The Paradigm Complex
Released November 1st 2015
This is quite simply one of the most bizarre things I think I’ve ever had the pleasure to analyse in the process of reviewing music. Really weird. Really, really weird. The Paradigm Complex are the genuine stuff of twisted fever dreams, and have elevated themselves beyond the state of yet-another-prog-band, to actually using their instruments (including frontwoman Alexandra Pawlitka’s voice) to tell a story.
Drafted in from classic Hammer Horror films, themes from lycanthropy to extra-terrestrial abduction are used to break up the main track of almost an hour into mini-stories, each with their own, highly characterised musical backdrop, and engaging storytelling. It is powerfully tangible how much thought, effort and ingenuity has gone into the creation of what is not just a music release, but essentially a piece of art. A certain Mr Zombie would quite possibly be a little jealous (as a director) of the effectiveness of The Paradigm Complex’s cultural appropriation.
As the recording spirals through various atmospheres, it’s difficult to pin down any continuous comparison to other artists, but they are there. There is a film score flavour akin to John Carpenter colliding with Goblin, liberally splattered with classic prog and acid rock, while the vocals meld from Bjork into Lacuna Coil, into Angelspit, and back again. There is also a thread of metal sewn into the fabric, but this is not a metal album, per se; it simply encompasses some of that spirit.
The project in its entirety is held together very aptly with bleak interludes, which serve to complement the neighbouring movements, and amalgamate this as one fluid piece, an apocalyptic infection creeping up the listener’s spine. It’s one wild trip, and White Rabbit is going to have to try mighty hard to survive this audio conflict between War Of The Worlds and The Walking Dead.