Author Archive

The SoapGirls – Elephant in the Room

Posted in Review with tags , , , , on 22nd September 2019 by Mickelrath

The SoapGirls

Elephant in the Room

Punk Rock, Grunge

Released: 12 July 2019

Self Released

If you’re not acquainted with The SoapGirls, then you’re in luck because neither am I. This is my first real taste of what they are about.  The Debray sisters, Noemie and Camille, have been around for a little while now, bringing their own brand of punk rock to the masses. From what I hear and what I’ve seen, they are an interesting and divisive band that deliver hard rocking tunes. Since their first album back in 2015, they have been pretty consistent release-wise and have garnered a decent fan-base. I say they’re divisive because, when I see conversations about them online, it almost always ends up in squabbling between the quality of their music. From what I can tell, the people that like them, really like them and visa versa.  So, where do I stand? Well since this is my first real exposure to them let’s take a listen and see what the crack is with these punk rock gals.

Pretty much from the get-go Elephant in the Room is a pretty entertaining listen. Not too aggressive or edgy and nothing overly produced. It falls somewhere in the middle of that. The production is clear enough and the music is well written. The melodies just flow so well and the harmonies are well integrated. This is nothing particularly fancy about the instrumentation, it’s all quite serviceable. The guitars are nicely toned with that typical hard rock tone and the drums are tightly locked into a decent rhythm on pretty much all of the tracks. The vocal performances are nice too. Again nothing overtly edgy or aggressive. In fact, they carry a tune really well. There are quite a few songs that really get stuck in your head as the choruses are quite catchy and leave a little bit of an ear-worm. 

However, my biggest problem with the album is the length. Whilst there is nothing bad per se on the album, there really isn’t enough of an incentive to keep listening to 19 songs straight. It’s not like this is a prog-rock opera with massive changes to the tunes. It’s just well played and well-performed punk rock. Yet, a punk rock album should get in and get out as quick as possible and this just drags on for a long time. Even though there is nothing explicitly wrong with the quality of any of the songs, there is just too much here for one sitting. 

This was fine. Though not something I feel I need to return to any time soon. The SoapGirls just aren’t necessarily my thing. I would have preferred it if their music was more intricate, unpredictable or if there was more an over-the-top personality to their character as a band. However, as is, this is just okay. Not bad by any stretch of the imagination, but not enough to keep me invested in their music or justify the sheer length of this album.

6/10

Mick Birchall

Interview with Liv Sin

Posted in Uncategorized with tags , , , , , , , , on 28th August 2019 by Mickelrath

Ahead of the release of their new album Burning Sermons on the 6th September, Mick spoke to Liv Jagrell of Swedish heavy metal band Liv Sin. They discussed the production and songwriting of this record in comparison to their previous 2017 album, Follow Me, as well working with some of metal’s heavy hitters. Also, read Liv’s thoughts on women in metal, her biggest piece of advice for new bands and how she has overcome her biggest setback.

 What do you think is the biggest difference between the new album Burning Sermons and your previous album Follow Me?

I think that the biggest difference is in the sound of the album because we’ve brought in electronics and synth sounds. There are more keyboard and orchestral arrangements. This was not present on the first record. Maybe a song or two, but for the first album, it was more just a straight forward heavy metal sound.  However, on this record, we wanted a little bit more of a diverse sound, as a result, we took out some of the guitar-riffing and added in the more electronic sound. So we chose to work with a producer who could help us achieve this. 

I wanted to get on to the production a little bit here. I’ve read that you worked with Emil Nödtveidt  (Deathstars guitarist). What was it like to work with him and what do you feel he added to the album that you really appreciated?

Obviously all of the keyboards, electronics and orchestral arrangements which none of us could have done. He was just a pleasure to work with, it felt like there was no real effort to communicate my ideas with him and he was able to give us the best product possible. I would love to work with him again. I mean, he definitely put his stamp on the music. You can here that Deathstars sound on some of the songs. I feel that he took the songs to another level by adding things that we would not have thought of. 

Another note I have read was that you brought in Björn Strid (singer of Soilwork and The Nightflight Orchestra) for the song “Hope Begins To Fail”. What was it like bringing him into the studio and working with him?

Also, pretty amazing! Björn is an excellent singer, also I am a big fan of Soilwork, I have loved that band since they started. I also like The Nightflight Orchestra too, not 100% my type of music but it shows how versatile he is as a singer. I think that his voice worked really well in the song. We also got him to do the video shoot with us and he is such a funny guy we just had so much fun on set for that music video. Also, I would love to work with him again as well. 

That’s fantastic, I loved hearing that on the album as well. Just moving on to the lyrical aspect of the album. What is your favourite song from a lyrical standpoint on this album and what do you feel is the main message of your lyrics?

Quite hard to say as all of the lyrics are very personal to me. As when I write lyrics, it’s kind of like therapy for me as I try to process my own internal thoughts. However, I always like the idea that these songs can help someone else as well. So, on some the songs, I wrote more from more of my experience or things that I wish would happen. Then, on the other hand, I want to write songs that I think might encourage people. Like the song “At The Gates of The Abyss”, which is a song where I’m trying to inspire people to not give up, at least not today, this is not the day where we all fall. Also, in the song “War Antidote” there’s a line in the chorus ‘Hail To The Freaks’ and I feel this is embracing people who might feel that they don’t belong and try to give them encouragement to continue. That is the main thing I want to get across. That, it’s okay to be different and we can continue together.

That was pretty inspiring. I personally have been loving the album, I just think it’s a more whole and complete album than the first one.

Thank you, yes. Also, we had way more time with this record. I think we worked through the songs much more than on the first album. I think as well, we’ve found a sound that we really like and want to continue with.

Yeah, it feels like a record with more time gone into it. Not that I didn’t like the first album but I thought it was interesting to hear the evolution of your sound. There seemed to be far less fast-paced and intense metal tracks and more of a general grandiose metal sound. What is your process for working the lyrics into the music? Does the idea for the song come first or do the themes of the lyrics come first and then you try an match it?

It depends…. Mostly though, we come up with the melodies and rhythm first then try to piece the words and meaning into that melody. Sometimes, it just does fit and you can become really frustrated and then that leads to “Grahhhhgh, damn it, fuck it!” because you really want that particular rhythm and melody but you also want to say a specific line you can’t find anything to match. I have spent many evenings just staring and working on one sentence and getting nowhere. At that point, I just go “fuck it, it’ll wait until tomorrow”

So with the release of this new record, it’s a given that your new setlist will be mostly new material. Are there any songs from Follow Me that you plan to keep on the setlist?

