Archive for the Rock Category

CrashDïet – Rust

Posted in CD, Rock with tags , , , , , , on 22nd September 2019 by Pieni

CrashDïet
“Rust”
Sleaze/glam rock
Released: 13th September 2019
Via Frontiers Music

Rust

It’s been over a week since “Rust” was released but only now I’ve managed to write about it. Why? Because every time I’ve started doing so, the songs popped up in my head and I just couldn’t stop singing along and moving my whole body to their rhythm. When the single “We Are The Legion” was released on New Year’s Eve 2017, I felt that old school sleaze vibe which CrashDïet have always offered us and knew that whatever came next would be worth the waiting; still I was amazed at such worthiness.

Don’t expect me to compare singers, as that wouldn’t be fair to any of them. I’ll just say that Gabriel Keys has a powerful voice which fits the band like a glove, and even though I’ve only listened to him in the new tracks, I can imagine him singing the old ones as if it had been him who’s originally recorded them. Yeah, that kind of voice.

They’ve recently asked on their Facebook page which was our favorite song off the new album and to me that’s an honest trick question. How can I choose between the enticing riffs and catchy chorus of the title-track and the seductive melody of “In The Maze”? How can I choose between the enthralling beats of “Into The Wild” or the upbeat pulse of “Crazy”? The heart-warming ballad “Waiting For Your Love” in contrast with the sleazy speed of “Reptile”? And what about the hymn-ish “We Are The Legion” or the crowd-friendly “Filth & Flowers”? The latter even has parts as if recorded live because it’s exactly the kind of song that will have the audience cheering and do that now-you-sing-it game that vocalists love to put us through.

CrashDïet have had their fair share of downs but their albums have always been ups in their career. I won’t say “Rust” is the highest up so far but, once again, only out of fairness. I can say, though, that this is the essence of sleaze rock, bearing such purity and class – so hard to find nowadays.

9/10

by Renata “Pieni” Lino

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The 69 Eyes – West End

Posted in CD, Rock with tags , , , , on 14th September 2019 by Pieni

The 69 Eyes
“West End”
Gothic rock
Released: 13th September 2019
Via Nuclear Blast Records

The 69 Eyes - West End

Over the past 30 years, The 69 Eyes have developed such a characteristic sound that they’re at a point in their career where one can identify a song as theirs, even before Jyrki 69’s unique voice comes through. Yes, 30. The dark balloons on the cover? Best decoration for a goth’n’rock anniversary party.

They’ve also invited a few friends for such party. You’ve probably seen the video for “Two Horns Up” by now, featuring Dani Filth. Those ominous church bells in the first few seconds which lead to that rough bass intro and melt into a rocky melody spiced up with piano keys… that’s the catchy trademark of the Helsinki Vampires.

Curiously enough, “27 & Done” is a lot merrier, despite its dark theme (that apocalyptic age at which so many rock stars have died). Same formula, but merrier.

“Black Orchid” was also released as a video, probably because it has one of the most beautiful guitar solos in the whole album. It took me back to “Dance D’Amour”, believe it or not – so much bolder, so much sharper, and yet my mind brought it up. Go figure.

Then there’s the orchestral arrangements on “Change”, giving a classy touch to an already dandy ballad. It’s like they say, “the devil’s in the details”.

I was surprised they didn’t film a video for “The Last House On The Left”. Jyrki 69 himself says it’s “the perfect Halloween horrorpunk song for this year”. Honestly, I think it’s perfect for any festive occasion. It also features Dani Filth and Wednesday 13 and Calico Cooper as well, making a hell of a vocal mix! I wouldn’t call it punk, though, but definitely rock’n’roll. By the way, “Outsiders” gives away that vibe too. Dancing is not really my thing but I caught myself doing so while writing this review.

These are just a few remarks. I could’ve picked many more but I think you’ve got the picture. I’ll wrap it up with a cheesy but heartfelt “happy anniversary, keep it rollin’!”.

