Archive for August, 2015

Vagos Open Air 2015 – 3rd day

Posted in Festival, Live with tags , , , , , , , , , , , , on 15th August 2015 by Pieni

Ironwsword, Bloodbath, Overkill, Orphaned Land, Alestorm, Ne Obliviscaris, Midnight Priest
Quinta do Ega, Vagos (PT)
9th August 2015
Promoted by Prime Artists

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Bloodbath

Last year, Prime Artists added one more day to the festival and the change was meant to stay. So here we were, on the third, last and more diverse day of Vagos Open Air 2015.

Personally, I still see Midnight Priest as an Iron Maiden and Judas Priest rip-off, but whether the crowd thought the same or not, they didn’t seem to care, banging those heads to songs like “Into The Nightmare” or “Rainha da Magia Negra” (Black Magic Queen). It’s a festival, a party, and they’re making copy+paste of some legendary riffs, so not even the broken high pitches of singer Lex Thunder ruined the mood. It was the shortest set of the day and it finished with “À Boleia Com o Diabo” (Hitchhiking with the Devil).

www.facebook.com/midnightpriest

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Ne Obliviscaris

Ne Obliviscaris are touring the world thanks to a crowdfunding but I didn’t know so many of their fans came from Portugal – besides the wild crowd they had during the show, the signing session/meet & greet lasted more than the one-hour gig itself! I guess the guys from down under were just as surprised, but obviously happy. And it was deserved. Their extreme prog is exquisite and seductive enough to stand out from the other bands on the bill, but then the way they performed it – even in hot daylight – was more than enthralling to everyone who’s into that kind of music. And some of them had the chance to hold singer/violinist Tim Charles on the last song, “And Plague Flowers The Kaleidoscope”, as he jumped into the crowd and crowdsurfed.  Promising to come back as soon as possible, they all left the stage smiling.

www.facebook.com/NeObliviscarisBand

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Alestorm

The original bill featured Halestorm and, as I think I’ve told you before, here in Portugal we like stronger stuff. There was a lot of moaning on how they should bring Alestorm instead. Then Halestorm had to cancel – not sure why and don’t really care, as cancelling a gig due to “a scheduling conflict” sounds like a poor excuse, and therefore disrespectful to their fans – and the “bring Alestorm, you only have to remove the H!” request was all over the place. And Prime Artists answered the call! The Scottish pirates (who claim coming from the “darkest depths of the Caribbean”) came and conquered with their inebriating (yeah, pun intended) folk. Talking about how they could sense our smell when introducing “The Famous Ol’ Spiced” or how they weren’t here to steal our potatoes but to drink our beer (“Drink”), this was probably the happiest show of the whole fest.

www.facebook.com/alestormband

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Orphaned Land

I’ve seen Orphaned Land a few times and know how popular they are here, but still Kobi Farhi felt the need to explain to the crowd that he wasn’t Jesus Christ, he only looked like him. In fact, he couldn’t be Jesus as he wasn’t a virgin and made a lot of sex.  After such a fun gig of Alestorm, so much different from the soberer Middle Eastern metal of Orphaned Land, I guess an ice-breaking remark like this was needed, but Kobi always has something amusing to say. Not sure which song he introduced by singing some The Doors verse, but that early evening we could hear oldies such as “Sapari”, “In Thy Never Ending Way” or “Norra El Norra” mixed with more recent ones like “All Is One”, “Let The Truce Be Known” or “The Simple Man” (the latter dedicated to us). All with a lot of clapping-to-the-rhythm and sing-alongs. Beautiful concert, so the news of an upcoming acoustic tour, which will include Portugal, was more than welcome.

www.facebook.com/OrphanedLandOfficial

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Overkill

Thrash metal returned to Vagos in the form of Overkill – our “ugly cousins from New Jersey”, as Bobby Blitz himself described them. They indeed have a solid, crazy fan-base here – fans that make Bobby feel like he’s fifty again. Yes, fifty, not fifteen – he’s not only a top thrash metal singer and owner of a chocolate shop, he’s also a humorist. The chosen tracks to represent their latest “White Devil Armory” were “Armorist” and “Bitter Pill”; the rest were the usual classics such as “Necroshine”, “In Union We Stand”, “Rotten To The Core”, “Horrorscope”, “Hello From The Gutter”… I confess that after the little speech about brotherhood, my brain whispered “bastard nation” when Bobby said “’cause we are”, but the sentence finished with “Ironbound” after all. I wonder if I’ll ever hear “Bastard Nation” live ever again. The gig finished with the mandatory “Fuck You”, and just like three years before (see here), Bobby provoked us with “is this Portugal or España?”, when he wanted to hear us louder. And just like in that other V.O.A. edition – in fact like every time someone tells us such words – it worked.