I think the two that we kinda have to keep are “Let Me Out” and “Killing Ourselves To Live” because they are the main songs from Follow Me. Also, because they are great songs and they work well with the audience. We are also keeping “Hypocrite” as for us, it’s an awesome live song. Also, we’re planning on keeping “Emporer of Chaos” as it fits in very well with the newer songs, because it’s more of a political song and because audiences really like it.

From the last time we spoke, you said that your favourite song on Follow Me was “The Fall”. Any chance that could make it on to the setlist?

It could… But since we have “Chapter of The Witch”, it might be too much as it’s another intense fast-paced song and I don’t want too many of those working their way on to the setlist. So right now we’ve taken away “The Fall” to put in “Chapter of The Witch”. I mean you learn when you tour and “The Fall” has a tendency to be a little too fast, it’s not a really groovy track so we didn’t get the response that we hoped it would have got. I mean I really like the song, but it’s a really hard song to play live. 

Excellent, I mean I really like that song too, so if there’s a chance to hear it live again, I’m always there. Just moving away from songwriting now. What are your thoughts on the progression of women in the metal world, as they are becoming more and more prevalent in a metal context?

It’s interesting that this is even a question but understand why. I hope that it will develop further than it is, it’s definitely better for sure, certainly more so than when I first started in music. You’re seeing many more bands of just women or band with women in them. I hope it will develop further and I hope one day you won’t even have to call attention to it. You know, so we’re at a point where the term “female-fronted” for example is no longer something that is needed.

Yeah, it is kinda silly when you think about it, as long as the music is good, who cares who is playing it. Another question, I think is very interesting. From your experience across your whole career, what is the one piece of advice you give to a new up-and-coming band starting in the industry today?

Since the music business has changed so much since I started, it hard to say. As things that used to be true, aren’t anymore. One thing I will say is you can’t lie to new bands about how much work you have to put into it. Nothing is going to happen for free and if you are not committed, dedicated and not truly ready to sacrifice things, this is not the industry you want to be in. Because you have to sacrifice financial security, friends, families and whatever in order to make it work.  You know, you have to take tours before birthdays, festival slots before weddings. If you’re not prepared to do that, you will be disappointed and you will feel like a failure because you won’t make it very far. I know that sound really harsh because you want to encourage people but it’s also the truth and if you’re not ready there will always be someone who will stand over you. At the same time, I have always been that kind of person to stand on my own and do what my heart tells me otherwise I wouldn’t be here. 

However, if you’re willing to make that kind of sacrifice then it is worth it in the end because music is such a necessary thing, we need it in the world as a world without music would be a hard one to live in.

I couldn’t agree more music is so important, it’s the main thing I use to ignore that fact the world is dying and going to crap. So, just end on and this my favourite question I ask. What is the hardest thing, professionally or personally, you have had to overcome and how did you overcome it?

Hmm, that’s a hard question, give me a minute. So, actually, this is it. I’m afraid of flying and aeroplanes in general. Whenever I sit in a plane, which you do a lot on tour, I ask myself “Why am I doing this?” but I’m still doing it anyway. I think that if I didn’t have this passion for music, I would never face that fear as much as I do. I would probably not go on a plane at all. Yet, today I’m facing that fear all of the time. I always wonder to myself, why isn’t flying becoming easier, because I’m doing it so much. Yes, you have fear but having such a strong feeling inside of you to face that fear is important and once you have that, yes it might not become easier but doing the thing enjoy becomes more rewarding.

Interview and words by Mick Birchall

Liv Sin – Burning Sermons

Posted in Uncategorized with tags , , , , , , on 26th August 2019 by Mickelrath

Liv Sin
Burning Sermons
Hard Rock, Heavy Metal
Released: 6th September 2019
via Despotz Records

A few years ago I reviewed the debut album from Liv Sin, Follow Me. The Swedish quintet has made big strides in the metal world since then. Armed with Liv Jagrell on vocals and channelling their love of heavy metal, the band are making their return with the new album, Burning Sermons. Everything that made the previous record great is here too. From their gut-busting musicianship to the powerful and emotional lyrical content, this album rips hard and has that old-school heavy metal flavour that will captivate an older audience and entrance a newer crowd. I have to say that I am a bit of a fan and this album has everything that I look for in a metal record. Also, like the last album, Liv Sin has invited some special guests to help this album rock all that little bit harder.  On the upcoming single, “Hope Begins to Fade”, Liv duets with Björn Strid, singer of Soilwork and The Nightflight Orchestra.​

Purely from a production point of view, this album sounds so good. The guitars are heavy and the drums hit with intensity. Everything is mixed with such a glorious tone and it makes Liv’s vocals stand out so much as she delivers the lyrics with such conviction. One song where this is so noticeable is “Death Gives Life Meaning”. The aggressive, forceful tone really drives the point home while the frantic energy of the instrumentation performs beautifully and is mixed so well. The production was done by Deathstars guitarist Emil Nödtveidt who has really created an amazing atmosphere here for Liv Sin, with bombastic tones that just scream, “listen to this!”

The lyrical content is well presented here, with themes of personal struggles and hardship. Liv Sin really put their best foot forward in this department, with poetic imagery and well-chosen lines. The lyrics themselves are quite interesting when thinking about them. The way she chooses to communicate her feelings and how it blends into the music is really great. I really like the song “At The Gates of The Abyss” for this reason, the way all of the elements of the band mix with the lyrics, creating a powerful and interesting song.

This is a really great record! I liked the first album but really enjoyed this one. It’s new metal music with a very old school mentality. Liv Sin is very quickly becoming one of my favourite metal bands. This album just felt more like a complete package, the new sound with the keyboards and synth work mixed in with the guitars and Liv’s forceful and powerful delivery. It all sounds so brilliant and I have to say I love this new direction the band is taking. Definitely, one to check out and one I need to see live sooner rather than later.

8/10

Mick Birchall

Phil Lanzon – 48 Seconds

Posted in Uncategorized with tags , , , , on 17th August 2019 by Mickelrath

 

Phil Lanzon
48 Seconds
Prog Rock, Hard Rock, Classic Rock
Released 2nd August 2019
via Lanzon Ditties/Cargo Records

If you’re familiar with your classic rock and music history then I shouldn’t really need to tell you who Phil Lanzon is… But if you’re not acquainted with your old school prog rock, he is the man who you will usually find rocking the keyboard in Uriah Heep. They are one of those bands that encapsulates a lot of people’s image of the 70’s – 80 prog-rock scene. Phil has also brought his talents to other projects such as Grand Prix and The Sweet. He has had a legacy in music that, starting in 1986, carries on today. In recent years Mr Lanzon has been striking out as a solo musician starting with his 2017 record If You Think I’m Crazy! and on to this album, his latest release, 48 Seconds. This album is a pretty fun listen, with all songs written by Lanzon and produced by the excellent Simon Hanhart. It also features some exceptional talent that elevates this to excellence.

