Author Archive

Pieni’s highlights of 2018

Posted in Editorial/Opinionated with tags , , on 1st January 2019 by Pieni

And here’s that time of the year again. It was tricky to choose among so many great gigs I’ve attended in 2018 but here they are:

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  1. Infraktor at Origens Caffé (Ponte de Vagos)
  2. Dark Tranquillity at Laurus Nobilis Music Famalicão (Louro)
  3. Primordial at Hard Club (Porto)
  4. Web at Hard Club (Porto)
  5. Helloween at Pavillón Multiusos Fontes do Sar (Santiago de Compostela)

Out of the recording studios come these:

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  1. “Exhaust” by Infraktor
  2. “I Loved You At Your Darkest” by Behemoth
  3. “You Can’t Kill My Rock’N’Roll” by Hardcore Superstar
  4. “Eonian” by Dimmu Borgir
  5. “Decadence” by The Ransack

Most bands go for lyric videos nowadays, or just film themselves performing somewhere. I really appreciate when there’s more than that: like these:

  1. “Bring The House Down” by Hardcore Superstar
  2. “Stålfågel” by Soilwork
  3. “When The Seasons Change” by Five Finger Death Punch
  4. “Burn” by Corroded
  5. “Give Me Leather” by Gama Bomb

As for my expectations for this new year, here’s what I’m most eager about right now:

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  1. Equaleft‘s “We Defy” is going to be released in 2019 after all; already have my ticket – number one! – to the release party.
  2. Hills Have Eyes new album should see the light of day as well. Stoked like you can’t imagine (or maybe you can, ha ha).
  3. Have Soilwork’s “Verkligheten” to review – can already advance that I loved it! Looking forward to see them live with this.
  4. The Godiva have been announced to play at Vagos Metal Fest… with an orchestra! Pretty sure it’s going to be mind-blowing!
  5. I’m still waiting for news from the Breaking Today camp, but since half of the band plays in Hills Have Eyes as well, I guess they won’t find the time to do both… So I’ll replace them with In Flames on this list, as their new album is set to be released in February.

Happy New Year peeps!

Renata “Pieni” Lino

Laurus Nobilis Music Famalicão growing… again!

Posted in News with tags , , , , on 26th November 2018 by Pieni

As July is still far away, Ecos Culturais do Louro decided to promote a special event, in celebration of Christmas. It’s called A Hell Of A Xmas and features bands that have played in Laurus Nobilis Music Famalicão editions, as follows:

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As for the festival itself, they’ve been gradually releasing names, along with guess-the-band-and-win-a-ticket contests. Just a few hours ago, Fleshgod Apocalypse has been confirmed as one of the four headliners – yes, the fest will last four days in 2019, between the 25th and 28th of July. Here are the other names so far:

ENTOMBED A.D.

WRATH SINS

SINISTRO

W.A.K.O.

CREMATORY

MISS LAVA

ANALEPSY

GWYDION

PESTE & SIDA

SOLDIER

PRIMAL ATTACK

TALES FOR THE UNSPOKEN

SIMBIOSE

HUMANART

https://www.facebook.com/laurusnobilismusic/

Primordial w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , , , , , , on 22nd October 2018 by Pieni

Primordial, Basalto, Aura
Hard Club, Porto (PT)
21st September 2018
Promoted by Notredame Productions

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One month yesterday and the memories still send shivers down my spine. Primordial’s songs already have that effect on their fans, but something about that night’s performance made them more enthralling. I always thank the promoters for allowing me the chance of shooting these gigs but this time my heartfelt reverence towards Carlos Freitas and Notredame Productions goes deeper, for bringing such show to us.

DSC_0067 copyBut first things first. Post black metal Aura, promoting their debut EP “Hamartia”, which had been released in July. Aggressive, but bearing the somberness of a doom band, the mix works out extremely well, the four musicians really “into it” when on stage. For what I could gather, “Your Eyes Can Sweat My Desire For Catharsis” is their strongest track. An extra note on the bass player’s professionalism, as the piece on the bass that holds the strap broke but he didn’t stop playing; he just put his foot up on one monitor and held the instrument on his knee. I can only imagine the strain on his back and arms while doing it. In the end of the song he fixed it with duct tape, but since their songs are over 6 minutes long, consider my hat tipped.
https://www.facebook.com/oficialauraband/

Then came the 99%-instrumental Basalto. In fact, the first I’d seen them, a few months prior, I’d say they were an instrumental act. But this time, on the first and last track, guitarist António Baptista growled something indecipherable.
The final product is labelled as stoner/doom metal, but it’s achieved with a variety of other elements, such as jazz and blues, making it a lot spicier, more spirited. “Doença (“disease” in Portuguese) is their second album, released in February, and according to them, it represents everything black or dark in Humanity’s intellectuality. Interesting concept.
https://www.facebook.com/basaltostoner/

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In +25 years of attending concerts, I can only remember three concerts that went on for two hours: Iced Earth (the “Horror Show” tour, which coincided with the release of the boxset “Dark Genesis” and so the band decided to play a little bit of their full discography so far, with three different stage sets); Queensrÿche (the “Operation: Mindcrime” 20th anniversary tour where they performed both the album and its sequel in full) and Moonspell (the 20th anniversary of “Irreligious”, where they also played the whole DSC_0272 copy“Wolfheart” and “Extinct” albuns). Primordial was now the fourth, but the first without any special reason for it, apart from “not being like one of these new bands who play for an hour and go home” (quoting Nemtheanga himself). You’ve probably done the math by now: more time to play, less key-songs left out of the set, even if they have to insert new ones out of the latest “Exile Amongst The Ruins”. Plus, if you know how charismatic Nemtheanga is, you know how intense every minute of a Primordial show can be; 120 of them is something just beyond words.
Nemtheanga recalled several times their first show in Portugal, 20 years ago, praising “his friend” José Costa for it, and also mentioned the last time they’ve played at Hard Club (although that gig happened in the original venue, on the other side of the river, but that he didn’t seem to remember). Such sweet nostalgia, brought on not just by the older songs…
From “Nail Their Tongues” to “Empire Falls”, going through “To Hell Or The Hangman” or – my all-time favorite – “The Coffin Ships”, this concert was a roller-coaster ride of emotions that will hardly be forgotten by any of the presents.
https://www.facebook.com/primordialofficial/

