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Bloodbath announce Paradise Lost-Nick Holmes as their new singer

Posted in News with tags , , , , , on 16th September 2014 by Pieni

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Anders “Blakkheim” Nyström has said in several interviews that Bloodbath had already a new singer but he wasn’t allowed to reveal his name, due to the lack of contract. He did say “Oh, he’s a legend!” but no one expected that legend to be Nick Holmes of Paradise Lost. The news hit us this morning via Metal Hammer, with the following quotes:

“Ever since I got into Lost Paradise back in 1990,” says Jonas Renkse, Nick Holmes has been one of my favourite growling vocalists out there. He was always audible and articulate but still deep and definitely morbid. It is a great pleasure to work with him some 25 years later after I was introduced to his thunderous roar!”

“Little did I expect to be working with the voice behind the death metal classic Lost Paradise, or the genre-defining Gothic and yet here we are decades later, fulfilling another death metal dream. With his sinister and ominous vocal delivery, it’s an absolute pleasure to make Old Nick the bell-ringer in Bloodbath‘s grand morbid funeral!”, adds Blakkheim.

Like they say, it’s been almost 25 years since “Lost Paradise” and everybody knows that Paradise Lost doesn’t use growls anymore. Is “Old Nick” still up to it? Let’s wait and see!

www.facebook.com/bloodbathband

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Interview with Johan Carlsson of Sparzanza

Posted in Interview with tags , , , , , , , on 14th September 2014 by Pieni

 photo 10558040-origpic-fe62b6_zps3b638754.jpgI’ve been a Sparzanza fan for some five years, since I’ve first heard “My World Of Sin”. That song was featured in their 4th album “In Voodoo Veritas” and they’ve released three more after that, none of them ever disappointing me. So I was more than thrilled for this chance to interview bassist Johan Carlsson and get to know a little bit more about their latest “Circle”, among other things.

RL: Since this is the first time Valkyrian Music is talking to Sparzanza, I’d like to go back in time a bit. So my first question is… what does Sparzanza mean?
JC: Well, it comes from some old Blaxploitation movie from the 70’s. I believe it was the name of a very unpleasant pimp. Although, it was a long time ago. It was the first singer (Peter Eriksson) who came up with the name for a song first, and then the band used it as a band name. Do not ask me what movie it was, ‘cause I have absolutely no idea!

RL: You’ve been hardening your sound for some time now, but “Circle” is definitely your heaviest album so far. Was that intentional, at the beginning of the songwriting process, or it just turned out that way?
JC: This time it was really not intentional. It has been intentional on some of the albums, but not this time. This time we wanted to make a great record and have absolutely no boundaries. We have experimented a bit more this time, different guitar sounds, tunings, double bass drums and stuff, but in the end the song is what is in focus. And has always been.
We also wanted to have a more honest production, without too much overdubs and drum triggers and so on. More natural. photo sparzanzapress2011fotorobertrundberget2_zpscf09b13c.jpg

RL: Still, you manage to always keep that “something” that identifies it as a Sparzanza song. How would you describe the Sparzanza sound to someone who has never heard you before? What would you say it’s your best quality in order to convince that person to go and listen to it?
JC: I would say that it lies within the melancholy of the melodies. We have very strong melodies, which are very dark most of the times. Especially on the former album “Death Is Certain, Life Is Not” when we really dug us down into darkness. Still it’s not goth- or depressing music. It is really heavy hard rock/metal with great melodies. And with one of the best and most various rock and metal singers available (Fredrik Weileby).

RL: That “trademark” sound is also heard in covers – five years ago, you’ve released your own version of Billy Idol’s “Rebel Yell”. How did that idea come about, to release it at that particular time and why that song?
JC: We did it because we needed some attention at that time, actually. I don’t remember why we chose that particular song, but it might have to do with us thinking Mr. Idol is pretty cool. Also, since we wanted to do a cover a lot different than the original (otherwise don’t do it) and the production of that song is a bit lame, we thought we had something to work on. Our cover version, unlike other cover versions of that song, is very dynamic and has a cool Sparzanza feeling over it.

RL: And if Sparzanza would ever do something like that again, what song would you like to cover?
JC: Oh, that is a hard question. We actually talked about it the other day but never decided anything. Personally, I would like us to try a cover we did about 15 years ago – “Skirtlifter” by a band called Buffalo.

 photo sparzanza-circle-cover2014_zps895cce4d.jpgRL: Like it’s said on the website, “a circle is not something that has one specific meaning”. Is that why it was chosen as title for the album? For its diversity?
JC: Our street team, called The Black Cult was actually an inspiration. We wanted something on the cover that could be interpreted as a cult, something that is boiling underground without the public really knowing about it. The title is chosen out of that, and it’s a good title since it can be interpreted in several different ways.

