Potergeist – Crocodile Tears

Potergeist
Crocodile Tears
Southern metal / stoner rock
Released: 1st May 2015
via G.O.D. Records

The down and dirty Greek rockers Potergeist return with their fourth offering of riffy goodness.  The four piece, consisting of Alex S Wamp (vocals), Nick XP and Stratal (guitars), Kostis Vihos (bass) and Tolis Toleas (drums), have delivered some great work over the years producing three great albums. This new studio album Crocodile Tears was produced and mixed by Pete Rutcho (Falling In Reverse,The Ghost Inside, etc) and is released on G.O.D. records. Crocodile Tears is just the next chapter in this band’s amazing story as their name keeps growing all the time. They have even supported some of the biggest names in the genre such as Black Label Society and Corrosion of Conformity. .

The album begins with the haunting little opening “Swamp Muse Summoning” which is atmospheric and sets the tone brilliantly. Then the music roars in with the title track “Crocodile Tears” which I actually find to be the weakest song. Don’t worry, the album gets much better from here. I just find the title track to be a little drudging and non-interesting, it’s not bad necessarily, it’s just weak. However, once the album kicks into high gear it doesn’t let up for a second.  The song “Visit from a Swampire” is a nice call back to their previous record Swapires and contains all of the same southern style metal.  Their riffs sound big and are very fluent. Every song just flows with bluesy licks and stoner riffs seamlessly matching up.  The melodies are really catchy and get stuck in your head with ease. Like their past work, this album is very accessible with tunes such as “Eve” and “The Preacher and The Witch”. I think people who aren’t even into this style of music could groove to these riffs.

In all honesty though, I don’t feel this is the band’s strongest work to date. Whilst it is a worthy follow up to their 2013 effort Swampires, this record isn’t a patch on the 2012 album Muddy Mermaids. It’s quite difficult to explain but I feel that their work in 2012 had a lot more power and scale in it’s execution. This record is still one fun album to listen to but there are just one too many moments where it feels like you’re being pulled through it rather than wanting to hear it. Also there are a couple of times on the album where the production gets really muddy and hard to hear. That might not be the worst thing on a southern style stoner rock album, but when you compare this to bands like Godsized, Orange Goblin or Planet of Zeus you can certainly hear a noticeable difference in the quality of the sound.

Yes, this is a cracking album but there are just a few points that bring it down.  However I still have fun listening to this band and this album does have some great riffs and well executed solos.  There’s enough here to keep me, and I’m sure many others, entertained. I look forward to whatever else this band brings to the table.

4/5

Mick Birchall

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