Author Archive

Sanctuary European tour kicking off today with Nick Cordle on the guitar

Posted in News with tags , , , , , , on 3rd March 2015 by Pieni

 photo sanctuary_zpsv7qmn65y.jpg

After their reunion last year, with the release of “The Year The Sun Died”, Sanctuary are now about to embark on an European tour, where they’ll perform a classy mix of old and new stuff. The tour starts tonight with a headlining show in London, and from tomorrow on, the band will ride as Overkill support. Sanctuary will resume their role as headliners for the two last gigs, in Greece. Check all dates here:

03.03.2015 (GB) LONDON / Underworld (headline show) *
04.03.2015 (D) BRAUNSCHWEIG / Meiers Music Hall**
05.03.2015 (D) LEIPZIG / Hell Raiser**
06.03.2015 (D) MEMMINGEN / Kaminwerk**
07.03.2015 (A) WÖRGL / Komma VZ**
08.03.2015 (A) VIENNA / Szene**
09.03.2015 (SRB) BEOGRAD / Dom Omladine**
10.03.2015 (SLO) LJUBLJANA / Kino Sisak**
11.03.2015 (HR) ZAGREB / Tvornica**
13.03.2015 (HU) BUDAPEST / Club 202**
14.03.2015 (PL) KATOWICE / Mega Club**
15.03.2015 (PL) GDANSK / B90**
17.03.2015 (NL) ZWOLLE / Hedon**
18.03.2015 (F) METZ / Les Trinitaires**
20.03.2015 (GR) THESSALONIKI / Eightball Club
21.03.2015 (GR) ATHENS / Gagarin205
22.05.2015 – 24.05.2015 (DE) GELSENKIRCHEN
* supported by Metasoma and Monument
**supporting Overkill

 photo Nick-Cordle_zpsi0iyx4kh.jpgWith the departure of Brad Hull, Sanctuary found in Nick Cordle the perfect live replacement: “We are excited to welcome Nick Cordle from Arch Enemy and Arsis to the Sanctuary team. Nick is an amazing musician and we believe he will bring a fresh energy to the line-up. You can see Nick Cordle with Sanctuary this March touring Europe on the Killfest tour”, says guitarist Lenny Rutledge.

Cordle himself adds: “It’ll be a great pleasure to join Sanctuary on tour in Europe! I’ve admired the band for a long time and ‘The Year The Sun Died’ is a breath of fresh air. It’s a welcome challenge to work up these songs and I’m excited to get moving!”

SANCTUARY online: 
www.EnterTheSanctuary.com
www.facebook.com/sanctuaryfans
www.twitter.com/sanctuarymetal

Thomas Manell leaves The End Of Grace

Posted in News with tags , , , , on 1st March 2015 by Pieni

On April 10th, The End Of Grace will support Skitarg at the legendary Sticky Fingers, Gothenburg. This will be drummer Thomas Manell‘s last show:

 photo _DSC0821_zpsef2a8dvs.jpg “Hey guys!

The time has come for me to move on in my musical endeavours. Metalcore was a new genre for me when I joined and as it has turned out its not what I’m looking for.

I want to thank the guys for a great time with everything I have experienced and lots of love to all the people I have met out there and through fb/instagram. I know that The End Of Grace is going to go far so support them just as awesome as you’ve done so far. smile emoticon

See you in Gothenburg- witch I will still attend on.

/Thomas

Thomas also recorded the band’s latest single, “Final Burden”, which will be released soon. The “B-side” for this single will be a remix of “Beneath The Waves” done by TEoG‘s friend Frodd.

www.facebook.com/TheEndOfGrace

Nightrage: new album with new singer

Posted in News with tags , , , , , , , , on 25th February 2015 by Pieni

Four years after “Insidious”, death metal act Nightrage is back with a new album, recorded with a new singer in a new studio, and to be released under a new label – Ronnie Nyman (from Swedish hardcore band Always War) gives voics to “The Puritan”, that shall hit the stores on April 24th, via Despotz Records. Artwork and track listing below:

 photo nightrage_zpsud46d250.jpg

1. The Puritan
2. With a Blade of a Knife
3. Desperate Vows
4. Endless Night
5. Foul Vile Life
6. Stare into Infinity
7. Lone Lake
8. Son of Sorrow
9. When Gold Turns to Rust
10. Fathomless
11. Kiss of a Sycophant

‘The Puritan’ is an uncompromising, dramatic and melodic death metal journey in its purest form. Eleven tracks crammed with brutal riffs, unforgettable hooks and the biggest production on any Nightrage release. Trends come and go but Nightrage always deliver!”

www.facebook.com/nightrage

Moonspell – Extinct

Posted in CD, Metal with tags , , , , , on 24th February 2015 by Pieni

Moonspell
“Extinct”
Gothic metal
Release: 6th March 2015
Via Napalm Records

 photo 581_Moonspell_CMYK_zpsajtjlxtd.jpg

I’ve never liked labelling Moonspell as gothic metal as I’ve always felt they were much more than that. Until now. Well, actually, until “Omega White”, but since its counterpart “Alpha Noir” had that much-more in it, I still went for the vague “dark metal” at the time. Three years later, “Extinct” follows the path of “Omega White” and it leaves no room for vague descriptions – it’s gothic metal.

