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SOS Festival, Day 2 Review

Posted in Festival, Live, Uncategorized with tags , , , , , , , , , , , , , , on 29th July 2017 by mickbirchy

SOS Festival, Longfield Suite, Prestwich, UK

15th July 2017

Crowsaw, Core of Nation, Vice, Damaj, Sister Rose, Luke Appleton, Primitai, Die No More, Gemma Fox, Pythia, Bad Pollyanna & Blaze Bayley

Day two kicked off a little earlier and a killer line up lay ahead. I was excited for a few of the names and in terms of quality this had to be the strongest day. Saturday was a really busy day because I was in and out of the press room, doing interviews and getting into the main hall for the bands. There were too many highlights to count  for me and I discovered some great bands that I took home some of their music. There’s plenty to talk about so let’s get on with the day two review.

First things first on main stage was, Crowsaw. They were pretty decent three piece heavy metal act and played an all around entertaining set. The music had some excellent blues riffs that carried the set beautifully. The impressive part for me were the three part harmonies. All three members sung together so well and it fitted into the music so nicely. It just added something to their set. The riffs were good and meaty, they had a real groove to them and the bass locked in the drums to create a nice rhythm. I did like them but I don’t really have a lot to say they were a good band with some solid tunes. For me, Core of Nation were one of the biggest surprises of the weekend for me. They were simply stunning. Their sound was bold and atmospheric. Their songs were a doom style sound with thick riffs and a well produced tone. Every moment was packed with great songs and the outstanding musicianship. Core of Nation sparked with precision music, great riffs, well done solos and frontman, Rolf Berg’s vocals were simply breathtaking. Everything was nicely mixed and sounded great. I definitely came away from this set completely in love with their sound.

Local lads, Vice were up next on the stage. Their set was pure fire with lots of energy and tonnes of passion thrown into it. The guitar tone was crisp and the solos were coming through fast and thick. The production was clear cut and it really hit hard. Every member really brought the passion to the stage with them and the band making for a fun set that everyone was getting into. Being the hometown lads they certainly got the punters in the door and the room felt like it had that vibrant energy to it. The new album tracks went down a storm. They filled the stage and boasted an impressive stage presence. They felt so impressive and I hope they have a good future ahead. They are an excellent live and with the tunes to back it up. After a short break and turn around, we had Damaj take the stage and for the first time this weekend I was a little disappointed. OK, they’re not bad per say, but it was a little bland. The music was simply ok. From a technical standpoint they were really good. Great guitars, great flow, amazing vocals. However talent is not the same thing as quality and I just don’t think the songs were there. I’ll say this for them they had passion and were really into their songs. Yet, I just could not get into them. It all felt very generic. There wasn’t much of a bite to their sound and it left me a little cold. I’m sure there is a market for them, however, I could not get into this.

Meanwhile, on the acoustic stage. Instead of Regulus, who were unable to make it. We had Iced Earth’s, Luke Appleton performing an acoustic set. His set was beautifully put together. Luke’s vocals were really nice and he sounded great. He was very humble and his personality shone through. It made me enjoy his music even more. The sound was almost country with all the emotion in his vocals. His vocals are amazing and has a lot of power to his voice. The guitar was very simplistic but effective all of the same. A powerful set for something that was put on in such short notice. After that we were treated to the glam rock stylings of Sister Rose. I have to say the thing that caught my eye straight away was their merchandise. Bright and colourful and I think they were the only band of the weekend with something other than just t-shirts and CD’s. How was their set though? In a word… Solid. They had this fantastic glam rock sound that filled the room. The songs flowed really nicely into each other with that sleaze rock style that they make. Every tunes had this real grittiness to it, every twang of the guitar and every pulsating beat of the bass had a lot of drama in there. They definitely had a classic rock meets sleazy punk thing going on. Every second they were on stage the they just sold themselves. Somehow though, it just didn’t work for me. I don’t know, maybe because the market for this type of music has been completely oversaturated over the years and if you’re going to make this style of music you have to do something to really stand out. Unfortunately, nothing did. They were just another band. They were kind of unique for this weekend, but as for the genre in general, they’re not exactly pushing boundaries. Like I said, really good set and strong performance but I’ve just heard this type of music way too much.


