Archive for Alexander Krull

Leaves’ Eyes – King of Kings

Posted in Uncategorized with tags , , , , , , , , , , , on 29th September 2015 by Nico Davidson

Leaves’ Eyes
King of Kings
Symphonic Metal/Gothic Metal
Released: September 2015
via AFM Records

If you call yourself a symphonic metal fan and you’ve never come across Leaves’ Eyes, then clearly, you live under a rock. Formed by former Theatre of Tragedy vocalist Liv Kristine, Leaves’ Eyes have become an established act known for their fusing of folky elements, crestfallen symphonies and straight up metal. Following their arrival at AFM Records, King of Kings became one of the most anticipated albums within the symphonic metal genre this year.

Sweven opens up the track with an almost mournful composition that clearly shows traditional elements of Norse music. The soaring vocals of frontwoman Liv add to the mourning emotion of the song. The title track, King of Kings, marches with a regal use of orchestral compositions, that bolster the ranks of the song while the differing use of vocals – choir, Alexander’s and Liv’s – make the song ever more enchanting.

Halvdan the Black lunges forward with a tragic sounding choir and the rune-binding voice of Liv. Alexander’s bestial voice adds a fierce, war-like edge to the song, joining the antagonistic riffs and narrative symphonies. The Waking Eye dances ever so gently with its alluring concoction of different elements, each note more winsome than the last and the vocals sound so sirenic during this track.

Feast of the Year acts as a good-natured interval before the more Celtic-orientated waltz that is Vengeance Venom enters the ballroom. The Celtic-styled melodies bring an upbeat atmosphere to the album while the lyrics, poetically sang, appear to be of a darker nature. Sacred Vow has all the makings of a heroic piece: A powerful story involving the love of a fair maiden, a war between clans and awe-inspiring music. Everything just seems to fall together, as though this song was meant to be.

Leaves’ Eyes have been known to have guest appearances on their albums in the past, so it comes as no surprise that Edge of Steel features none other than Epica vocalist Simone Simons. The track comes across as an anthem of war, one to be sung by Nordic warriors as they charge into fray armed only with an axe and shield. The orchestral aspects of the song sound quite lion-hearted, adding renewed vigor to the vocals and potency to the already snarling guitars. Simone’s saintly voice cuts through the track like a knife through butter – The duet between herself and Liv Kristine is better than imagined.

Haraldskvædi – which appears to be based on the Old Norse poem Hrafnsmal (Raven’s Song) – combines both English and Norwegian lyrics with eerie whispering, low-spirited vocals and traditional folk elements, with flows smoothly from the previous track and into the next song. Blazing Waters also features a special guest, Lindy-Fay Hella, who is best known for her work with Wardruna.  The song begins with the alluring sounds of traditional folk instrumentation and hypnotic vocal lines before the guitars and drums jump forward, roaring like Fenrir at Ragnarok. The contrast of three vocalists with the differing elements of folk and metal really shows the adaptability of Leaves’ Eyes both in talent and sound.

The album finishes with Swords In Rock, another song that makes a powerful use of Celtic-inspired medleys. The pace and feel of the song makes the listener want to jump up and start dancing some sort of Irish jig, while guzzling whiskey or something of the like from a horn. A fine way to finish the album.

With King of Kings, Leaves’ Eyes appear to have gone back to their earlier roots – not just with the Viking inspired lyrics but the folk influences as well though there are a lot of new aspects for the band found in the album as well. King of Kings is a testament to the continuing saga of Leaves’ Eyes as well as their talent and adaptability, clearly they’re a band that won’t stay within the borders of their safe zone when there are new musical lands to be discovered and conquered by these fine warriors.

5/5

Nico Solheim-Davidson

Leaves’ Eyes online:

http://leaveseyes.de
http://facebook.com/leaveseyesofficial
http://twitter.com/leaves_eyes

Leaves Eyes w/Support – Manchester, UK

Posted in Gig, Live with tags , , , , , , , , , on 29th January 2014 by Nico Davidson

Leaves’ Eyes, Pyhtia and Atrocity
Sound Control, Manchester
Friday 17th January 2014

It’s been almost two since Leaves’ Eyes graced the shores of Britain and even longer since Atrocity brought death metal-styled annihilation to the UK. For the UK leg of the tour, London metal band Pythia were added to the line-up as main support, which was an interesting decision but certainly didn’t affect the turn out in Manchester.