8/10

Renata “Pieni” Lino

Phil Lanzon – 48 Seconds

Posted in CD, Rock with tags , , , , on 17th August 2019 by mickbirchy

 

Phil Lanzon
48 Seconds
Prog Rock, Hard Rock, Classic Rock
Released 2nd August 2019
via Lanzon Ditties/Cargo Records

If you’re familiar with your classic rock and music history then I shouldn’t really need to tell you who Phil Lanzon is… But if you’re not acquainted with your old school prog rock, he is the man who you will usually find rocking the keyboard in Uriah Heep. They are one of those bands that encapsulates a lot of people’s image of the 70’s – 80 prog-rock scene. Phil has also brought his talents to other projects such as Grand Prix and The Sweet. He has had a legacy in music that, starting in 1986, carries on today. In recent years Mr Lanzon has been striking out as a solo musician starting with his 2017 record If You Think I’m Crazy! and on to this album, his latest release, 48 Seconds. This album is a pretty fun listen, with all songs written by Lanzon and produced by the excellent Simon Hanhart. It also features some exceptional talent that elevates this to excellence.

The album has a big band feel with multiple layered sections of music and a lot of different instrumentation. Ranging from very synth and keys focused songs to music bigger rock n roll productions. Every song has this big-sounding chorus that hits hard and feels uplifting when listening to it. It definitely feels like an album with an older school method of production. The way the album is mixed is excellent with each musical idea perfectly complementing the other. From the brass section to the violins to the excellent vocal performances, it all feels oh so glorious. Listen to the song “Rock n Roll Children” for an example of how great this album can sound. The production is just excellent, making this very easy on the ear and I think anyone can listen to music like this. Just so rich with sounds and beautiful, carefully crafted melodies. 

One of the major influences for this album is Lanzon’s love of film scores and soundtracks. That definitely translates as every song sounds like it comes from some forgotten 80’s flick that is only really remembered for its soundtrack (you know the ones). Every song is filled with such powerful emotion and it can be very easy to get caught up in it all. With each song just building to an eventual climax that is really satisfying by the end. I will say I prefer the songs that go with the more orchestral vibe than the straight-up hard rock songs. Though I do like some of those tunes too, for example, check out the songs  “Look At The Time” which feels like an 80’s era Uriah Heep tune or “In The Rain” which has more of a John Parr feel to it. What I’m trying to say is, this album is very eclectic in its sound and works for a variety of listeners.

Simply put, this is an excellent album made by a musician who clearly still loves making music. I love the way Phil Lanzon has written this album. Full of sharp singer-songwriter notes whilst scaling it up to be this massive production. From the quiet subtle slower tracks to the more lively and intricate songs this album is filled with emotions and brilliant musicianship. 

10/10

Mick Birchall

Metallica live in Hämeenlinna

Posted in Gig, Live, Metal, Rock with tags , , , , , on 17th July 2019 by izaforestspirit

Bokassa, Ghost, Metallica
Kantolan Tapahtumapuisto, Hämeenlinna, Finland
16th July 2019

Metallica, it’s been a while… The last time I was at a Metallica show was back in 2007 when I still lived in The U.K. They were and, in many ways, still are one of my favourite bands. I have always hoped that some day I will get to see them live again and this year I finally got that opportunity. This was one of the main events that I was looking forward to. This time the venue was Kantolan Tapahtumapuisto (Kantola Event Park) near the city centre of Hämeenlinna. I do not normally travel to Hämeenlinna and this was my very first time at the venue so I planned my trip well in advance.

Everything went as planned. The one thing that I cannot predict too well however is the weather. It was sunny when I arrived, then there was some heavy rain and thunder just I approached to the entrance. Luckily it did not last long and it had mostly cleared up by the time Bokassa took to the stage. I’m not really into stoner-punk but I have to admit that they were entertaining to watch. It was far more energetic than your average stoner rock, so not a bad start to the night. 3/5

I never really understood the hype surrounding the Swedish hard rock band Ghost. I keep hearing their songs on the radio and seeing their videos on Youtube. Yet I find it hard to fathom why they are so well regarded. I mean if you ignore the elaborate outfits and the imagery, the music itself is good but nothing ground-breaking. This was the first time that I have seen them live and I actually liked the performance. Their singer, Cardinal Copia, as he now calls himself, has a very charismatic stage presence. 4/5

Then it was time for the main event. The Metallica show was absolutely spectacular. They played most of the classic hits including: ‘Master of Puppets’, ‘Enter Sandman’, ‘One’, For Whom The Bell Tolls’, ‘Nothing Else Matters’, ‘Seek and Destroy’. The set also featured some songs from the mid-career period and several from the latest release ‘Hardwired to Self-Destruct’. There was pyrotechnics, lots of visual displays and even fireworks at the end. One of my favourite moments was the Rob and Kirk guitar medley when the performed a cover a Finnish rock classic – Popeda’s ‘Kuuma Kesä’. I could have done without ‘Frantic’ from the dreaded ‘St. Anger’ album and perhaps played more songs from ‘Death Magnetic’ instead, but that is the only extremely minor fault with what was otherwise a flawless performance. 6/5

Overall, I am extremely grateful for the opportunity to see Metallica live again. Twelve years is a very long time to wait but it was totally worth it. The show was an experience that I will cherish for many years to come.

