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Through The Cracks introduce complete line-up

Posted in News with tags , , , , , on 29th August 2014 by Pieni

When we interviewed Jimmy Bergman last month, he mentioned how he and Tillie Grundel were thinking about turning Through The Cracks into a full band rather than a duo. And indeed, a week ago or so, three other names showed up on their Facebook page. Now we have an official photo to go along with those names:

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From left to right: Jimmy, Emmy, Tillie, Daniel, Niklas

Niklas Aggemyr, who was already helping with the production of the new songs, has now taken the bass duties as well. With Daniel Holmgren on drums and Emmy Åsblom on the keyboards and backing vocals, the line-up is complete.

 photo jbttc_zps6a58557f.jpgWith Through The Cracks growing, some fans wondered if Jimmy was leaving his other band The End Of Grace. So the guitarist issued the following statement: “Many people ask me if I’ve stopped playing in The End Of Grace just because I’m now playing with Through The Cracks. So I’m writing this just to put an end to the rumor! I’m still playing with The End Of Grace, we are currently working on our next album, and it will be awesome! I/we are working at the same time very hard on my new band Through The Cracks and will shortly release an EP, which is also awesome! So give both bands a like!! The End Of Grace & Through The Cracks.

The debut single of Through The Cracks, “Breathless”, is available on iTunes and Spotify.


Through The Cracks official Facebook

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Between The Buried And Me to release “live” CD + DVD

Posted in News with tags , , , , , , on 28th August 2014 by Pieni

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“Future Sequence: Live at Fidelitorium” is the title of the upcoming “live” CD and DVD by progressive act Between The Buried And Me. “Live”, in quotes, as it was recorded in the Fidelitorium Recordings studio and not during a concert. According to drummer Blake Richardson: “We’ve always been fans of dvds where it’s just the band, you don’t have any other distractions”. And vocalist/keyboardist Tommy Rogers adds: “We wanted to give the fans something that made them feel a little closer to us, and made them almost feel like they’re at practice with us.”

The film will show the band performing their most recent album “The Parallax II: Future Sequence” in its entirety. It’s directed and edited by Justin Reich, with director of photography Ismail Abdelkhalek, and audio engineers Jamie King and Kris Hilbert. Audio mixing and mastering was completed by Jamie King. It also features guest musicians Walter Fancourt (tenor saxophone, flute), Julian Hinshaw (Tuba), Will Goodyear (marimba, glockenspiel), Taya Ricker (violin), David Parks (violin), Leigh Dixon (viola), and Socrates Razo (cello).

“Future Sequence: Live at the Fidelitorium” will hit the stores on September 26th via Metal Blade Records. Watch the trailer and click HERE for pre-orders, including bundles.

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Vallenfyre tour dates

Posted in News with tags , , , , , , , on 25th August 2014 by Pieni

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Super-group Vallenfyre – featuring Greg Mackintosh (Paradise Lost), Scoot (Doom), Hamish Glencross (ex-My Dying Bride) and Adrian Erlandsson (At The Gates, Paradise Lost, The Haunted) – will finally go on a proper tour to promote thier latest album “Splinters”. So far they’ve only played a few selected shows, but this Autumn they’ll start by supporting Bolt Thrower and Morgoth, before headlining their own show. Here are the dates:

Vallenfyre with Bolt Thrower & Morgoth
30.09.2014 Le Trabendo , Paris, France
01.10.2014 Garage, Saarbruecken, Germany
02.10.2014 Hellraiser, Leipzig, Germany
03.10.2014 LKA Longhorn, Stuttgart, Germany
04.10.2014 JUZ, Andernach, Germany
05.10.2014 Muziekodroom, Hasselt, Belgium