Text & photos by Renata “Pieni” Lino

Laurus Nobilis Music Famalicão 2018 – 3rd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , , , on 5th August 2018 by Pieni

The Godiva, Dark Tranquillity, Tarantula, Crisix, The Temple, Revolution Within, Low Torque, Legacy Of Cynthia
Louro, Famalicão (PT)
Promoted by Associação Ecos Culturais do Louro
28th July 2018

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LEGACY18No “alternative metal” band had played yet so Legacy Of Cynthia had the pleasure of doing so, kicking off the third and last day of Laurus with their brilliant “Rats And Rattlesnakes”. Their sound is too exquisite to describe but that exquisiteness is also unique, and it works perfectly live – especially in an open air festival. Their vitality spread out to the crowd, and even when bass player Caesar made a “small” thank-you speech – he himself recognized he was a pain in the ass and that those who’ve been to Legacy Of Cynthia gigs before were surely sick of listening to him – everyone applauded, clearly amused. I admit dancing to “Cabaret”, which wrapped up their set.

https://www.facebook.com/legacy.cynthia/
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Late last year, rockers Low Torque released their third album, “Chapter III: Songs From The Vault”. They’ve brought along some juicy tracks like “Dust Mojo” and “Mutant”, endorsing heavy headbanging and body movement in general. And that’s it, not much else to say – pure rock’n’roll is that straightforward.

https://www.facebook.com/lowtorque/
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It was the first time I’ve seen Revolution Within’s new drummer Rúben Moreira (apparently also known as Tozé…) and the kid’s got my personal approval. He also plays in One Step To Fall and their singer Diogo Pardal would join Raça later on to roar “Pull The Trigger”, but that was closer to the end. Way before that the crowd had already gone wild with the band’s other hits and usual violence. In the end, Raça thanked everyone and paid respects to the Abbott fallen heroes: “Dimebag, Vinnie Paul – rest in peace, wherever you are”.

https://www.facebook.com/revolutionwithinband/
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Time to head back to the main stage Porminho and watch The Temple. They were still sound-checking, playing their cover of Mão Morta’s “Budapeste” – which sadly they didn’t perform “for real” afterwards. But then again, their own songs set the crowd on fire, starting up a really peculiar mosh pit that included laughter, capoeira moves and guys on other guys’ shoulders. Its climax was certainly “War Dance”, when singer João and guitarists Marcelo and Tiago joined drummer Rui in a tribal percussionist feat.

https://www.facebook.com/thetempleband/
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Crisix is not your average thrash metal act. The music is thrash through and through: you’ve got the shredding guitars, the long shrills, the strong bass and the powerful beats. But the performance is much more than angry faces and neck-breaking headbanging. They run, they jump, they laugh… Fiesta all the time! In fact, that’s the exact term they use at some point, when they all change instruments and guitarist B.B. Plaza and bassist Dani Ramis take over the microphone. A medley of covers, including Beastie Boys’ “Fight For Your Right (To Party)” and RATM’s “Killing In The Name Of”, put the Barcelona band at the top of Laurus’ most amusing artists. And their own songs, such as “Get Out Of My Head”, “Conspiranoia” or “Ultra Thrash”, made a huge cloud of dust rise up out of the mosh circles.

https://www.facebook.com/CrisixOfficial/

TRTL18Getting Tarantula to play between Crisix and Dark Tranquillity wasn’t the best of options – unless the idea was for the crowd to recharge batteries. Their old school heavy/power metal is legendary around these parts, but even with the crowd echoing loudly the choruses to “Face The Mirror”, “You Can Always Touch The Sky” or “End Of The Rainbow”, something felt amiss. It’s been less than two years since I’ve last seen them live and they were in pretty good shape. Now it seemed like the spark was gone, or at least dimmed. It was a bit disappointing. And I’ll never understand why, despite someone always screams for “Power Tower”, they still refuse to play it…

https://www.facebook.com/Tarantula.Official/
dt2

There’s this Dark Tranquillity song called “The Mundane And The Magic” (which they’ve played in Laurus, by the way) and I believe “magic” is just the right word to describe what happened when the Swedes got on stage. Their current album “Atoma” was released over a year-and-a-half ago (review here) but as Mikael Stanne said, “it still felt pretty new”; the title-track, “Clearing Skies”, “Force Of Hand” and a couple more were just as rejoiced as old classics like “Monochromatic Stains”, “Therein” or “Terminus (Where Death Is Most Alive)”.
The encore started with “State Of Trust” and then Stanne said that it was always a pleasure to come back to Portugal and that we knew they’d keep coming; he’d learnt over the years that we were very passionate, that we weren’t “Lost To Apathy”. And “Misery Crown” was just… well, what I’ve first said: magical.

https://www.facebook.com/dtofficial/

GODIVA18This year’s festival finished with a local band, that came back together after almost a decade-long hiatus (I think it was an actual split-up, but whatever it was, it’s over). The Godiva was the first band I’ve shot with a digital camera, back in 2005, and for me it was enthralling to see this new version of them, all re-vamped and full of life – despite their “deadly” make-up, ha ha. And those who only knew them from the brand new single “Empty Coil”, or didn’t know them at all before this show, seemed to enjoy the old songs such as “Spiral”, “Fallen” or “Oblivion”. A great new era for the band, closing what represents a new era as well for this great festival. See you in 2019, Laurus Nobilis!

https://www.facebook.com/thegodivaband/

Text & photos by Renata “Pieni” Lino

Laurus Nobilis Music Famalicão 2018 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , on 2nd August 2018 by Pieni

Web, Mata-Ratos, SepticFlesh, Equaleft, Hills Have Eyes, Nine O Nine, In Vein, Sotz’
Louro, Famalicão (PT)
Promoted by Associação Ecos Culturais do Louro
27th July 2018

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sotzlnmf18The second day started at mid-afternoon, with Sotz’ doing the honors. Here’s a band that’s been improving their performance at every show, and consequently winning over more fans – 4:30 p.m. and a large number of people ready to shout out and mosh around their support. Without any kind of disrespect for previous line-ups, I believe the current one is the most efficient in living up to the aggressive impact the band yearns for their sound.
I’m not sure if the crowd was singing along – Dan Vesca is pretty hard to follow up – but they clearly recognized the tracks off the EP “Tzak’ Sotz’” and the recent single “Baak’”.

