Section A – Wall of Silence

Section A
Wall of Silence
Released 12th February (North America) 26th February 2016 (Europe and Asia)
Melodic Heavy Metal/Progressive Power Metal
Released via Mausoleum Records

‘Wall of Silence’ is the new album from the Danish heavy metal band Section A. It is the long awaited follow-up to their previous release ‘Sacrifice’, which was released back in 2010. This is the first album to feature their new singer Nicklas Sonne (Wasted, Defecto). The band was formed back in 2001 by guitarist and keyboard player Torben Enevoldsen (Fatal Force).

This is my first encounter of Section A, so I wasn’t quite sure what to expect from them. The album’s futuristic cover art made me think of science fiction themes and ‘outer space’, which in metal tends to be linked to bands such as Fear Factory or The Kovenant. In this case, though, it couldn’t be further from the truth. There’s no techno drums, electronics or space metal here. Instead, what you get is some melodic, mostly guitar-driven power metal with melodic keyboards and the odd hint of progressive tunes.

Some of the songs are faster and heavier than others, for instance No Tomorrow picks up the pace and really highlights Enevoldsen’s skills as a guitarist. Speaking of guitar tunes, the ones on that song owe more to power metal than progressive metal which is good for me since I’m not a massive fan of the overly technical prog-metal guitar work. It’s got the right balance of a decent pace, catchy and slick guitar riffs and a sing-along chorus. I also enjoyed the dynamic guitar tunes and highly energetic keyboards in the first half of When All is Falling. However, if more complex structures and progressive guitar riffs are your thing, then Bleeding Chains is the song for you.

Overall this album requires a bit of patience and it took me a few listens to get into it. While I’m not super keen on the progressive elements, I did enjoy the catchier, more power metal -style tracks like ‘No Tomorrow’. Also the guitar work is top notch and that’s what counts the most for me.

3.5/5

Iza Raittila

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