Vallenfyre + support
06.10.2014 Merleyn, Nijmegen, The Netherlands
07.10.2014 Baroeg, Rotterdam, The Netherlands
09.10.2014 Turock, Essen, Germany
10.10.2014 MTC, Cologne, Germany
11.10.2014 Kranhalle, Muenchen, Germany
12.10.2014 Räucherkammer, Wiesbaden, Germany
13.10.2014 Magnet, Berlin, Germany
15.10.2014 Exchange, Bristol, UK
16.10.2014 Talking Heads, Southampton, UK
18.10.2014 Best Buy Theater, New York, USA (Decibel 10th Anniversary Show w/ Amon Amarth & Sabaton)
20.10.2014 Slade Rooms, Wolverhampton, UK
21.10.2014 The Dome, London, UK

Quoting Mackintosh: “The upcoming shows will be something new for us as a band. So far we have only done one club gig in Finland and that was our first ever show. Every other show we have played has been as part of a festival so this will be our first proper club tour together. With equal parts excitement and trepidation we will venture into the unknown and spread some unspeakable filth over Europe.”

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Vagos Open Air 2014 – 3rd day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 23rd August 2014 by Pieni

Gojira, Paradise Lost, Vita Imana, The Quartet Of Woah!, MURK, Opus Diabolicum
Quinta do Ega, Vagos (PT)
10th August 2014

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Third and last day of Vagos Open Air 2014. It had rained a bit in the morning, so the dust had settled down. On the other hand, the water mixed with sour beer and other spilt liquids was starting to stink…

First band was Opus Diabolicum. The die-hard Moonspell fans will recognize this name from one of their early songs (from the 20-year-old EP “Under The Moonspell”, in case you’re not familiar with it). The name isn’t a coincidence, since Opus Diabolicum did with Moonspell the same that Apocalyptica did with Metallica – instrumental covers in cellos.
The gig didn’t kick off very well. After just a couple of minutes they had to interrupt due to a problem in the cello on the right (I wish I could tell you the name of the musician, but their Facebook page doesn’t mention names). And since none of the other two addressed to the audience, the silence became a little awkward. But when the cello was back in order, they attacked those strings with “Opium” and the crowd soon forgot the incident, singing the lyrics strongly. I confess I wasn’t expecting such a great feedback and I’m happy I was wrong about it. Of course they played some Moonspell key-hits, and that might have helped – “Vampiria”, “Nocturna”, “Scorpion Flower” – and such any Moonspell gig, they wrapped it up with “Alma Mater” and “Fullmoon Madness”. Neat! (4/5)

Opus Diabolicum official Facebook

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MURK – the “alternative death metal” Portuguese band, not the black metal Italian one – were up next. Never had heard of them before, not even when they were going by the name Sattor, and that started back in 2005. Apart from the EP “Tyrants Of Decay” they’ve released early this year, it seems that they’ve only released another EP (“Seeds Of Perseverance”) as Sattor. One must wonder why a band with just two extended plays out in a less than 10-year-old career was chosen for such a big event as Vagos Open Air. It’s commendable, of course, that Prime Artists support the national underground, but we have so many bands with a bigger discography and a larger fan base (there were some MURK fans present, truth be told) that it just seems unfair the promoters chose this band. it wasn’t a bad concert – the highlight on “Footprint Of God”, apparently – but it wasn’t a spectacular one either, despite their ritualistic gear and makeup. (3/5)

MURK official Facebook

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Now The Quartet Of Woah!, despite being formed just 4 years ago, they’ve been playing non-stop recently and making their name known. Well-known, actually, as their live shows are pretty… lively! I wasn’t expecting that, since I was told they were a stoner band. But unlike most stoner rock bands, they don’t focus on the bluesy and depressive doom side of the genre but on the heavy metal and psychedelic rock instead – hence the high voltage of their shows. It’s all there, though, in a classy mix, but it’s the heaviest and fastest elements they bring to life the most. Gonçalo Kotowicz was unmistakably happy, giving a quick (the time was short) but heartfelt thank you to Vagos. Songs like “U Turn”, “Balance” and the latest “BackwardsFirstliners” brought a sixties/seventies 5-star vibe to the festival. (5/5)

