing bored of it. Even if you’re not a fan of acoustic music, this is a brilliant EP with a happy medium of pop-punk and folk music. The only downside to it is that it’s not a full-length release, though no doubt Ben will have a full-length release somewhere in the pipelines.


Nico Davidson

Brid Rocks 2011 [Live Review]

Posted in Festival, Live with tags , , , , , , on 8th August 2011 by Nico Solheim-Davidson, the North Sea Poet

Bands: Ravenage, Alice In Thunderland, Soulflame, Abbie Lammas, Leanne Burton, Blaming Eddie and many more.
Location: Bridlington Sports and Community Centre, Bridlington
Date: 6th – 7th August


The gate opened at 6pm and few people began entering the open grounds of the Sports and Community Centre. The first band to take the stage were Remix. Their performance wasn’t impressive. They relied on sheet music, which seems like they weren’t putting much effort into the music. The vocals were louder than everything else and the female vocals were somewhat mediocre. The only redeeming thing about their set was the saxophone part in the performance of “The Love Motion”. The response from the crowd seemed half-hearted, as they seemed to be paying more attention to the cricket game that happening on the far end of the grounds.

The second band to take the stage were young pop-punk band “Blaming Eddie”. Their set was far more energetic and entertaining than the opening band. They performed a brilliant cover of Enter Shikari’s “Sorry, You’re Not A Winner” as well as some of their own stuff. The original songs they played had a very mixed sound between rock, metalcore and pop-punk – But it was a good sounding mix. Blaming Eddie are certainly a band to see if you like your music raw and energetic.

The third act of the night was none other than Bridlington’s own Leanne Burton! Her performance was simply amazing. She had a strong stage presence and a powerful voice. Her acoustic versions of “Price Tag” [Originally by Jessie J] and “Sex On Fire” [Originally by Kings Of Leon] went down well with the crowd as well. Following Leanne’s act were the mighty Cryptic Age. Their set began with a metal version of the “Game Of Thrones” theme into “Homeland”. The rest of Cryptic Age’s set consisted of songs such as “On The Cold, Bare Ground”. The crowd certainly enjoyed Cryptic Age’s set – Even the kids were dancing to the music, with some of them imitating the bassist’s every move.

Soulflame took the stage afterwards, performing a great set which included songs such as “You’re Safe”, “Last Cowboy” and “Get a Grip”. Their music certainly had a very Black Stone Cherry sound and feel to it, which certainly entertained the crowd. Epic Yorkshire Viking metallers “Ravenage” ascended to the stage afterwards. They performed a great set, which included songs from their upcoming album “Fresh From Fields Of Victory”. One of the most entertaining songs of the set was “Northbound”, a song inspired by Bernard Cornwell’s “Lords Of The North”.

The last band of the Saturday night were Led-Zep/DC, a Led Zeplin and AC/DC tribute band. They were probably the band that the crowd loved the most on the Saturday night and it’s no surprise since they performed each song, such as “The Immigrant Song” and “High Voltage” flawlessly.


The first artist to begin the Sunday was Bridlington’s own folk-pop punk singer-guitarist Ben Parcell. He performed mostly his own material, except for one cover. The highlight of his set was “Imaginary Girl”. Ben Parcell demonstrated strong vocals and brilliant guitar playing skills, though it must have been somewhat disheartening for him due to the small size of the crowd. Loose Coverz followed after, performing songs such as “Brown Eyed Girl” and “Mama Mia”. Tom Burgundy performed soon after with Frank Sinatra styled songs.

The acoustic trio known as “Crush” took to the stage with a mixture of calm acoustic riffs and strong and raw vocals. They performed original songs such as “Slow Boat To China”. Bridlington-based cover band “Castles Made Of Sand” impressed the slowly growing crowd with their energetic performance and brilliant covers of old classics such as “Black Magic Woman”. Coz Commando joined them for a few songs on the keyboard as well. Rat pack styled material was performed by the powerful-voiced Frank Martin. East American country music was performed by the likes of Whiskey Dogs, who brought a very country and blues feel to the stage when they performed.

Stranglers tribute band “96 Tears” impressed the crowd with their impressive renditions of old Stranglers classics. After their performance, the frontman of 96 Tears performed a couple of songs with his son, including a Green Day cover. Three piece mod band “The Sonnet” brought an interesting sound to the event. They performed a very tight set and the vocals were outstanding. More covers were brought to the stage by Go Kommando who performed some brilliant versions of songs such as “Rebel Yell” [Originally performed by Billy Idol] and “Enter Sandman” [Originally performed by Metallica]. The crowd certain enjoyed their set.

Bad Panda brought a lot of interest to their set as they performed in panda-styled make up and some of the crowd were even donning the panda faces. They brought with them a very positive stage presence and a brilliant sound. They did a great cover of “White Wedding” and their original song “The Monkey Song” went down well with the crowd. Young band “First Principle” followed after, shocking the crowd musically with a mixture of soft and hard rock riffs. The frontman sang with a very distinctive voice and performed some amazing solos. The bass and drum work were very tight as well – Which is amazing, considering that the musicians are young. Songs they performed include “Not Coming Home”, “Possession” and “Astronaut”.

Classic rockers Alive In Thunderland dominated the stage with their strong, melodic vocals and thundering riffs. The solos were awesome and the drum work was great. They performed three songs from their third album which included “Into The Darkest Night” and “Hush Now” as well as two new songs which will be on their next album. Edge Of 13 were the second to last performance of the night, performing a very energetic set. The night was finished with the majestic performance from “Children Of The Mist” who performed songs such as Amazing Grace and Scotland The Brave on the bagpipes and they never did an immense cover of Queen’s “We Will Rock You”.

Brid Rocks was certainly an interesting event, though the turn out was slightly disappointing due to the weather constantly changing from cloudy and rainy to warm and sunny and vice versa. Some of the acts weren’t as impressive as expected but most of the acts were brilliant. Hopefully, Brid Rocks will be on again next year.

Nico Davidson