The album has a big band feel with multiple layered sections of music and a lot of different instrumentation. Ranging from very synth and keys focused songs to music bigger rock n roll productions. Every song has this big-sounding chorus that hits hard and feels uplifting when listening to it. It definitely feels like an album with an older school method of production. The way the album is mixed is excellent with each musical idea perfectly complementing the other. From the brass section to the violins to the excellent vocal performances, it all feels oh so glorious. Listen to the song “Rock n Roll Children” for an example of how great this album can sound. The production is just excellent, making this very easy on the ear and I think anyone can listen to music like this. Just so rich with sounds and beautiful, carefully crafted melodies. 

One of the major influences for this album is Lanzon’s love of film scores and soundtracks. That definitely translates as every song sounds like it comes from some forgotten 80’s flick that is only really remembered for its soundtrack (you know the ones). Every song is filled with such powerful emotion and it can be very easy to get caught up in it all. With each song just building to an eventual climax that is really satisfying by the end. I will say I prefer the songs that go with the more orchestral vibe than the straight-up hard rock songs. Though I do like some of those tunes too, for example, check out the songs  “Look At The Time” which feels like an 80’s era Uriah Heep tune or “In The Rain” which has more of a John Parr feel to it. What I’m trying to say is, this album is very eclectic in its sound and works for a variety of listeners.

Simply put, this is an excellent album made by a musician who clearly still loves making music. I love the way Phil Lanzon has written this album. Full of sharp singer-songwriter notes whilst scaling it up to be this massive production. From the quiet subtle slower tracks to the more lively and intricate songs this album is filled with emotions and brilliant musicianship. 

10/10

Mick Birchall

Thunderfuck and the Deadly Romantics – Dirty, Sleazy, Rock ‘n’ Roll

Posted in Uncategorized with tags , , , , , on 6th July 2019 by Mickelrath

Thunderfuck and the Deadly Romantics
Dirty, Sleazy Rock ‘n’ Roll
Sleaze Rock, Hard Rock
Released: 26th July 2019
via Cargo Records

OK, I was not expecting what I actually heard on this album. Then again, I really didn’t fully understand what I was getting this one. I mean, what would you expect from a band called Thunderfuck and the Deadly Romantics? The band comes from Ontario, Canada and have spent quite a lot of time here in the UK. Everything that I’ve heard about them so far is relatively positive, with a great hype building behind them, consistent gigs and good feedback. It really feels like a band that has taken their time and grown on their own accord rather than forcing a quick fix to success. After taking a listen to this album, I have definitely thought about it and the first impressions were mixed to positive. However, now I have had some time to let this one settle, let’s talk about this one.

The album sounds decent from the get-go, great rock tone with well-produced instrumentation all the way through. The balance of the instrumentation is great with all of the instruments coming through clear. Then you get the vocals and, well I’m not a fan. Don’t get me wrong, if you like this style of singing then that’s awesome but if you’re like me, then it’s truly going to grate on you quite quickly. He’s not out of tune but the vocals are incredibly coarse and it doesn’t really fit in with the slick instrumentation. For me, it ruins the sound of the songs. Now, this is just me, I realise that there are people that like the way the rough vocals contracts with the slick and well-executed music. 

Most of the lyrics are about your typical rock ‘n’ roll topics such as sex, drugs, drinking and working-class life. Which is fine, I mean I don’t expect much from sleaze rock, in terms of lyrical content. Usually, sleaze rock mainly focuses on light-hearted, easy to grasp subjects that audiences can immediately identify. However, when one of your songs literally starts with a woman moaning in orgasm, I think you’re going to have a good sense of what album you’re getting into.

Overall, this is not a bad album. I can’t say I personally like the vocals but I can certainly understand the appeal. The rock is great and there are some damn catchy and fun tunes to listen to. If you’re looking for a band that delivers rough and dirty sounding rock music, then Thunderfuck and the Deadly Romantics are something to behold.

2.5/5

Mick Birchall

Moonlight Haze – De Rerum Natura

Posted in Review with tags , , , , , on 28th June 2019 by Mickelrath

Moonlight Haze
De Rerum Natura
Power Metal, Symphonic Metal
Released 21st June 2019
via Scarlet Records

It really is funny, if you follow the scene enough you start to see familiar names here there and everywhere. To the point that it will lead you to more music. This is very much my relationship with the Symphonic and Power metal scene in Europe. It’s a scene where everyone knows everyone, or at least it feels that way. Which is what lead me to Moonlight Haze.  I’ve been a fan of the singer Chiara Tricarico for a while, I first heard her singing in the band Temperance. I just find her vocals really enjoyable and pleasant to listen to and I’m a fan of pretty much any project she lends her name to, so when I heard she was starting a new band with Giulio Capone and includes members (and ex-members) of Temperance, Elvenking, Sound Storm, Teodasia and Overtures. You could probably have won a bet, that I would have taken the time to listen to it at some point. 

From my first listen I immediately gravitated to their music. Tonnes of energy, great production with charm and passion, De Rerum Natura makes a great first impression for fans of power metal who like that little more grandiose tone to the sound. The album wastes no time with engaging and commanding rhythm and tight sounding production that keeps you listening, track after track. The band sounds awesome, with great sounding instrumentation which is mixed really well. The guitars and drums, in particular, hit hard and the bass keeps the rhythm nice and tight and the keyboards set a really nice atmosphere that elevates the music to another level. As great power metal usually does. 

As for the vocal performance from Chiara, well, it’s excellent. As usual, she displays such excellent technique and it makes the lyrics just shine with personality. With this excellent vocal performance, it really brings the entire thing together really nicely. I love the mix of style on the record to with powerful and heavy rhythms and slick, well-executed guitar solos, all packaged in a great power metal experience. I quite like some of the more jazzy and groovy parts between the main parts of the songs, that little bit of intricacy really adds to the enjoyment of listening to this album.

I love the way the overall sound feels to listen to. It has this excellent energy and it’s entertaining from start to finish with lots of replay value. I will admit that I have been playing this album a lot since it’s release and plan one listening to it a whole lot more. If you like your power metal blended well with other musical styling, that also packs that little extra punch, then definitely give De Rerum Natura a listen.