LeavesEyes-Manchester-2014 048

Atrocity opened up the show with their heavy-than-a-ton-of-bricks song Pandaemonium before the set transited into the snarling riffs of Haunted By Demons. Frontman Alexander Krull worked the crowd as if he was some gigantic puppeteer, influencing the movements and reactions of the crowd with each fierce vocal line and every bang of his head and whip of his hair. The howling guitars and thunderous rhythm sections answered the calls of each other throughout Atrocity’s set, leaving no questions unanswered. For the performance of Satan’s Braut, Alex invited two members of the crowd up onto the stage to dance throughout the song, much to the approval of both the crowd and the band. Death By Metal was the pinnacle of Atrocity’s set however, melding in with the blazing lightshow perfectly.

[4.5/5]

LeavesEyes-Manchester-2014 077Pythia were the next band on the bill, taking their place as main support. As they appeared on stage, each one looked like a warrior or a hero or something from a fantasy RPG or film. Vocalist Emily, despite technical issues during in the first song, showed her vocal dominance with a barrage of high notes and soprano vocals. The use of programmed keyboards didn’t add to the mystical atmosphere of Pyhtia’s songs but the sweeping riffs, domineering percussion and impressive stage show more than made up for that. The band’s performance of Betray My Heart appeared to go down a treat with those in attendance, both new and old Pythia fans alike. And speaking of fans, the band certainly made some new ones in Manchester.

[4/5]

LeavesEyes-Manchester-2014 224

With an enchanting stage presence, Liv Kristine rose onto the stage like a valkyrie, after her band mates had first appeared. Starting up with the catchy tune of Galswintha the band pursued Take The Devil In Me. One thing that was noticeable throughout the performance was the lack of a bassist, though the use of guitars and programming filled that void, working well with Liv’s angelic vocals and Alex’s harsher, bestial styling. The guitars cut through the atmosphere of the show, being heard perfectly from every part of the venue, summoning up their heavy, driving and somewhat hypnotic riffs. Farewell Proud Men made an appearance throughout Leaves’ Eyes’ set, as did Velvet Heart and Frøya’s Theme. Their Hell To The Heavens sounded darker and heavier live than what it does on the album, showing that Leaves’ Eyes new sound is adaptable for situations including for the live show.

[5/5]

Manchester has seen a lot of shows but nothing quite like Leaves’ Eyes, Pythia and Atrocity all under one roof. Epic? No, that’s not quite the word but it will have to do for now.

Nico Davidson

 

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Interview with Alexander Krull [Atrocity]

Posted in Interview with tags , , , , , , , , on 29th January 2014 by Nico Davidson

LeavesEyes-Manchester-2014 026

Nico got settled down in Manchester earlier this month for a chat with Alexander Krull, the voice of Germany’s death metal powerhouse Atrocity.

Nico: Nice to meet you Alex, how are you doing?

Alex: Nice to meet you. I’m fine. Fantastic tour in the UK. We’re happy to be back.

Nico: It’s been a while since Atrocity last played the UK. Has the Atrocity fanbase changed since you last were here or is it pretty much still the same?

Alex: The people we met before appeared at the show, so they are pretty much the same. I think they all liked the new album, the Okkult album. We got some really good feedbacks so we are happy that we were able to do this tour. On the other side we have been touring through many countries with both bands, Atrocity and Leaves’ Eyes, like 40 countries or more. It’s a little bit of a pity if you have a circle consisting of studio, album, touring. But maybe one tour is not happening and you go on tour with the next album, so there can be a long time in between.

Nico: If you were booked to play a festival and you get to play only one Atrocity album, which one would it be and why?

Alex: At the moment, the Okkult album. Obviously because it’s the brand new album and the songs are doing very well, so that would be the choice of the moment.

Nico: Speaking of festivals, does Atrocity have any festival plans for this year?

Alex: Yeah, it’s still in the making, but bring us back to the UK if possible!

Nico: I’m sure something can be arranged, maybe Bloodstock?

Alex: Yeah that would be awesome! We’ve played there with Leaves’ Eyes, it was amazing, it was really good. Yes maybe somebody wants to bring us back with Leaves’ Eyes or Atrocity, I don’t care!

