Avantasia – Ghostlights
Symphonic power metal
Release: 29th January 2016
Via Nuclear Blast Records
It seems like yesterday that Tobias Sammet brought the term “metal opera” to a new level but it’s been 15 years already. And he keeps pushing the envelope.
It’s hard to pinpoint exactly what’s different from the previous albums, as the symphony-meets-power-metal is still the formula. But somehow the outcome this time is more… elegant.
Even the +12-minute “Let The Sun Descend Upon You” unfolds gracefully, making every minute worthy – I’m not big on lengthy songs, but with this one, time flew. Also, Ronnie Atkins (Pretty Maids) and Robert Mason (Warrant) brightened up the melody with their hard-rock-vibe vocals.
There’s also a somber and mysterious tone in both “The Haunting” and “Seduction Of Decay”, the first a bit creepy, living up to its title, the latter somewhat Middle-Eastern influenced. They’re both enthralling, the participation, respectively, of Dee Snider (Twisted Sister) and Geoff Tate (Operation: Mindcrime) the sweetest icing for such cakes.
I won’t talk of every guest on this record, but since we’re speaking of perfect fits, this review cannot go without mentioning the amazing job that Herbie Langhans (Beyond The Bridge and Sinbreed) did on “Draconian Love”. His deep voice makes of this track the closest to a goth rock one.
The sadness on the ballad “Isle Of Evermore” is pretty touching, while the happy speed of the title-track will make the day of the power metal fans. Yes, “Ghostlights” is a very thorough album, hitting all the right marks in diversity, style and spirit.
Renata “Pieni” Lino
This entry was posted on 29th January 2016 at 4:47 pm and is filed under CD, Metal with tags Avantasia, Ghostlights, Nuclear Blas, opera metal, Power Metal, symphonic, Tobias Sammet. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.