Iza Raittila

Lumous Gothic Festival 2019

Posted in Festival, Instrumental, Live, Rock with tags , , , , , , , , , , on 14th July 2019 by izaforestspirit

Golden Apes, Danse Society, Das Ich
Pakkahuone and Dog’s Home, Tampere, Finland
12-13th July 2019

Summer is here again. One of my summer traditions since 2012 has been to attend the Lumous Gothic Festival. This year was no exception. The only minor change was that of the main venue. Throughout the time that I have been going there it the main acts have always performed place at Klubi. However Klubi is currently being renovated so the event was moved to Pakkahuone, a much larger venue located in the same building. I have seen several metal shows there before but this was a first for Lumous Gothic Festival.

Friday
This was the main day for me as most of the bands which I wanted to see were playing then. I was mostly looking forward to Das Ich and I had limited knowledge of the other bands.

First up was a Spanish darkwave band called My Own Burial. These guys are really into old horror movies and the performance had lots of eerie visions. The music was catchy and fun to dance to. They reminded me a little of Los Carniceros del Norte minus the punk elements. So a good start to the night. 3.5/5

Then it was time for a German Goth rock band Golden Apes. I’m not a massive fan of Goth rock but I have to admit that the vocals were pretty good. Their singer’s vocal style sounded like a cross between Elvis and Jyrki from The 69 Eyes. 3.5/5

Finally it was time for the main band that I came to see. I discovered Das Ich at the same festival four years ago and it was great to see them live again. I loved the stage actics and the music was fantastic. They played some new material plus some classic hits including ’Destillat’, ’Gott ist tot’, Das dunkel Land’ and my personal favourite ’Reaminat’. 5/5

Saturday

Day Two of the festival started a little earlier since I decided to catch some of the bands playing on the second stage located at a different venue called Dog’s Home. Dog’s Home is essentially a pub or bar near the train station. Unlike Pakkahuone which is primarily an event venue, Dog’s Home is mostly used as a bar but it also doubles as a small gig venue. The stage is pretty small and rather low down.

The Swedish occult dark electro solo artist Blood Magick was on first. The project was originally known as My Own Sorrow and the lyrical themes are centered around horror and the occult. Sadly the venue didn’t do the performance justice. That place really isn’t ideal for an electronic show. For instance, the stage is tiny and there is limted space for props and no means to project any visual imagery. Still, Blood Magick did his best with the limited resources. He managed to convey the creepy atmosphere through which was good. 3.5/5

Next up was a Finnish goth rock band called Murnau’s Playhouse. These guys drew in a bigger crowd and they put on an entertaing show. 3.5/5

Then it was time to move to Pakkahuone for the remainder of the night. The main band that caught my attention, my new discovery was the Russian Gothic rock duo Raven Said. The clue is in the name, Raven Said… I guess that ”Quoth the Raven” might have been a bit too obvious. Oh yes, this band is all about Gothic horror and the works of Edgar Allan Poe. They even have a song called ’Lenore”. The visuals worked a treat too. I will definitely have to give their music a listen. 4/5

Sadly I was unable to stick around for the main headliners, Inertia. So the last band I saw was a British Goth rock band called The Danse Society. More Goth rock… There is not a lot that I can say about their performance. It was fairly good as far as Goth rock goes, I’m just not a massive fan of the genre. Also with a name like The Danse Society, I expected something a bit more dance-inspired. 3.5/5

In summary I had a great time at Lumous Gothic Festival. Das Ich were excellent and I made a new discovery in Raven Said. Blood Magick’s performance would have worked better at a different venue. Kiitos Lumous Gothic Festival! See you next year!