www.facebook.com/OverkillWreckingCrew

If you’re one of those who saw Nick Holmes joining Bloodbath with very skeptical eyes, it’s about time to dismiss that feeling: the guy is definitely up to it! I had the confirmation with the release of “Grand Morbid Funeral” last November, but the ultimate trial by fire is always on stage. And when you’re a Paradise Lost fan for about 20 years, like I am, you also know that it may take you a couple of shows to get that proof, as Nick’s mood affects his performance proportionally.

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Bloodbath

But as soon as “Old Nick” addressed the audience, by the way he said “We’re Bloodbath from Sweden and Yorkshire. I’m the one from Yorkshire” I could tell he was in an excellent mood, meaning he would also excel in this show. And he did. Bloodbath played a little something from the four albums they’ve released so far, pleasing old and new fans, and giving Nick the chance to show how the songs once sung by Mikael Åkerfeldt and Peter Tägtgren weren’t lessened at all by his vocal tone and skills. “Eaten” and “Cry My Name” were the encore of the probably most brutal gig of Vagos 2015.

www.facebook.com/bloodbathband

It’s not easy for an underground band to wrap up a festival with so many international famous names. Many people left after Bloodbath, but many also stayed to see national heavy metal veterans Ironsword. Along with Filii Nigrantium Infernalium the previous night, they were also special guests in this festival, and once more I believe it was anniversary related – the band celebrated their 20th this year. But also have a new album out, “None But The Brave”, released last May, which their setlist was pretty focused on. In the end of its title-track, singer/guitarist Tann said something about how we were entitled to a special version of this new song, but since I’m not that familiar with their work, I don’t know if it was really some “special version” or if someone messed up and they had to improvise. Whatever the case, they did good and some vigorous fans screamed IRONSWORD, IRONSWORD!”. “Burning Metal” wasn’t just the last song but also the description of the show.

www.facebook.com/IronswordOfficial

And it was over. Three days that seemed to last forever and, at the same time, so quickly went by. That’s how good memories feel like, I suppose. Well, let the preparations for Vagos 2016 begin!

Text & photos by Renata “Pieni” Lino

Note: we weren’t granted access to the photopit, so no gallery this year.

Vagos Open Air 2015 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , , on 13th August 2015 by Pieni

Filii Nigrantium Infernalium, Venom, Black Label Society, Triptykon, Destruction, Mutant Squad, W.A.K.O.
Quinta do Ega, vagos (PT)
8th August 2015
Promoted by Prime Artists

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Black Label Society

The second day of Vagos Open Air was the heaviest in sound and numbers. Saturdays are always prone to attract more people, but I’m pretty sure it was the names on the bill that gathered so many metalheads

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W.A.K.O.

If memory serves me well, I hadn’t seen W.A.K.O. in four years. Not that they’ve inactive all that time, no. I just haven’t had the chance to see them lately. And damn, what I’ve been missing! Sure, the aforementioned gig I attended at Hard Club was a killer (no pun intended – did I mention that W.A.K.O. stands for We Are Killing Ourselves?), but this one at Vagos was simply devastating! As well as the mosh circles the crowd put up restlessly, from the opener “Abyss” to the closing “The Shadows Collapse Within”. Any thumbs-down? Sure – too short. Such a show deserved to last longer.

www.facebook.com/Extispicium

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Mutant Squad

Next, from country next door, came Mutant Squad. Straight-forward thrash metal always works when played live, whether you’re familiar with the band or not (which I think was the case of many in the crowd). The Spanish continued fuelling the mosh frenzy that W.A.K.O. had started with songs from their debut full-length “Titanomakhia”, and also one (“Remember”) from the 2012 EP “Social Misfits”. Using a few Portuguese curse words also helped them winning over the crowd, as well as praising the W.A.K.O. gig and their guitarist Pedro Mendes. The set ended with “Mutants Will Rise”, but before leaving the stage, singer/guitarist Pla announced they’d return to Portugal in November, for the Mosher clothing fest, and the people seemed happy about it.