Nico: Let’s hope so.

Alex: I mean, there are festivals coming up but I can’t tell which ones. Two new ones are coming up soon on Facebook or the page, you will see.

Nico: Okkult was released last year like you said, and it’s the first part of a trilogy. Have you started on the second part of the trilogy?

Alex: Yes, actually we recorded one song before we left for the UK. But it will take a while. I mean, we will play after this tour in North America and Puerto Rico for four weeks. That’s the situation we are in now : we are touring and playing festivals. After North America we are going back to Europe so there will be time to write and record songs. But it’s also cool to grab the energy from the shows, the experiences that we have, to write new songs.

Nico: I imagine it’s still a bit early to be talking about the second part of the trilogy, but what can fans expect from the second part?

Alex: I think you ask this question is because we have had a lot of changes within the bands history and diversity in music. But the Okkult concept is based on this epic backstory let’s say, like we have on the first album. I think we are going to keep that style which is already quite diverse. I’ve heard from some press people that they were a little bit afraid that people would not understand everything on the album. They were a little bit like ‘what?’. It’s up to the fans and I think it’s good to have a diverse album. So we are going to follow in the footsteps of the first one and develop the style. There will probably be some changes, we don’t want to be a boring band. We’re always looking for new challenges.

Nico: Are there any releases by other bands that you are looking forward to this year?

Alex: Let me think..there are a few but the thing is, I’m not sure if they are going to release next year or this year. Who’s releasing something?

Nico: There are a few bands, it’s hard to keep track of it all to be honest.

Alex: You know, who announced they were going on tour with a new record.. Was it Live or whoever? Not a metal band but I would love to see a new album of them too.

Nico: From previous interviews with Liv, I understand that you are a Game of Thrones fan. If you could be any character from the Game of Thrones universe, who would it be and why?

Alex: Wow. Okay, I think the character is dead already! Ned Stark.

Nico: Good choice! Apart from the fact he’s dead…

Alex: I didn’t read the books but yeah, that was not like in other movies… [makes chopping movement with hand] over-out!

Nico: That was one of the most impressive moments for me in the Game of Thrones universe, apart from the Red Wedding.

Alex: Yeah, the Red Wedding, I saw some reactions to that on the internet.., It was quite heavy.

Nico: It was brilliant how they did it on TV especially if you read the books as well. Because I knew it was coming so I was like “no no, not this season, not this episode! Do it another time! Please for the love of God!”

Alex: [laughs] Yeah it was quite interesting to see some reactions when they cursed the directors: “ how can they do that, the characters die!”. It’s written in the books, so..

Nico: Some fans take it a bit overboard so..,

Alex: Yeah I’m looking forward to watch the new season. I think it starts in april? Yesi *two thumbs up*

Nico: Thanks for you time Alex, I hope you have a good show tonight.

Alex: Thank you!

Nico: You’re welcome.

Alex: See you guys!

Atrocity online:

http://facebook.com/AtrocityOfficial
http://twitter.com/atrocitypage

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Leaves’ Eyes release new video for Hell to The Heavens, taken from upcoming album

Posted in News with tags , , , , , , , , on 9th November 2013 by Nico Davidson

Norwegian-German symphonic metallers Leaves’ Eyes have recently released the video for Hell To The Heavens, which is the opening track for their upcoming album Symphonies of the Night. The video can be viewed down below. The song, Hell To The Heavens, is the first full glimpse into the darker and more atmospheric sound of Leaves’ Eyes.

Symphonies of the Night will be released on 13th November in Spain, Sweden and Norway; 15th November in Germany, Austria, Switzerland, Finland and Benelux; 18th November in the rest of Europe; and on 26th November in North America via Napalm Records. The album was produced by Liv Kristine’s husband and fellow Leaves’ Eyes member Alexander Krull at his Mastersound Studio in Germany.