RL: Of all the meanings it can have, which one is your personal favorite?
JC: The occult thing – a circle unknown to all!

RL: And still speaking of favorites… which song of “Circle” do you like to listen to the most and which one do you like to play live the most?
JC: Personally I think “Black” is a great song. It turned out one of the heaviest songs we have ever written. “Pine Barrens” is the coolest song to play live I think. The riffs are cool to play and it’s a great… no, it’s an amazing show opener!

RL: Why did it take so long for “Circle” to be released worldwide? (Note: “Circle” was released in the Northern countries in March and is set to be released worldwide on the 26th September)
JC: There are only 24 hours in a day and 7 days in a week! We concentrated on the Scandinavian countries first and needed some more time to plan the release outside of Scandinavia. We are doing a lot of work ourselves. We have our own label who releases the albums outside of Scandinavia and with all the touring and stuff we did not have the time to release it properly until now. I hope it was worth the wait!

RL: And can we expect live shows outside the Northern countries?
JC: Hell yeah! Right now there are plans for shows in Germany, Spain and UK in 2014. Then we will do the Benelux countries as well as China in 2015. That is the plan now, but there might be additions to that tour schedule.

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RL: You’ve mentioned on Facebook that there’s a new song already, “Plainfield”. Was it born spontaneoulsy or are you already working hard on the next release? Is it too early to ask if you’ll keep on the heavy path of “Circle” or keep moving into something else?
JC: We’re always writing songs. This time, though, it was a spontaneous thing. We have not started to write a lot for the next record, but there are always plenty of ideas to be worked on. I think it might be a little premature to talk about how the next record will sound, but it won’t be less heavy than “Circle”, I can guarantee you that!

RL: In the band’s bio the drums are mentioned as being “in your face” in this album, and that the sound is different due to the “use of alternate tunings of the guitars”. Does this include the bass guitar or would you like to add something else about the input of your bass in “Circle”?
JC: Well, since the guitars are tuned different I had to tune the bass different too sometimes. But I have been trying to keep the low tuning that I always use on my basses. It sometimes makes it harder to play the songs but the sound stays heavy. Otherwise than that I really like to keep both the playing and the gear pretty simple. Just the amps I always use, my Sandberg basses and a pre-amp, that’s it. Me and Anders (the drummer) also rehearsed by ourselves a lot this time before recording, to make it even heavier.

RL: Well it’s been a pleasure talking to you! All the best with those plans!
JC: Thanks!

www.sparzanza.com

Interview by Renata “Pieni” Lino

Spires announce crowd-funding campaign for upcoming album

Posted in News with tags , , , , , on 5th September 2014 by Pieni

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Manchester progressive metallers Spires have launched a Kickstarter crowd-funding campaign for their forthcoming full length album, “The Whisperer”. After the critically acclaimed “Spiral of Ascension” (2010), and the equally praised acoustic mini-album “Lucid Abstractions” (2012), “The Whisperer” is planned to be released in early November, with the Kickstarter campaign ending on 4th October. If you wish to take part of this, please click the following link: ttps://www.kickstarter.com/projects/1250333601/spires-second-album-the-whisperer-t-shirt-campaign

The album will initially be a limited edition run of 500 copies, on 6 panel digipak, featuring extensive artwork by Daniella Morrison, and a full lyric booklet. The 7 track release will feature over an hour of progressive metal, and expands upon the foundations laid on the band’s previous releases.

“This album is going to be even more expansive and wide reaching,” vocalist/guitarist Paul Sadler explains, “with more varied instrumentation including cello, violin, piano and female vocals, as well as a guest spot on guitar from Tymon Kruidenier from Exivious / ex-Cynic The overall dynamics are pushed to further extremes in both directions. We’re all extremely excited about how it’s sounding. We decided to launch a Kickstarter campaign to give us that helping hand to produce a physical product that’s really worth having. In this day and age we feel this is necessary to convince people its worth parting with their hard earned cash for something you have created.”

The band is also producing a limited run of T-shirts to coincide with the release, featuring artwork from the album, also available through Kickstarter. A small UK tour is also in the pipeline for the end of the year, of which we’ll inform you as soon as the dates are confirmed. They play a one off show alongside Falloch and Jordan Reyne on 17th September at The Flapper in Birmingham .

Spires online:
http://www.facebook.com/spiresofficial
http://www.spiresband.co.uk

In Flames – Siren Charms

Posted in CD, Metal with tags , , , , , on 4th September 2014 by Pieni

In Flames
“Siren Charms”
Melodic Metal
To be released on 5th September 2014
Via Epic Records

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A smile lit up on my face when I heard that In Flames would release a new album. That smile still glowed when the first single “Rusted Nail” was available. Not a spectacular track but good enough – the guitar licks in the intro flow pretty easily through your ears; Fridén’s vocal tone – mainly clean but harsher here and there and backed by occasional screams – sounds quite pleasant; an exquisite bridge preceding the first chorus, and the catchy melody of the latter…  There’s something standard in the riffing, though, hence the “not a spectacular track”.