www.facebook.com/mutantsquadband

The thrashing went on in a much more old-school vein. Both previous bands had a pretty packed crowd waiting for them, but Destruction had an army! The action on and off stage lived up to the band’s name. This is another band that hasn’t released anything new in three years (the Saxon cover on “The Big Teutonic 4” split can’t obviously count) but whose presence in this or any other festival is more than justified, as their performances are what live shows are all about. Even when the sound goes down… Not sure what happened, but at some point closer to the end, only the drums were audible. As the band played on, I believe they still heard what they were doing on stage, but we didn’t. One thing I noticed and appreciated was that no one booed – they did cry out in disappointment, but not in angry accusation, understanding that this kind of thing happens. Eventually the sound came back, its volume still on a rollercoaster ride, but everything was back to normal when Schmier announced the last song “Bestial invasion”.

www.facebook.com/destruction

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Triptykon

Triptykon stirred another kind of turmoil – an emotional one. Although the crowdsurfers kept the security guys busy during the black metal parts that spice the doom nature of the band. Thomas Gabriel Fischer was particularly talkative and clearly happy to be there – the “it’s so good to be back” that we so often hear seemed honest. They played an excellent gloomy show that I just wished was a bit more Triptykon and less Celtic Frost. They have two great full-length albums, why dwell in past bands? One song would be enough, for old times sake – that I understand. But three? Plus a Hellhammer cover (“Messiah”) that Celtic Frost already used to cover – as Hellhammer was the band Thomas and Martin Ain were in before Celtic Frost. Even the “are you morbid?” expression was used that night. A flawless and enthralling performance, yes, but a little too much “double identity” for my personal taste.

www.facebook.com/triptykonofficial

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Black Label Society

Even though not closing the bill, Black Label Society were the headliners – the number of people waiting for Zakk Wylde (with no disrespect for the other musicians, just stating the truth) left no doubt about that. Not even the 20-minute delay (that wasn’t apologized for or explained) seemed to bother the fans. But then again, those same fans go bananas with Wylde’s 20-minute solos, so we clearly don’t agree on several things.
The show was impeccable, no one can say otherwise. There’s a reason why Wylde is considered such a guitar god and that reason was palpable that night. But like everything in life, when you’re not drinking your cup of tea… I’ve heard more than one person complaining about the extensive guitar work, but come on, that’s what Wylde does! That’s what his fans where there to see and that’s what they got. Now the “lesser fans”… well, not even guitar gods can please everyone. He didn’t talk much, except when introducing the band – he talked A LOT then, although I didn’t understand half of it, given that Southern accent of his (that I’m still trying to figure out where he got it from, as the guy was born and raised in New Jersey…). I did understand clearly the “We love you Dimebag!” at the end of “In This River”.

www.facebook.com/blacklabelsociety

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Venom

Only now, as writing this, did I realize that the oldest band of the bill was the only with material released in 2015. Funny. Not that it mattered that much, as Venom didn’t focus on that new album, “From The Very Depths”. If I’m correct, only “Rise” and “Long Haired Punks” were played. But we’re talking about a band that was founded 36 years ago and has released killer black/speed hits ever since – there’s no such thing as promoting an album nowadays, only mingling a couple of new tracks with a roll of classics.
Despite the late hour, and after so many mosh-friendly bands, the circle pits were back in full, matching the violence that the trio “out of Hell” unleashed.

www.facebook.com/pages/Venom-Band/197558207048784

There was still one more band left, “special guests” Filii Nigrantium Infernalium, who, as the name indicates, play black metal. For over two decades now. This year their debut EP “A Era do Abutre” (The Vulture’s Era) turned 20 years and they played a few shows to celebrate it. I believe they were invited to Vagos precisely for that anniversary. Still, black metal isn’t for everybody and the crowd wasn’t as big when they got on stage. And then there were those who wished they had left, as a desperate voice started screaming “go away, please!” at some point. Everybody – band included – laughed, but as the following song was “Morte Geométrica” (geometric death), singer/guitarist Belathauzer introduced it by saying that death wasn’t a bad thing, some people deserved death. Sounded to me like it was aimed at someone specific… The gig ended with “Labirito” (labyrinth), dedicated to “all our families”.

www.facebook.com/FiliiNigrantiumInfernalium

Text & photos by Renata “Pieni” Lino

Note: we weren’t granted access to the photopit, so no gallery this year.

Thanks to Hugo Delgado for the memory card.

