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EARTHBREAKER – Voice of the Voiceless

Posted in 'Core, CD, Metal with tags , , , , , , , on 11th January 2017 by Nico Solheim-Davidson

EARTH BREAKER
Voice of the Voiceless
Hardcore/Metal/’Ullcore
Self-Released: November 2016

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Hull – Otherwise known as the City of Culture – has a lot going on for it, especially in the music scene, which is where a promising young band known as Earthbreaker are currently making makes and lots of noise. Having only been around for just over a year, this melodic metal quintet have already made their presence felt – and heard – in North England.

Voice of the Voiceless opens straight up with the powerful and memorable track The Vipers Nest, which features an energetic and tenacious breakdown and some bestial vocal work. Family follows up almost seductively, with its overwhelming assault of guitars and differing and unique vocal sounds.

Misanthropy is a melodic track which is as catchy as the common cold but that doesn’t stop it from being heavier than an elephant’s arse. The guitars are heavy-duty, paving a path of broken bones whilst the rhythm sections lay down the gritty foundations. Whereas Deathwish brings a more emotive but just as unyielding sound to Voice of the Voiceless.

The EP finishes on Psychosis, with its enchanting dance between the guitars, bass and drums, making it a good track to finish on.

Voice of the Voiceless demonstrates Earthbreaker‘s well-founded sound in a way that leaves the listener wanting more and shows that this young quintet can go toe-to-toe in the pit with some of the heavy hitters on the scene.

4.5/5

Nico Solheim-Davidson

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Temples Festival 2016 cancelled

Posted in News with tags , , on 30th May 2016 by Nico Solheim-Davidson

Sad news for patrons of all things heavy as this year’s Temples Festivals has been cancelled. Francis Mace, the organiser of the Temples Festival, which was set to take place next weekend, made the following announcement on Facebook:

Patrons of Temples Festival,

After an arduous 48hrs of uncertainty, and with deepest reluctance we have been forced to cancel Temples Festival 2016.

At the beginning of last week, the organisation we had onboard to finance the event pulled their funding, and with limited access to advance ticket sales and no sponsors to back us we have been unable to source the funding required to cover the overheads which would allow Temples Festival to go ahead.

Following Temples 2015, we were left with a sizeable debt and as opposed to dissolving the company and declaring bankruptcy – I decided to take on the debts personally and subsequently pay off all our creditors in instalments as quickly as possible, this meant bands, staff and contractors were all paid late – and it’s had a crippling effect on both my professional and personal life as a whole – truth be told, I made a series of bad business decisions and dealt with the situation very poorly – which I take full accountability for.

I’ve spent the past week trying to gain access to the funds we need to make this year work and avoid the problems we encountered following last year’s event, with our financiers pulling their involvement – it’s been an uphill battle, which I’ve fought to the best of my abilities – and unfortunately, have been defeated.

Over the past weekend, I’ve been attempting to produce the festival’s continuation on a ‘scaled down’ level so we can offer something for those of you who have purchased tickets, accommodation, transport etc and allow the bands who are touring, UK based etc – unfortunately this morning it became clear that even if we were to proceed as such, we’d be left with another huge debt and therefore unable to pay the bands, staff, venue, contractors and a number of other crucial overheads the festival relies on – thus repeating the mistakes that were made last year.

Having already lost in the region of £70,000 throughout Temples Festival’s existence – I’m afraid adding more debt to that will simply cripple both myself and the festival, and after such a difficult year it’s not an option for me to take on such a huge debt personally.

I am deeply deeply sorry to all of those who will lose out as a result of this decision, having put three years of my life and having already lost so much of it to the festival I’m afraid there is no option to continue with Temples Festival 2016 and I take full responsibility for events cancellation. I am truly sorry.

My intention was always to setup a unique UK festival which books bands who are rarely seen in the UK, I’ve tirelessly dedicated myself to this event for a long time now and the decision to cancel this year’s event has been unequivocally the hardest call I’ve ever had to make in my life. My sincere apologies to those of you who will lose out as a result of this, I am truly sorry – but I can’t face another year of debts & damage.

