Archive for Fenriz

Brid Rocks 2012: Day One

Posted in Festival, Live with tags , , , , , , , on 23rd August 2012 by Nico Davidson

First Principle, Cryptic Age, Alice In Thunder and More
Bridlington Sports & Community Centre
Saturday 18th August

And once again, it was that time of year for Brid Rocks Open Air, the low-key, family-friendly and more diverse answer to bigger festivals like Download and Bloodstock. The line-up for this year boasted some of the acts from last year such as Cryptic Age, Alice in Thunderland and Ravenage along with some new, different acts such as Rebecca Arundell and Pandemonium.

Opening up the proceedings were Bridlington’s own young hard rocking upstarts First Principle. This was the first time I’d seen them with new bassist, Patrick Hogg. The young trio bombarded the crowd with an arsenal of clean sounding riffs mixed with punchy basslines and acute drum work. The trio show a lot of potential for such a young band, displaying some well written pieces such as the catchy song Astronaut and the more 50s sounding Into The Blue. Frontman Martin Secker’s vocal stylings went down a treat with the crowd, especially when First Principle paid a powerful, hard rockin’ tribute to Led Zepplin with The Immigrant Song.

https://www.facebook.com/FirstPrinciple

FIRST PRINCIPLE

Bringing a new sound to the stage were covers band Renegade, who despite being an entertaining live act, lacked in the vocal department though their performance of Bye Bye Baby (originally by The Basic Rollers) had a very raw sound that was near-beautifully performed. The frontman beamed with charisma through the entire, almost flawless set.

It was the hour of twilight by the time York’s power-folk metallers Cryptic Age descended down on the stage at Brid Rocks, which added to the haunting and ethereal atmosphere of their set as they conjured forth the dark, symphonic stylings of Perpetually Blind and Eternity Beckons. The sea of lights that illuminated the band added to the haunting feel that radiated from their set. The folk-orientated Horsemen of the Vale encouraged a few members of the crowd to dance as Cryptic Age wrought folkin’ havoc down upon the crowd with a blend of a clean sound, angelic vocals and masterful musicianship.

https://www.facebook.com/crypticage

CRYPTIC AGE

Night had fully fallen as Bridlington’s own classic rockers Alice In Thunderland called forth an enhanced sound. This was their second performance with new guitarist Chris I’Anson, who sounded as if he’d been in the band since they first formed. AIT blasted through tracks such as Hey Hey, which they dedicated to everyone who had bought a ticket, and a thrashy, face-melting version of Crazy Train, while new guitarist Chris incorporated some new exotic sounds in the set such as Arabic-styled solos and some new, fresher modern influence.

https://www.facebook.com/AliceInThunderlandUK

ALICE IN THUNDERLAND

Sadly, I had left before Isengard (Not to be confused with Fenriz’s Isengard) had set up as I due elsewhere for another gig though I had been informed the next day that they had performed well.

Nico Davidson

PHOTOGRAPHY BY DAVID FERRET TAYLOR – http://facebook.com/DFTPhotography

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Earache’s Q&A with Hour Of 13’s Phil Swanson

Posted in News with tags , , , , , on 25th May 2012 by Nico Davidson

Phil Swanson, frontman for North Carolina doom metallers Hour Of 13, has taken part in a Question & Answer session with the band’s label, Earache Records, ahead of the release of their new album, 333.

333 was recorded at Epiphonic Studios in Lenoir, North Carolina, and is due to be released on Monday, May 28th in Europe, and on July 30th in North America.  The album has been hailed by Darkthrone‘s Fenriz, who recently featured Hour Of 13 in his ‘Band of the Week’ column, stating, “This new Hour of 13 album simply cannot do wrong – it is immersed in utmost respect and understanding of the ways of old”.

An excerpt from the Q&A with PHIL SWANSON follows:
Earache: The album is just about to be released to the general public, but how do you guys feel about the album now that you’ve been living with it for the past few months?
Phil: I actually feel much better about it now than when first hearing the finished mixes, as I have finally been able to listen with clean ears and an open mind, not looking for things I’d like to change or add.  Now I hear it as a finished and complete record, and I am very proud of it and feel it’s our best yet.

Read the full interview here.

Get more HOUR OF 13 news and info at:
Facebook – http://www.facebook.com/HourOf13
MySpace – http://www.myspace.com/hourof13doom

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