Vagos Open Air 2015 – 1st day

Posted in Festival, Live with tags , , , , , , , , , , , on 12th August 2015 by Pieni

Within Temptation, Amorphis, Heaven Shall Burn, Vildhjarta, Moonshade, Scar For Life
Quinta do Ega, Vagos (PT)
7th August 2015
Promoted by Prime Artists

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Within Temptation

There’s a handful of great metal festivals in Portugal, but Vagos Open Air is the one that focus on international acts (without disregarding the local ones) and reaches out to a broader, not always so-extreme audience. This year we even had Within Temptation headlining the first day, while Bloodbath had the honor of doing so on the third. And if you’ve read some of my previous articles, you might know how one of my favorite quotes is “diversity is the spice of life”.

It was precisely due to Within Temptation’s busy schedule that the festival was anticipated one hour. I don’t know why they simply didn’t swap slots with Amorphis – it’s not like they’d lose the headliner status – but in the end I was glad they didn’t. Vagos is a somewhat windy town, but this year one could drop the “somewhat” out of the sentence. And add cold. So that extra hour in the sun was more than welcome, for a change.

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Moonshade

Not sure if Scar For Life share my opinion though. But then again, despite their 7-year-old career and 4-album discography, they’re not exactly the most popular alternative/groovy metal band around here – even if they’d got on stage at 5 p.m., as originally announced, I doubt there would be a lot more people attending their show. And then they had some sound problems, which may have (or may have not…) led singer Rob Mancini to go often out of tune, and the crowd eventually got even scarcer. It’s a shame, really.

www.facebook.com/scarforlife

Moonshade, on the other hand, proved worthy of V.O.A.’s stage. “A small band”, as singer Ricardo Pereira described themselves, when thanking the crowd for coming and seeing them, but with a good live posture and performance. I was at the release party of their latest EP (see here), so I knew what to expect; still, it was a positive surprise to see how well it worked in a less intimate atmosphere and before such a more numerous audience.

www.facebook.com/moonshadeofficial

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Vildhjarta

I was a little puzzled by Vildhjarta’s presence in this festival. A Meshuggah-like band who hasn’t released anything new in two years nor have near-future plans except for a vinyl edition of their only full-length “Måsstaden”. An experimental metal band who doesn’t even appear to play live that much, Brutal Assault in Czech Republic and Vagos itself apparently being the only dates this year. I guess that “little puzzled” is an understatement after all. But you know what? The crowd loved them! What I and many were skeptical about ended up in a big party, not only for the exquisite music but for the amusing guys who performed it. One of them – not sure if Vilhelm or Mynd – asking if we’d like some tea was kind of priceless.

www.facebook.com/vildhjartaofficial

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Heaven Shall Burn

But it was Heaven Shall Burn who swept Vagos off its feet. Literally. The moshers and crowdsurfers had a field day. And the screamers too, as I believe this was the show with the loudest chorus sing-alongs in songs such as “Forlorn Skies”, the Edge Of Sanity cover of “Black Tears” or “Like Gods Among Mortals”. 15 years had passed since the last (and actually first) time the Germans had played in Portugal but as soon as singer Marcus Bischoff announced “Voice Of The Voiceless”, the fans knew exactly what to do and aligned for a wall of death, with no need for further instructions.  Still regarding that first show, it seemed that no one had been there. Well, almost no one. One hand was raised when Marcus asked about it, joking then with the guy in response “oh yeah, you’re old enough”. But they also had the “youngest metal fan”, a 6-year-old kid who they called on stage close to the end. The kid was a bit confused, but headbanged his long hair here and there, marking the cutest moment of the whole festival.

www.facebook.com/officialheavenshallburn

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Amorphis

Amorphis‘ show was as brilliant as HSB’s, but on another kind of level – whereas the Germans exceled in adrenaline, the Finns did it in intensity. The main reason is, obviously, the nature of each band, but the fact that Amorphis were celebrating 20 years of the legendary “Tales From The Thousand Lakes” added an unmatched emotional weight. Performed in its entirety in such a flawless, heartfelt way, you even forgot that Tomi Joutsen wasn’t the singer who recorded the album. The setlist was completed by a couple of songs from the very first “The Karelian Isthmus” (“Signs From The North Side” and “Vulgar Necrolatry”) and the most classic tracks from “Elegy”.

www.facebook.com/amorphis

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Within Temptation

Then Within Temptation soothed the moods down. Well, the “most metal” fans’ moods that is. The ones who liked the band were quite hyped by the pop-ish vibrancy of the Dutch. As headliners, they had enough time to promote their latest album, “Hydra”, and still visit all the others (except for the debut “Enter”, which I doubt they’ll ever play again, given the so much different style). One of the old ones was “Memories”, that Sharon den Adel said they hadn’t played in a long while and liked to dedicate to us. Among the newest we could hear “Paradise (What About Us?)”, “Dangerous” and “Covered By Roses”, and the Lana Del Rey cover of “Summertime Sadness”. No, not a metal gig, but that proverbial expression “they rocked!” was brought to life. Plus, Sharon is still able to jump around and sing at the same time without missing a note, not to mention the interaction she engages on with the crowd. So give it up, haters. It was a good show, that ended with the mandatory “Ice Queen”.