Then the aforementioned smile got wider with the release of “Through Oblivion”, a melancholic song, almost depressive, that stirred something in the darkest side of me.

But then I listened to the whole album and the smile faded, almost completely. We already knew the “melodic” was growing stronger and the “death” was dimming, so it isn’t a big surprise that “Everything’s Gone” is the only true heavy song in “Siren Charms”. What disappoints me is that it’s not a very good song. The heaviness of “When The World Explodes” is better, but the softer parts are weak, not because they’re, well, soft and slow, but because they don’t seem to have any spirit in them. This one features soprano Emilia Feldt, who has a beautiful voice but doesn’t help this track at all. Weren’t sirens supposed to have an enthralling vivid chant? Feldt uses a very languid tone here.

Also “Paralyzed” and “Dead Eyes” make justice to their titles, being quite dull tracks. “With Eyes Wide Open” is a nice ballad, though, and “Filtered Truth” has a rock-ish vibe, a lively sound that’s refreshing to hear in the end.

The production is amazing, but something’s missing in “the whole musical picture”. And it’s not the more melodic approach that bothers me. It’s its lack of ability to embrace my senses and leave a positive remark.

3 / 5

By Renata “Pieni” Lino

The Temperance Movement on headlining tour in November

Posted in News with tags , , on 2nd September 2014 by Pieni

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After some festival appearances and a string of stadium shows supporting The Rolling Stones, blues rockers The Temperance Movement will engage on an European headlining tour in November, including 4 dates in the UK:

Nov. 16 – Bristol, UK – Academy
Nov. 17 – Manchester, UK – The Ritz
Nov. 20 – Birmingham, UK – Institute
Nov. 21 – London, UK – The Forum

Nov. 23 – Leffinge, Belgium – De Zwerver
Nov. 24 – Cologne, Germany – Luxor
Nov. 25 – Berlin, Germany – Lido
Nov. 26 – Zurich, Switzerland – Komplex Klub
Nov. 28 – Vienna, Austria – Chelsea
Nov. 29 – Munich, Germany – Backstage

The Temperance Movement‘s self-titled debut album is available now and stormed into the UK album charts at number 12 on its release in September last year.

Official site – http://www.thetemperancemovement.com
Facebook – http://www.facebook.com/TheTemperanceMovement
Twitter – http://twitter.com/ttm_tweets

ASIA to tour the UK this Autumn

Posted in News with tags , , , , , on 2nd September 2014 by Pieni

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In promotion of their 14th studio album “Gravitas” (released on 24th March via Frontiers Records). legendary rockers ASIA will perform a handful of shows in the UK this Autumn:

28th October 2014, Sage H2, Gateshead
29th October 2014, RNCM, Manchester
30th October 2014, Wulfrun Hall, Wolverhampton
31st October 2014, The Regent Centre, Christchurch
2nd November 2014, Shepherd’s Bush Empire, London

“Performing on stage is where this band truly comes into its element. Seeing the fans reacting to our music is what makes it all worthwhile. It is the fuel that drives this train we call ASIA. We’ve played to audiences globally, but playing at home in the UK is always a major event for us”, says drummer Carl Palmer, to which singer/bassist John Wetton adds “It always was a great live band, but this time the dragon has awoken with fresh energy, direction and purpose. These autumn dates are going to be special.”

http://originalasia.com/

Through The Cracks introduce complete line-up

Posted in News with tags , , , , , on 29th August 2014 by Pieni

When we interviewed Jimmy Bergman last month, he mentioned how he and Tillie Grundel were thinking about turning Through The Cracks into a full band rather than a duo. And indeed, a week ago or so, three other names showed up on their Facebook page. Now we have an official photo to go along with those names:

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From left to right: Jimmy, Emmy, Tillie, Daniel, Niklas

Niklas Aggemyr, who was already helping with the production of the new songs, has now taken the bass duties as well. With Daniel Holmgren on drums and Emmy Åsblom on the keyboards and backing vocals, the line-up is complete.

 photo jbttc_zps6a58557f.jpgWith Through The Cracks growing, some fans wondered if Jimmy was leaving his other band The End Of Grace. So the guitarist issued the following statement: “Many people ask me if I’ve stopped playing in The End Of Grace just because I’m now playing with Through The Cracks. So I’m writing this just to put an end to the rumor! I’m still playing with The End Of Grace, we are currently working on our next album, and it will be awesome! I/we are working at the same time very hard on my new band Through The Cracks and will shortly release an EP, which is also awesome! So give both bands a like!! The End Of Grace & Through The Cracks.

The debut single of Through The Cracks, “Breathless”, is available on iTunes and Spotify.


Through The Cracks official Facebook

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