4/5

Mick Birchall

King Zebra – King Zebra EP

Posted in Uncategorized with tags , , , , , on 6th May 2019 by Mickelrath

King Zebra

King Zebra EP

Hard Rock, Glam Rock

Released: 22 March 2019

Self Released

Right from the first notes of this EP, I knew I was going to like this one. I mean, this is the sound I grew up on, pure hard rock with lots of energy and pep. Swiss hard rockers, King Zebra have been tearing up the European rock scene as of late. Opening for awesome bands like The Dead Daisies, The New Roses and Crystal Ball just to name a few. Armed with their new lead vocalist Eric St Michaels (formally of the band China) and this new self-titled EP, they are setting out to conquer. The EP can really be divided into two pieces, firstly the three songs they released last year and the two new songs they’ve released for this EP. Putting it all together makes for an enjoyable listening experience.

The one thing I will say about this EP is that it has a lot of energy. I mean, it’s the kind of music that makes you want to get up and move. The guitar work is fast and loose and the rhythm sections are tight. The grooves are excellent and the riffs really land a hit every time they come in. The band just feel like a forceful presence at all times. Eric St Michaels is a great vocalist and he sounds amazing here. He’s mixed in really well to the tunes. His vocal performance is really impressive, with a powerful voice and a tonne of charisma he’s able to keep you invested in the songs and adds that extra punch to the hooks. The production is great and easy for any listener to get into and enjoy.

There really isn’t anything to say beyond this. I mean, if you like your 80’s glam rock then this will definitely fill a hole for new material to listen to. It’s an entertaining listen, to say the least. With songs about the general rock topics and production that’s clean enough to get a general audience but edgy enough that rock fan won’t turn it off either. I like the EP, it’s not my favourite release of the year, as good as it sounds and as fun as it is to listen to, it’s just an okay release. Not bad but not something that I have to listen to again and again. It will be one of those EP’s where if it’s on I’ll keep listening but not one I will go out of my way to listen to.

2.5/5

Mick Birchall

Uncle Paul – Dot Rotten

Posted in Uncategorized with tags , , , , , , , on 14th April 2019 by Mickelrath

Uncle Paul
Dot Rotten
Noise Rock, Stoner Rock, Psychedelic
Released 14th January 2019
via Introclusor Records

You guys know me by now. I’m usually the first in line for the weird and experimental side of rock n roll. After all, today’s experimental music is tomorrow’s mainstream. So, why not listen to everything that you can? Which leads me to this EP. Dot Rotton is the newest release from the weird and wonderful Uncle Paul and let’s just say it’s an interesting listening experience, to say the least. Sounding like a weird hybrid of Butthole Surfers, Deerhoof and Lightning Bolt, this band have really captured my imagination. Though this isn’t the best example of the genre, the North-West UK rockers certainly work as a weird noise rock psychedelia band, that incorporate elements of garage rock and stoner rock into their style. Referring to themselves as “refined musical dyslexia” is a good call, because this is what this is, a random assortment of musical ideas thrown into a melting pot and left to simmer.

Though it would take you longer to listen to “In A Gadda Da Vida” than it would this entire EP. I think there is some merit to the EP. In the sense, that you shouldn’t try to investigate it or look into it too deep. It’s more just a musical experience with a hodge-podge of ideas, riffs and distortion just blasting full force at the listener. With vocal effect layered over the sound and weird noise coming from every which way. It’s an EP to lose yourself in and not worry too much about its motivations or connotations. It’s just music for music’s sake and, you know what? That’s actually quite refreshing from time to time. The production is all over the place with nothing really meshing or coming together. Very much like the noise rock movement of the early 90’s this band just make what they feel like and run with the ideas they have.

Let me put this straight, this is not of the average consumer of music. There are no hooks or ear-worms to be found here. Yet, there is some creating bass work, some great riff ideas and guitar licks littered throughout the EP. Which makes it enjoyable enough. Also, considering that a couple of the songs don’t even reach two minutes long and the longest track here is four minutes, the music just passes by so quick that you don’t even realise that you’ve just heard something really fun and ridiculous.

By no means is this a great example of modern rock music. Yet, it serves as an interesting example of the noise rock sound and how it can still be relevant today. Then again, noise rock usually exists outside the normal boundaries of music anyway. If you like that  90’s Gen-Xer sound or watched a lot of Bevis and Butthead then I would recommend this in a strange way. It’s not a masterpiece, nor is it trying to be. It’s designed to be off-putting and weird and to be honest, that’s what I liked about it.

3.5/5

Mick Birchall

Cellar Darling – The Spell

Posted in Review with tags , , , , , , on 24th March 2019 by Mickelrath

Cellar Darling

The Spell

Progressive Metal , Folk-Metal, Symphonic

Released: 22nd March 2019

via Nuclear Blast Records

After being really impressed with their 2017 debut album, This Is The Sound, Cellar Darling have returned with their new record, The Spell. After that debut, I was hoping for another record and I was hoping that they would attempt something a little different. Well, they must have heard my wishes because their second record is a very different beast from the first album. The Spell is a much heavier and more progressive album than This Is The Sound. It feels like a lot more care and attention to detail was put into this album. I mean they improve on their sound in every way conceivable here. There is also an audiobook of the album, which offers more context for all of the songs and where the lead vocalist Anna Murphy adds another layer to this album’s meaning.

This album is just a tonne of fun from the first few notes. Immediately hitting you with those sharp tones and sweet melodies that were present on the last release. The production on this album real super slick and everything feels really tight with all of the instrumentation standing out and playing its part. When it all comes in together, it just sounds so grandiose. This sound can only be described as progressive rock with enchanted whimsy thrown in. The beautiful compositions with excellent sound mixing give the album an other-worldly vibe to, what would be, just another progressive folk-metal album. Then you have the immense vocals of Anna Murphy. She just has an amazing presence on this album, it really is a star-making performance. It baffles me how she isn’t usually brought up in the discussion of the best female rock-vocalists by the fan community. She has so much range both, in vocal technique and in, emotional presentation.

There is a really nice variety of musical styles presented here. From eerie and atmospheric to heavy and “in-your-face”. The Spell will captivate and entrance listeners. I immediately wanted to put it on again and again as this album rewards repeated listens as there is a lot you can miss on your first play-through. There are just so many subtle little things in the music that you only catch on repeated listens. I would say the songs that are really worth your time on this album are “Burn” with its excellent riffs and exciting chorus, “Love” & “Love Pt II” also “Death” & Death Pt II” both of these two-part songs make for excellent companion pieces and really show the strength of Cellar Darling’s songwriting abilities. Also, my personal favourite on the record is the haunting ballad “Sleep” which reminds me of those old progressive tunes where the music sounds like random instrumentation but it really perfectly calculated musicianship.

Yep, I would definitely say this is worth your time. I really didn’t know how they were going to follow up that first album but I truly wasn’t expecting this. The Spell is one of those perfect records to accompany your imagination. It’s enjoyable and enriched with wonderful lyrical content. This one gets a big thumbs up from me.