Text & photos by Renata “Pieni” Lino

Note: we weren’t granted access to the photopit, so no gallery this year.

Sonic Syndicate: new video and official new line-up

Posted in News with tags , , , , , , , , , on 8th August 2015 by Pieni

Yesterday, Sonic Syndicate launched a new video for “Diabolical Work Of Art”, a song that, and quoting the band:

“People pretend to be something they’re not. That’s what makes the world go ’round. I’m willing to bet every single person that reads this has had a person come into their lives who was either drop-dead beautiful, someone they looked up to, or someone that promised the world. Only to be revealed as an ugly deceiving cunt.
The lyrics tackle this head-on. I know who I’m talking about, but to you it could be a relationship, a job, a best friend or whatever. The point being, I would rather people just wore their real skin rather than hiding behind a mask.
However, with the video we wanted to show this in an abstract way. I’ve seen too many videos with cheesy effects and violence. We wanted to show pristine, sheer beauty. How immaculate on the outside doesn’t mean pure on the inside. How society and people, however well hidden, have a darkness inside that sooner or later finds its way out.”

 photo sosyz05_zpsecnwsvan.jpgIt also served to introduce Michel “Miche” Bäzén (bass player at Degradead) as a permanent member of the band. Miche has been on tour with Sonic Syndicate for over a year now, replacing founding member Karin Axelsson, so most fans already saw him as a SoSy member and this doesn’t come as a big surprise (hence the “official” on the title of this article). Karin explains and asks of the fans the following:

“Dear friends,

As most of you know by now I haven’t been touring with my boys in SONIC for a while. SONIC SYNDICATE has been my family and my life for many years and I’ve met so many great people and experienced things I never thought I would.
I’ve had the time of my life, so many of my dreams have come true in so many ways but sometimes you have to make hard choices in life and it’s time for me to move on because I am in a place where I need to focus on my family and private life, I hope you understand my decision.
I would like to thank all you guys who came out to our shows, for your endless love and support, it has meant so much to me and the guys that we could never express in words how we feel.
 photo 0812_zpsnesmizc4.jpgBefore I officially go and start my new life I’d like to ask you one more thing. Please take care of the boys, my brothers, because I love them with all of my heart and although we’ll keep contact and see each other from time to time I will truly miss them and the music we’ve made together.
So, with everything above said and done, I would like to officially introduce Michel to the SONIC SYNDICATE family. What I ask from you guys is to please open your hearts for this great guy who’s an awesome bass player and give him a warm welcome.

With all my love”
– Karin”

Here’s the first promotional photo of the new line-up, taken by Daniel Djuric:
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www.facebook.com/SonicSyndicateBand

Dirty Judas – Every Bullet Is Another Nail

Posted in CD, Metal with tags , , , , on 7th August 2015 by Paul Macmillan

Dirty Judas
Every Bullet Is Another Nail
Self-released July 03rd 2015
Metal

Dirty Judas - Every Bullet Is Another Nail

I keep a very close eye on the local underground scene when it comes to metal. Dirty Judas, from Dundee, have been floating around the Scottish metalsphere for a while now, but it’s only with the release of debut full-length, Every Bullet Is Another Nail, that we start to see their potential. There’s a fire in the eyes in this release, and a will to deliver the vitriol with strokes made against the flow.

Influences are immediately on display here that may seem obvious to some, and not so much to others. The album as a whole sways from left to right, light to dark, and it’s most certainly an enjoyable ride. Epic, goth-washed choruses give way to chuntering hooks, and brutal growls are complimented by grungy harmonies. Even the spoken word sections make the Scottish accent sound cool; no easy task, it has to be said.

The character continues to shift throughout, from an enthusiastic bounce to a cold morbidity, not unlike Paradise Lost caught some audio-venereal groove syndrome from Pissing Razors or Konkhra. Yup, definitely Paradise Lost, and those moments truly send an ethereal shiver up the spine, before diving into, dare I say it, proto-nu-metal waters. Think really early Faith No More, beefed up to almost death metal levels, and maybe the first Korn album, re-written by Pepper Keenan.