Symphonies Of The Night track listing:

01. Hell To The Heavens
02. Fading Earth
03. Maid Of Lorraine
04. Galswintha
05. Symphony Of The Night
06. Saint Cecelia
07. Hymn To The Lone Sands
08. Angel And The Ghost
09. Éléonore De Provence
10. Nightshade
11. Ophelia
12. Eileen’s Ardency (bonus track)*
13. One Caress (bonus track)**

* feat. Carmen Elise Espenæs (Midnatsol, Savn)
** Depeche Mode cover

Leaves’ Eyes online:

http://leaveseyes.de
http://facebook.com/leaveseyesofficial
http://twitter.com/leaves_eyes

 

Leaves’ Eyes release official trailer for Symphonies of the Night

Posted in News with tags , , , , , , , on 4th November 2013 by Nico Davidson

German-Norwegian symphonic metallers Leaves’ Eyes have released the official trailer for their upcoming album, Symphonies of the Night, which will be released in the UK on 18th November via Napalm Records. The trailer is available for viewing below. The album was produced by Atrocity frontman and husband of Liv Kristine (Leaves’ Eyes vocalist), Alexander Krull at his Mastersound Studio in Germany. Liv‘s sister, Carmen Elise Espenæs (MidnatsolSavn) once again features on the album.

Symphonies Of The Night track listing:

01. Hell To The Heavens
02. Fading Earth
03. Maid Of Lorraine
04. Galswintha
05. Symphony Of The Night
06. Saint Cecelia
07. Hymn To The Lone Sands
08. Angel And The Ghost
09. Éléonore De Provence
10. Nightshade
11. Ophelia
12. Eileen’s Ardency (bonus track)*
13. One Caress (bonus track)**

* feat. Carmen Elise Espenæs (Midnatsol, Savn)
** Depeche Mode cover

Leaves’ Eyes will also be touring the UK (excluding Northern Ireland and Scotland) in January with Atrocity and Pythia. Tour dates are as follows:

15.01.14 UK – Cardiff, Bogiez
16.01.14 UK – Nottingham, Basement
17.01.14 UK – Manchester, Sound Control
18.01.14 UK – Birmingham, Temple
19.01.14 UK – London, Garage

Leaves’ online:

http://leaveseyes.de
http://facebook.com/leaveseyesofficial

 

Interview with Liv Kristine [Leaves’ Eyes]

Posted in Featured, Interview with tags , , , , , , , , , , on 17th October 2013 by Nico Davidson

Liv Kristine is best known for her work as the vocalist for Leaves’ Eyes and former singer for Theatre of Tragedy. As well as fronting one of the most iconic symphonic metal bands on the scene, Liv is also a solo artist and has collaborated with a number of different bands including Cradle Of FilthAtrocityDelain and most recently she appeared on the track The Lay Of Our Love, which is featured on Tyr‘s new album Valkyrja.

With the release of Symphonies Of The Night just around the corner and a UK tour confirmed for January 2014, Nico catches up Liv Kristine to discuss all things Leaves’ Eyes as well as popular TV series Game Of Thrones, her solo project and rumours about Leaves’ Eyes appearing at the next Dames of Darkness Festival…

Nico: Hi Liv, how are you doing?

Liv: I’m good thank you. It’s been a busy day, but in a positive way, you know. Lots of interviews and we’re rehearsing because we’ll be playing the Metal Female Voices Festival in Belgium in a couple of days. I’ll be there with my solo band on Friday and with Leaves’ Eyes on Saturday so yes, we’re busy!

Nico: Sounds like you’ll be having fun though. Is there a meaning behind the title of the new album Symphonies of the Night?

Liv: Um, a meaning or the concept in general?

Nico: A bit of both really.

Liv: Okay, well we came up with the title pretty late in the recording process. I actually had a song called Carmilla from Sheridan Le Fanu’s horror novel from 1871. So the song, which came to be titled Symphony of the Night, was originally titled Carmilla. But we were discussing the title within the band and we weren’t really sure. What happened was pure luck: I was typing an interview and the journalist was asking me about my influences and I mentioned Tchaikovsky, who wrote the Symphony of the Swan Lake and I thought that’s it! This is an album of eleven symphonies of the night, so there we go! So Carmilla is still the main character in the title song, but the title got changed. Things happen, we are a very creative band.

Nico: I was listening to the previews of Symphonies of the Night that Napalm uploaded to YouTube earlier. There is a definite evolution in the band’s sound, changing direction compared to previous Leaves’ Eyes albums. Is this what you were aiming for with this album, and will this be a future direction you will be taking for future releases?