I was slightly blown away by the technical stylings of Primitai. Every moment of their set was filled with impressive, riffs, licks, solos and powerhouse choruses. The sheer energy and intensity from them was simply brilliant. Primitai weave in and out of metal stylings like it was nothing. It was really impressive how they went from style to style like it was nothing. Every part of this performance was excellent. From the technical ability on display to their enjoyment that was blatantly apparent through their set. Again they were another one of these bands were I didn’t take notes and enjoyed the music and yeah this is great. It was amazing to watch these just show off what they can do. Songs like “Black Rider” and “Power Surge” just flowed so well out of the speakers and I loved it. Primitai were really enjoyable, just a brilliant band that have really great on stage chemistry and presence. One to check out for sure. Nothing got my blood pumping more than the heavy metal stylings of Die No More. There was so much to the set and the sound. Every song just crackled and popped with excitement and had a real power to it. They had a command of the stage and the music was tight with sharp guitar tones and a crashing beat. It was aggressive yet clean. It’s really sad that is the last show from them as I would be interested to see them again and I would recommended them. If you can, definitely check them out. They were very different from what expected and I don’t think they were explained to me quite right. They were far more heavy than I expected, which was a good thing. With a booming set of drums and well executed guitars. I really did enjoy this one. Not much to say here. Just a really fun band.


Over on the acoustic stage Collibus frontwoman, Gemma Fox. She played a bunch of covers from “Feels Like Making Love” by Bad Company to “Wrecking Ball” by Miley Cyrus. As you can tell there quite the range of songs in the set. Gemma is known for having an amazing voice. I have heard her before with her band and I have always been blown away by her voice. Once again there was no difference here. She is absolutely stunning. Also a stripped back performance was really nice. Just and acoustic guitar and her voice and it sounded beautiful. It was simple yet effective. It was such a passionate and pure set set from Gemma. Just a nice small set from her and that was all that was needed. Up next, was a superb treat. Pythia, was incredibly impressive. It was something a little different. Having a symphonic metal band in the middle of all of the thrash, glam and NWOBHM was so refreshing for my ears. The sound was big and bold, and frontwoman, Sophie Dorman’s voice was absolutely pitch perfect. The crowd was 100% behind them and they belted out tune after tune. Songs like “Betray My Heart” were real crowd pleasers. Every element of the band just clicked and the synth and keys created this atmosphere that the metal was overlaid onto. They are a very technically gifted band and they had bundles of chemistry that you could just see click on stage. They also debuted a new song “Ancient Soul” which sounded really nice and made me excited for a new album. Pythia worked so well on this stage a I really want to see them again.

Finally on the acoustic stage today was one of my absolute favourite bands, Bad Pollyanna. I’ve heard them a few time but always in a full band. In this more stripped down acoustic performance they really stepped up to the plate. I am very familiar with there songs but usually in this loud confident style. Here these songs almost took on new meanings. This more exposed subtle sound really fitted them. Vocalist, Olivia Hyde’s voice was incredible. Such power and emotion behind her voice. The sheer passion was clear and it was matched by the harmonising vocals of Nikki Kontinen. The acoustic guitar sounded really nice and it all came together so beautifully. I loved the way they transformed their songs like “Awake Now” and “Define Me” into these deep and powerful ballads by stripping the production back. It really worked and it just made think, damn I want more Bad Pollyanna music.


Finishing off the day was a legend of the industry. Blaze Bayley, was so captivating. It’s clear that he’s been doing this for so long. The calm control he had on the crowd was amazing. Just the way he held himself on that stage was awesome. His voice was excellent. His band played a blinder too with Chris Appleton manning the guitar duty. He belted out riffs and solos like it was nothing. The thick tones and imposing presence,  it all felt so huge. Then you have Karl Schramm on bass and Martin McNee on drums. The two locked in together and created some amazing grooves and rhythms that got the place jamming and moving along. It was so awesome to see the connection that Blaze has to his fans and he was clearly enjoying himself as he did what he does best.

Overall it was an incredible set that blew me away. The music was great, the atmosphere was awesome and the band were relaxed and looked like they were enjoying themselves. It was a great way to end a Saturday at a festival. Bravo.