Reading what I’ve just written and listening to the first single – a very pop-ish first single – “The Last Of Us” might give you a false impression of mainstream, so please read this until the end. Because “Extinct” is quite a masterpiece. Me being able to pinpoint what genre of music they’re playing doesn’t mean they’ve lost that little je ne sais quoi that makes them unique.

There aren’t best songs here. Sure, everyone will have their favorites, but all tracks have been carefully crafted to a prime state. So despite the epic orchestral arrangements of “Extinct” and the fact that it’s the heaviest track, I believe the album was named after it due to the fatality ring such title bears and which echoes through others – “Breathe (Until We Are No More)”, “The Last Of Us”, “Funeral Bloom”, “A Dying Breed”, “The Future Is Dark”… See the pattern? And let me tell you that “La Baphomette” is macabre enough for your mind to associate it with the end of days. The short final track sung in French seems like it came straight from one of those horror-themed fairgrounds.

“Medusalem” will bring you vivid memories of The Sisters Of Mercy but only for a short while. It soon starts making new memories of Moonspell alone, with the richness of its guitars and some Arabian sounds. In fact, the whole guitar work is to be praised. Turning to a more gothic direction gave them the chance of putting the roughness aside and producing elaborate but fluid pieces. A special highlight on the solo of the enthralling “The Future Is Dark”, where, as I like to say, the guitar weeps its strings out. In “Domina”, they cry with a bit more vigor.

“Malignia” will seduce you with its dreamy nature, even if an ominous nightmare lurks around the chorus. This song comes right after “The Last Of Us”, which I’ve previously referred as pop-ish, so it’s quite the contrast. And mind that I’m not complaining about “The Last Of Us”, as its easy-going vibrancy is catchy and very pleasant. I was just concerned at the time of its release as a single that the whole album would be like that. After 10 albums – a double one included – I guess I should’ve known better, eh?

5/5

Renata “Pieni” Lino

European headlining tour for Of Mice & Men

Posted in News with tags , , , , , , on 19th February 2015 by Pieni

 photo ofmiceandmen_zpsc4j1mg0r.jpg

In promotion of the reissue (or deluxe edition, if you prefer) of “Restoring Force”, now “Restoring Force: Full Circle”, Of Mice & Men will embark on an European headlining tour in March:

March 11 – Machine Moulin Rouge/Paris, FR
March 12 – Live Music Hall/Cologne, DE
March 13 – Melkweg/Amsterdam, NL
March 14 – Gruenspan/Hamburg, DE
March 16 – Tyrol/Stockholme, SE
March 17 – Tradgarn/Gothenburg, SE
March 19 – C Club/Berlin, DE
March 20 – Backstage Halle/Munich, DE
March 21 – Kofmehl/Solothurn, CH
March 23 – Substage/Karlsruhe, DE
March 24 – AB/Brussels, BE
March 26 – O2 Guildhall/Southampton, UK
March 27 – O2 Academy/Bristol, UK
March 28 – O2 Brixton Academy/London, UK
March 30 – Barrowlands/Glasgow, UK
March 31 – O2 Academy/Newcastle, UK
April 2 – Rock City/Nottingham, UK
April 3 – O2 Academy/Birmingham, UK
April 4 – Academy/Manchester, UK

The 2015 version of the album will hit the stores next Monday (23rd February) and includes three new songs and an acoustic version of “Feels Like Forever”, the full tracklist as follows:

 photo x7y3py34_zpstr1szmny.jpg01. Public Service Announcement
02. Feels Like Forever
03. Bones Exposed
04. Would You Still Be There
05. Glass Hearts
06. Another You
07. Break Free
08. You Make Me Sick
09. Identity Disorder
10. You’re Not Alone
11. Space Enough to Grow
12. Broken Generation
13. Something To Hide
14. Never Giving Up
15. Feels Like Forever (Acoustic Version)

