Release: 2nd October 2015
Via Napalm Records
Over the 33 years of W.A.S.P.’s existence, mastermind Blackie Lawless has managed to forge a very characteristic sound – although his unique voice is quite the trademark already. Sure, he often cheats, by recycling some riffs and licks (if you’re familiar with the band’s discography, you’ve surely experienced some déjà vu moments), which means that’s what’s built around those “recovered pieces” that ultimately determine how good the album is. And the general outcome of “Golgotha” is pretty satisfactory.
So when “Shotgun” and “Slaves Of The New World Order” bring back memories from past songs, there will always be a refreshing tweak reinventing them. I must highlight the guitar solo on “Slaves…”, as it’s one of the most spirited in “Golgotha”. In fact, the guitar work is still the band’s strongest asset, the sound of those strings so enthralling that you won’t even realize how long the songs are – never shorter than five minutes, and three of them pretty close to eight! One of the latter is the beautiful “Miss You”; it’s quite uncommon for a ballad to be so lengthy, but then again, Blackie came up with the idea for this one when he was composing the legendary “The Crimson Idol”, so it’s only natural that “Miss You” has some uniqueness to it…
The darker, seductive rhythm of “Eyes Of My Maker” also stands out, but still my personal favorite is “Last Runaway”, for its spunky rock vibe. It also features a top-notch guitar solo, and the bass line is pretty much alive, but it’s overall more straight-forward and catchier than the other tracks.
There have been a few low-points in W.A.S.P.’s career, no doubt about it, but right now, 33 years and 15 albums later, yeah, they still got it.
4 / 5
Renata “Pieni” Lino