www.facebook.com/sotzband/

INVEINLNMF18Another band that’s grown a lot since the first time I’ve seen them a couple of years ago is In Vein. Raising Legends has been doing a hell of a job managing them, getting them to play practically everywhere, to the point where I confess I rolled my eyes when seeing their name on this bill. My sincere apologies – it was well deserved. Songs such as “S.A.T.A.N.”, “Paranoia” or “Infinite Night” fueled the headbanging and the horns in the air – singer António Rocha tried to convince the firemen to join the latter at some point, but they just smiled.

www.facebook.com/invein.band.pt/
NONLNMF18

Representing a rockier side of metal, we got Nine O Nine, guitarist Tó Pica’s new band. Introducing their debut “The Time Is Now”, released in February, Louro was filled with the enthralling melodies of “Big Event”, “Beauty Femme” and “Sofia” – dedicated not just to all Sofias but to every woman in the audience. Singer/bassist Sérgio Duarte didn’t want us to get the idea that NON were mellow, so they finished their set with the brisker “The Rush”.

www.facebook.com/NON909/
HHELNMF18

The Estrella Galicia stage closed for the moment and the spotlight turned to the main stage, Porminho, with Hills Have Eyes spreading their usual vitality. Fábio Batista’s voice was a bit worn down but he himself was jumping all around, so it made no real difference in the intensity of the music. Plus bassist Luís Silva backed him up, making sure all lines were sung. Splitting their setlist between the two most recent albums, but visiting “Black Book” through “Unneurotic” and the new single “Never Quit”, Fábio thanked the people that probably weren’t much into their sound but still were there, watching them and showing them respect. This and the little speech that always goes along “Anyway It’s Gone”, about music being music, no matter the label, hence they’d never decline an invitation for a “metal festival”.

www.facebook.com/hillshaveeyes/
EQUALEFTLNMF18

From metalcore to groove, Equaleft was the epitome of the “may the force be with you” slogan which their singer Miguel Inglês loves so much. They’ve been recording the successor to “Adapt & Survive” and even if the title or release date weren’t revealed yet, a live promotion is running already: “We Defy”, “Once Upon A Failure”, “Strive”, “Endless” and “Overcoming” made part of the band’s set and were tremendously cherished. Still, the highlight was “the lightsabre song” – the classic “Invigorate” – where Sotz’-Dan Vesca was a spontaneous guest. During the last song, “Maniac”, Miguel crowdsurfed while singing and then rewarded the fans with cookies. As usual.

www.facebook.com/equaleft/
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When promoter Aguiar Silva got on stage to address the audience, I thought he was going to introduce the headliners; it was something much more noble than that. In case you don’t know, SepticFlesh come from Greece, where several wildfires have taken about a hundred lives. Portugal went through a similar tragedy last summer, so more than sympathetic with the situation, we related. Therefor when Aguiar asked not for a minute of silence but half a minute of applause for the souls lost in those fires, Louro trembled. Singer/bassist Spiros Antoniou himself would dedicate “Prometheus” to the same souls – after all, in Greek mythology, Prometheus was a Titan who stole fire from the gods and gave it to the humans. But before that, songs such “Martyr”, “The Vampire Of Nazareth” or “Prototype” had already left the crowd in total rapture. Spiros dislocated his shoulder a few weeks ago, and even if everything’s okay now, he still couldn’t raise his arm/fist as high as he wished to, so he wanted our help to do it for him. We obviously complied. 10-year-old “Anubis” and last year’s “Dark Art” built the encore of a stellar show.

www.facebook.com/septicfleshband/
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Mata-Ratos spent almost a decade without any new material but their life on the road rarely took a break – that being the reason why their original schedule on Saturday was anticipated to Friday (something about a show in Spain). “Banda Sonora do Apocalipse Anunciado” was released in 2016, but needless to say that it was songs from almost 20 years ago – “A Minha Sogra É Um Boi”, “Amor Eterno” or “CCM” – that brought out the inner punk in all of us. Singer Miguel Newton still paces the stage through and through like a lion in a cage, but I’ve managed to frame him more clearly – he’s either slowed down a bit with age or I’m just getting more skilled.

www.facebook.com/infamesmr/
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Back to the Estrella Galicia stage to watch the final band: only Web to have such a numerous and loud crowd at 2 in the morning. They’ve been somewhat away from the stages, writing the successor to “Everything Ends”, but unlike Equaleft, nothing new was revealed – well, except for the intro, that was a new one. And guitarist Filipe Ferreira’s posture! Web is the band I’ve seen the most in these +20 years of attending metal concerts and this was the first time Filipe made me wonder if they got sponsored by some energy drink. “Vendetta” was the last live song of the night, before António Freitas assumed the role of DJ.

www.facebook.com/web.bandofficial/

Text & photos: Renata “Pieni” Lino

Laurus Nobilis Music Famalicão 2018 – 1st day

Posted in Festival, Live with tags , , , , , , , , , , on 31st July 2018 by Pieni

Infraktor, Cruz de Ferro, Booby Trap, Atreides
Louro, Famalicão (PT)
Promoted by Associação Ecos Culturais do Louro
26th July 2018

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Fourth edition of Laurus Nobilis Music Famalicão, first one fully dedicated to metal in all its varieties. Those first three editions we’ve covered the first day only, which was the heaviest one. Now we’re proud to bring you coverage of the whole fest.

001Last year the organization had already set a second stage for big bands still climbing the popularity ladder (calling them “smaller bands” wouldn’t be fair or accurate at all). This year that stage was a bit larger and endorsed, hence named after, the Spanish beer Estrella Galicia – Galicia being the community where the first band Atreides came from as well. The opening day served as a warm-up, with only the Estrella Galicia stage active and four acts on the bill, so the melodic heavy metal of Atreides started echoing around eight-thirty in the evening. The crowd wasn’t big, true, but I confess it was much bigger than I’d expected – and also more responsive towards a band clearly unknown to them, despite their two studio albums. Songs like “Frágiles” or “Laberintos” caused quite an impression – including in some little kids who were tagging along their parents but having a ball on their own.

www.facebook.com/atreidesgrupo/

btlnmf18Things got a bit more hardcore with Booby Trap’s crossover. The most veteran band on that day’s bill got a more aggressive feedback, just like their sound, but still they tried to convince the people in the back to get closer to the stage and join the party – unsuccessful, not even after guitarist Wild Bull provoked them by calling them something like “pussies”. Anyway, “Survive”, “Overloaded”, “Drunkenstein” (my favorite) or Motörhead’s “Ace Of Spades” (which they covered long before Lemmy’s death) kept the audience pretty hyped.