Words: Mick Birchall

Photos: Laura Piggford (LorathNahhr Photography)


SOS Festival, Day 1 Review

Posted in Festival, Live with tags , , , , , , , , on 28th July 2017 by mickbirchy

SOS Festival, Longfield Suite, Prestwich, UK

14th July 2017

I Saw The World Burn, Amethyst, Prognosis, Prometheum, Go Primitive, A Jokers Rage & Kill II This


SOS Festival celebrated 10 years this year and did so in style. The line up was killer and I was immediately interested in coming. The headliners looked great, and the under-card was immaculate. This was my first year attending this festival but I have always heard good things about it. I was definitely excited to check things out. The weekend was broken down between two stages: the main stage, where all the bands played at full blast and the acoustic stage, where things went slower. So there was a nice mix over the weekend. Not just in style but also in genre, with a wide range of rock and metal to please any fan. I had a busy weekend, running around between the two stages and also conducting interviews on top of that. I will say that I had a lot of fun. I mean, I’m completely knackered, but I loved every moment.

Friday night, was a pretty damn heavy one. With all the bands meeting the intensity and power of headliners, Kill II This. I didn’t know what to expect from any of the bands playing on the day. Yet, I remained optimistic for what was to come. Opening it up proceedings was UK metallers I Saw The World Burn. Wow, I was completely blown away! They were loud and impressive. They had complete control of the stage. In particularly the front-woman, Katie Cairns who had a real stage presence. Her voice was really powerful and roared above the music. The riffs were large and the early crowd of SOS Festival were really into it. The music was quite consistent. With the vocals being even more impressive with every song. They weren’t the most dynamic of band with every song hitting the same notes all of the time. Yet, it worked somehow. Like Hatebreed or Darkest Hour they had the intensity and energy to make this kind of set work.

Following that performance was the always enjoyable Amethyst. The thrash metal band exploded with big riffs and big solos resulting in big ass tunes. Their sound is classic thrash with sharp tones and a tight production. They brought the fire with this set. They had an almost instant connection with the crowd. As they played, the people kept funnelling in and the atmosphere just got better from there. The guitars screeched and the bass was thundering down on the Manchester crowd. Everything just felt massive. The songs were really well written and I think that really came across to the audience. Although thrash metal isn’t 100% my thing, they definitely impressed and they worked well for a Friday evening.

In quick succession, we had Manchester based progressive metal band, Prognosis. They were as interesting as they were talented. The technical skill was actually mesmerising. With sweeping guitar solos and complex riffs they sounded great. The songs were filled with broken riff patterns and winding melodies. It made for an interesting listening experience. They had a groove to them and the bass was laid on thick. Definitely an interesting sound. Maybe it’s not for everyone, but I got into it more and more as the set went on. There was a lot of passion to the music but their stage presence might need some work. Even though they had the tunes, they didn’t really feel like they were owning the stage. I would like to see some more energy and intensity from their sets. They need to really take command and show their personalities more. Their music is good, I recommend it, if you’re into heavy, doom style prog music.

The acoustic stage boasted some impressive acts as well. First of all we had Prometheum. They had a simply lovely sound. Simple music and beautiful vocals they were captivating in every moment with both of their 15 minute sets. I also got the opportunity to watch a bit of Go Primitive, they were fun and hit some incredible vocal harmonies. They had some real personality to them and I enjoyed their sets as well. Overall the acoustic stage was strong on the day and it was only going to get better as the weekend went on.


Next in store was my biggest shock of the weekend. A Joker’s Rage, won me over in a heartbeat. Their music was really enjoyable matched by the band’s personality. There was an energetic vibe throughout the venue. The production was tight and the band just completely dominated the stage. I loved songs like “Bounce” and “Temptress”, and yes I was definitely having a dance and a boogie to them. It always says something when I immediately buy a band’s music as soon as the set has finished. Yet, I enjoyed them way too much not to. The riffs were good, the solos were well executed and ending the set strong with a tribute the late Chris Cornell. They played a cover of “Cochise” by Audioslave, which got my nostalgia senses tingling. Just like me, the crowd went nuts for it. Ending the day of were headliners, Kill II This. This was my first experience of them and I have to say they were interesting. Although, I don’t feel like I could get fully into them. After the set from A Joker’s Rage this was a bit more of a tamer set.

 That’s not to say they weren’t entertaining, they really were, but it was just a totally different set. They had a very urban style production to they songs, the music was very ominous and primal with an intense groove to the bass and drums. The guitar was roaring and vocalist was belting out his words. It was a blunt and hard hitting set and a great way to cap off a brilliant first day of a festival.


