Turbowolf – The Free Life

Artist: Turbowolf

Album: The Free Life

Genre, Psychedelic, Punk, Electronic

Released: 09 March 2018

via So Recordings

The Bristol based psychedelic punk rockers, Turbowolf, are back with their third album, The Free Life. They’re definitely one of those bands that are so different and distinct that you either love the sound or hate it. I personally, love what they produce. I like bands that really challenge their listeners and do something different and Turbowolf have that spark, something that their fans can connect with which leaves casual fans with intrigue (and I’m sure some confusion). I loved their 2011 self-titled debut so much. It was a burst of creativity and really delivered a full package of excitement, not bad for a first outing. Their 2015 album, Two Hands, left me a little disappointed, maybe it was just the victim of over-hype, but it just wasn’t as good. Some great songs individually but the album wasn’t as well put together for my liking. However, early demos and singles from this album sounded interesting enough for me to want to get the whole album and a proper spin.

The album sparks with energy straight off of the bat, with the infectious No, No, No. The synth, guitars and bass all meld together to create this delicious soup of electronic noise. Exactly how you want a record to open, with a punch of punk right in the senses. Across the board Turbowolf seem to have more of a toned sound on this album. Guitarist Andy Ghosh and bassist Lianna Lee Davies bring the heavy riffs that feel heavier. When they kick into full punk mode you feel this rush of psychedelic electronic sounds. The riffs are tight and the basslines are highly enjoyable. Every second of this album hits hard and fast with all of the verbose and intricate sounds that Turbowolf have become known for. Chris Georgiadis’s vocals fit well. He delivers the lyrics in such a way that you have to pay attention to what he’s saying. Then when the vocal harmonies come in, it leaves an impact. On a sound design level The Free Life impresses and on writing level it’s excellent. Turbowolf do everything in their power to bend the very concept of music to their whims.

Also, with this album comes a slew of featured musicians to collaborate on this project. Joe Talbot of fellow Bristol band Idles, lends his vocal talents to Capital X. Sebastian Grainger of Death From Above adds his musical mind to the track Cheap Magic. Mike Kerr of Royal Blood trades lines with Chris in the mind melter of a tune Domino. Finally, Chantal Brown of acclaimed psyche-metallers Vodun adds her flair to the song Very Bad. Usually I would say having this many featured guests cheapens a record. However every single one adds something unique to their respective song and makes the album all the more varied and diverse. One thing is for sure, you will not be bored with this album in a hurry. There is so much to appreciate and the talent on display is immense.

Now like I said Turbowolf are a very distinct band, so this will not be to everyone’s taste. If you’re not into this type of music then this album will do very little to change that mindset. They have definitely chosen their direction. Whereby they push the medium further with every release. I mean they do have some crossover appeal and casual audiences will probably take to the singles, as they do get radio play. However, the albums go full on weird mode and it can be a little much for the average listener. They’ve always had that effect though, so nothing new there. I’m very much into the sound on display here. There’s a creativity and splendor to the album that makes it sound so interesting. From its most intense punk moments to the mind-bending distortion and synths that gives them their signature sound. You will not mistake Turbowolf for anyone else, they hit the mark perfectly here.

5/5

Mick Birchall

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