www.facebook.com/boobytrap.pt/

CFLNMF18Cruz de Ferro is Portuguese for “iron cross”, so that alone gives you an idea what kind of metal they play and what they sing about – yep, traditional heavy metal about Portuguese battles and history in general. They had a handful of devoted fans in the front row, raising their fists and singing along loudly. To those, singer/guitarist Ricardo Pombo exclusively dedicated “Ritual da Cruz” (ritual of the cross), apologizing to the rest of the people attending the festival. But since they’ve played for the very first time a new song called “Soldado Desconhecido” (unknown soldier) – in memory of all Portuguese soldiers who lost their lives in the second Great War – I guess no one minded to be left out of the aforementioned dedicatory.

www.facebook.com/cruzdeferro666/

INFLNMF18But it was Infraktor’s “ferocious metal” that got the most out of the crowd, proving the promoters right when they chose such a young band to headline the first day. Well, young as Infraktor, who released their debut album “Exhaust” early this year – the members are all old-school ambassadors of the national underground, as I’ve told you when I reviewed said debut (here).
From “Blood Of The Weak” to “Ferocious Intent”, this was the night’s most intense performance – both on and off stage. Some people were singing along the choruses, but in order to everyone give use to their vocal chords, Pantera’s “Strength Beyond Strength” wrapped up the show, as someone in the crowd “guessed”. Singer Hugo Silva joked, asking him if he had peeked at the setlist, but knowing that he’d just attended some previous Infraktor concert.

www.facebook.com/infraktor.metal/

DJ Nattu taking over in the end wasn’t the best idea, but apart from that, my heartfelt congratulations to everyone involved in putting together this event. And this was just the first day.

Photos & text: Renata “Pieni” Lino

Escape The Fate – I Am Human

Posted in Uncategorized with tags , , , on 26th May 2018 by Pieni

Escape The Fate
“I Am Human”
Alternative Rock
Released: 30th March 2018
Via Eleven Seven Music

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Escape The Fate have conquered a few million fans over the past decade with their modern alternative rock. That’s still the best way to describe their sound, although with “I Am Human” it has lost a bit of its original edge. One could say it’s heading towards a more mainstream direction, but let’s face it – they’ve always been down that road. But now there’s a refinement to it, a maturity that gives texture to all the catchiness and class to the briskness. Some of the guitar work has even hints of the eighties, the solos in “I Will Make It Up To You” and “Beautifully Tragic” being the most notorious.

On the other hand, we have more “up-to-date” tunes, such as “Empire”, featuring this decade’s trend of blending the most spirited anger with the most fetching melody. Speaking of melodies, the mandatory ballad comes in the form of “Bleed For Me”. Not exactly extraordinary, but it serves its purpose of touching your heart.

Touching are also the lyrics of “If Only”, contradicting the chirpy acoustic chords provided. The kind of song you associate with Summer camps, even if these usually don’t bear so much regret. “Let Me Be”, however, is lighthearted enough to make you want to dance to its rhythm and sing-along cheerfully.

The title-track is quite seductive, but my personal favorite is “Do You Love Me” – the bass in this album is so overlooked that it’s refreshing to feel its vibrancy in this song.

All in all is a pretty pleasant record. Its new path didn’t take such a dramatic detour – especially when you’re able to recognize the step forward it represents in song-writing – but indeed some of the most hardcore fans of the band may be disappointed. At the sane time, “I Am Human” is prone to gain them a handful of new ones.

3,5/5

by Renata “Pieni” Lino

Insomnium + Tribulation – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 28th April 2018 by Pieni

Insomnium, Tribulation
Hard Club, Porto (PT)
9th April 2018
Promoted by Prime Artists

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“Winter’s Gate” is the name of Insomnium’s latest album and therefore the name of the tour – even if the release is one-year-and-a-half old. Plus, given the cold wave that’s been washing over Europe when Spring was supposed to be settling in, “Winter’s Gate” sounds pretty fitting.
Monday night, the crisp weather, the 2-band bill instead of the usual 3, the ticket price somewhat higher than normal… I confess I was expecting a poor crowd in terms of numbers. Well sometimes it feels good to be wrong and see that, after all these years, your hometown can still positively surprise you.
DSC_0054 copyWhat I didn’t like to be wrong about was the duration of Tribulation’s gig. Sure, I knew this wasn’t a co-headlining tour, but since there was no other band on the bill, I was hoping for a little more than 45 minutes – especially when they have a new album to promote as well. “Down Below” was released in January and only a third of its fantastic tracks were performed – “Lady Death”, “Nightbound” and “The Lament”. Of course we wanted to hear everything else they’ve played, from their previous works, but we wanted more – hence the 45-minute slot not being enough. I remember the first time Insomnium played here, eight years ago, asking us to buy something at the merch stand in order to “help the little guys”. Here they were this night, not so little anymore, so let’s cross fingers that next time Tribulation come here they’ll be headlining their own show. And that it won’t take that long – even if there’s only 5 years left to complete the 8 since the first time they’ve played in Porto.
The “Down Below” artwork is in shades of red and black but the lights during Tribulation gig were green. And black. Too much black. It was pretty hard to capture those enthralling movements of Jonathan and the devilish faces of Adam; but then again, no still image can truly show what one experiences at a Tribulation gig.

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www.facebook.com/Tribulationofficial/

DSC_0448 copyThe darkness came back in full when the Police Academy theme echoed – Insomnium’s intro – but then went on. And on and on. There were only glimpses of a weak light during the whole performance of “Winter’s Gate” (in case you don’t know, the new album has just one 40-minute-long track, divided in 6 parts, although the second, “The Golden Wolf”, is subdivided in two). If the idea was to illustrate the long winter nights they have in Finland, congratulations, you’ve made it! Wasn’t the spirited vibrancy of their performance – and the matching feedback from the crowd – and it would’ve been pretty depressing.
After Insomnium closed their winter’s gate, “The Primeval Dark” lived up to the exact opposite of its name and the room lit up like a summer day. By then I had retreated to enjoy songs like “Mortal Share”, “Weather The Storm” or “The Promethean Song” in the far back – so no bright pics, sorry.
The photographer in me left the venue frustrated, but the music lover had her heart full – and a pleasant smile for the first chords of Moonspell’s “Alma Mater” that preceded the encore “Only One Who Waits”.

