Archive for May, 2022

CrashDïet w/ support – Madrid, Spain

Posted in Gig, Live with tags , , , , , , , , , on 29th May 2022 by Pieni

CrashDïet, Shiraz Lane, King Zebra
Sala Caracol, Madrid (ES)
25th May 2022
Promoted by Madness Live

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The golden age of glam & sleaze rock may have officially been the eighties, but there are a handful of bands capable of convincing you that such age is now. CrashDïet is one of them. After the “Rust” tour being cancelled due to the heinous pandemic in 2020, the release of “Automaton” late last month provided a payback in spades.

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The doors opened about 15 minutes after scheduled, but King Zebra got on stage at the announced time (19:30). Not sure of how many people knew the Swiss – I didn’t and yet I found myself singing along the catchy choruses of songs such as “We’re The Survivors” or “Under Destruction”, so maybe the words also got easily into other people’s brains – but everybody seemed real happy to see them. Thundermother’s Guernica Mancini wasn’t at the show, but King Zebra played “Wall Of Confusion” just the same and singer Eric St. Michaels was clearly proud of having such collaboration in the band’s discography. It was “Firewalker”, however – a song “very popular on Spotify” – that raised the spirits of the crowd a bit higher than they already were.

https://www.facebook.com/KINGZEBRA.band

shzln20221Shiraz Lane, on the other hand, had a lot of enthusiastic fans waiting for them. What a roar exploded at Sala Caracol when they hit the stage! They haven’t released a full-length album since “Carnival Days”, back in 2018, but its follow-up should be out soon, as a few new songs are already rolling on YouTube. One of them, “Disconnect From The Matrix”, was posted two days after this show but the Finns already graced us with it. Such a fiery performance from all members, but it was obviously singer Hannes Kett who had the chance to dance and jump around more, as well as bond with the audience with heartfelt speeches. When announcing the last song – which got a loud “NO!” in response, especially when Hannes said they had to play the following night for “your friends in Barcelona” (I wonder if there’s any country with no rivalry between its major cities…) – he said we must remember that love is the most important thing, more than ever. Then their own version of Savage Garden’s “To The Moon And Back” was on and in the last moments of it, Hannes went into the crowd to sing among us.

https://www.facebook.com/ShirazLane

CDT20223I believe Gabriel Keyes was somewhat sick, or at least tired. Wait, let me rephrase it – his voice might have been tired, ‘cause the way he rocked that stage through and through was evidence of a powerful energy. It was the first time I was seeing him live, but I’d seen videos – including the Quarantine Thrills – so I know what his voice is capable of outside a recording studio. Changing the higher pitches into lower ones in order to not go out of tune was a bit disappointing at first, but eventually I got used to it and had to appreciate the effort (one CrashDïet gig cancelled was enough in my book). I’m still bummed that they didn’t play “Shine On”, though, as it’s probably my favorite song out of “Automaton” and I know they had played it in the previous dates of the tour. But listening to so many “oldies” such as “Tikket”, “It’s A Miracle” (dedicated to all of us, for being there after all the world’s been through in the past couple of years), “Breakin’ The Chainz” and “Queen Of Obscene” (yes, and “Riot In Everyone”, of course, but that one is mandatory) certainly made up for the absence of my most recent fav track. Curiously enough, despite being the “Automaton Tour”, they’ve only played two songs off it – “Together Whatever”,which opened the show and made everyone go wild right from the start, and later on “No Man’s Land”. And from “Rust”, the first album featuring Gabriel, only “Reptile” came up. It’s great to see he feels so comfortable singing all those songs he didn’t originally record – they’re CrashDïet songs and he’s their current (hopefully last!) lead singer. Period!

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More or less in the middle of the show, he stepped off stage (maybe to rest his voice?) and let guitarist Martin Sweet sing a Nirvana song (“Territorial Pissings”). What an unexpected blast, and I don’t even like Nirvana that much! What I wasn’t expecting either was to see both King Zebra and Shiraz Lane members getting on stage and singing “Generation Wild” at the end of the show That’s the kind of thing that usually happens when wrapping up tours so it’s quite an understatement to say I was really glad that these bands don’t go by “the usual”.  

https://www.facebook.com/realcrashdiet

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Text & photos by Renata “Pieni” Lino

New Behemoth album coming in September

Posted in Misc., News, Studio Report with tags , , , on 11th May 2022 by izaforestspirit

The legendary Polish blackened death metal band Behemoth have just announced that their new album, the follow up to ‘I Loved You At Your Darkest’ will be entitled ‘Opvs Contra Natvram’. Here’s what their front-man Nergal had to say about it:

The album title means ‘going against the current’. It’s the negative of the values and morals and ethics that I, Nergal, stand against. I’ve seriously been wrestling with destructive tendencies in pop culture – cancel culture, social media, and tools which I feel are very dangerous weapons in the hands of people who are not competent to judge others. That’s something which I find very destructive and disturbing – and extremely limiting coming from an artists’ perspective.

This album is my middle finger to that.

Here’s the cover art and track-listing:

  1. Post-God Nirvana
  2. Malaria Vvlgata
    3.The Deathless Sun
  3. Ov My Herculean Exile
  4. Neo-Spartacvs
  5. Disinheritance
  6. Off To War!
  7. Once Upon A Pale Horse
  8. Thy Becoming Eternal
  9. Versvs Christvs

‘Opvs Contra Natvram’ will be out in digital and a variety of physical versions on 16th September 2022 via Nuclear Blast Records. Those who opt for the physical formats will have a choice of a white or black covers for the limited vinyls and the CD digibooks.

For now you can check out their video for the new single ‘Ov My Herculean Exile’:

For more information go to:

https://www.behemoth.pl/

https://www.facebook.com/behemoth

CrashDïet – Automaton

Posted in Review with tags , , , , , on 5th May 2022 by Pieni

CrashDïet
“Automaton”
Glam/sleaze rock
Released: 29th April 2022
Via Dïet Records

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As many shades as glam & sleaze music can take, one can only go too far without stepping out of character and keeping the outcome fresh at the same time. But six albums later, CrashDïet still nail it.

“Together Whatever”  has the carefree rhythm and triumphant message of a rock anthem – the same formula they’ve used in the past with “Riot In Everyone” or “Generation Wild”, and yet sounds so state-of-the-art.

I’ve once said something about CrashDïet taking in the traits of the golden ages of glam rock and making them their own in the present day, and “Shine On” is the epitome of such statement – a tribute to the eighties, the electronic undertones and the defiant chanting finishing a true earworm with class.

The beginning of “Dead Crusade” is a dead ringer (no pun intended) of “Anarchy”, true, but it soon evolves to something more seductive, something you’d want to sway to instead of acting up. In fact, the melodies of this album are the richest (so far) in their discography – no, I don’t mean just the weeping of the acoustic guitar in “I Can’t Move On (Without You)” but, for instance, every catchy bit of “Darker Minds” or “We Die Hard”. The same fiery songwriting but a more elaborate, more mature result. The older, the wiser?

And speaking of wise… to say I’m not the biggest fan of Steel Panther is an understatement, but I acknowledge the legends they’ve become, and if the Swedes needed a somewhat-husky-sexy voice to contrast with Gabriel’s bright pitch in the pulsing “Powerline”, Michael Starr was definitely the smartest move.

Wherever Dave Lepard’s soul may be, I’m sure it’s proud.

9/10

by Renata “Pieni” Lino