Liv: Well, I’d rather put it this way: Leaves’ Eyes isn’t a planned thing when we start composing. We throw everything into pre-production and what was already there, were two songs: Eileens Ardency and Saint Cecilia. They just didn’t fit on the Meredead [released in 2011] album when it comes to atmosphere. So they weren’t leftovers but they were on no album after the release of Mededead,  so we decided to start working on them. And then we realised that this was a good point to start from. You know, this year we have the anniversary of 10 years of Leaves’ Eyes so we have experienced a lot of being on the road, and all these albums we released and we’ve gathered a lot of experiences. For most of the band members Leaves’ Eyes is twenty, twenty five years of experience. Everything is there on this album, you won’t miss anything. It’s a very powerful album, I agree on that.

Nico: On previous Leaves’ Eyes albums the use of different languages made an appearance on the tracks. Will this be the same with Symphonies of the Night?

Liv: On Symphonies of the Night we’ll have modern English of course, Shakespearean English, some Norwegian, a little bit of French and a little bit of Irish. That’s five languages, I think on the Njord album we had eight languages and on Meredead six languages. I just love languages and I studied linguistics for years so it’s something I really like doing.

Nico: What would you say is the track that stands out on the new album?

Liv: Well that’s the most tricky question you could’ve asked me. Right, um.. This morning in my car I was listening to Ophelia, which is the final track of the album. Of course it’s Shakespeare’s Ophelia, the daughter of Polonius, in Hamlet. That’s my main character, and Ophelia is a quite straightforward and rocky song. It might sound like it doesn’t have a complicated structure like for example Saint Cecilia or Nightshade but Ophelia was the second to last song we recorded. We needed quite a lot of time for Ophelia to finish it in the way we wanted it. All of us: Alex, my husband, our producer, Thorsten my red-haired guitar player and myself are perfectionists. It’s great to have our own studio because then we can keep working until the three of us are satisfied. Ophelia was a tough one but I think it turned out great and at the moment it’s my favourite, if I’m allowed to have one.

Nico: You recently featured on The Lay of Our Love which is on Týr’s latest album Valkyrja. What was it like, recording that track with Týr?

Liv: Actually, I recorded my vocals here in our studio in Germany. But every time I think about doing a duet it’s always the music itself which decides. If I like the song I’ll do it. Heri from Týr helped me out in Wacken last year when Leaves’ Eyes headlined Wacken Open Air. He helped me out on Solemn Sea, one of our tracks. So when Heri asked me ‘Liv would you mind? I have a duet and you would fit very well on it’. I just loved the song and I have good news because we’ll be shooting a video clip for that track in a month! I’m really looking forward to that, it will be in Belgrade.

Nico: Ooh, excellent! I’m looking forward to that. With the recent collarboration with Týr, do you think it will help expose Leaves’ Eyes to Týr fans and Týr fans to Leaves’ Eyes?

Liv: I hope so, I really hope so! If Heri wouldn’t mind, we should tour together some day cause I think we have a potential common fanbase. The thing is, Leaves’ Eyes hasn’t toured a lot in Scandinavia. We should to that very soon, especially in my homeland. Týr is very well known in Scandinavia so that would be an absolutely amazing package.

Nico: I completely agree. A Leaves’ Eyes/Tyr tour would be amazing.

Liv: Thank you. We now have told the universe.

Nico: Speaking of touring, Leaves’ Eyes is scheduled to return to the UK next year in January with Atrocity and Pythia. Are you looking forward to the tour? Which cities are you excited about?

Liv: Absolutely! We toured the UK and Northern Ireland last year with Firewind and that was absolutely amazing. We played at places where Leaves’ Eyes had never played before and for Firewind as well it was absolutely amazing. I remember Cardiff very well because I spent a couple of months there when I was an exchange student. So Cardiff is pretty well-known to me. But of course Manchester is always packed, London is always packed. We will play in some of the venues we played with Firewind as well. We’re building up a fanbase in those places so I’m really looking forward to be back over there in the UK. We have an amazing fanbase in the UK and Northern Ireland. I was really surprised to see that there are so many fans who know about our music in the UK, and many journalists as well. I’ve had quite a few UK interviews this week so that’s good.