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www.facebook.com/insomniumofficial/

Text & photos by Renata “Pieni” Lino

The Godiva return, wrapping up this year’s Laurus Nobilis Music

Posted in News with tags , , , , , on 11th March 2018 by Pieni

The two missing names in the Laurus Nobilis Music 2018 bill have been revealed: Atreides and The Godiva. The former hails from Northern Spain and the latter from Famalicão, hometown of the festival itself.

The Godiva were quite popular in the Portuguese underground back in the early 2000s, until they decided to step away for an unknown-period-of-time. The hiatus is now over and they will close this year’s edition of Laurus Nobilis Music Famalicão. Here’s the full schedule:

lnmf2018schedule

Metal DJs will entertain the crowd every night for about an hour, after the last band leaves the stage.

https://www.facebook.com/laurusnobilismusic/

Therion w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , on 2nd March 2018 by Pieni

Therion, Imperial Age, Null Positiv, Midnight Eternal
Hard Club, Porto (PT)
21st February 2018
Promoted by Notredame Productions

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In Portugal, scheduling an event for 7 p.m. in the middle of the week isn’t going to work out very well for the opening acts; but with four bands on the bill and an almost two-hour-slot for the headliners, there’s not much the promoter can do. Speaking of, a big thank you to Carlos Freitas and the whole Notredame Productions team for bringing such show to us and for letting Valkyrian Music cover it.

DSC_0077.jpgMidnight Eternal was the first band on stage. Frankly, I’d never heard of them before, but then again, symphonic power metal with a female lyric voice – and occasional male growls – isn’t exactly my cup of tea… Among the few people at the venue by that hour, there were a handful responding enthusiastically to their music – either they knew them already or the band caused quite the first impression on fans of the genre. Yep, they’re good.

Introducing their self-titled debut album, released in 2016, the band from New Jersey – as said by Raine Hilai; you shouldn’t trust everything you read on Facebook, where their page locates them in Manhattan/New York – charmed the small but “loud” (using Raine’s own words) crowd with songs such as the “first song they’ve ever written” “Masquerade Of Lies”, “Signs Of Fire” and the almost-9-minute long “First Time Thrill”.

www.facebook.com/MidnightEternal/

NULLPOSITIV

Female singer as well, but completely different posture, Null Positiv followed suit. That so-German alternative, post-industrial sound which “recognizes the signs of the times”, to quote their own motto. Even if Elli Berlin joined Therion on stage to sing “Din” later on, this was the most “displaced” band on the bill, but given their feisty performance, “diversity is the spice of life” earned a new meaning. “Hass”, “Labyrinth”, “Friss Dich Auf” or “Koma” were just some of the songs that left the crowd – considerably bigger now – pretty hyped, Null Positiv’s impact being the exact opposite to their name.

www.facebook.com/nullpositiv/

IMPERIAL AGE

If the Germans were the furthest from Therion in genre, Russian Imperial Age were the closest, with their symphonic/opera metal. The release of their third album earlier this month outlined their setlist, but they couldn’t go without performing “Anthem Of Valour” or “Aryavarta”. The combination of Aor’s tenor voice with Kiara’s soprano and Corn’s mezzo soprano, spiced up here and there by some growls of Vredes and Belf, filled the venue with a supreme vibrancy, overlaying striking melodies welcomed by everyone.

www.facebook.com/imperialageofficial/

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With such foreplay, it took only the first chords of “Theme Of Antichrist” to drive the crowd to a climax which would last throughout the almost-2-hour long performance of therionhc3Therion. Some highlights of their latest opera – including “Temple Of New Jerusalem”, which Thomas Vikström introduced by asking us to imagine ourselves inside a church, adding right away “boring, I know” – mingled with highlights of their whole career and we’ve witnessed a hell of a show (pun intended regarding “Beloved Antichrist”). Vikström was pretty talkative, as his usual, but the final words had to come out of founding member Christofer Johnsson. He remembered the last time they’d played in Porto, 20 years before – yes, 20! – and asked if any of us had been there. A few had – me included – and so he thanked us for the “old school support”. And he asked us to scream the title of the song that, like then – and almost always – finishes their shows, the imperative “To Mega Therion”.

www.facebook.com/therion/

Text & photos by Renata “Pieni” Lino

Bill for Laurus Nobilis Music Famalicão 2018 almost complete

Posted in News with tags , , , on 25th February 2018 by Pieni

Ever since its first edition, back in 2015 we’ve been supporting and covering the “metal day” of Laurus Nobilis Music Famalicão, in Portugal. Last year saw the growth of the bill, by adding a secondary stage, and this year we see the “growth of weight”, as all three days will be heavy ones. Needless to say, we’ll be covering the full festival this time.

There are still two bands to announce, but so far it features some of the Portuguese finest. As for the international headlining acts, we’ll have Dark Tranquillity and Septicflesh:

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We’ll get back to you with the full schedule as soon as the two last bands are revealed.

www.facebook.com/laurusnobilismusic/

Infraktor – Exhaust

Posted in Uncategorized with tags , , , , , , , on 9th February 2018 by Pieni

Infraktor
“Exhaust”
Thrash metal
Released: 2nd March 2018
Via Rastilho Records

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Gourmet is a word very popular nowadays – so popular that we even use it outside its food context, just for fun. As an adjective, it’s synonym of high quality; as a noun, it’s someone who’s quite the expert on both producing and consuming high quality stuff. I started using the expression “gourmet thrash” as a joke, but in light of these definitions, when applying them to thrash metal, they couldn’t be more accurate when it comes to Infraktor – classy, top-notch tunes, performed by who knows damn well what they’re doing. I’ve known – and admired, I confess – most of them for over a decade, with their previous bands, but even if I could vouch in advance for their talented experience, the level of maturity in “Exhaust” is the sweetest icing on my expectation’s cake.

Preceded by a menacing intro and succeeded by a dark outro, the eight tracks Infraktor bring to you also offer the tough choice of choosing a favorite (I often go for “Son Of A Butcher” but only because it was the first getting stuck in my head). The riffing of “Blood Of The Weak”, the overwhelming title-track, the shredding of “Inevitability Of Reason” (a.k.a. “I.O.R.”), the solo of “Ferocious Intent”… Speaking of, I was a tad apprehensive when I was told it would feature Revolution WithinRaça. Hugo’s voice has a deeper resonance, but I was afraid it wouldn’t be enough to contrast with Raça’s sharper tone. Indeed it isn’t, but the combination of both in the chorus has such a powerful effect, living up to the song’s title – and the band’s motto – that it just makes sense. Plus, these are men who value their friendships so the “just makes sense” expression assumes a double play.