5/5

Mick Birchall

Stelios Gatziolis – Sphere of Resonance

Posted in Uncategorized with tags , , , on 24th February 2019 by Mickelrath

Stelios Gatziolis

Sphere of Resonance

Instrumental, Progressive Rock

Released: 30th September 2018

Self Released

 

 

What do I say about this one? It’s weird, I mean I grew up listening to a menagerie of different rock and metal styles. One of the records I loved was Surfing With The Alien by Joe Satriani. From there on in I always made time to instrumental records done well. So, here I am listening to the new EP by Stelios Gatziolis and I’m not getting into it. I don’t know there really feels like there is something missing from this and I can’t put my finger on it at all. The new EP, Sphere of Resonance dropped last year and it’s done well for the solo guitarist. As well as that, this EP features ex-Dream Theatre keyboardist Derek Sherinian, who put his seal of approval on Stelios’ playing by featuring on the tune “Doomgazer”. Not a bad endorsement at all.

The four-track EP is relatively impressive from a technical level. The intricate guitar skill of Stelios is really impressive. The way he weaves in and out of melodies is awesome, it really is a captivating listening experience. The backing band creates a nice backdrop for the guitar to truly shine. The heavy booming bass perfectly syncs up with the well-executed drum work. The keyboard and synths add a really nice atmosphere to the tunes. The guitar playing is slick and you soon pick up on his playing style. As each song has a slightly different variant on this style. The songs all play on the rule of tension and release. Each song builds up the tension and then has a massive payoff of guitar goodness. The song featuring Derek Sherinian, “Doomgazer” probably uses this technique the best.

Unfortunately for all of its positives I still can not get into it. For the most part, it just feels soulless. It just feels like a passion project that was meant for the artist himself and no one else. In fact, it feels like a demo to a much bigger project yet to be released. Unfortunately, I don’t know if such a project is on the way but I hope it is. You know, to justify this EP’s existence. The songs, whilst impressive on a technical level, are meandering and trite. I’m fine with ‘progressive’ music but this feels like a jam session that was recorded and released.

It’s decent enough and I stand by both parts of my review. From a technical view, it’s really good. Yet, at an entertainment level, it’s a little toothless for me.

2.5/5

Mick Birchall

Сандарния – К оружию!

Posted in Uncategorized with tags , , , , , , on 23rd February 2019 by Mickelrath

Сандарния (Sandarnia)
К оружию! (To Arms!)
Power Metal, Symphonic Metal
Released: 9th December 2018
Self Released


This has been a really interesting album to get into. Mainly because it’s the first album I’ve ever reviewed that is not in English. So, before we start, I just want to say that I don’t speak Russian so somethings will be lost on me. Yet, I still think this is a solid record. I think it’s important to discover as much of the world as possible and music bridges that gap much easier. When I first took a listen to the new album from Sandarnia I was immediately drawn into their passion, presence and their overall tone. This band is the brainchild of Russian musician Alexander Kuznetsov and it contains some incredible performances by a variety of awesome musicians.

To Arms! is an awesome record and it feels massive. The production is so bold on every song. It just flows so well from one track to the next, with heavy guitar, a bold bass tone and terrific drum work. If there’s one thing that this project has, it’s a great sense of tone. Every tune is dramatic and it sounds big. It’s like a heavy metal orchestra. One thing I do like about this record is the variety in vocal performances. Different tunes have different singers and each one brings something brilliant to the table. One performance that I did enjoy was Daria Mikolaevskaya’s on the song “Та, что встретит с тобой смерть”. I found this song to be impressive, with its sweeping melodies and excellent musicianship.

Now, there does lie the potential to alienate a wider audience by not making it in English. I will say that and that can put some people off. Yet, I think it’s something they overcome quite well. The music is largely accessible and if you’re into this sort of this already then, then I would highly recommend giving them a chance. Also, the production, whilst impressive, can be lacking at times, with the guitars and bass sometimes mixed over the top of the vocals and that can be a little distracting at times.

Overall, I would say that this was a rather impressive listening experience. The songs are epic and the band just have the charisma of megastars. If you like your power metal bands then, Sandarnia is well worth your time. To Arms! Is an amazing epic of a record that ends on a couple of excellent covers with “Warcraft 2 Theme – Tides of Darkness” and the “Game of Thrones Theme”. If you want some good power metal in your life that you may have never considered before, this is the band for you.

4/5

Mick Birchall

Avantasia – Moonglow

Posted in Uncategorized with tags , , , , , on 8th February 2019 by Mickelrath

Avantasia

Moonglow

Symphonic Metal, Power Metal

Released: 15th February 2019

via Nuclear Blast Records

Every time a new album from the mind of Tobias Sammet comes out, you know I have to listen to it. The new album from Avantasia, Moonglow is another home run for the band. This is their eighth studio record to date and they keep going from strength to strength. This album is one of their most impressive in my opinion. It has so many interesting elements, mixing many different styles from around the world, they have created a complex and dynamic record that is consistently interesting. I have been really into this band for the longest time. The way they mix sounds, melodies and intricate lyrics has always captivated me.

The album was produced by Sascha Paeth and Tobias Sammet and I think they have created something beautiful with this record. Right from the very first track “Ghost In The Moon” the overall sound is so good. The  interweaving of themes, melody and lyrical poetry make this an exciting and interesting listening experience. All of the Avantasia tropes are present, the epic choirs, the fast and furious power metal energy and Sammet’s infectious charisma. His vocals just demand your attention and coupled with the overwhelming orchestral metal sound, every song hits you like a tonne of bricks. Also, this album contains an all-star cast of great metal musicians to accompany Sammet and share the workload. Massive names such as Hansi Kürsch (Blind Guardian), Mille Petrozza (Kreator), Candice Night (Blackmore’s Night), Geoff Tate (Queensrÿche), Eric Martin (Mr Big) and Michael Kiske (Helloween) all lend the assist to making these songs sound so powerful and making the word larger than life.

Personally, this is one of my favourite Avantasia albums. The hooks are simply massive and I’ve had a tonne of fun just rocking out to these songs. From the soft and tender ballads to the energetic and forceful power-metal songs. I don’t think that Avantasia has ever really sounded this good. The guitars can be punchy or lend to a gentle atmosphere. The keyboard and synths are simply wonderful encompassing the music in an aura of majesty. The bass is tightly locked in with the drums and keeps the rhythm beautifully. All in all, every instrument sounds massive and Paeth and Sammet’s production makes everything sound as good as possible.

This is a flawless album and already up there as one of my favourites of 2019. From the passion and conviction of the performances to the sharp and punchy melodies. This album is just one to listen to over and over again. I mean making great music is just Avantasia’s M.O. at this point, yet, this album goes above and beyond the call of duty and really delivers something special. Exceptional writing and fantastic production carry this album to a pleasing 66 minutes 45 seconds, that I just want to keep listening to as many times as I can.

