The Obscene – The Torment Of Sinners [2011]

Band: The Obscene
Album: The Torment Of Sinners EP
Release year: 2011
Genre: Old School Death Metal

The United Kingdom underground metal scene is home to many great extreme (death & black) metal bands such as Hecate Enthroned and Venom. However, they’re not the only bands that have they’re home in the British underground. The Obscene, who keep death metal old school, are another band on the rise in the underground and their recent EP “The Torment Of Sinners” is just another step to the top for them.

”The Storm To Come”, aptly named, is the introduction to the EP. The use of sound effects throughout it, until the guitars and drum appear, leaves the listener on the edge of their seats – In a similar fashion to an extremely terrifying horror film. The guitars and drums are certainly old school in their composition. “The Storm To Come” finishes with what sounds to be the mutilated scream of a woman being stabbed, which introduces the second track “Embrace Oblivion”. The terrifying and violent concoction of vocals, guitars and drums greets the listener brutally at the beginning. The guitars are raw and just bursting with energy and the drum work is precise to the beat, brutal and intelligent.

”Grim Discovery” is composed of a voiceover which is a man speaking of bashing in a woman’s head – Can’t get any more violent than that unless you add in some raw, untamed death metal riffage which is exactly what The Obscene do, adding to the aggression and shock-value of the track. Beginning in a similar fashion to “Embrace Oblivion” is the slow yet heavy track entitled “Beyond The Hold Of God”. Some of the guitar sections seem to be choppy and lacking consistency though the listener can certainly feel the anger of the music – Which is a great thing for the hardcore fans of death metal. The drums are most impressive, more impressive the beast-like vocals.

”Skiprat Jane” begins with a voiceover of a female asking to borrow a body. The guitar riff that follows is just savage whilst the drums are on the verge of being Wall of China falling on a skull heavy! The vocals are pretty much bloodthirsty and hateful. Incorrectly named, “The Final Silence” comes shredding next – Bringing blissful death metal styled loudness with it. The scream, before the growls, sounds a tad like the ones found on a Venom record. The riffs are ingenious, mixing well with the hard-bitten drums, which sound to be doing a lot of the work in some sections. The vocals have a more beasty and demonic sound as well.

The last five tracks of the EP are bonus tracks, which can be found on the “Destroying the Heavens” EP from when the band went under a different name. The first of these bonus tracks is “P. S. A. S”. The guitars and drums certainly sound raw and unrefined, a good trait indeed. The vocals, on the other hand, sound more akin to black metal as opposed to death metal. The softer and clean section is certainly not what the listener would expect to find on this track – Fortunately it doesn’t last long before the track turns heavy again. “Destroying The Heavens” begins slow and clean, disappointingly. Though the blood-curdling scream signals for a change in weight and tempo for the track. The riffs and drums are barbaric and the vocals sound feral.

“The Man, The Martyr” brings the anger and savagery straight from the beginning. The music seems more fiery and rage-fuelled and the vocals are frenzied, much like a berserker. “Circle Of Despair” is different sounding as it seems to be more classic rock orientated, rather than death metal – though the vocals do keep a certain death metal dynamic to the track. The EP finishes with “And The Rivers Ran Black”, a track whose intro sounds slightly Gorgoroth inspired. The vocals are still raw and feral, whilst the music is savage, barbaric and bloodthirsty – A true death metal combination. You really couldn’t ask for a better track to finish the EP with.

”The Torment Of Sinners” might sound like a line out of the bible but the EP is far from biblical. The riffs and drum work would have Satan himself leaving a brown streak in his boxers and the vocals would give any demon a run for their money. Production wise, the songs are raw and aggressive – Perfect for the old school style of The Obscene. Despite the clean and slow guitar sections, “The Torment Of Sinners” is an interesting and entertaining EP, that’s not just for Hallowe’en, a jewel in Britain’s underground metal scene.

4/5

Nico Davidson

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