Under the direction of Max Moore, the Orange County band has also filmed a video for one of the new songs, “Broken Generation”:

www.ofmiceandmenofficial.com/

www.facebook.com/ofmice/

European tour dates for Hirax

Posted in News with tags , , , , , , , on 16th February 2015 by Pieni

 photo HIRAX 1 web_zpsfgkokjde.jpg

Californian thrashers Hirax will hit Europe next month, still promoting the latest album “Immortal Legacy”, which has been released one year ago:

13.03. UK-Gwynedd – Hammerfest Festival
14.03. UK-Glasgow – Ivory Blacks
15.03. UK-Birmingham – Asylum 2
16.03. UK-Manchester – Sound Control
17.03. UK-Winchester – Railway Inn
18.03. UK-London – Black Heart Camden
19.03. B-Deinze – Elpee
20.03. NL-Tilburg – Little Devil
21.03. NL-Katwijk – Scum
24.03. E-Zaragoza – Sala Utopia
26.03. E-Madrid – Sala Lemon
27.03. E-Palencia – At Mosh Phera Zero
28.03. E-Granada – La Petite
30.03. F-Toulouse – Les Pavillions Sauvages
03.04. I-Milan – Blue Rose Saloon
04.04. SVK-Bratislava – Randal Club
05.04. D-Hamburg – Bambi Galore

09.07. CZ-Trutnov – Obscene Extreme Festival
10.07. PL-Zori – Ozi Pub
11.07. PL-Gdynia – Atlantic Club
12.07. PL-Szczecin – Slowianin Club
13.07. PL-Warsaw – Progressja
14.07. D-Berlin – SO36
16.07. SVK-Kosice – Colliseum Club
17.07. CZ-Pohori – Agressive Fest
18.07. D-Balingen – Bang Your Head Festival
19.07. D-Egelsee – Schwarzer Adler
20.07. CH-Olton – Coq d`Or
21.07. SLO-Tolmin – Metal Days Festival
22.07. A-Dornbirn – Conrad Sohm
23.07. D-Kassel – K19
24.07. D-Brande/Hörnerkirchen – Headbangers Open Air
25.07. NL-Steenwijk – Stonehenge Festival
26.07. B-Ostend – JH Ohk

The band has recently filmed a new video for the track “Hellion Rising”, for which singer Katon W. De Pena said the following: “The new HIRAX video ‘Hellion Rising’ is a visual thrash metal experience. We filmed on location in the historic Battery Bunkers built in 1942 hidden in the hills of San Pedro, California. This is our second video directed and produced by Donovan Vim Crony. The scenery is the perfect backdrop for HIRAX‘s brand of intense thrash metal. No green scenes, fake production or props were used in the making of this high definition video / film. The release will coincide with the announcement of our upcoming European tour / concert dates 2015. We are very excited to hit the road again and play our music for all the die hard, European, thrash metal maniacs!”

www.hirax.org
https://www.facebook.com/hiraxthrashmetal

Amon Amarth w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , , on 13th February 2015 by Pieni

Savage Messiah, Huntress, Amon Amarth
Hard Club, Porto (PT)
11th February 2015
Promoted by Prime Artits

 photo _DSC0496_zpsbooyzrby.jpg

Amon Amarth are very dear in my country, but it still positively surprised me that the show in Lisbon sold out a couple of weeks before the event. It didn’t sell out in Porto but it was close enough. And considering that both venues hold 1.000 people each, we’re talking about almost 2.000 metalheads “deceiving the gods” in this little corner of Europe. Not bad, huh?

 photo _DSC0110_zpsv9f8aanv.jpgEven though they could have pulled that off totally on their own, they obviously didn’t, bringing along two other bands. First one was Savage Messiah, who were playing in Porto for the first time. I don’t know how popular they were around here, but Portugal has a fair share of thrashers. And since Savage Messiah were formed in 2007 and last year were awarded as part of the Music Export Growth Scheme by the British Government, I’m pretty sure that many had at least heard of them. Still I didn’t notice the lyrics being sung along, hence my doubt. But I did listen to how loud they screamed their “Hey! Hey!” and how high they raised their fists, so if they didn’t know them before, they certainly do now, and in a very good way. Really a shame that they’ve played for such a short time – so short that photographers were rushed out of the photopit after just two songs instead of the usual three, as three would have literally meant half of the show. So it’s understandable that they’ve only played songs from their latest album, “The Fateful Dark”, even though they have two more in their baggage. The half-an-hour setlist included the opener “Iconocaust”, the “inspired by Satan” song “Hellblazer”, the title-track and “Minority Of One”, which was the last one. (5 / 5)