The Quartet Of Woah! official Facebook

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Spanish Vita Imana was another surprise – one that so far gets my gold medal in the category “Top surprises of 2014”. Whoever told me they were a thrash metal band forgot to mention they were also tribal and ‘core, otherwise I’d be more or less warned of the adrenaline discharge I was about to witness. A big emphasis on “more or less”, as I wouldn’t have expected that anyway. Here’s a band who knows what live gigs are all about! Their sound is mosher-friendly by nature, true, but if it wasn’t for Vita Imana’s tornado-wise attitude – especially singer’s Javier Cardoso, whose jumps were quite epic – the response of the crowd wouldn’t have been so explosive. “Gondwana”, “Quizás No Sea Nadie” or “Paranoia” were just a few of the songs that made the circles go crazy. (5/5)

Vita Imana official Facebook

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I guess everybody knows by now that a Paradise Lost gig is either very good or sucks dish water, there’s no middle term. It all depends on Nick Holmes’ mood. Holmes not only was in a great mood, his voice was in the strongest shape ever – this being my 9th Paradise Lost concert in 17 years, trust me, I know what I’m saying.
With a very serious face, Holmes said Paradise Lost have been around since the fifties/forties (told you he was in a good mood) while introducing “Gothic” – the oldest track of that night’s setlist, released in 1991 and not, obviously, in the ‘40s. Don’t know if he’s going through some midlife crisis, but he would later hint on the band’s “antiquity” again by saying that the following song was a hit that had been playing for decades and he expected to continue so. If you’re a hardcore fan of Paradise Lost, you know he meant “As I Die”.
They left the stage after “True Belief” – my all-time favorite, I confess – and someone started screaming for them. Soon a massive “PARADISE LOST, PARADISE LOST!” echoed. They would return for a 3-song encore, Holmes thanking once again (I lost count on how many times he said thank you). After the very last “Say Just Words”, the band took a selfie with a delighted crowd, all horns-up, in the back. Don’t worry about your age, Mr. Holmes. At 43, you’re still able to pull off amazing performances that many 20-year-olds can only achieve in their dreams. (5/5)

Paradise Lost official Facebook

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However, this was Gojira’s night. I believe the Portuguese fans have been asking for the French band since the very first Vagos edition. As for them, they claimed they’d been expecting to play in Portugal for 18 years – meaning since they first were founded, still as Godzilla. Yeah, yeah, I know they all say nice things about the countries/cities they’re visiting for the first time, or haven’t visited in a long while, but in this case I believe, as the Duplantier brothers have Portuguese roots (grandmother) and they’ve visited the country many times before, as tourists. Now that they made it as a band and had such a thunderous reception, I’m pretty sure they’ll do their best to return soon.
The security guys had their hands full – literally – from the very first seconds (yeah, seconds) of “Explosia” to the last ones of “Where Dragons Dwell”. A high-five to all of them for the excellent job they did, not only at helping the kids on the “landing” but also in guiding them into the best path of hands and heads.
Peak moments? All of them! But I can’t stop mentioning the inflatable dolphin that bounced back and forth over the crowd on “Flying Whales”. Cute!
It was hard to accept the gig had come to an end. Joe said what must have been all the pleasantries he knew in Portuguese while everybody screamed “GOJIRA, GOJIRA!” at the top of their lungs. But it was over. And unforgettable. (5/5)

Gojira official Facebook

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Text & photos: Renata “Pieni” Lino

More pics in our Facebook page HERE.

Vagos Open Air 2014 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , on 21st August 2014 by Pieni

Opeth, Annihilator, Behemoth, The Haunted, Angelus Apatrida, Requiem Laus
Quinta do Ega, Vagos (PT)
9th August 2014

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Author António Parada wrote a thriller full of heavy metal connotations called “A Guardiã” (the guardian), so he thought Vagos Open Air was suitable for a presentation. I confess I totally forgot about it, so I didn’t arrive to Quinta do Ega in time of watching it. I doubt there will be an English version of it anyway, but if it happens, I’ll let you know.