5/5

Mick Birchall

Joakem – Mind Matter

Posted in Uncategorized with tags , , , , , , , on 26th January 2019 by Mickelrath

Joakem

Mind Matter

Progressive Rock, Heavy Metal

Released 7th December 2018

Self Released

It’s been a hot minute since took a listen to anything from the heavy metal community beyond the UK, so I feel it’s about time to rectify that. The Cyprus based progressive metal musician, Joakem has recently released his debut album Mind Matter and from the first moments of the album, I liked the sound. Musically the album is a blend of complex melodies and time signatures, heavy synth sounds, rough guitars, intricate and precise drum patterns and a blend of different vocal styles. It immediately leaves its impact on you and since the sound is so distinctive, you can quickly make up your own mind on whether it sticks with you or not. The album was recorded/mixed by Chris Charalambides at “Soundscape Studios” and mastered by 3x Latin Grammy-nominated, Alex Psaroudakis at “Alex Psaroudakis Mastering” in New York. So, you can bet the album packs that punch.

The album is certainly a gripping listen. The production is top-notch, with a great mix of all the instrumentation with Joakem’s vocals standing out. The complex and diverse rhythm patterns keep you hooked as you can never really guess where the song is going to go next. Also, the great balance of blasting synths and heavy guitars work well together. It comes together quite nicely and works for the range of styles that this album tries to tackle. Each song feels like a different sub-genre of rock and metal and no matter the style it still feels natural and the records keeps flowing. From all-out prog-metal to alt-rock and even some post-grunge elements work their way on to the album and it’s strange but all of the pieces work together and each song complement, as well as contrasts, with the previous.

Joakem’s vocals are indeed diverse as he manages to be competent in a variety of vocal techniques. I prefer his clean vocals over his guttural singing but that’s just me. I generally prefer clean vocals in music. It’s difficult to point at an element that lets the album down in a great way. I will say, that if you’re not into progressive music with changing time signatures and musical styles then this really isn’t the album for you. That’s sort of the let down for me, although it’s impressive, I prefer music to remain in a consistent style throughout. The high-points of the album are the more alt-rock and post-grunge style songs where he maintains more consistency, such as the opening track “A Peaceful Place” and the closing track “Departure”. However, I do think there is a happy medium for any fan of rock and metal.

Definitely an impressive and solid effort from an interesting artist. I would be more than happy to keep paying attention to him for future releases. Mind Matter is a decent record with a lot of positive aspects to it. It’s not something I would play all of the time, but if I’m in the right mood this is something I would consider putting on. If you’re interested in genre-mixing artists that break from normal convention, then Joakem might be up your alley.

4/5

Mick Birchall

Corroded – Bitter

Posted in Uncategorized with tags , , , , , , , on 12th January 2019 by Mickelrath

Corroded

Bitter

Heavy Metal, Groove Metal

Released: 25th January 2019

via Despotz Records

After reforming in 2017 for the album Defcon Zero, an album that was created due to their frustrations with label executives. Swedish heavy-metallers, Corroded decided to keep the music coming out of this revitalised passion. Which leads us to this years album, Bitter. I have to say, I’m really liking this band ever since they’ve come back from hiatus. There’s really something so honest in their music since the 5-year break. Bitter continues this with everything here being presented with passion whilst also being really accessible to new listeners. I always say “every new album is a new chance to inspire new fans” and yeah it seems Corroded are going out of their way to entice a new following without betraying the older fans. It’s a delicate balance but I think they’ve nailed it.

This album starts with an atmospheric intro piece before kicking right into the riffs, which are awesome. The riffs are filled with bass and feel so weighty. The grooves they create on this record are fresh and you can tell how much time and effort went into the writing and recording. Every song just leaps out of the speakers and keeps you listening sense intoxicated until the very end. The precision guitar and excellent drum work are awesome on their own but coupled with the vocal performance it really is a treat for the ears. Vocalist, Jens Westin sings everything with such conviction you can’t help but try to relate to the lyrics and sing along with him.

There are just some excellent tunes that stick in your head long after the record is over. One of my favourite songs here is “Testament”. With its excellent groove, the anthemic chorus, blistering guitar solo and just overall fun appeal. It’s a song that really stuck with me. Another song that I really like is “Black” a wonderfully sombre tune but still injected with life thanks in part to the wonderfully arranged production. This album does just really run the gambit of emotional tone and all of it well paced. Seriously, I still think there is an art to putting an album together, this album is so well paced that 12 songs and 52 minutes long, it flies by like a breeze. Making you want to listen to it all over again, immediately.

Corroded are quickly becoming one of my favourite metal bands and I am so happy they came back off of that hiatus. Even better they came back stronger and filled with ideas. This album is such a blast and now a frequent companion on my car journeys. If you like your pure heavy metal, do yourself a favour and get this one as soon as you can!

5/5

Mick Birchall

Gates Of Paris – Gates Of Paris

Posted in Uncategorized with tags , , , , on 28th December 2018 by Mickelrath

Gates Of Paris

Gates Of Paris

Symphonic Metal, Progressive Rock

Released: 30th November 2018

 Self Released


I have to say I’m pretty damn impressed by this French symphonic metal act, and their new self-titled record is something to shout about. I have to admit, I don’t go hunting for new symphonic metal acts, but they always seem to find me, one way or another. Gates Of Paris are a metal outfit, funnily enough, from France and they bring everything that is interesting and fun about this genre to the forefront on this record.  Their debut album is quite interesting, mixing a variety of different styles of music to create their own unique blend of what I can only call, evil-metal carnival music. It’s epic and weird all at the same time.

I was hooked from pretty much the first moments. The stylistic atmosphere is excellent and sound beautiful right out of the gate. The sound of the band is great with excellent riffs and wonderful musical progressions. I like all of the musical elements that they include on the record, in particular, the Spanish guitar which makes it on to the record on several occasions. It’s always pleasant and great to hear whenever it comes in. Every level of the production is smooth and well integrated. From the great guitar licks, the powerful bass lines to the commanding drums, it all feels so glorious. I really like the way the album flows together, it almost has a serial or concept nature it and every song flows into the next seamlessly.

The album also has interesting musical cues here and there. All of these moments really shine a light how much fun this band can be. Such as having their own version of circus music in there. There really isn’t a lot here that bugs me or annoys me. Really, the only thing that got under my skin is that I never felt the need to return to the album once I listened to it. The music doesn’t have that “re-playability” factor, at least not for me. If you really like this style of music, then maybe there’s more “re-playability” in this for you, but this is a once in a while record for me.