Thank you to everyone who has actively supported Temples Festival from the start, I launched this ambitious event with the best intentions and unfortunately it’s become too damaging for me to oversee single handedly. Although curating the festival is something I’ve been able to do well – managing the business side of the event has proven too much for me. I’ve been promoting concerts for half of my life, and those of you who know of the work I’ve done will hopefully be aware of how upsetting and damaging this decision has been to me on every level.

Our ethos has been No Surrender for the past year, as I was determined to make this festival work and finish what I started. I’ve worked so hard to make this happen for our Patrons in 2016 but against my will and core beliefs – today’s news has forced me to surrender.

Ticket refunds are available from your point of purchase, please contact them for a full refund.

Again, thank you to those of you who have been supporting this event for the past three years – your encouragement and kind words have kept me going through incredibly difficult times and I hope that despite this negative outcome you’ve at least enjoyed the two events we hosted for you. I’m proud of what was achieved with this event, and if there was any way of making this year work I’d be continuing with the same passion and dedication which oversaw the last two editions of Temples Festival.

With the utmost regret & sincerity,

Francis Mace
– Temples Festival

Following this cancellation, a number of bands have been left without dates for the first weekend of June. Rumours are doing the rounds at the moment, implying that one of the reasons for the cancellation is that acts that played last year’s Temples were never paid and the cancellation will have a knock-on effect towards the rest of the UK scene as well.

Akercocke set to no longer play Bloodstock

Posted in News with tags , , , , , on 25th May 2016 by Nico Solheim-Davidson

In a bizarre turn of events, Akercocke, who recently reformed, have announced on their Facebook page that they will no longer be playing at this year’s Bloodstock Festival. The announcement reads:

Dear friends and fiends,

Owing to politics we neither understand nor participate in, we have been pulled from the Bloodstock 2016 line up.

Akercocke

Understandably some Akercocke fans have voiced their displeasure at this news, with some of them referring to the festival as being petty and a joke. While the exact reason is unknown to Akercocke being pulled from the billing, it appears that it has something to do with the organisers of Bloodstock trying to keep an illusion of exclusivity as the band have been confirmed to play Damnation in November and will be touring the UK later this year.

At the moment, Bloodstock have not made a statement to as why Akercocke are no longer on the bill.

***UPDATE***

Adam Gregory, one of the organisers of Bloodstock left the following comment on the band’s post:

As much as we would like to answer your questions with our reasons for being forced to cancel the bands appearance, out of respect for the band, we wont air our laundry in public, but rest assured Bloodstock was left without any option on this occasion.

Akercocke online:

http://facebook.com/akercockeofficial

Dakesis Confirmed As First Co-Headliner at Northern Symphony

Posted in News with tags , , , , , , , , , on 8th May 2016 by Nico Solheim-Davidson

Birmingham’s premier power metal quartet Dakesis have been announced as one of two co-headliners at Northern Symphony 2017, the UK’s premier festival for all things symphonic metal. With the release of A New Dawn and their recent tours last month in both Finland and the UK, Dakesis are set to reach new heights.

Dakesis are a four piece Progressive Power Metal band from Birmingham, UK. Formed in 2008, with the release of a limited edition four track E.P they soon followed on with their debut album Trial By Fire in 2011 to much critical acclaim. Following on from their success of this album and extensive touring and festival appearances throughout the UK, the band went on to record their second full length album The New Dawn which was released in March 2016.

Their latest release was recorded at Carbon Studios in Birmingham and mixed by Nino Laurenne at Sonic Pump Studios based in Finland (Ensiferum, Wintersun, Stratovarious and Firewind) and sees a marked change in the direction of the band. With more progressive influences and the addition of powerfully epic orchestral backing alongside new session keyboard player Jacob Underwood, Dakesis have sculpted a vast instrumental soundscape alongside the heavier metal influences.

The band have toured the UK extensively and have enjoyed prestigious support and festival slots including playing with Edguy, Thunderstone, Blaze Bayley and Pagan’s Mind and performing at Glastonbudget, Bloodstock Open Air 2012, Valkyrian Festival and headlining the Cackblabbath Stage at Wildfire Festival in 2015.

Northern Symphony will take place at The Venue in Selby on Saturday 15th April 2017. Early bird tickets are set at the low price of £4 and are available from either Northern Wynter Music’s BigCartel store or Skiddle.com.