Flipping the bird to genre boundaries, Dirty Judas have managed to walk the tightrope between variety and identity like a jaguar on crank; intense, and perfectly balanced between the two. Incredibly well rounded, and with a uniqueness which should inspire jealousy, Every Bullet… is a fantastic starting point for a band showing real personality. The chances are pretty much against you having heard them before now, but all serious metal fans should put giving this a spin on their to-be-achieved list.

4/5

Paul Macmillan

My Dying Bride – Feel The Misery

Posted in CD, Metal with tags on 6th August 2015 by izaforestspirit

My Dying Bride
Feel the Misery
Released 18th September 2015
Gothic Doom Metal
Released via Peaceville Records

‘Feel the Misery’ is the latest album from the British gothic doom metallers My Dying Bride. It is the follow up to ‘A Map of All Our Failures’ and ‘The Manuscript’ EP. This release marks the 25th anniversary since the formation of the band as well as the return of their original guitarist Calvin Robertshaw.

First up is the sombre, doom metal ballad ‘And My Father Left Forever‘ which highlights all the elements that make My Dying Bride such a great band. Everything from the heavy, death metal -style guitar riffs, Gothic metal keyboards, the beautiful and melancholic sound of the violin down to Aaron Stainthorpe’s haunting and wonderfully melodic vocals can be found in this song. Similar things can be said about the title track.

Yet as usual with this band, there’s always a balance between the harsh and the soft melodic sounds. For those who are craving to hear some of that harsh, death metal -style growling can rest assured that there is plenty of it to be found on this album, for example on the tracks ‘A Cold New Curse‘ and ‘Within A Sleeping Forest‘.

Another thing which makes this release fairly typical for My Dying Bride is the complex structure and the long duration of the songs. As with many of their albums, this one requires a lot of patience from the listener. Then again, if you’ve been listening to them for as long as I have, you’re probably accustomed to such lengthy ballads. Based on my experience, their music sounds best on a cold and stormy autumn night when you’re sat down with a good book and either a glass of red wine or a hot beverage of your choice.

In summary, ‘Feel the Misery’ is every bit as good as its predecessor ‘A Map of All Our Failures’. It’s a fantastic way for the band to celebrate 25 years of Gothic doom metal. I can safely say that this is easily one of my favourite releases of 2015. As a long-time fan of their music, I’d like to add that it’s one of the best My Dying Bride albums along with ‘The Dreadful Hours’ and ‘Songs of Darkness, Words of Light’.

4.5/5

Iza Raittila

Extra Every Time I Die show in London – but only for some

Posted in News with tags , , , , , , on 6th August 2015 by Pieni

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If you think that playing 4 shows in a row in the same city is too much, think again – Every Time I Die managed to sell out almost immediately the previously announced 3 gigs in London, hence the need for a fourth. But tickets won’t be available for everybody:

“If you purchased a ‘season ticket’ to the London shows we’re doing in November you should check your email now. We will be doing a fourth show at Old Blue Last on Sat 21 Nov and in the email there will be a private code & link as you’ll be the only ones who can buy tickets. First come first served. Maximum 3 tickets per person. Superheaven will join us for this extra show. Tickets go on sale tomorrow (Friday) at 9am. The other 3 London shows are now sold out with other UK cities selling fast”.

The full UK tour hits the following places, the London dates featuring different sets each night:

Nov 06 Southampton, Talking Heads
Nov 07 Plymouth Underground
Nov 08 Bristol The Fleece
Nov 09 Nottingham Rescue Rooms
Nov 11 Manchester Sound Control
Nov 12 Glasgow Kings Tuts
Nov 13 Aberdeen Tunnels
Nov 14 Newcastle Riverside
Nov 15 Sheffield Corporation
Nov 17 Birmingham Asylum
Nov 18 London The Dome ETID TAKEOVER SOLD OUT
Nov 19 London Borderline ETID TAKEOVER SOLD OUT
Nov 20 London Underworld ETID TAKEOVER SOLD OUT
*Nov 21 London Old Blue Last ETID TAKEOVER* (SUPERHEAVEN ONLY)

“If you’ve ever been to an Every Time I Die show in the UK, you’ll understand why we would want to spend almost an entire month playing shows there. Intimate venues, cold pints, good mates. Don’t miss out. These gigs will be ledge”, says frontman Keith Buckley. 

http://everytimeidie.net/
http://epitaph.com/
https://www.facebook.com/everytimeidie