In summary, I do like this album. Gates Of Paris are seriously impressive, considering that this their first record. The sound is crisp and well put together. The production is excellent and overall it’s really a well put together record. It may not be overly captivating to me but I can definitely hear other people really getting into this style of music. If you like your symphonic rock and progressive grooves this is certainly a record that you sink your teeth into.

4/5

Mick Birchall

BillyBio – Feed The Fire

Posted in Review with tags , , , , , , , on 8th December 2018 by Mickelrath

BillyBio

Feed The Fire

Thrash Metal, Rapcore, Hardcore Punk

Released: 30th November 2018

via AFM Records

 

It’s really cool being able to listen to the new project from the frontman of Biohazard, Billy Graziadei. Going under the new name BillyBio, he has released the new record Feed the Fire and I have to say it’s pretty good. I was interested to listen to this right off of the bat as I am a big fan of Biohazard and I’ve always like their mix of thrash metal, punk and rap metal. So, I wanted to hear what Billy could do on his own. This record is an interesting listen, it’s fast pace, heavy and filled with political statements. It’s clear Billy is a great songwriter and I have always appreciated him as a musician.

I like the production and the overall sound of the record. Right from the first song, the album hits you in the face with a blast of heavy guitars, bass and drums & the forceful presence of Graziadei. There are lots of moments on the record that get you amped up and raring for more. My particular favourite song in this regard is “Generation Z”. Which, along with the intensity, it has a catchy chorus. Everything presented here hits hard and fast. The general writing quality on display is great with Graziadei throwing in rap verses over thrash metal tones and it all fits together so well.

Although, the problem I have with the album is the guitar tone. It’s pretty much the same all the way and it can feel a little samey, hearing the same tone over and over again. It makes the album drag just a little bit. It just grinds away and that can get just a little boring here and there. Even though all of the songs are short and sweet, the never-changing tone just makes it feel like it’s longer than it really is. Only a few songs ended up sticking with me and that because of the great hooks and choruses.

So, I am a little mixed when it comes to this album. There are some really good songs when you take them individually but they just become one long mesh when put together on an album. So the album doesn’t really work as a cohesive whole. There is a lot to like, the strong social commentary, the harsh guitars and the commanding bass and drums. Billy is a fantastic frontman and his personality is what sells the album for me. If this was made by a band that didn’t know how to make these elements work it would just be so weak. Yet, Graziadei can take all these elements and throw them together to make a decent album. He’s such a forceful presence, you have to pay attention to him at the end of the day. It’s definitely worth picking up, though I wouldn’t advise sitting through it in one go.

3/5

Mick Birchall.

Sky Empire – The Dark Tower

Posted in Uncategorized with tags , , , , , on 20th November 2018 by Mickelrath

Sky Empire

The Dark Tower

Progressive Metal, Groove Rock

Released: 26th September 2018

via The Rock Company

I know I don’t cover progressive metal all that often. It’s just not a genre that captivates me in the right way. Sometimes a band comes along that can change your perception on a certain style of music. I will admit, I didn’t know all that much about Sky Empire before now and I don’t know too many people that do. Their debut album, The Dark Tower is pretty enjoyable. Mixing well-executed music with impactful story-telling, they have managed to create a fairly decent debut album. The band straddle the line between dynamic and creative instrumental prog-rock and more classic rock standards. It’s quite an interesting listening experience to be fair.

Right from the first song “Marionette” you get a sense of what to expect from the album. Multiple instrumental parts flowing into each other, dynamic musical parts and an intricate atmosphere. It all comes through quite well, musically. The technical ability on display is certainly impressive. I am amazed by how it all comes together. The production is pretty much on point, making sure every member of the band gets their licks in, and also providing a great balance between the excellent guitar and keyboard solos. All the while, the drums keep the creative pace going. I have to admit, I’m not a fan of the vocal performance as it doesn’t really match the music here. He has a well-toned voice, I can’t think of any flubbed notes or anything, but it just doesn’t work for me personally. The rough and deep tone never really fits in with the style. Also, when he tries to hit the higher notes it sounds like he’s straining his voice.

Whilst everything here is certainly impressive, and it is, there’s nothing that really sticks to my imagination. There are prog bands that really stick in my head and there are ones that don’t. Sky Empire, sadly fall into the latter. I appreciate the musicianship on display and I respect the multiple parts, the rising and falling tone and the solos… Yes, it’s all so glorious. However, it’s not something that I think I would choose to return to, and I listen to bands like Iron Butterfly and Ex Libris for fun. There just needs to be more polish to the presentation and the overall style.

It’s a decent record and they’re clearly talented. As I’ve mentioned, the musicianship is out of this world. The album certainly has its rough spots as well, with the drums feeling a little muted here and there and the aforementioned issues I have with the vocals. There are some things they do incredibly well, such as the riff and solo work, building an atmospheric tone and keeping a tight performance through multiple (and often frenetic) parts. I just would have liked to have heard a little more polish in the production. I liked the time I spent with the record but I have no real desire to return to it.

2/5

Mick Birchall

Planet of Zeus – Live in Athens

Posted in Uncategorized with tags , , on 13th November 2018 by Mickelrath

Planet of Zeus

Live in Athens

Stoner Rock, Groove Metal, Southern Rock

Released: 30th October 2018

via ihaveadrum Records

There are two peaks in a bands career. Two heights of artistic achievement that they can wear like a badge of honour. One is the concept album, the other… The “live” album. Nothing really says “We’ve made it” like selling out a venue, recording the show and selling that show for all to hear. For me, one of the best live acts I have ever seen would have to be, Planet of Zeus. They are a force to be reckoned with on the stage. Their music is so anthemic and powerful, it can connect with pretty much any audience member at any show. All I can say is if you haven’t taken yourself to a show from them. Treat yourself the next time they’re in town. After their most recent record Loyal To The Pack, the band played their home countries capital city, Athens, to a ravenous crowd, giving birth to the bands first ever live album: Live In Athens (I know, such an original title).

I will say that this record sounds excellent all the way through. It captures that feeling of a Planet of Zeus show to an extent. From the heavy riffs to the excellent and gut-busting solos this album sounds so damn good. When Stelios Provis busts out the solos, the rest of the band create a tight foundation from which he’ll just let loose and create magic with the guitar. The set-list for this show was a solid one as it’s completely filled with energy, good vibes and their unique atmosphere that they bring to the show. You even hear those little echoes and refrains that you only hear in a live setting. When Babis Papanikolaou roars out the lyrics to songs like “A Girl Named Greed”, “Loyal To The Pack” or “Macho Libre” I can feel it right down in my gut. It’s the kind of voice that you take notice of. The production as a whole is wonderful.