 photo _DSC0159_zpstgw2n5kp.jpg

https://www.facebook.com/SavageMessiahMetal

 photo _DSC0343_zpsblrxhhrr.jpgI wasn’t so stoked about Huntress and remained that way when the show was over. No, wait, I was stoked at the end BECAUSE it was over. At the time of their debut album, I wrote a review for another webzine and rated it 4/10. I’m looking at it right now and the first paragraph reads: « Huntress is a Californian heavy metal band highly overrated. Napalm Records took them in as “the undisputed newcomer of 2012” and I’m still wondering why. But then again, heavy metal always works on stage, and if you have a hot blonde with a very exposed cleavage screaming her lungs out, well, that surely calls a lot of attention. My question is – in the end of the show, do you remember any song? Did any solo, chorus or even a simple riff stick to your brain? Probably not. At least that’s what happened to me after listening to their debut “Spell Eater”. » What would you know? I was so right! Except for “I Want To Fuck You To Death”, that is, as the chorus is not just explicit but really catchy. But then again, as Jill Janus was so happy to inform, the song was co-written by Lemmy from Motörhead – so maybe the reason why it sounds distinctive.
Anyway, Jill was very energetic (as an aerobics instructor, as a friend would point out) but sadly her high pitch was far from steady. And the long screams were supported by the microphone effects. Then the guitar-hero poses of both guitarists were way too much for my personal taste. Mine and about a dozen friends who I’ve exchanged ideas with afterwards. But I guess we were a minority as the crowd gave a fiery response to Huntress (“We’re from California and we smoke a lot of weed”). So I can’t say that it was a bad concert, just that I didn’t like it.
Jill said “obrigada”, very pleased with herself by knowing the difference between “obrigada” and “obrigado” (it’s a gender thing – as a woman, she had to say the first, the latter is for men). She failed later, however, when she dedicated a song (“Zenith”, I think) to the girls, whom she called “muchachas”. That’s Spanish, Jill. But the crowd was hyped, and a crowdsurfing girl was praised by the singer: “that’s right, sister!”.
A new song, “Flesh”, was also introduced, and the set ended when “it was time to call the witches”“Eight Of Swords”. They left the stage with Jill saying “stay high”. Quite the advice… (3,5 / 5)

 photo _DSC0302_zpszn4xkvro.jpg

www.facebook.com/HuntressKills

 photo _DSC0497_zpsvsxejzdr.jpgWe always associate Iron Maiden’s “Run To The Hills” to Indians and cowboys because of the music video. But if we look into the lyrics – “one man came across the sea…” – it could be any invader. So given the Vikings’ history, it was only suitable that this song served as intro for Amon Amarth.
Whatever I say about this show, it won’t do it any justice – regarding both the band and the crowd. It was the fifth time I was seeing these Swedes and I’ll make sure it wasn’t the last – they’re THAT kind of band. Right on the first song, “Father Of The Wolf”, I felt a boot on my head, as the crowdsurfers got into action practically in sync with the first riff.
It also didn’t take long for Johan Hegg to say good evening and welcome us to their party – in perfect Portuguese! Trust me, it’s not easy to catch our accent. That he took the time to practice meant a lot to everyone in that room. photo _DSC0458_zpsqxdwuax7.jpg
For one hour and a half, the frenzy only slowed down when Hegg introduced the songs, drank to us from his horn, and the few moments that followed “Victorious March”, marking the encore. Notice that I said “slowed down”, not “quieted”, because the crowd kept screaming and applauding, such was the frenzy. And even despite the heat, that spiked to sauna-levels.
The aforementioned encore started with the sound of thunder, the lights still dim. Then the band returned, with Hegg holding a Mjölnir in the air. Then he hammered the ground with it, Thor-like, before starting to sing “Twilight Of The Thunder God”. In the end he said it had been the last song, getting a desolated roar as response. To get one more, we had to scream our lungs out loud enough. I think it was the first time I saw a singer satisfied with our loudness on the first take. “Of course we have one more song for you!”, Hegg said, asking bassist Ted Lundström to take the lead. As expected, “The Pursuit Of Vikings” echoed, and in the last chorus, Hegg wasn’t as easily pleased with our vocal performance, pushing us further… and achieving his goal, of course.
The whole band had a smile of their faces when they left the stage, with Hegg claiming we were “fantastic” and promising to come back. The next day, they posted a thank-you little video, with the caption “Oporto should now be called Oparty”. For this kind of pun, I didn’t mind the stupid “O” that, for some reason, the English language added to the original name of my hometown. (5 / 5)

 photo _DSC0596_zpst4sardbl.jpg

www.facebook.com/OfficialAmonAmarth

Text & photos by Renata “Pieni” Lino

Follow

Get every new post delivered to your Inbox.

Join 768 other followers