Words: Mick Birchall

Photos: Laura Piggford (LorathNahhr Photography)


Edguy – Monuments (A 25 Year Tribute to Edguy)

Posted in CD, Editorial/Opinionated, Metal, Rock with tags , , , , , , , on 9th July 2017 by mickbirchy
Power Metal, Hard Rock, Progressive
Released: 14 July 2017
via Nuclear Blast

It’s been 25 years of Edguy. Yes, this band has been going as long as I’ve been alive on this earth. So, I thought that I would pay homage to one of the greatest metal bands that I have ever had the pleasure of listening to. What better way to do that than going through the newest release from them. Monuments is a carefully and passionately selected collection of the band’s greatest hits from the last 25 years. Not only that, but the release has five brand new songs from the band. Along with one previously unreleased recording. Mounting up to a staggering 28 track album that will be more than enough to indulge even the biggest fan of the band.

I first discovered Edguy back in 2008 with the album Tinnitus Sanctus. I bought it after reading about them in a Magazine calling this album “the strongest of their career yet”. At this time, the metal press was buzzing around them. I listened to the album and something stirred inside of me. I instantly wanted to hear more from them. So in very quick succession I looked their history in music. I was completely blown away and I think this was the start of my obsession with power metal. As listening to them got me into fellow contemporaries: Blind Guardian, Sonata Arctica and Hammerfall. I know I was a little behind but believe I’m caught up now with them all. Yet, there was something different about Edguy and it was all in frontman, Tobias Sammet’s vocals. He sang with such power and conviction still to this day his voice gives me goosebumps. If anyone ever asks me what a metal or rock vocalist should sound like I just turn and point to Tobias. Everyone has their own favourites that they immediately associate with the genre. He’s mine.

Yet, I don’t want to do a disservice to the band that back him up. Edguy has some incredible talent in there. Unlike a lot of bands that go this long; Edguy have had a pretty consistent line up having the same lineup from 1998 onwards. Giving them a fantastic consistency. This is reflected across all their albums. Jens Ludwig and Dirk Saur have been their from the very beginning on guitars. Always producing fantastic riffs and melodies that compliment the tone of whatever album. They were going in to. Be it the more power metal centric albums or the winding twisting more progressive sound. No matter how flamboyant or heavy the song. Ludwig and Saur really deliver in getting music stuck in your head. As for the rhythm section Tobias Exxel on bass and Felix Bohnke on drums has always given Eduy that weight and power to their tunes. There’s just such a commanding presence to their music. When Edguy plays, you listen.

Monuments, includes 5 brand new songs from the band. You’d think that they may get lost amongst all of the classic songs. They sort of do, I don’t necessarily see that as a band thing. I just see it as these songs just feel as good as their iconic work. Which can only be a good thing. All five of the songs are big triumphant anthems and their played with just as much conviction as the big hits. With massive sounding production and the tight musicianship that we’ve come to expect from Edguy by now. Is it any wonder that they sound this good! They fit so nicely on this package of their hits. They feels like songs that have always been here. I guess that’s the real strength of Edguy. Making songs that fit so well into the collective consciousness, making tunes that just sound right.

As for the unreleased song “Reborn In The Waste”. Recorded back in 1995, as part of the Savage Poetry recordings. Savage Poetry being one of their demo albums in the early 90’s. I can understand why it wasn’t included. I don’t think it’s wholly representative of the band’s skill or style. In all honesty I think it’s a pretty lackluster tune. It’s got a nice hook to it and I think if they remade the song today it might be better but I don’t know. I guess I like it just for the fact it’s another piece of Edguy nostalgia more than anything else.

In all honesty. This has been a fun one to look at. Just looking back through Edguy’s back catalogue and remembering the great tunes from yesteryear. They are certainly a band that has stood the test of time with 10 albums under their belts and some of the most enthusiastic fans I’ve ever met. Going through this greatest hits compilation has really made me appreciate how good this band really is. From the heavy hard rock tunes, to their soaring ballads they make some of the finest metal music around. They may not be on the same level as the all time greats of the genre, but they always hold a special place in my music library. I will always think back to the time I first heard them roar into gear with “Ministry of Saints”. If you have never given them a chance do yourself a favour grab Monuments and get acquainted with one of the best metal bands in the world. At least according to this reviewer. Yeah, this might read as a bit of a fluff piece or it could read as a little self-indulgent. I really don’t care. I just wanted to look back on one of my favourites to celebrate 25 years of this band.