The record is beautifully balanced and well mixed, I can only imagine what some of these songs felt like in the gig itself. If there’s anything that Planet of Zeus is known for it’s their riffs and they packed this setlist with their finest. Songs like “Leftovers”, “Devil Calls My Name” and “Little Deceiver” are definitely the moments that grab your attention. As their riffs just have that way of getting in your head and sticking around. It’s that great balance of groove, rock n roll and balls-to-the-wall heavy that makes Planet of Zeus such a compelling band to listen to.

However, I think there’s something that can be lost on a live record. Some things from the gig itself don’t always translate quite as well to the album version. This is the only downside I can think of to this record, yet, it’s more of a failure of the medium. Some bands can really transcend it and make you feel like you’re at the gig from the live album alone. Here, I don’t think Planet of Zeus has quite pulled that off. Although, it’s a great recording and there’s all of the unfiltered crowd banter, as well as the audience chanting for the band. The recording of the crowd is great too. You hear their chants as clear as a bell and their interaction with the band is great. It must’ve been quite the crowd to be a part of night itself. Yet, there’s just something missing from it that stops it being an amazing live album. Don’t get me wrong it’s still a great listening experience but it’s not a great “live album”.

This is a fun record to listen to. A must buy if you’re any sort of stoner rock or groove metal fan. If you’ve never listened to Planet of Zeus I would say that this is a great album to get you started. Not only did they provide some of their best material but you get a small sample of what it would be like to listen to them live. Which is a treat! I adore Planet of Zeus (if I haven’t made that obvious) and having missed the Loyal To The Pack Tour, this was awesome for me to listen to. They are simply one of the best bands going today in my opinion and this live record should be more than proof to anyone who denies that sentiment.

4.5/5

Mick Birchall

DC4 – Atomic Highway

Posted in Uncategorized with tags , , , , , , , , , on 22nd October 2018 by Mickelrath

DC4

Atomic Highway

Hard Rock, Classic Rock

Released: 21 September 2018

via Highvol Music

With over 40 releases under their belts combined, it’s really easy to expect a lot from these bonified legends of the industry. DC4 are a supergroup formed by brothers, Jeff, Shawn & Matt Duncan with their brother-in-metal Rowen Robertson, who between them have appeared in such bands as Armored Saint, Odin, Killer Bee & the legendary Dio. So their rock n roll pedigree is far from in question. We know they can do the job. The question is this, are they any good? My answer, in a word, yes. It’s all the great aspects of classic hard rock and none of the fluff. Their new record, Atomic Highway is an enjoyable experience that will get any rocker’s mojo going. If the talent on display didn’t impress you, then know that Bill Metoyer produced and mastered the record. With bands like Slayer, Suicidal Tendencies, Corrosion of Conformity and the aforementioned Armored Saint under his belt. You can bet the album is going to sound as good as it can possibly be.

This album gives you everything you expect. Powerful riffs, gut-busting solos, commanding vocals and grooves for days. The band sounds so good, with strong songwriting and well-executed performances all around. It’s amazing how this automatically feels like a classic record with those familiar guitar sounds that you could swear you’ve heard before. The band just rides the groovy riffs and then go wild during the solos, whilst still maintaining that great control of the rhythm. No one member feels more important than the other, everyone plays their part beautifully. Sure, the rock style may be formulaic, but at this point, it’s a tried and tested formula of rock n roll and it guarantees that people keep listening and enjoy the songs. The impressive guitar solos are what sell this record for me. When the guitar is let loose, I can feel goosebumps shiver through my body. The precision and skill, blended with a wonderful rhythm section make the solos pop and really stand out.

Jeff Duncan’s vocal performance is great as well. He has a dynamic singing voice that ranges from powerful with a rough edge, to tender and well toned. When he sings, his voice sores above the production. The music matching the lyrical subjects really well and the squealing guitar contracts well against his vocal style. I really don’t think there is a dull moment of the album. A real shock for me came with their unique cover of The Who’s “Baba O’Reily”. Although it’s not a flawless cover version, this song is a beloved favourite of mine. So anytime I get to hear it, a smile comes to my face. It also comes with cameo appearances from Guns ‘N’ Roses’ Dizzy Reed on the keyboard and John Bush (Anthrax, Armored Saint) on guest vocals. So that was pleasant and made the song more whole then if the band just tried to do it outright.

In all honesty, you get what you pay for with this record. It’s meat and potatoes rock n roll. If you love your classic rock and that old school flair, then this is for you. As a kid who grew up thumbing through his dad’s old albums, this album is right up my alley. It’s familiar and new in all the right ways. It doesn’t beat you over the head with nostalgia. It simply feels like a record right out of the past with newer production. Atomic Highway is a solid album that will please people who love unapologetic rock music. Let me tell you, I’m having a ball listening to this record.

4/5

Mick Birchall

Browsing Collection – Don’t Want To Dance (EP)

Posted in Review with tags , , , , , , , on 18th October 2018 by Mickelrath

Browsing Collection

Don’t Want To Dance (EP)

Hard Rock, Alternative Metal

Released 26 October 2018

via Record Union

Sweden is such a hotbed for great rock and metal music. There just seems to be no end to the great bands I get to talk about from there. A new band for me, hailing from Skövde, are Browsing Collection. A punk rock band that hits you with the force of a heavy metal outfit. These four ladies are out to claim the world of hard rock for their own. Their new EP, Don’t Want To Dance, is certainly an attention-getter. Their metal influenced punk rock immediately grabs you and leaves you breathless. It all sounds so glorious. It’s honestly been a while since a band has grabbed my attention so immediately.

The EP opens on the tune “One Time A Year” an energetic song with lots of hype and an emphatic chorus that get the hard juices flowing. That energy flows through this EP like a surge of power. It’s the kind of song that gives that kick to get you up and moving. The next single from the band is “Something To Hold On To”. This is more of a party rock anthem and keeps that sense of intensity with its well-executed guitar lines and invigorating chorus. The EP just has a great sound and the band keep up an amazing energy throughout. Other songs I lie would be “Thank God It’s Friday” for it big sound and hard-hitting guitar, also, “Hi but No” is a great tune that shows the bands charisma and personality.

The production is outstanding with every instrument coming through loud and clear. These girls know how to make rock music sound so good, with an impactful and commanding presence that demands your attention. Their music has a big anthemic quality that’s great to sing along to. If I was getting ready for a night out this would be the music that would be blasting to get me hyped. Their riffs are kickass, their sound is tight and consistent with loads of energy and creativity. I have been listening to all of their releases on Spotify as well, let me tell you now, you need this band in your life a.s.a.p.

5/5

Mick Birchall