Despite the 1-day tickets for Saturday being sold out and their much longer career – 16 years longer, to be exact –, Requiem Laus didn’t have a crowd as big as Gates Of Hell had had the previous day. Singer Miguel said this was their return to the stages, after two years and a half (personally, I hadn’t seen them in 7), so maybe that’s why their sound seemed so alien to the majority of the crowd. Plus they’re somewhat… introvert. Good musicians, with great death-blackish songs such as “Reflection Of God” or “Impulse”, which they performed there, but they enjoy the music on their own, not reaching out to the crowd much. So sadly they didn’t get an effusive response to their gig. (3/5)

Requiem Laus official Facebook

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Angelus Apatrida, on the other hand, unleashed hell – kicking off with “Violent Dawn”, violent is the right word to describe the circles. The Spanish thrash metal act has a solid fan base here, but even if they didn’t, the moshers would have quickly surrendered. Guitarist David G. Álvarez suffered a motorcycle accident back in March and his right leg is still on a cast. But even sitting down on a chair, he moved his upper body like there was no tomorrow. Those guys know how to be on stage and a broken leg doesn’t change that.
Among the short occasions Guillermo Izquierdo addressed the crowd – they had little time to play, so he didn’t want to waste it with talking – he mentioned they were once again recording at Switchtense’s studio (Ultrasound Studios). That meant a lot to the people, not only because it implied a new album, but also because it’s a Portuguese studio. (5/5)

Angelus Apatrida official Facebook

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Not sure when The Haunted had played here last, but it’d been quite a while. To say the crowd was eager for this gig is an understatement. And while you can never read Jonas Björler’s expression, Marco Aro’s was one of true happiness throughout the whole show, so I guess at least he was just as elated as the people watching them. Hell, he was so enthusiastic that he hit the mic against his forehead a few times until it bled, and didn’t attend to the wound until he was off stage! Anyway, whatever the others were feeling, they put everything they’ve got into the performance and all expectations were met. From “99” to “Hate Song”, going through “Undead”, “No Compromise” and the new “Eye Of The Storm” (by the way, the new album “Exit Wounds” is out in just a few days – 25th August) the “mosh ‘em all” motto in the back of Aro’s t-shirt was fulfilled. (5/5)

The Haunted official Facebook

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But in my humble opinion, it was Behemoth who put up the greatest show – even in daylight! They were also missing their cobra microphone stands and some other paraphernalia, just the cloaks and make-up. And the horned masks they wear during the final prayer of “O Father O Satan O Sun!”. Meaning the excellence of their show was due to their music – hand-picked songs from the last six albums – and attitude on stage: Seth’s “hairbanging”, Orion’s mean faces, Inferno’s sharp beats and, of course, Nergal’s leadership. I don’t think he spoke a word to the audience, but the weight of his stare on us and how he yelled at us to yell back had more communication than a speech. Simply amazing the power Behemoth holds on stage. (5/5)

Behemoth official Facebook

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In their own old-school way, Annihilator were top as well. They released a new album last year, titled “Feast”, so they played a few songs in order to promote it – “Smear Campaign”, which opened the show, “No Way Out” and “Deadlock”. Then, apart from the funny country-metal song “Chicken & Corn” (a hidden track featured in “Carnival Diablos”, from 2001), every other track was +20 years old. What a trip to the past, from where I personally highlight “King Of The Kill”, “Set The World On Fire” and – you guessed! – “Alison Hell”. Thrash metal at its best!
There was one thing I couldn’t stop noticing. When Jeff Waters was introducing the band, he mentioned Oscar Rangel’s Mexican nationality right before he introduce Dave Padden. Or at least that’s what I understood; Padden got it otherwise and said quickly, somewhat annoyed “I’m not Mexican”. I guess I’d be annoyed too if I thought that, after working with someone for 12 years, he still didn’t get my roots right. Still I think Padden could’ve had a different reaction, maybe make a joke out of it, as there were a few awkward seconds between the two guitarists. But nothing significant enough to ruin the 5 stars the gig deserves. (5/5)