The outro features an excerpt of an Edmund Kemper interview and so I take the liberty to finish this review with a straightforward pun: “Exhaust” is a killer album.

5/5

Renata “Pieni” Lino

Pieni’s highlights of 2017

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , on 1st January 2018 by Pieni

2017 was quite the roller-coaster, hence my somewhat absence. But that doesn’t mean I’ve paid less attention. My live highlights this past year were:

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  1. W.A.S.P. at O2 Forum Kentish Town (London)
  2. Infraktor at Metalpoint (Porto)
  3. Equaleft at Hard Club (Porto)
  4. Ugly Kid Joe at AgitÁgueda (Águeda)
  5. Hills Have Eyes at River Stone (Penafiel)

In terms of records I might have been a bit careless, but these titles are awesome nevertheless:

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  1. “Heartless Oppressor” by Primal Attack
  2. “1755” by Moonspell
  3. “Infinite Shadows Of Memories” by The End Of Grace
  4. “Hegemony” by Samael
  5. “Medusa” by Paradise Lost

Top-5 videos:

  1. “In Tremor Dei” by Moonspell
  2. “Never Quit” by Hills Have Eyes
  3. “Like Orpheus” by Orphaned Land
  4. “Blood And Chaos” by Paradise Lost
  5. “Black Flag” by Iced Earth

And expectations/anticipations for 2018:

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  1. The release of “Exhaust”, Infraktor‘s debut album!
  2. After the single “Never Quit” blowing my mind away, can’t wait to see what Hills Have Eyes will deliver next.
  3. The release of “Dropout”, Breaking Today’s debut EP, and how it will turn out live (pretty dynamic, I’m sure).
  4. Crashdïet have a new singer, Gabriel Keyes, and judging by the first single featuring him, “We Are The Legion”, I foresee a bright future for the Swedes.
  5. Just a few days ago, in what I’ve considered one of their best live shows ever, Equaleft played two new songs, two powerful new songs. Hoping to listen to the rest of this upcoming second full-length album in 2018.

Happy New Year folks!

Renata “Pieni” Lino

Moonspell introduce “1755” – Porto, Portugal

Posted in Gig, Live with tags , , , , , , on 3rd November 2017 by Pieni

Moonspell
Hard Club, Porto (PT)
1st November 2017
Promoted by Alma Mater Books & Records

1755 II

Today is the release of Moonspell’s so awaited “1755” (review here). Three shows were performed in advance and I attended the last one – the one when the infamous 1755 earthquake completed its 262nd anniversary.

1755 IIIA drawing of Lisbon in ruins – like the video for “In Tremor Dei” – as backdrop, one stand on each side of the stage for the Crystal Mountain Singers, and the new orchestral version of “Em Nome Do Medo” started playing at ten in the evening. Recorded, serving as intro, as the original version would be performed live later on the encore. So the first song to actually be performed was the title-track, Fernando Ribeiro singing it wearing a raven Venetian mask. As the album had been available in streaming format for a couple of days, a good share of the crowd was already singing along; the singles “Todos Os Santos”, “Evento” and “In Tremor Dei” had pretty much the whole house backing up the lyrics, not just the choruses. Moonspell are known for their powerful shows but when the crowd responds accordingly, interacting like they did that night, it’s always an overwhelming thrill.

1755 IVOverwhelming was also the presence of fado singer Paulo Bragança. On my album review I’ve described his voice as “riveting” and that the outcome of his collaboration with Moonspell was “mind blowing”. It’s so much more when you experience it live that there’s no accurate words for it.

1755 VIn a “city and venue that always welcomed them so warmly” (quoting Fernando himself), the tragedy told in this new album turned into rapture; Fernando said he understood that it would take us a while to get used to “1755”, not just for being new but also for being sung in Portuguese, but for what I saw that night no adjustment period is required.

1755 viiFor the cover of “Lanterna Dos Afogados” (by Os Paralamas Do Sucesso), the lights dimmed and Fernando held a lantern – the backup singers as well – enhancing that light-at-the-end-of-the-tunnel feeling which the songs bears.

1755 VIThe album is a little less than one hour long, so even with the usual chit-chat – “dial 17 55 if you want more information. By now we know everything there is to know about earthquakes” was quite funny – it was too short for a concert. So they came back to play a 7-hit encore. No matter how many times you listen to those final “Alma Mater” and “FullMoon Madness”, the shiver down your spine is simply mandatory.

1755 vi

https://www.facebook.com/moonspellband/
https://www.facebook.com/almamaterrecords/

Text & photos by Renata “Pieni” Lino

Soen w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 2nd November 2017 by Pieni

Soen, Madder Mortem, Heavenwood
Hard Club, Porto (PT)
20th October 2017
Promoted by Free Music Events

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About two weeks ago, Soen dropped by Hard Club to promote their latest album “Lykaia”. It was a bold move to book the main room of the venue – 1000 people capacity – but it worked pretty well! It didn’t sell out, but it was packed enough to justify such choice. And as much as one goes to a gig for the bands playing and not for who’s promoting it, I must give my congratulations to Free Music for the successful event. Also, I’d like to thank Inês Reis and the whole staff for the cheerful and welcoming way they’ve treated both press and audience. Hope to meet them again in the near future.

https://www.facebook.com/FreeMusicEventsOfficial/

DSC_0290 copyHeavenwood set foot on stage at nine sharp. As I’ve mentioned last time I’ve seen them (see here), Equaleft-Miguel Inglês occasionally assumes the singer role, whenever Ernesto Guerra can’t make it. This was one of those times – my first. Knowing Miguel’s vocal skills and posture I don’t know why I was impressed, but I was. Focusing mostly on the latest “The Tarot Of The Bohemians”, they’ve finished grandly with the new/revamped version of “Frithiof’s Saga”.