More bands are set to be announced in the coming months.

Dakesis online:
http://dakesis.com
http://facebook.com/dakesis

Daemona – The Demon Inside [Single]

Posted in CD, Metal with tags , , , , on 20th February 2016 by Nico Solheim-Davidson

Daemona
The Demon Inside
Released 1st March 2016
Death Metal
Self-Released

Hailing from East Anglia, the home of the infamous Black Shuck, come the fearsome death metal quartet Daemona. Formed in 2012, the band have left nothing but a path of devastation in their wake and have had the honour of playing alongside the likes of Devilment and Nervosa.

The Demon Inside roars into action immediately, displaying the snarling talent of guitarist Strix and bassist Dan as riffs as cold as a Norwegian winter blast their way through the speakers. The vocals, as provided by The Cuntess, are a fiery and unholy abomination that leaves you begging for more as the riffs continue to thunder down like brimstone from the sky.

The Demon Inside is a stormy taster of what Daemona offer with their vehement anthems of hatred. Every death metal fan needs to hear this single.

4.5/5

Nico Solheim-Davidson

Daemona online:

http://facebook.com/DaemonaMetal

Two New Additions For Northern Symphony 2016

Posted in News with tags , , , , , , , , , on 20th January 2016 by Nico Solheim-Davidson

Two more bands have been announced to join the likes of Theatres des Vampires, Old Corpse Road and Alwaid at the second edition of the UK’s leading symphonic metal festival: Northern Symphony.

Scottish suited-and-booted black metal corporation Maelstrom, who have supported the likes of Alestorm and Tyr in the past, have been announced to headline the Infernal Orchestra stage on 16th April this year. The band’s keyboardist Jaime Cross comments:

It’s a massive honour to have been picked to headline the Infernal Orchestra stage. We’re all excited about the festival and we always enjoy our shows in England. We look forward to seeing you all there!

Joining Maelstrom on the Infernal Orchestra stage are Ward XVI, who describe themselves as theatrical avant-garde rock. Mixing haunting melodies and female vocals with heavy guitar passages and the occasional segment of accordions, Ward XVI are an interesting addition to the festival.

Northern Symphony Festival will take place on Saturday 16th April at The Venue in Selby. In total, there will be 14 bands across 2 stages. The Midnight Waltz stage will be headlined by Italy’s legendary vampire-themed metal band THEATRES DES VAMPIRES.

Advance tickets are available for £15 from the festival’s BigCartel store.Further information is available at the festival’s official Facebook page.

Liv Kristine: “I’d love to further cooperate with Simone”

Posted in Interview with tags , , , , , , , , , on 9th January 2016 by Nico Solheim-Davidson

Nico interviewed Liv Kristine, the charismatic and Valkyrie-like frontwoman of Leaves’ Eyes in Sheffield on their UK tour, in support of the new album King of Kings.

Nico: Hi Liv, how are you?

Liv: Very good, how are you?

N: I’m great, thanks.

L: Good to see you again.

N: Good to see you too. How has the tour gone so far?

L: Really really well. We’re on the UK leg of the tour now and we have one third of the tour still to play. That’s going to be for the UK only. The first leg was for the rest of Europe which was really nice too. Paris: awesome, Belgium: awesome. But the UK is always something special, we have a very big and strong fan base here. We have fans and friends who follow us for every gig and that’s a privilege. I see that the market for our kind of music is growing here, and that’s maybe not the case in Germany. So it’s very good to be back, we’ve already played three gigs and it has been absolutely fantastic.

N: You’ve released a new album recently: King of Kings – which you’ve based on Harald Fairhair. Obviously Scandinavian history, old Norse history in general, is full of fascinating characters like Eirik Bloodaxe.

L: That’s one of Harald’s sons. You’ll find him in the first or second bonus track, it’s called Trail of Blood. That’s a song about him. So who knows what the next Leaves’ Eyes album is going to be about. We know that Harald had many sons and daughters.

N: There are so many other characters like Erik the Red or Leif Erikson. What is it about Harald Fairhair that stood out from the rest of all these great characters and infamous villains? What made you want to do an album based on his life and his legacy?