Annihilator official Facebook

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Now Opeth… I’ll start with something Mikael Åkerfeldt said at some point, regarding a song I honestly can’t remember the name, but he said that “if it sounds like a fuck-up, it isn’t. It’s just us being progressive”. And this is more or less what I think of prog. Nope, it’s definitely not my cup of tea. I recognize the high quality of some of the bands/artists, but I just can’t like it. So me, and many others like me, wouldn’t have enjoyed the show (apart from Åkerfeldt’s jokes, that is). The thing is that even among the die-hard Opeth fans there are mixed feelings about the Vagos show. Some complained about the “soft” setlist, others about the somewhat shallow performance… and then there are those who were simply enthralled from the moment “The Devil’s Orchard” started to the one where “Blackwater Park” stopped. They have played VOA two years ago, and I’ve also seen them at the 9th (and last) anniversary show of the original Hard Club, and this was the weakest of those three. But like I said, prog isn’t my thing, so I could be wrong… I still laughed when he said they came from Stockholm, where other great metal bands came from, like Entombed, Dismember, Bathory… and ABBA. That the next song was actually “Super Trouper” (it was “Heir Apparent”). Or when he said it smelled like dead cat in his armpit. Or when he told a girl she could lower the “teddy-crocodile” as he didn’t know that song (it was a dinosaur plushie with a sign asking for “Coil”). Still there was something missing in his attitude – even I noticed that. Was it a bad concert? No, I can’t say that. But Opeth can do better. (4/5)

Opeth official Facebook

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Text & photos: Renata “Pieni” Lino

More pics in our Facebook page HERE.

Vagos Open Air 2014 – 1st day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 19th August 2014 by Pieni

Kreator, Epica, Soilwork, Sylosis, Kandia, Gates Of Hell
Quinta do Ega, Vagos (PT)
8th August 2014

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This year’s edition of Vagos Open Air was bigger in every sense of the word – it lasted one day longer than usual, it had more people coming in, and it had also the greatest bill so far. Kudos for promoters Prime Artists!

National Gates Of Hell must feel proud, and not just for kicking the festival off: it’s not easy for an underground band to gather so many people on a hot Friday, at 5 o’clock in the afternoon, but they made it! There was a sea of people like there’s never been for an opening band, in all the 6-year history of the festival! Of course they’ve been working hard for it in the last few years, especially since the release of their debut album, playing all over the country and winning fans with their ballistic live shows. But it still was a wonderful surprise to see such a crowd screaming and moshing for them. And the size of the wall of death on the last song, “Critical Obsession”! Singer Raça thanked everyone – both fans/friends and those who were watching them for the first time – but truth be told, they wouldn’t have got that response if they weren’t just as good. The credit is all yours, boys! Keep it up! (5/5)

Gates Of Hell official facebook

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Things cooled down a bit, but only in terms of “brutality” – Kandia is a modern/alternative rock band, so no mosh pits for them. But that doesn’t mean that their show was less electrifying. It was just a different kind of voltage. Especially singer Nya Cruz, who looked totally at home on stage. They’ve released two albums so far, but neglected the first one completely, focusing just on the latest “All Is Gone”. Last year, they won the international music contest Global Rockstar with one song from that album, “Scars”. “We’re not going away, we’re here to stay!” was the introduction to that song, as its first verse reads “I’m here to stay”. But more than an introduction, it’s a statement, a motto – and the grip they had on this gig is proof that they will stick to it. (4,5/5)

Kandia official facebook

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It was the first time Sylosis were playing in Portugal (after pulling out of the Epic Industrialist Tour, in 2012) and Josh Middleton admitted they weren’t expecting such a reception. The crowd was happy to finally experience live songs such as “All Is Not Well” and “The Blackest Skyline”, so the circles began spinning once again, at full force. And when Josh asked for TWO circles – one at the left, one at the right – they were eager to comply (same as the headbanging to the sound of nothing, but that’s been done before by other artists – the two circles, now that was new). At some point Josh said that this was the last gig of Rob (Callard, drummer), since he would be pursuing a career as a singer… in a Mariah Carey cover band. Such talented musicians and so humorous… no wonder no one cared about the “little” fail of asking if we were ready for Kreator while playing a riff from Slayer’s “Raining Blood”… (5/5)