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https://www.facebook.com/HeavenwoodOfficial/

DSC_0532 copyAs Madder Mortem hadn’t played here for quite a while, they were more than happy to go back before the release of “Red In Tooth And Claw”, which is the album they’re currently promoting; just as happy as the crowd was to listen to “M For Malice” or “Hangman”. So it was contradictory when, after playing “Armour”, Agnete M. Kirkevaag apologized for depressing us on a Friday night; but I don’t think anyone felt depressed, as the emotional overwhelm that Madder Mortem’s music boosts is quite gratifying – especially live, when one can witness how much the band members give themselves to the performance.

https://www.facebook.com/mmortem/

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DSC_0901 copyEverybody was already hyped, so when the first chords of “Canvas” echoed, we all reached the ultimate climax – listening to the crowd singing through and through, but especially along the guitars in “Jinn”, was a goose-bump sponsor. We were often applauded and awarded with a heartfelt smile from Marcus Jidell, while Joel Ekelöf, also with a sincere smile, thanked us for our support, ever since the first SOEN concert here, 5 years ago, when opening for Paradise Lost. That one was also memorable, but this night was simply unforgettable.

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https://www.facebook.com/SoenMusic/

Text & photos by Renata “Pieni” Lino

Moonspell on tour

Posted in News with tags , , on 19th October 2017 by Pieni

Portuguese dark metal veterans Moonspell are about to release their first conceptual album, “1755” (read review here). They will play three shows in their homecountry, in an exclusive introduction before the release: 30th and 31st October in Lisbon and 1st November in Porto:

moonspellpt

They will then promote the album in Spain, with Bizarra Locomotiva and Norunda, before returning home for a few more shows in Arcos de Valdevez, Aveiro, Castelo Branco and Loulé:
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But in case you live outside the Iberian Peninsula and don’t have the chance to travel there and catch one of these promising gigs, Moonspell will join Cradle Of Filth through Europe on the following dates:
mscof

Moonspell – 1755

Posted in Uncategorized with tags , , , , , on 18th October 2017 by Pieni

Moonspell
“1755”
Dark Metal
Release: 3rd November 2017
Via Napalm Records

1755

Whether one likes it or not, Moonspell have changed the way Portugal’s metal scene is looked at. It’s been 25 successful years, so they’re not releasing now a conceptual album, in their native tongue, because they need to prove themselves; they’re doing it because they just can.

As you probably know by now, 1755 was the year when the Great Lisbon earthquake took place, on All Saints’ Day, resulting in the near-destruction of the city and a death toll of tens of thousands. That alone gives you an idea of the emotional weight of this record, which goes much beyond the lyrical content depicting such tragedy. There’s the obscure orchestral arrangements (courtesy of Jon Phipps) in the new version of “Em Nome Do Medo”, the operatic female voices throughout the album enhancing its epic imprint, the brazenness of “Desastre”, the weeping guitar solo in “Ruínas” – a song otherwise quite brisk. A similar contrast occurs in “In Tremor Dei”, between that bold melody and the riveting voice of fado singer Paulo Bragança. In case you don’t know, fado is a Portuguese classic music genre, of a sad and longing nature – after all, it literally means “fate” -, sung in heartbreaking intonations. If the idea of Moonspell featuring Bragança is somewhat shocking, the outcome is simply mind-blowing.

Marquis of Pombal, the Prime-Minister at the time of the earthquake, said something like “now we bury the dead and take care of the living”. Maybe a bit cold, but a positive vision nevertheless. And that’s also how Moonspell finish “1755”: originally performed by Brazilian rockers Paralamas do Sucesso, “Lanterna dos Afogados” is a song of hope and being there for one another, now with a much darker vibe – very Moonspell-ish. Come to think of it, there isn’t really any new trait here; it’s how the band now combines and tweaks those traits, accordingly with its bleakest theme, that makes “1755” a memorable masterpiece.

5/5

Renata “Pieni” Lino

Laurus Nobilis Music Famalicão 2017 – metal day

Posted in Festival, Live with tags , , , , , , , , , , , , on 5th August 2017 by Pieni

Holocausto Canibal, Amorphis, Heavenwood, Urban War, Final Mercy, In.Verno, Skinning, Stucker
Louro, Famalicão (PT)
28th July 2017

amorphislaurus

stuckerlaurusThe 3rd edition of Laurus Nobilis Music Famalicão experienced a few changes but having its metal day on Friday wasn’t one of them. And with the addition of a second stage, the number of heavy acts doubled. First one on the “breakthrough stage” was Stucker. It was around 5 p.m., the crowd wasn’t exactly massive, but when you’re in a thrash metal band playing in a metal fest, chances are that you’ll get a good feedback, no matter how scarce the number of people giving it. And Stucker have improved their posture quite a lot since I’ve last seen them, more committed. Musically they sound stronger too. They’re currently in studio, recording an EP which I was told it’s a “back to the thrash roots” ride; promising.

https://www.facebook.com/StuckerPT/

SKINNINGLAURUS

After two albums, Skinning’s death metal is quite praised among the national underground – therefore the feedback was more intense, even if the crowd was just a little larger than before. But a seven, maybe eight-year-old kid was eagerly headbanging, and for what I could gather, he was no relative of any member of the band – that alone was worth as much as a vicious mosh pit.

https://www.facebook.com/SkinningMetal/

invernolaurus

Then from Spain came the “dark metal” of In.Verno – meaning heavy melodies spiked with synths, with a beautiful female voice mingled with male growls. This was still part of the band’s Insanity Tour, promoting their second album “The Reasonable Choice Of Insanity”, and it was a pleasant and refreshing way of closing down the so-called first part of the day.

https://www.facebook.com/invernospain/

FINALMERCYLAURUSThe action moved to the bigger stage, with Final Mercy literally storming it. It had been about seven years since I’d last seen them and probably as many line-up changes since the first, a decade ago; and while some bands may look unstable after so many adjustments, this was probably the best that could have happened to Final Mercy. Guitarist Ricardo Ribeiro and bassist Arcélio’s technical skills made the music more mature, and singer Dan’s posture filled their live performance with much more vitality. A couple of days before the fest they released a video for the title-track of their latest album, “Revival” (June 2017), which I strongly recommend.

