Archive for July, 2016

Gojira + Equaleft – Porto, Portugal

Posted in Gig, Live with tags , , , , , , on 9th July 2016 by Pieni

Gojira, Equaleft
Hard Club, Porto (PT)
7th July 2016
Promoted by Prime Artists
 photo _DSC0687 copy_zpsssgxdyge.jpg

July and this was the first time this year that I’ve worked with Prime Artists. They’ve promoted several gigs lately but all in Lisbon and I haven’t had the chance to cover those almost 200 mi. And even though it makes sense to promote a show in a more central, strategic city like the capital, after last night I start wondering if it isn’t also related to the conditions offered by the venues. Hard Club, seriously, what the hell happened to you?! After Ghost, last November, I thought you’d realized it was time to do something about the sauna-temperatures that place can achieve. You indeed bought huge fans to help the AC system in its job, but unless you actually turn them on… And you may think that I’m overreacting, that just a couple of lines on the subject would suffice, but when a band like Gojira is playing a sold-out show and it’s forced to shorten the set because the musicians are close to passing out due to the heat, yeah, a whole paragraph on Hard Club’s greed and lack of professionalism is appropriate.

 photo _DSC0346 copy_zpsjfc9rouy.jpg

Now let’s focus on the good things – the concerts. There’s always some disregard for local, smaller bands, but this time almost everybody was present when Equaleft got on stage, at nine o’clock sharp. When Gojira headlined Vagos Open Air a couple of years ago, there was a petition for Equaleft to be included in the bill, as their sound is the best match to the French’s. At the time it wasn’t possible but I guess you can’t fight what’s meant to be. This was also the first gig of guitarist Miguel Martins, after a short introduction in December, when he played just a couple of songs (report here), but it was such a milestone in Equaleft’s career that former guitarist Veggy flew all the way from Brazil to take part in it.
 photo _DSC0635 copy_zps5jodxrcg.jpgI’ve been to too many Equaleft shows to know how good they are and what kind of positive feedback they get from the crowd, but this being their first time playing in front of so many people, it brought me a special sense of joy & pride – there was a fair share of longtime fans, but they were a novelty to the majority and I saw them surrender to their power groove. And to the chocolate butter cookies they gave away in the end of the show, as it’s their tradition, when singer Miguel returned on stage after a little crowdsurfing (also his usual).

www.facebook.com/equaleft

 photo _DSC0766 copy_zpsn7lmusgx.jpgIn thick smoke, strobe lights and louder-than-hell roars, Gojira took the stage with “Toxic Garbage Island” – and from the very first second to the last, the crowd gave a new meaning to the words enfants sauvages. They were restless ven during the tribal drum solo of Mario Duplantier, clapping their hands to the rhythm nonstop.
When Joe Duplantier addressed the audience, apart from the little pleasantries that he knew how to say in Portuguese, he said they loved our country and compared the city of Porto to a fairy-tale. Later he would mention the UEFA Euro 2016, saying “congrats on the final”, and as France had beaten Germany minutes before the show, he said how the victory would be good to France, given all the social-economical crisis their country was going through. We didn’t take it bad – there wasn’t a single whistle or boo – but the way “POR-TU-GAL! POR-TU-GAL!” echoed through the venue, showed him we weren’t keen on letting them win easily.
“Shooting Star” would end the show after about one hour and a quarter, with Mario stage-diving into the eager crowd. “Explosia” should have been the last, but they couldn’t take the heat any longer, as aforementioned. Still, band and audience left “hot club” (as Joe called it) with their hearts full.

 photo _DSC0681 copy_zps0a1izyi4.jpg

www.facebook.com/GojiraMusic

Text & photos by Renata “Pieni” Lino

Full gallery in our Facebook page here.

Ice King announces European and U.K. tour dates

Posted in Alternative, Experimental, Misc., News, Uncategorized with tags , , , on 6th July 2016 by izaforestspirit

The Belgian “Epic Avant-Barde” musician iCE KiNG is currently on a European tour.

This is for those who enjoy experimental music filled with wide-ranging vocals, baritone guitars, keyboards with varying, intense and pure melodies, tonalities and rhythms…

You can catch him live at the following locations:

29th July 2016, Aachen (DE), Chico Mendes
4th August 2016, ‘s Hertogenbosch (NL), Lohengrin
27th August 2016, Leuven (BE), Sint-Donatuspark
16th September 2016 , Bridlington (GB), The Londesborough
17th September 2016 , Warhorns Festival – Selby (GB), The Venue
28th October 2016, Tienen (BE), Living room

For more information check out:

http://iceking.be/

Laurus Nobilis Music Famalicão 2016

Posted in News with tags , , , , , , , , on 5th July 2016 by Pieni

 photo logo_dropshadow_para_banners-01_zpsej1hgjkk.png

Here’s another “music party”. Last year we introduced you to Laurus Nobilis Music (report here) and everything’s ready for its second edition:

 photo cartaz_zpsd3whlu0e.jpg

Blaakyum – Line of Fear

Posted in CD, Metal with tags , , , on 2nd July 2016 by izaforestspirit

Blaakyum
Line of Fear
Released 25th June 2016
Thrash Metal/Heavy Metal with Middle Eastern folk music influences
Self-Released

Line of Fear’ is the second album from the Lebanese thrash metal band Blaakyum. Originally formed back in the mid 1990s, Blaakyum haven’t had an easy start. Some of the band members have experienced social oppression first hand, for example their singer was arrested twice just for being a fan of heavy metal. They have recently gained more international recognition, winning third place in the Wacken Metal Battle finals in 2015 and playing Tuska Open Air in Finland in June 2016. The hostile and turbulent situation in their home country has had a major influence on the band’s lyrical themes. This particular album is centered around the subject of freedom of thought and artistic expression.

After the initial background research, a question immediately sprung to my mind: Is it actually possible to successfully mix Middle Eastern folk music with thrash metal? Let’s see… In this case the Middle Eastern folk feel is created using a Middle Eastern drum called tabla. So that’s where the “folk” sounds originates from. Apart from that, Blaakyum’s signature sound combines influences of old school thrash metal acts like Slayer and Destruction with groove-thrash metal vibes and even the odd power metal element in one song.

Baal-Adon features an interesting mix of groove metal guitars with squeaky, power metal -style vocals with the profoundly melodic sounds of the tabla. Other standout tracks include the Freedom Denied thanks to the beautifully melodic intro created with just one guitar and the tabla, and the title song which serves as the perfect introduction to Blaakyum demonstrating everything that the band has to offer. Oh, and let’s not forget the angry-sounding, bonus track ‘Riot Against Riot‘ in which the guitars and drums mimic the start and the violent aftermath of a protest – the music matches the story.

Overall, Blaakyum definitely leaves a lasting impression on its listeners. Their chosen style is not an easy one to grasp and this album may take a few listens to get into. Thrash/groove/heavy metal influences aside, what really makes these guys special is their history, lyrical themes and combination of Middle Eastern folk music and metal. So, to answer the opening question; yes, it is possible to mix these two styles successfully.

4/5

Iza Raittila