Melodic death metal
Released 15th April 2015
Via FA Sweden/Bertus
Before I even start with this one, let’s be clear about one thing – I am not a fan of the term ‘female fronted metal’. It doesn’t really mean anything to me. It’s like calling a My Dying Bride ‘violin metal’. I’m not saying I don’t like bands with female vocalists. Or that I’m going to be bought over by a band if they DO have a female vocalist. I’ll take each band as I find them, regardless of age, race or gender, based on how they sound. Anyway, now that I’ve blown Frantic Amber’s cover as A BAND WITH A FEMALE VOCALIST, on with the review.
If that first paragraph has set you up expecting to hear about the operatic meanderings of a velvet clad princess, you’re facing in completely the wrong direction. You’d be better off turning your eyes to the north in search of predictive indicators: being from Sweden has long shown itself to be a hard background for metal bands to shake, and FA are no exception.
There’s a healthy dose of the likes of Soilwork and In Flames coming to mind on first take, but there are myriad other musical ghosts swirling in the background. The vocals, for starters, make both singers of the aforementioned bands sound a bit wet. Some of the guitar work shares the stratospheric emotional highs of late 1990s releases from The Gathering.
It seems that they have attempted to escape this geographical pigeonhole, though, and there is something more rough and ready at the back of this polished article. It could be early Iron Maiden (who isn’t influenced by that?), or, lest we forget, the other metal heritage of their home country, passed down from those like Bathory, Shining, and Infernal. Either way it is a pleasant, but almost intangible nuance.
Swaying from epic choruses to blast beats, Burning Insight drags in elements of black metal, prog, death metal, and few others to create a very interesting melange with a uniting overtone, somewhat similar at times to Arch Enemy’s Wages Of Sin, but somehow more organic.
In terms of extreme(?) metal, this is a very accessible debut, and it’s hard to imagine this being a band we won’t hear from again, and a lot. If they didn’t at least make it part way up to rubbing shoulders with the big boys, it would be more than a little surprising, but it also seems like there is further maturity to be reached in the material which could bring out an even more unique character.
4/5 – Paul Macmillan