Iza Raittila

Thunderfuck and the Deadly Romantics – Dirty, Sleazy, Rock ‘n’ Roll

Posted in CD, Metal, Rock with tags , , , , , on 6th July 2019 by mickbirchy

Thunderfuck and the Deadly Romantics
Dirty, Sleazy Rock ‘n’ Roll
Sleaze Rock, Hard Rock
Released: 26th July 2019
via Cargo Records

OK, I was not expecting what I actually heard on this album. Then again, I really didn’t fully understand what I was getting this one. I mean, what would you expect from a band called Thunderfuck and the Deadly Romantics? The band comes from Ontario, Canada and have spent quite a lot of time here in the UK. Everything that I’ve heard about them so far is relatively positive, with a great hype building behind them, consistent gigs and good feedback. It really feels like a band that has taken their time and grown on their own accord rather than forcing a quick fix to success. After taking a listen to this album, I have definitely thought about it and the first impressions were mixed to positive. However, now I have had some time to let this one settle, let’s talk about this one.

The album sounds decent from the get-go, great rock tone with well-produced instrumentation all the way through. The balance of the instrumentation is great with all of the instruments coming through clear. Then you get the vocals and, well I’m not a fan. Don’t get me wrong, if you like this style of singing then that’s awesome but if you’re like me, then it’s truly going to grate on you quite quickly. He’s not out of tune but the vocals are incredibly coarse and it doesn’t really fit in with the slick instrumentation. For me, it ruins the sound of the songs. Now, this is just me, I realise that there are people that like the way the rough vocals contracts with the slick and well-executed music. 

Most of the lyrics are about your typical rock ‘n’ roll topics such as sex, drugs, drinking and working-class life. Which is fine, I mean I don’t expect much from sleaze rock, in terms of lyrical content. Usually, sleaze rock mainly focuses on light-hearted, easy to grasp subjects that audiences can immediately identify. However, when one of your songs literally starts with a woman moaning in orgasm, I think you’re going to have a good sense of what album you’re getting into.

Overall, this is not a bad album. I can’t say I personally like the vocals but I can certainly understand the appeal. The rock is great and there are some damn catchy and fun tunes to listen to. If you’re looking for a band that delivers rough and dirty sounding rock music, then Thunderfuck and the Deadly Romantics are something to behold.

2.5/5

Mick Birchall

Rammstein – Rammstein

Posted in CD, Industrial, Metal, Rock with tags , , on 6th June 2019 by izaforestspirit

Rammstein
Rammstein
Released 17th May 2019
Neue Deutsche Härte/ Industrial Metal
Released via Universal Music

It’s been a decade since the world renowned Neue Deutsche Härte band Rammstein last released a studio album. For a long-time fan like myself that is a very long time to wait. Needless to say that my expectations for this were very high. After all it took them this long to record so surely it ought to be worth the wait right? Let’s see…

Well, we’re off to a good start with Deutschland. The video might be a bit too much for some people to handle but the song itself is an absolute gem. I cannot get enough of it. It acts like an anthem for the band, combining all the elements that make Rammstein so special. Till Lindemann’s powerful and emotional vocals, Flake’s delightful keyboard work and the guitars. The chorus works a treat too. What a tune; “Radio, Mein Radio…”, that’s about as much as I can make out from the lyrics without consulting a German dictionary or online translating service but that has never stopped me from enjoying this song. I have had that chorus stuck in my head for weeks. Radio is a wonderfully catchy piece of industrial metal that is bound to be a big hit both live and on the dance floors. Then there’s Ausländer with its disco-esque vibes and somewhat cheesy-sounding chorus.

Basically it’s all good until the fifth track comes along and things slow down a little. It is not so much that the rest of the album is bad, it is not. There are lots of well executed, emotional vocal performances from Mr.Lindemann, there is nothing wrong with guitar riffs or the keyboard melodies. And yet it feels a little lacking in energy. As much as I appreciate the dark lyrical themes and creepy music of tracks such as Puppe, Rammstein are capable of so much more. This suffers from the same issues as their mid-career period albums ‘Reise, Reise’ and ‘Rosenrot’, which have a handful of very good songs each and lots of okayish, but not particularly memorable tracks. The only exception is the ultra creepy and sombre-sounding Hallomann which seems like a fitting way to end the album.

In summary, I am sad to say that this album is a bit of a letdown for me. The first four tracks are great and I absolutely love them. Sadly the rest are a little too slow and ballad-like for my taste. It feels almost like Rammstein are tired of making this kind of music and they are preparing to move on to something new.

3.5/5

Iza Raittila