Mick Birchall

Cellar Darling – This Is The Sound

Posted in CD, Folk, Metal, Rock with tags , , on 25th June 2017 by mickbirchy


Cellar Darling

This Is The Sound

Folk rock, Folk metal

Released: 30 June 2017

via Nuclear Blast Records

OK, to address the elephant in the room. I was, and still am, not a fan of Eluveitie. Never got into their music like people said I should. So, I really don’t know much of the politics or behind the scenes of why Anna Murphy, Merlin Sutter and Ivo Henz decided to leave the band. Yet, that is the situation we’re in and now from those three, we now have, Cellar Darling. Their debut album is a pretty fun listen. I have to admit the sharp tones and the catchy melodies were enough to whet my appetite. Yet, when I listened more and more I found that this album has a lot to offer both in music and in the lyrics.

First off, to reiterate, This Is The Sound, sounds wonderful. The production is full of big guitars and, massive bass lines that get the blood pumping. All of the folk instrumentation sound great too. Weaving in and out so seamlessly. Everything on the album is designed to make the band seem a big a possible. So as you can imagine it’s quite an impactful album with every clash of the drums and every blast of the guitars feel larger than life.  Genuinely a good feeling to my ears when you hear a band like that. You can hear this from the first track  ‘Avalanche’. Anna Murphy’s vocals hit hard too. Her voice is powerful, but it’s not all power there are some dynamics here. The way her vocals alone manipulate the emotion, tension and intensity of the songs is a testament to her charisma as a front woman.

This album oozes with great riffs, beautiful atmosphere and infectious melodies. Yet, none of it feels overdone. It just flows very nicely and the band have great chemistry, everything just feels like it blends together really nicely. The harshness of the rock instruments provide the songs with a lot of weight. While the folk element complements the heavy sounds and really gives the music another layer. Again it never feels like it’s too much, it always has that nice balance so every element works off the other rather one. As a whole I’ve really like this album, it’s a nice pleasant listen.  I wouldn’t say it’s the most amazing thing in the world but it’s definitely been worth a listen or two.


Mick Birchall

Siena Root – A Dream of Lasting Peace

Posted in CD, Folk, Rock with tags , , , , on 22nd May 2017 by mickbirchy

Siena Root

A Dream of Lasting Peace

Rock, Folk, Psychedelic

Released 26th May 2017

via Hänsel & Gretel, MIG-Music


This has been a listen for me. Lately I’ve been really into my mellow music, instead of in your face heavy metal. When I first played the album I was immediately interested in the sound that was coming from the speakers. The sheer imagination these guys bring to the table is outstanding. The music is this psychedelic folk sound that’s really hard out of your head.  Their tone is just unlike anything I’ve really listened to in recent memory. The sweeping guitar tones, the excellent production and the fantastic songwriting. It all sounds so glorious. A Dream of Lasting Peace is a just a excellent listen from start to finish.

The production of this album is really damn good. The instrumentation is exquisite, with every member really making an impression on you. Samuel Björö’s vocals are just so emotional and they soar above the production and really resonates with you. He is just one of those front men that can really paint a picture with his word and draw you into the world he creates. All the while the band plays an amazing score to accompany the great lyrics. The way the music swells around the lyric is a magical experience, particularly on tracks like “The Piper Won’t Let You Stay” & “Empty Streets”. I was simply entranced the whole time. It’s just excellent from start to finish. I really can’t stop listening to it.

This feels like a band that just know how to create a great musical experience, This being their sixth studio album, the band have just gelled at this point. Everything about their sound is so natural and almost comes off as effortless. It’s such a nice album just to play and have a good time to. Just let the music entrance you into a state of euphoria. It’s seriously a great trip.  I’m so happy to have found this band. This one album is definitely worth your time.

Mick Birchall

Perfect Blue Sky – The Eye of Tilos

Posted in CD, Folk, Rock with tags , , , , , , on 6th May 2017 by mickbirchy


Perfect Blue Sky

The Eye of Tilos

Soft Rock, Psychedelic Rock

Released: 19th May 2017

via Scarecrow Music Group (SE) Right Recordings (UK)

Perfect Blue Sky, is the highly anticipated collaboration between one of the founding members of the Swedish metal act Netherbird Pontus, Pna Andersson and Australian solo rock vocalist, Jane Kitto. Together they formed the band in 2014 based out of Stockholm, Sweden. I have to say going into this album, The Eye of Tilos, I knew little to nothing about them. With that, I had absolutely no expectations when first playing this. On first listen I had no idea what I was in for.  Just vague non-descriptors from a PR statement. With a clear mind I listened on and found that this is one of the most pleasant sounding albums I’ve listened to in a while.

