Stelios Gatziolis – Sphere of Resonance
Stelios Gatziolis
Sphere of Resonance
Instrumental, Progressive Rock
Released: 30th September 2018
Self Released
What do I say about this one? It’s weird, I mean I grew up listening to a menagerie of different rock and metal styles. One of the records I loved was Surfing With The Alien by Joe Satriani. From there on in I always made time to instrumental records done well. So, here I am listening to the new EP by Stelios Gatziolis and I’m not getting into it. I don’t know there really feels like there is something missing from this and I can’t put my finger on it at all. The new EP, Sphere of Resonance dropped last year and it’s done well for the solo guitarist. As well as that, this EP features ex-Dream Theatre keyboardist Derek Sherinian, who put his seal of approval on Stelios’ playing by featuring on the tune “Doomgazer”. Not a bad endorsement at all.
The four-track EP is relatively impressive from a technical level. The intricate guitar skill of Stelios is really impressive. The way he weaves in and out of melodies is awesome, it really is a captivating listening experience. The backing band creates a nice backdrop for the guitar to truly shine. The heavy booming bass perfectly syncs up with the well-executed drum work. The keyboard and synths add a really nice atmosphere to the tunes. The guitar playing is slick and you soon pick up on his playing style. As each song has a slightly different variant on this style. The songs all play on the rule of tension and release. Each song builds up the tension and then has a massive payoff of guitar goodness. The song featuring Derek Sherinian, “Doomgazer” probably uses this technique the best.
Unfortunately for all of its positives I still can not get into it. For the most part, it just feels soulless. It just feels like a passion project that was meant for the artist himself and no one else. In fact, it feels like a demo to a much bigger project yet to be released. Unfortunately, I don’t know if such a project is on the way but I hope it is. You know, to justify this EP’s existence. The songs, whilst impressive on a technical level, are meandering and trite. I’m fine with ‘progressive’ music but this feels like a jam session that was recorded and released.
It’s decent enough and I stand by both parts of my review. From a technical view, it’s really good. Yet, at an entertainment level, it’s a little toothless for me.
2.5/5
Mick Birchall
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