Nico: Last time I interviewed you, which was in Manchester last year, when Leaves’ Eyes was there with Firewind, you mentioned that you were a fan of Game of Thrones. So, if you could be any character from the Game of Thrones universe, who would you be and why?

Liv: That’s an even trickier question than the one you asked me before! Oh dear, oh dear… I’m not really sure. It must be Daenerys. Well okay, she’s blonde so it should be her.

Nico: She’s a good, strong character.

Liv: She’s great, she’s amazing yes.

Nico: Going back to touring, are there any future plans for you to tour your solo project around the UK?

Liv: I hope and pray that there will be next year because it’s certainly time to play some solo shows in the UK as well. The only shows I have this year for Liv Kristine, for my solo project, is Nagold in Germany and Pratteln in Switzerland. So those are the two gigs, but they are exclusive gigs. Leaves’ Eyes and Atrocity will be touring most of the rest of the year so we will be very busy. China, Taiwan, Thailand, Russia, Romania, Bulgaria, Germany, Belgium. Lot of things happening! The end of December is the right time for exclusive solo shows but the UK, 2014..let’s cross our fingers.

Nico: That’s what I’m hoping for.

Liv: Me too.

Nico: Speaking of shows. I’ve heard a few whipserings around the internet from associates of mine that Leaves’ Eyes might be playing the Dames of Darkness festival in the UK next year. I was wondering if there is any truth to this?

Liv: Wauw, I mean that would be absolutely killer! It would be fantastic. Well you know, bookers know things before the rest of the band does so..let’s make it happen.

Nico: I hope it does happen because Dames of Darkness this year was phenomenal and it would be so much better if Leaves’ Eyes was playing it.

Liv: Thank you, thank you very much! I’d love to be there.

Nico: Last question. This is a fan question, asked by April Mccaffrey: if you could have a superpower, which one would it be and why?

Liv: A superpower… Okay, you took me by surprise there! When I was a kid I always thought it would be fantastic to be able to look into the future, to know what is going to happen. But I’m not sure if I need that anymore. It’s a very good question actually. Sometimes I wish I could change things for the better of it. Sometimes, especially when it comes to children and children suffering on this planet, it feels like we are just sitting here being comfortable and warm while on the other side of the planet children are dying because of hunger. That’s when I think I would just like to be able to beam myself to that place and do something. Maybe that’s a project for the future. If I ever get tired of playing gigs and singing that would be something I would like to do, to be part of helping projects concerning children who are suffering on the other side of the world.

Nico: I wasn’t expecting that answer. You’re certainly a kind and caring individual. Thank you for your time Liv, I hope you have a good night.

Liv: Thank you very much, it was a pleasure talking to you again. Take good care and hope to see you in Manchester in January.

Nico: You too, Liv! Have a good night!

Leaves’ Eyes online:

http://leaveseyes.com
http://facebook.com/leaveseyesofficial

Leaves’ Eyes announce Symphonies Of The Night World Tour

Posted in News with tags , , , , , , , , , , , on 5th October 2013 by Nico Davidson

German-Norwegian symphonic metallers Leaves’ Eyes have announced the first run of tour dates for the Symphonies of the Night world tour. Joining them on the tour will be Atrocity, who are fronted by Leaves’ Eyes co-vocalist Alexander Krull. The tour will begin at the Metal Female Voices Festival in Belgium later this month. The first two dates of the tour will not feature Atrocity.

Tour dates are as follow:

19.10.2013 BE – Wieze, MFVF XI
Tickets available here.

26.10.2013 RO – Bucharest, Maximum Rock Festival
Tickets available here.

27.10.2013 BG – Sofia, Club Mixtape 5 *
Tickets available here.

12.11.2013 IT – Brescia, Circolo Colony **
Tickets available here.

13.11.2013 DE – Nürnberg, Rockfabrik **
Tickets available here.

14.11.2013 AT – Vienna, Szene **
Tickets available here.

15.11.2013 DE – Essen, Turock (CD Release Show) **
Tickets available here.

16.11.2013 NL – Sneek, Bolwerk **
Tickets available here.

17.11.2013 NL – Rotterdam, Baroeg **
Tickets available here.

20.11.2013 CN – Beijing, Yu Gong Live House *
21.11.2013 CN – Shanghai, Mao Live House *
23.11.2013 TW – Taipei, The Wall Live House *
27.11.2013 TH – Bangkok, The Rock Pub *

14.12.2013 RU – St. Petersburg, Arctica Club
Tickets available here.

15.12.2013 RU – Moscow, Moscow Hall
Tickets available here.

* with Atrocity
** with Atrocity & Special Guests

Further tour dates are to be announced.