I was hit with tight songwriting and smooth production.  The music was this 70’s style soft rock, you know the kind of stuff that we don’t usually cover here on Valkyrian Music. This really beautiful soft acoustic soft rock, with light elements of psychedelic indie rock music. The sounds are so fluent and cerebral.  It has this way of getting lodged in your brain. It’s not catchy as such, there are no real ear worms here. More just beautiful tones that sink into your memory without you even realising it.  There’s some creative riffs and superbly simplistic, but effective, writing ideas. The harmonies really grab your attention in a way that you wouldn’t think.  All of the songs are designed so that you pay attention to them as a whole, instead of nitpicking the individual aspects. It’s the same joy I feel from listening to stoner metal or outlaw country music.  Just music that switches off my overthinking capacity and switches on my pure enjoyment.

I don’t want you to think that this production is small scale or under planned.  There’s a lot of work that goes into making music that sounds like this.  To achieve this the duo have recruited a pretty nice backing band that really bring all of the elements of this album together. Names like, Frank Bessard (Joe Satriani, Stanley Clarke) and Dave Getz (Big Brother Holding Co.) on Drums. Danny Oakhill on Keyboards (Queen Tribute, Turk Tresize).  Jerry Donahue on Guitar (Fairport Convention, Hellecasters). All of them bring their energy to the album, yet like I’ve said the production never lets any one member really over shine the others.  There is is this really nice balance to it all. So the listener never feels overwhelmed by any one part of the production.

Genuinely, I have loved this album. It’s a beautiful sounding record with a lot to offer in its production and in its songwriting. With songs of passion, abstract concepts and social commentary. The Eye of Tilos is such a nice sounding album.  It mixes old school hippie jams with classic rock and adds some modern style production to really keep it in today’s market. I am really liking this band.  Hopefully this won’t be the last I hear from them. Also, it makes for awesome driving music.


Mick Birchall

Quinphonic Festival 4 – Birmingham, UK

Posted in Festival, Live, Metal with tags , , , , , on 22nd April 2017 by mickbirchy

Quinphonic Festival
Bands: Temperance, Serpentyne, Metaprim, Dead of Night, Fourth Circle
Venue: The Roadhouse, Birmingham, UK
Date: 16-APR-2017


Another year, another pilgrimage to Birmingham for Quinphonic Festival. I wasn’t able to attend the third edition of the festival in the October of last year. Yet, I was more than ready for the fourth one. This one had a stacked line-up with too. Including Italian hard-hitters, Temperance. The UK debut of, Fourth Circle. Along with three of the best live bands that the UK have to offer in Dead of Night, Serpentyne and Metaprism. A spectacular day of music lay ahead and I was pumped for the day to come. Quinphoinc Festival is all about quality over quantity. Five band all given a headline sets worth of time to show off what they can do. This allows the bands to breathe on stage and the crowd can experience what they’re actually like.

Before I talk about the actual day itself. Let me take you back to the night before, at the Barge and Barrel is Tipton for the Pre-Festival showcase night. A night that I won’t soon be forgetting. It was a great night of music featuring three fantastic UK up-and-comers. Darkest Obsidian, A Clockwork Opera and The Loved and Lost. All three bands were on top form and delivered a great performance. That really showed off their styles well. As a night it really came together with a great crowd. I really enjoyed all three acts, from the pageantry of A Clockwork Opera. To the soaring choruses of Darkest Obsidian with the finesse and energy of The Loved and Lost. It was a great night had by all and I hope to see more from all these bands sooner rather than later.
Now on to the festival itself. I got to the venue early to soak in the atmosphere. It was going to be a great day. All the bands have their own respective niche so there should have been something for every type of fan. As for myself I was looking forward to hearing something new. The only band I was really aware before going to the venue was, Temperance. So no matter the result of the day. I was going to hear something different and new for certain. Now, onto the review!

