Archive for October, 2021

Cradle of Filth – Existence Is Futile

Posted in Review with tags , , on 22nd October 2021 by izaforestspirit

Cradle of Filth
Existence is Futile
Released 22nd October 2021
Symphonic Black Metal/ Extreme Gothic Metal
Released via Nuclear Blast

Cradle of Filth - Existence Is Futile

The leaves have fallen, the nights are getting colder and autumn is now truly upon us. As we approach the Halloween season it seems like the perfect time to check out the latest album from the world renowned British extreme metal band Cradle of Filth. This delightfully eerie-looking opus is entitled ‘Existence is Futile’ and it’s the first album to feature the band’s new keyboard player Anabelle Iranti (also of Devilment). I’ve been a fan of their music since my early teens, so I’ve been really looking forward to this.

Now let’s just take a moment to adore the marvelously nihilistic cover art and Dani Filth’s song titles of lyrical poetry. You can’t really get more Gothic horror than a title like ‘How Many Tears To Nurture A Rose’. Music-wise this album feels like a continuation of ‘Midian’ with dose of ‘Nymphetamine’ mixed in. Crawling King Chaos first caught my attention due to infectiously catchy chorus, impressive riffs and symphonic keyboards. That chorus has been stuck in my head ever since I saw the music video. The aforementioned How Many Tears To Nurture A Rose is packed with thrash metal -style guitar riffs, well placed ethereal backing vocals and Dani Filth’s screams sound as creepy as ever.

The global warming -themed Suffer Our Dominion really reminded me of ‘Midian’, partially due to Doug Bradley’s spoken word intro. In a way it feels like a continuation of where they left off with ‘Her Ghost In The Fog’. It has the same atmosphere with the eerie keyboards creeping in the background paired with Anabelle Iranti’s angelic vocals which provide the ideal contrast to Dani Filth’s abrasive shrieks. The Hellraiser actor then returns to lend his voice for one of the bonus tracks Sisters of the Mist which concludes the trilogy that began with ‘Her Ghost In The Fog’. The spooky keyboards are an absolute treat. I adored Dani Filth’s haunting whispers midway through the track. A true masterpiece of Gothic horror.

In summary, despite of the bleak concept behind it, ‘Existence Is Futile’ is a surprisingly entertaining album to tune into. As far as symphonic black metal goes it ticks all the right boxes. The songs get better with each listen. It’s impressive that even after this many years and several line-up changes Cradle of Filth are still able to create a strong record that’s worth going back to.

8/10

Iza Raittila

Spirit of Rebellion – Time for Global Refusal

Posted in Review with tags on 14th October 2021 by izaforestspirit
Spirit of Rebellion 
Time For Global Refusal
Released 28th July 2020
Death Metal
Released via PRC Music

‘Time For Global Refusal’ is the new album from the Quebec-based Canadian death metal outfit Spirit of Rebellion. They have been active since 2001.

As far as the genre goes, Spirit of Rebellion falls into the brutal and mid-paced variety with the occasional thrash metal riff thrown in. Most of the time it sounds like old school death metal and at times it reminded me of Cannibal Corpse. Having listened to the album a few times, I had some serious trouble telling the songs apart. A lot of them sound very similar. There are no real moments which would allow the listener to have a breather and relax for a while. It’s pretty much a full barrage of relentless drumming, ferocious guitar shredding and guttural growls from the moment that you hit the play button.

Collateral Damages caught my attention due to the thrash metal -style guitar work. The song itself is still very much in the old school death metal category with more brutal growls and more merciless drumming. Apart that none of the other songs really stood out.

Overall, ‘Time For Global Refusal’ is a decent old school death metal album. Sadly for me it doesn’t really offer anything dramatically new or exciting. If I wanted to listen to something similar I would probably listen to some Cannibal Corpse instead.

6/10

Iza Raittila

Sabaton reveal new album details

Posted in Misc., News, Studio Report with tags , , on 8th October 2021 by izaforestspirit

The well renowned Swedish power metal band Sabaton have recently announced that their new album the follow up to ‘The Great War’, will be entitled ‘The War To End All Wars’. Like its predecessor this one will also be focusing on World War I.

Here’s the cover art and track-listing:

Sabaton - The War to End All Wars
  1. Sarajevo
  2. Stormtroopers
  3. Dreadnought
  4. The Unkillable Soldier
  5. Soldier of Heaven
  6. Hellfighters
  7. Race to the Sea
  8. Lady of the Dark
  9. The Valley of Death
  10. Christmas Truce
  11. Versailles

‘The War To End All Wars’ will be out in both physical and digital formats on March 4th 2022 via Nuclear Blast Records.

For more information visit: https://www.facebook.com/sabaton

https://sabaton.bandcamp.com/

Ministry – Moral Hygiene

Posted in Review with tags , , , , , , on 1st October 2021 by Mickelrath

Ministry
Moral Hygiene
Industrial, Nu-Metal
Released: 1st October 2021
via Nuclear Blast

Ok, this album is pretty intense. They have never been the sort to hide away from their views and thoughts on the world. On this album they really go for the jugular and hit home. Their unique blend of eletronica and metal is present and their industrial sound is very stylish and works well here. Ministry is one of those bands that I could never truly get into fully. They make music that is slightly out there music and it can be quite difficult to get into at times. I guess I just have to be in the mood for it. However, this new record Moral Hygiene is an interesting listening experience… in 2021. It really does feel that the band should’ve released this in Donald Trump’s presidency. As some of the lyrics are questionable.

As always with Al Jourgensen and his merry band of industrial insanity, the music is pretty heavy. Both in lyrical theme and in production. The production itself reminds me of all of the good things in the industrial genre. Heavy toned chords, electronica and heavy percussion that hits hard. The music is really abrasive and confronts you directly. It’s a Ministry album, to say the least. I really like how the album flows together from one song to another. Like the intro “Alert Level” goes straight into “Good Trouble”, which makes the album more bingeable, and allows the listener to go through repeat listens without too much stop, start. You can tell that Ministry has a clear influence in EDM as they integrate EDM into heavy metal quite well and pretty seamlessly. 

Lyrically, you can tell that the band wanted to put this album out during the Trump administration as quite a few lyrics seem to be directed to him and the support for the republican. It ultimately still works. Though it’s still jarring in 2021 after Trump is no longer in power. The same can be said for the previous album AmeriKKKant. It’s not bad but it makes the album pretty dated. Unlike other political rock albums they don’t really make much of an effort to make the songs timeless. An example of political albums that stood the test of time would be The Clash’s London Calling

Overall, not a bad album. Again, I’m not much of a fan of Ministry but this was a bit more listenable than a lot of their work that I’ve been exposed to. It’s a good album and for Ministry fans, it’s more to add to the back catalogue. 

6/10

Mick Birchall