Leaves’ Eyes online:

http://leaveseyes.com
http://facebook.com/leaveseyesofficial

Leaves’ Eyes reveal artwork for Symphonies Of The Night

Posted in News with tags , , , , , on 27th August 2013 by Nico Davidson

Norwegian-German symphonic folk metallers Leaves’ Eyes – whom are fronted by former Theatre of Tragedy vocalist Liv Kristine – have revealed the artwork for their upcoming album Symphonies Of The Night which is scheduled for a late 2013 release via Napalm Records. The album was produced by Liv Kristine‘s husband and fellow Leaves’ Eyes member Alexander Krull at his Mastersound Studio in Germany. The band commented:

Expect this album to be the heaviest and most epic Leaves’ Eyes experience to date: it will haunt you, even in your dreams.

We’re also proud to unveil the cover of Symphonies Of The Night, designed by our longtime friend Heile [Stefan Heilemann].

Be aware of more information concerning the album, release date and upcoming tours soon!

Liv Kristine had previously stated about the upcoming Leaves’ Eyes album:

We have taken a great inspirational step since the production of Meredead, both sound-wise and vocal-wise.

It has been such a pleasure evolving in my singing techniques and knowledge and I thank my band members for giving me an inspirational kick when I needed to gain momentum behind the microphone.

Symphonies Of The Night is hauntingly dream-like and heavy to the core!

In related news, Leaves’ Eyes vocalist Liv Kristine will be appearing on Tyr‘s new album Valkyrja which is set for release next month via Metal Blade Records.

Leaves’ Eyes online:

http://leaveseyes.com
http://facebook.com/leaveseyesofficial

Interview: Liv Kristine

Posted in Interview with tags , , , , , , on 10th September 2012 by Nico Davidson

Liv Kristine is one of the most prominent songwriters and performing artists in both the Norwegian music scene, as well as the international music scene. Beginning her musical career with Theatre of Tragedy, where she pioneered the use of beauty and beast vocals, Liv soon moved onto bigger things when she formed Leaves’ Eyes with the five musicians from Atrocity, including her husband Alexander Krull. Aside from her work with Leaves’ Eyes, Liv is well known for her solo project, with her fourth solo album being released today. Luckily, Nico was able to have a chat with Liv regarding her solo career, her inspirations, influences and the progress of her musical career.

Nico: Do you feel that your new album; Libertine; differs from your previous releases?

Liv: Dues ex Machina was very atmospheric, reminding you a bit about Irish Enya, a real pop-album. Enter My Religion was more guitar-based and earthly with many interesting exotic folk influences. Skintight had some influence from Johnny Cash, which sometimes gives the listeners a warm and here-and-now camp-fire feeling experience. Libertine is a back-to-the-roots album, containing the most emotional ballads I’ve ever composed for a solo album, it even has a dark but sweet feeling to it, through both the piano, the dark bass lines and guitars. I see every album becoming more and more individual. Talking about genre, I would say all of my albums are somehow indie, pop, rock or metal.

N: Regarding the lyrics on the new release, are there are any stories behind the lyrics?

L: Libertine is full of wonderful moments that remind you of being in love, with someone, freedom, a scent, chocolate, or with life itself. As you might have guessed, I am myself a collector of those special moments in life when you feel love and happiness. This is what I want to give my listeners through my art. Skintight was very much connected to my childhood, therefore it was dedicated to the children of this world. However Libertine, as mentioned above, shares moments from my whole life so far, not only my childhood. Most songs are actually related to my life being a young woman, a mother, wife and lover of my husband. Libertine is dedicated to my sweet, wonderful younger sister, Carmen.

N: You’ve done a lot of vocal work in different bands and on different releases, which one would you say was the most enjoyable for you to partake in?

L: Except from my own bands, Leaves’ Eyes and Liv Kristine, it was the guestvocal appearances for Atrocity [Work 80] and Cradle of Filth [Nymphetamine]. Atrocity went straight into the charts, and the Cradle-duet was even nominated for the US Grammy. Motörhead won the Grammy… They deserved it, but I’m hoping for a second chance some day.