Fourth Circle

What a firecracker of an opener. This was exactly what was needed to start the day. The French band, Fourth Circle were debuting in the UK and let me say, what a way to make and entrance. The band were energetic and and fun. Their presence was in your face and and bold. Their live production great with every element of the band working outstandingly well. I have to say I was taken completely off guard by their performance. With pomp and pageantry, their music sounded huge with bombast. The music was filled with excellent hooks sinking into your head and this made their songs easy to remember. The band’s on stage chemistry really made these songs larger than life. They seemed to be having a lot of fun up there and this made it easier to enjoy their set. I only had a couple of problems with their set. Firstly, their set felt a little repetitive and it got a little tedious at times. Although those hooks constantly drew me back in. The only other thing that let their set down a bit was that the crowd started to thin out throughout the set, which ruined the atmosphere a little bit. Overall I had a fantastic time watching them. I would say their UK debut was successful and I for would welcome them back anytime!

Dead of Night

Next up was British newcomers Dead of Night. This was a really good set. Even if the songs were a little bland in composition, they more than made up for it in their theatrical stage presentation. Their sound was nice and I enjoyed some of the songs. Their stage presence was exciting and their chemistry was excellent. Really giving a complete package of a show. The vocals were clear and frontwoman, Briony Featon was an exciting presence on the stage. With light up black angel wings she truly gave the band that little bit of an edge. Their music had a decent atmosphere to it and the songs felt well put together. Their music had this really slick vibe to it. More of an old school rock ’n’ roll format to the songs rather than your typical symphonic metal or power metal sound. The centrepiece of the set for me was a gorgeous ballad that invited imagination and let the band really breathe. In all honesty they really won the crowd over. I did feel that their songs were just bland on a compositional level and that let them down a bit for me. However, I will concede that they were incredibly likeable and they presented themselves really well. I thought they were pretty good and I hope they evolve and grow in the future.


Now for the best band of the day and no, I do not make that statement lightly. Metaprism burst on to the stage with life and excitement. They were probably the “heaviest” band of the day and I feel they were the band with the best set. Their songs were high energy and filled with awesome riffs and well executed solos. Their presence had a sense of command to them. When they were performing, the audience were definitely paying attention. Their set was really an intense atmosphere upon the venue and the contrasting duel vocals of the band really gave them that little bit of an edge. It’s like they took the European standards of this style of music and added the British elements to it to make this sound. They came across a really likable people, they were very genuine and humble on the stage as they tried to get the crowd involved more and more into the set. Their set built up and got slowly better and I was completely enthralled with their set and I immediately rushed to the merch table right after their set was over. Which I guess was a good sign. Yes, this was definitely my favourite band of the day. Everything about them was excellent, from their songs to their personalities. They were an exciting and dynamic band, and I can say for certain that I became a fan.


British folk-rockers Serpentyne took to the stage with finesse and and grace. This had to be one the most interesting sets of the day. On a pure technical level they were incredible but I really couldn’t get into it. Maybe it just wasn’t my sort of music but there was just certain aspects to their performance that turned me off. However, I did like parts and ideas used in the set. The musicianship was excellent and every instrument was played to an expert level. I also really enjoyed the dancer that was in the crowd it added to the enticement of the band. The music had these really good rock n roll elements mixed with the fantastical folk music to make something truly inventive. All of the songs were character piece with stories of vikings, medieval society and fantasy characters which were rich and engrossing. This really peaked my interest. However after the energetic, high pace set from Metaprism, this set felt a little deflating. Also I felt the vocals were a bit overdone. The singing could have been toned down a little. The set ended on a over of the Game of Thrones theme tune which was really well done for what it was. I like this band but I didn’t love it. They are all incredible musicians and the performance was well done, it just may have not been my type of music.


Now for the main event of the evening and the only band that I came to this show with any familiarity. Temperance, are one of those band that just use everything at their disposal to entertain a crowd. Their songs are catchy and their energy are infectious. Other than some tech issues with the microphone they set went down without a hitch. The band blasted through their set with great songs. Coming hot off their third album “The Earth Embraces Us All” the set was a great mixture of all three albums. The crowd was really into it as was I. I mean I put down my notepad and just watched the show. The live production was really good, although the drums were a little loud at times. Also the backing tracks they were using didn’t come through the best at times. Frontwoman, Chiara Tricarico was an engaging presence on stage as was guitarist, Marco Pastorino. You really couldn’t keep your eyes off of them. Also with the sheer technical ability of them they made an impressive show as the final band of the day. They really were the cherry on top of an excellent day.

Words by Mick Birchall
Photos by David Sarah