Devilment – II – The Mephisto Waltzes
II- The Mephisto Waltzes
Released 18th November 2016
Symphonic Gothic Metal/ Groove Metal
Released via Nuclear Blast Records
It’s been two years since the release of Devilment’s debut album ‘The Great and Secret Show’. I’m guessing that most people (myself included) first discovered the band after reading about it being ‘a side-project’ of the Cradle of Filth frontman Dani Filth. The band was formed in 2011 by the guitarist Danny Finch and a group of friends in the town of Ipswich, England. Then a little later Ipswich resident, Dani Filth joined the ranks. Fast forward five years, a few line-up changes and the so called ‘side-project’ has developed into something far more serious. Since the success of their debut album, Devilment has been touring and this year their second opus ‘II – The Mephisto Waltzes’ saw the light of day.
I think that the biggest mistake that anyone can make with Devilment is to compare them to Cradle of Filth. Whilst both of the bands feature Dani Filth on vocals and share a fascination with horror themes, the similarities end there. THIS IS NOT CRADLE OF FILTH. You won’t find too many tales of Victorian Gothic horror here or lyrics such as “Evening minuetto in a castle by the sea.” What you will find though, are several references to horror movies, modern horror literature and art – most notably Alfred Hitchcock and Stephen King. The surrealist artist Salvador Dali is also mentioned in one of the bonus tracks on the limited edition.
Hitchcock Blonde caught my attention even before the album was released thanks to the creepy video. The song itself is an entertaining piece of keyboard-heavy melodic metal with a touch of humour in the lyrics. They even went through the trouble of mentioning the names of the blonde actresses from Hitchcock’s films. Similar things can be said about somewhat Gothic-sounding Dea Della Morte; another song filled with horror film and TV show references . If you are looking for something more profound, perhaps with a touch of dark poetry then Full Dark, No Stars is the track for you. It’s a truly beautiful song which highlights the vocal talents of singer/keyboard player Lauren Francis whose angelic voice provides the perfect contrast to Dani’s harsh vocals.
Not all the songs are melodic and keyboard-driven though, for example Shine on Sophie Moone picks up the pace with the drums and the thrashing guitars glaring in the spotlight. This is by far the heaviest song on here. It is also the most complex one treating the listener to a wide range of styles ranging from the fast and furious, to the melodic via an experimental part in the middle.
In summary, Devilment have clearly had lots of fun composing and recording this album. No matter how dark and sinister the lyrical themes become, the music has a certain playful tone to it. As far as genre definitions go, it’s a total mish-mash – Gothic but not overly theatrical, symphonic but never quite reaching the orchestral let alone operatic level; with hints of groove metal and a slight experimental flavour added in just to keep you on your toes. So if you dare to dance with the devil then it’s time a for a waltz with Devilment!
This entry was posted on 12th December 2016 at 8:44 pm and is filed under CD, Metal with tags Dani Filth, Devilment, Gothic Metal, Groove metal. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.