N: What song do you feel defines your career as a vocalist?

L: Silence, i.e. one of the tracks on Libertine. Just how much I love music and composing, I love the silence of nature even more. I grew up by the sea in complete peace and calamity. I need it, silence, to gain new inspiration, come up with interesting ideas, and, most of all, to recover.

N: When it comes to writing, where do you draw your inspiration from?

L: From my inner self, especially from my past experiences or, as already mentioned before, those special, little moments in live which you will remember for a lifetime.

N: You’ve been an active musician on the metal for almost 20 years now, do you feel that the scene has changed over the years? If so, how?

L: Generally, it’s funny considering the fact that back in in the mid nineties there were no such huge casting shows on TV. When we formed Theatre of Tragedy back then, we recorded a demo tape of four tracks, the whole thing lasting one day by the price of $50. Within the same month we had three offers for a record deal from different record labels. All we had to do was to choose. Remember we were a gothic doom metal band from a small place far out in Norway. That’s a dream coming true so quickly that some of the band’s original members left before the first album production. Too much excitement and pressure all of a sudden. Can you believe that? Signing a record deal, being a metal band is so much more complicated, expensive and difficult today, outstanding artists, headbangers or not, attend casting shows to get “somewhere”; to get a reaction from “someone”. Theatre of Tragedy just had this great “beauty [angelic voice] and the beast [growls]” idea, before anyone else, and we were awarded for it. No casting shows or music business machinery behind it, just a superb idea.

N: Given the years you’ve spent as a vocalist, do you feel as if there’s more you can learn about yourself? Or do you feel that you’ve learnt everything there is to learn about yourself?

L: I am learning all the time! Standing still, stagnation, is too me the worst thing that could happen being an artist. Libertine is a huge step forward for me in my career. I only follow my musical instinct and heart. I believe I was born with a creative heart and mind and I do need to develop, to spread my wings within music and art generally, which also means to be involved with different musical styles. There are no limits for me except for my own “stomach feeling”, that is that inner voice that helps me make my decisions and find my own ways. My wide experience has made me become the artist I am, and I feel completely free to spread my wings. Thanks to my friends and fans supporting me throughout all these years, and having faith in my natural-given talent. Some day, I will take my first singing lesson.

N: Do any of your personal beliefs or philosophies influence your writing?

L: Only one: do what you feel is the right thing to do, follow your musical instinct, and heart. But listen to advice, if it comes from a well-meaning, open-minded person.

N: A large portion of our readers are musicians and are in bands, from your own experience, do you have any advice you’d like to share with them?

L: Choose band mates who have both their legs safely situated on the ground. Theatre of Tragedy went down the drains because certain band members couldn’t handle the great and sudden success of the band. All of a sudden it was all about “being important” and NOT becoming a better-trained and intelligent artist, moreover, keeping loyalty and friendship safe within the band.

N: How did your journey into the world of music begin?

L: I started to sing even before I could walk or talk, however, I never had any musical education, and I never studied music – I studied linguistics, German, English and historic languages. It was my inner voice that told me that singing is a part of me, it just comes from the heart. Actually, when I was little, I thought that every human being could sing! Well, I guess I’m lucky, having a kind of perfect hearing. Coming to influences, I grew up with Black Sabbath, Deep Purple, Edvard Grieg and Tschaikowsky, and female singers like Enya, Madonna, Kate Bush, Abba, Tori Amos and Monserrat Caballe. From the very beginning, I’ve followed my musical instinct: I wanted to combine a romantic, female, angelic voice with powerful, impressive music. Then suddenly, when I was 18 years old, I found myself in the middle of writing music history with Theatre of Tragedy.

N: Before we finish up, is there any you’d like to say to the readers?

L: I thank you for being there for me all these years, with Theatre of Tragedy, Leaves’ Eyes and my solo work. I hope you enjoy Libertine as much as I did composing and recording it. I can’t wait to play it live for you!

Don’t forget that Liv Kristine will be doing signing sessions for her new album Libertine on tour with Leaves’ Eyes this month and expect another interview from Liv as we’ll be interviewing her in Manchester on Friday.