Sylosis official facebook

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It had been 11 years since I’d last seen Soilwork – which was the last time they’d played in Portugal. So I don’t know if it’s usual for them to use The Alan Parsons Project’s “Sirius” as intro, but for me, it was a really nice surprise. And it links so well to “This Momentary Bliss”, the first song of their set! A set that I confess was hoping to be a bit more diverse, given the years of absence from the Portuguese stages. But their latest album is a magnificent double piece, so it’s only natural they wanted to focus on the killers of “The Living Infinite”. Still they went back a couple of times – “The Average Stalker”, “Bastard Chain”… –, closing with a golden key with “Stabbing The Drama” (“I think you know the chorus to this one”, said Mr. Björn Strid). The circles weren’t as constant as in the previous band but only because Soilwork’s sound doesn’t require so – there’s a reason why it’s called “melodic” death metal. In terms of intensity, they were just as “crazy and wild” (to use Strid’s own words). (5/5)

Soilwork official facebook

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There were LOADS of Epica fans in Vagos, so whoever thought it was a mistake to invite them again (they performed at the first edition of the fest) couldn’t be more wrong. Simone Simons’ voice was better than the last time I’ve seen them, in the “Requiem For The Indifferent” tour, but still a bit “shaky” here and there. The most blatant case was “Cry For The Moon”, where her voice was smothered by the choir backtracks and not because something failed with her mic. It’s just that female voices also change with time and it’s been 10 years since Simone first recorded that song. Maybe that’s why she took the chance to introduce the band, singing the names and their instruments instead of the original lyrics. Nice trick! But no one seemed to care anyway, as the strong and positive attitude of the whole band made those flaws look like small details.
They played a few songs from the latest album, “The Quantum Enigma” – including the first three tracks plus the new hit “Unchain Utopia”, but Simone said they would be back in November, in a promotional tour for this album. The crowd was thrilled to hear that. (4,5/5)

Epica official facebook

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Okay, it’s true that a Kreator gig is always a Kreator gig, and even when they’re bad, they’re still pretty good. But sometimes they’re REALLY awesome – like this time! From “Mars Mantra / Phantom Antichrist” to “Flag Of Hate / Tormentor”, Mille Petrozza got some of the best “Portuguese circle pits” that he kept asking for – having played here so many times before, he knew what he was talking about when he specified the nationality, giving them an unique identity. But with such a performance it was hard not to raise hell – the stage wasn’t big enough for their fire show, but the human heat made up for it.
For the encore, and the aforementioned medley of “Flag Of Hate” and “Tormentor”, Petrozza got on stage holding a flag, saying that when they released that album (“Endless Pain”), back in 1985, Michael Jackson was still alive. The rest of the band played a few chords from “Billie Jean” and the crowd roared. But the roar was much louder when he talked about the album that Judas Priest released five years later, as its title was the opposite of “Endless Pain”“Painkiller”, with the main riff of its title-track echoing. The true explosion came, of course, when Petrozza stopped talking and the medley itself began. (5/5)

Kreator official facebook

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Nevel a dull moment on this first day – except for the background music between songs, which was literally the same over and over. The metal DJs that took the graveyard shift should have been hired for the day as well…

Text & photos: Renata “Pieni” Lino

More pics in our Facebook page HERE.

Behemoth to hit the UK and Ireland in December

Posted in News with tags , , , , , on 17th August 2014 by Pieni

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After the sold out gig at The Forum early this year, right before the release of the much acclaimed “The Satanist”, Behemoth will now return to British and Irish soil for a few shows. Supporting them will be Decapitated, who will release their new album “Blood Mantra” next month, Grand Magus, whose latest “Triumph & Power” has also been very well received, and also Manchester-based Winterfylleth, who will be releasing their 4th album “The Divination Of Antiquity” in October.

Quoting Nergal: » It took us years to finally put together a separate UK tour and we are eager to bring the magic of “The Satanist” to our fans over there! We are counting days. Literally. With such a strong and diverse company from our friends in Grand Magus and Decapitated we are expecting nothing but a great metal feast! «

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www.facebook.com/grandmagusofficial

www.facebook.com/Winterfylleth

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