L: Because I grew up with the legacy of Harald Fairhair. The decisive battle that made him become the king of Norway took place in a fjord called Hafrsfjord, which is my birthplace. So Harald Fairhair has always been there. I’ve always been interested in history and it happened exactly two years ago, over a morning cup of coffee that Alex came up with this idea: what about king of kings? I started digging through all my books and I contacted my mother in Norway to collect stuff at museums and libraries. So it has been amazing to study Harald Fairhair’s life and to divide it into twelve chapters. Parallel to my studies, Alex and Thorsten composed songs at the studio. We’ve been very busy, it has been a very intense process but highly creative. We had so much fun and it means a lot to me to have this album released. It’s definitely a milestone in the career of Leaves’ Eyes. And as I said, it happened at my birthplace so.

N: I highly praised the album for Valkyrian Music..

L: Thank you very much! I read it, of course.

N:Good! Obviously it’s brilliant to see that you guys got back to how you originally started with tales of Viking warriors, going forth into battle, exploring lands and so on. How would you say that King of Kings compares to the rest of the Leaves’ Eyes discography?

L: I’d say King of Kings has a connection to The Vinland Saga, which was thematically about Leif Erikson and his discovery of America. So if there is a link to any other album, I’d say The Vinland Saga. You already mentioned the folky instruments and the folky touch and the orchestra and everything so it has been there all the time but every album has been different. Now King of Kings happened, it was great to see how everything came together. We worked on every song as if it were one individual piece of music. We added any instrument from London Voices to White Russian Orchestra, cello, flutes…everything. We worked on every song until all three of us, Thorsten, Alex and I being perfectionists, said okay let’s go for the mix, its fine.

N: On this album you added Simone Simons from Epica and Lindy-Fay Hella from Wardruna. What was it like working with those two women on the two tracks that they featured on?

L: Absolutely amazing. Of course I know of the series Vikings and I just thought the music is amazing, the soundtrack is amazing! Who is that girl singing? I found out she’s from Bergen! Through a common friend of mine and of Wardruna, I got Lindy-Fay‘s contacts. I contacted her and she said “of course, I know you and I would really like to work with you”. So I sent her Blazing Waters and we were blown away. A couple of weeks later I flew to Bergen and met Lindy-Fay. I presented her Blazing Waters and she loved it, it was definitely golden. She’s a lovely girl and a great musician.

Simone lives one hour away from us so it was about time to invite her to come to our studio. She’s been at our place before but it has been quite a while. She’s a mother now so she’s busy, but she came by and she listened to the song and…I’d say we are a perfect match. Lovely, lovely to work with her.

N: Obviously Epica and Leaves’ Eyes, despite falling into the symphonic metal genre, have got two completely distinct styles. Do you think there will be any sort of crossover between from the recent collaboration between you and Simone?

L: I don’t know. I have no clue, we’ll see. I love Simone and her work, she’s a lovely girl and we are both mothers… We live one hour away from each other so who knows. I’d love to further cooperate with Simone. It would be great.

N: Going back to Harald Fairhair. You obviously studied his saga, his life story quite extensively for the album. What would you say is the most fascinating aspect about the man?

L: We got a few facts about Harald through Snorri, but Snorri came about a couple of hundred years later. Next to that we got the sagas and the tales of the Norwegian kings, where you can find a lot of interesting written words about them to honor them. I think it is absolutely amazing to read the different approaches to his person, because he must have been exactly as unruly, wild like his son Eirik Bloodaxe. He must have been exactly like that himself. In many of the tales or poems about Harald it is told that he was beautiful and that he could have had any woman: he was very glorious. It’s fascinating to read other stories like the battle of Hafrsfjord; about blood being everywhere and the fjord burning or different sceneries, a different Harald.

N: He certainly sounds like an interesting figure. As a fan of both Vikings and Game of Thrones, which one do you prefer?

L: Vikings. Last time it would have been Game of Thrones but it’s Vikings now because of the music. Of course because of my friend Lindy-Fay who’s in there. Although it’s made in Hollywood, I think it’s very nice. It’s very nice to watch those great actors. I love it. And also because I’m Norwegian.

N: That’s very good. Thank you for your time. Have a lovely show tonight.

L: You’re welcome, thank you very much and thanks for coming.

Leaves’ Eyes online:

http://leaveseyes.de