https://www.facebook.com/FinalMercy/

URBANWARLAURUS

Despite being announced on the fest website that Urban War would close the bill of the smaller stage, it seems the plan was for them to play on the prime one all along. Well, the energy of singer Márcio Pinto needed indeed a bigger space to be fully discharged and so there he was, jumping all over amidst smoke and strobe lights, promoting “Flesh Upon The Feelings”. Pretty vibrant groove metal, well-deserved of the main stage

https://www.facebook.com/urbanwar/

HEAVENWOODLAURUSI dare saying that Heavenwood were awaited just as eagerly as the headliners – and that eagerness was rewarded. In the 25 years they’ve been around, there’s close to nothing in their songwriting that one can finger-point; their live performances, however, have always been their weakness… until a couple of years ago. Don’t know if it was something about the conceptual latest album “The Tarot Of The Bohemians”, if it was the new line-up or simply the natural process of growing up… but who cares? They now kick ass on stage and that’s all that matters. I was just a bit disappointed that Equaleft-Miguel didn’t join them on stage. Due to his day job, there were a few shows that singer Ernesto was forced to miss and it was Miguel who replaced him. Given the difference in styles, I was really curious to see how that worked out. My curiosity wasn’t fulfilled, but still my satisfaction reached the top.

https://www.facebook.com/HeavenwoodOfficial/

AMORPHISLAURUSIIWhen Amorphis last played in Portugal, it had been in celebration of “Tales From A Thousand Lakes” 20th anniversary and about a month before “Under The Red Cloud” was out, so despite such release has occurred two years ago, the title-track, “Sacrifice” and “Death Of A King” were performed live for the first time in our country – and they were welcomed accordingly. But then again, all songs caused similar thrill. Always addressing us as “my friends”, Tomi Joutsen asked for our help in “House Of Sleep” and our opinion about playing “Into Hiding”, now that original bass player Olli-Pekka Laine was back. Without surprise – but obviously with loads of emotional feedback – the gig ended with “Black Winter Day”.

https://www.facebook.com/amorphis/

HOLOCAUSTOLAURUSDeath-grind isn’t for everybody’s ears, so having Holocausto Canibal closing the bill was the right decision – the ones who couldn’t endure such extreme sound could leave (and a lot did…) and those who enjoyed it had the chance of seeing a great band of the genre on a big stage. As singer Ricardo said himself, it doesn’t look like but they’ve been around for 20 years. They’ve released a vinyl re-recording of both their debut demo and album under the inkling title “Catalépsia Necrótica: Gonorreia Visceral Reanimada”, which is Portuguese for something like “necrotic catalepsy: reanimated visceral gonorrhea”. Musically and lyrically, the brutality prevails, but they’ve toned down the theatrics a bit – less blood and entrails, that is – focusing more on sound than image. Whether you like it or not, one must acknowledge the big act they are.

https://www.facebook.com/hcgore/

And so the metal day of Laurus 2017 came to an end. I tip my hat to everyone involved in this venture, not just from an event-promotion point of view but also for the support given to national metal, still so underestimated by many.

Text & photos by:

PRESS

Sepultura w/ Equaleft – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 8th July 2017 by Pieni

Sepultura, Equaleft
Hard Club, Porto (PT)
4th July 2017
Promoted by Prime Artists

derrick1

Drummer Marquito left Equaleft last October but when your former band is invited to open for Sepultura, you must return for (another) last gig.
Everybody came out of the shadows, apparently – media included. So we were divided in groups and each shot one of the first three songs. My only concern was regarding the exchange between songs but the situation was handled smoothly. So kudos to Prime Artists and the Hard Club staff – thanks to them, we all had a shot at covering such memorable show.

marquitoIt was the closing of a chapter in Equaleft’s book, marking the last gig promoting “Adapt & Survive”. If memory serves me well, they’d said that already a few months ago, but just like Marquito, they couldn’t say no to Sepultura. I believe this time it was really the last one, though, as I know a new record is taking a solid shape, with a new drummer who will be announced soon. But that night was still just for what are already considered classics among the national underground – the intrepid “Invigorate” (featuring the mandatory Star Wars lightsabre), the groovy “Tremble”, the eccentric “Maniac” or the classy “Uncover The Masks”. And in the end, “their trademark” box of cookies was distributed among the fans.

JEDIMIG

www.facebook.com/equaleft

derrick2There were a lot of Equaleft t-shirts in the crowd, but when Derrick Green himself goes on stage wearing one… damn, even I felt proud – hence the need of mentioning this little detail. Regarding what really matters: when you’ve been in a band for over 30 years and “big” for almost as long, one hour and a half always seems awfully short, especially after the release of another album. The trick is finding the right balance between new and old and, of course, performing both like there was no tomorrow. Guess who were able to do just that? (Okay, I confess I’d rather watch them play “Troops Of Doom” than “Inner Self”, but we can’t always have our way, and the near sold-out venue went bananas screaming along “nonconformity in my inner self / only I guide my inner self”, so who am I to complain?). Also, if you’ve read my live reports before, you probably know how I disapprove of solos; Sepultura seem to share this opinion as Andreas Kisser proved his skills – as if he still needed to – by playing the instrumental “Iceberg Dances”, out of the latest “Machine Messiah” the band’s currently promoting.
JUNIOR“I Am The Enemy” kicked it off, “Roots Bloody Roots” (what else?) finished it up, in-between Derrick told us “this is your fucking territory” and that he wanted to see us all arise, and Andreas dedicated “Sepultura Under My Skin” to Moonspell and F.C.Porto – the first for being good friends and representing Portugal’s metal throughout the world, the same way Sepultura do with Brazil’s; the latter… well, we all know how football is big in Brazil.
It was such a brutal show that no one even took offense when Derrick mistook Porto for Lisboa. Of course he was booed loudly, but his apologies were so immediate and genuine – plus, he’d said Porto several times during the evening – that it turned out more of a funny moment than an actual fail. Therefore, a perfect night.

KISSER

www.facebook.com/sepultura

Gallery at our Facebook page here.

Text & photos by Renata “Pieni” Lino

Laurus Nobilis Music Famalicão 2017

Posted in News with tags , , , on 29th June 2017 by Pieni

Laurus Nobilis motto has always been “celebrate music” and on its third edition, there will be the double of such celebration with a second stage and a larger bill. This second stage will be called “Palco Revelações” – Breakthrough Stage – supporting new talents to the point of where attending these performances is free.

The main stage, named after one of the biggest supporters of the fest – the salumeria Porminho – will welcome some big names of the Portuguese scene plus an international headliner: Amorphis. So it’s only fair that for this you’ll have to pay a ticket:

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Schedules and more info at: http://laurusnobilis.pt/horarios/http://laurusnobilis.pt/horarios/

https://www.facebook.com/laurusnobilismusic/